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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F187EF it is the complementary color #0E7810. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F187EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F187EF shade: #F687EA, #FF99FD, #FFABFF, #FFBDFF and #FFCFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F187EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F187EF shade: #F187EF, #E075DC, #CF63C9, #BE51B6 and #AD3FA3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F187EF shade: #F188EF, #F188D2, #F188B6, #F1889A and #F18888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F187EF shade: #F188EF, #D688F1, #BA88F1, #9E88F1 and #8888F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F187EF shade matches the following richer shades: #F188EF and #FB7DF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F187EF shade: #F188EF, #E693E4, #DB9DDA, #D0A8D0 and #C6B3C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F187EF shade: #BA88F1, #D688F1, #F188EF, #F188D3 and #F188B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F187EF shade: #E83EE5, #EC63EA, #F188EF, #F5ADF4 and #F9D2F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F187EF shade: #F187EF, #F19F88 and #88F1C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F187EF shade: #F187EF, #EFF188 and #88EFF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F187EF shade: #F187EF, #F19F88, #88F18A and #88DAF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F187EF shade: #F187EF, #F1BE88, #88F18A and #88BAF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 1 / 5

HEX #F187EF

RGB 241 135 239

HSL 301.13, 0.79%, 0.74%

LAB 71.05, 54.94, -35.24

 

Complementary color

CMYK 88 / 0 / 87 / 53

HEX #0E7810

RGB 14 120 16

HSL 121.13, 0.79%, 0.26%

LAB 43.6, -47.4, 44.15

 

CMYK 0 / 45 / 5 / 4

HEX #F687EA

RGB 246 135 234

HSL 306.49, 0.86%, 0.75%

LAB 71.46, 55.53, -31.81

 

CMYK 0 / 40 / 1 / 0

HEX #FF99FD

RGB 255 153 253

HSL 301.18, 1%, 0.8%

LAB 76.76, 52.48, -33.88

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 0 / 44 / 1 / 5

HEX #F187EF

RGB 241 135 239

HSL 301.13, 0.79%, 0.74%

LAB 71.05, 54.94, -35.24

 

CMYK 0 / 48 / 2 / 12

HEX #E075DC

RGB 224 117 220

HSL 302.24, 0.63%, 0.67%

LAB 64.75, 55.61, -34.68

 

CMYK 0 / 52 / 3 / 19

HEX #CF63C9

RGB 207 99 201

HSL 303.33, 0.53%, 0.6%

LAB 58.42, 56.2, -34.01

 

CMYK 0 / 57 / 4 / 25

HEX #BE51B6

RGB 190 81 182

HSL 304.4, 0.46%, 0.53%

LAB 52.07, 56.65, -33.18

 

CMYK 0 / 64 / 6 / 32

HEX #AD3FA3

RGB 173 63 163

HSL 305.45, 0.47%, 0.46%

LAB 45.75, 56.84, -32.1

 

CMYK 0 / 44 / 1 / 5

HEX #F188EF

RGB 241 136 239

HSL 301.14, 0.79%, 0.74%

LAB 71.24, 54.44, -34.94

 

CMYK 0 / 44 / 13 / 5

HEX #F188D2

RGB 241 136 210

HSL 317.71, 0.79%, 0.74%

LAB 70.15, 49.6, -20.63

 

CMYK 0 / 44 / 24 / 5

HEX #F188B6

RGB 241 136 182

HSL 333.71, 0.79%, 0.74%

LAB 69.25, 45.46, -6.39

 

CMYK 0 / 44 / 36 / 5

HEX #F1889A

RGB 241 136 154

HSL 349.71, 0.79%, 0.74%

LAB 68.49, 41.88, 8.22

 

CMYK 0 / 44 / 44 / 5

HEX #F18888

RGB 241 136 136

HSL 0, 0.79%, 0.74%

LAB 68.08, 39.91, 17.74

 

CMYK 0 / 44 / 1 / 5

HEX #F188EF

RGB 241 136 239

HSL 301.14, 0.79%, 0.74%

LAB 71.24, 54.44, -34.94

 

CMYK 11 / 44 / 0 / 5

HEX #D688F1

RGB 214 136 241

HSL 284.57, 0.79%, 0.74%

LAB 68.21, 47.05, -41

 

CMYK 23 / 44 / 0 / 5

HEX #BA88F1

RGB 186 136 241

HSL 268.57, 0.79%, 0.74%

LAB 65.28, 39.16, -45.8

 

CMYK 34 / 44 / 0 / 5

HEX #9E88F1

RGB 158 136 241

HSL 252.57, 0.79%, 0.74%

LAB 62.7, 31.63, -50.04

 

CMYK 44 / 44 / 0 / 5

HEX #8888F1

RGB 136 136 241

HSL 240, 0.79%, 0.74%

LAB 60.95, 26.13, -52.92

 

CMYK 0 / 44 / 1 / 5

HEX #F188EF

RGB 241 136 239

HSL 301.14, 0.79%, 0.74%

LAB 71.24, 54.44, -34.94

 

CMYK 0 / 50 / 1 / 2

HEX #FB7DF9

RGB 251 125 249

HSL 300.95, 0.94%, 0.74%

LAB 70.88, 64.25, -40.88

 

CMYK 0 / 44 / 1 / 5

HEX #F188EF

RGB 241 136 239

HSL 301.14, 0.79%, 0.74%

LAB 71.24, 54.44, -34.94

 

CMYK 0 / 36 / 1 / 10

HEX #E693E4

RGB 230 147 228

HSL 301.45, 0.62%, 0.74%

LAB 71.75, 43.58, -28.23

 

CMYK 0 / 28 / 0 / 14

HEX #DB9DDA

RGB 219 157 218

HSL 300.97, 0.46%, 0.74%

LAB 72.39, 32.95, -21.87

 

CMYK 0 / 19 / 0 / 18

HEX #D0A8D0

RGB 208 168 208

HSL 300, 0.3%, 0.74%

LAB 73.53, 21.47, -14.77

 

CMYK 0 / 10 / 1 / 22

HEX #C6B3C5

RGB 198 179 197

HSL 303.16, 0.14%, 0.74%

LAB 75, 10, -6.65

 

CMYK 23 / 44 / 0 / 5

HEX #BA88F1

RGB 186 136 241

HSL 268.57, 0.79%, 0.74%

LAB 65.28, 39.16, -45.8

 

CMYK 11 / 44 / 0 / 5

HEX #D688F1

RGB 214 136 241

HSL 284.57, 0.79%, 0.74%

LAB 68.21, 47.05, -41

 

CMYK 0 / 44 / 1 / 5

HEX #F188EF

RGB 241 136 239

HSL 301.14, 0.79%, 0.74%

LAB 71.24, 54.44, -34.94

 

CMYK 0 / 44 / 12 / 5

HEX #F188D3

RGB 241 136 211

HSL 317.14, 0.79%, 0.74%

LAB 70.18, 49.76, -21.14

 

CMYK 0 / 44 / 24 / 5

HEX #F188B7

RGB 241 136 183

HSL 333.14, 0.79%, 0.74%

LAB 69.28, 45.59, -6.9

 

CMYK 0 / 73 / 1 / 9

HEX #E83EE5

RGB 232 62 229

HSL 301.06, 0.79%, 0.58%

LAB 58.28, 81.13, -49.81

 

CMYK 0 / 58 / 1 / 7

HEX #EC63EA

RGB 236 99 234

HSL 300.88, 0.78%, 0.66%

LAB 63.91, 69.41, -43.67

 

CMYK 0 / 44 / 1 / 5

HEX #F188EF

RGB 241 136 239

HSL 301.14, 0.79%, 0.74%

LAB 71.24, 54.44, -34.94

 

CMYK 0 / 29 / 0 / 4

HEX #F5ADF4

RGB 245 173 244

HSL 300.83, 0.78%, 0.82%

LAB 79.52, 37.5, -24.89

 

CMYK 0 / 16 / 0 / 2

HEX #F9D2F8

RGB 249 210 248

HSL 301.54, 0.76%, 0.9%

LAB 88.45, 20, -13.49

 

CMYK 0 / 44 / 1 / 5

HEX #F187EF

RGB 241 135 239

HSL 301.13, 0.79%, 0.74%

LAB 71.05, 54.94, -35.24

 

CMYK 0 / 34 / 44 / 5

HEX #F19F88

RGB 241 159 136

HSL 13.14, 0.79%, 0.74%

LAB 73.07, 27.92, 24.55

 

CMYK 44 / 0 / 17 / 5

HEX #88F1C8

RGB 136 241 200

HSL 156.57, 0.79%, 0.74%

LAB 88.12, -39.77, 10.38

 

CMYK 0 / 44 / 1 / 5

HEX #F187EF

RGB 241 135 239

HSL 301.13, 0.79%, 0.74%

LAB 71.05, 54.94, -35.24

 

CMYK 1 / 0 / 44 / 5

HEX #EFF188

RGB 239 241 136

HSL 61.14, 0.79%, 0.74%

LAB 93.03, -15.24, 50.26

 

CMYK 44 / 1 / 0 / 5

HEX #88EFF1

RGB 136 239 241

HSL 181.14, 0.79%, 0.74%

LAB 88.6, -29.47, -10.35

 

CMYK 0 / 44 / 1 / 5

HEX #F187EF

RGB 241 135 239

HSL 301.13, 0.79%, 0.74%

LAB 71.05, 54.94, -35.24

 

CMYK 0 / 34 / 44 / 5

HEX #F19F88

RGB 241 159 136

HSL 13.14, 0.79%, 0.74%

LAB 73.07, 27.92, 24.55

 

CMYK 44 / 0 / 43 / 5

HEX #88F18A

RGB 136 241 138

HSL 121.14, 0.79%, 0.74%

LAB 86.99, -50.79, 40.41

 

CMYK 44 / 10 / 0 / 5

HEX #88DAF1

RGB 136 218 241

HSL 193.14, 0.79%, 0.74%

LAB 82.77, -19.16, -19.09

 

CMYK 0 / 44 / 1 / 5

HEX #F187EF

RGB 241 135 239

HSL 301.13, 0.79%, 0.74%

LAB 71.05, 54.94, -35.24

 

CMYK 0 / 21 / 44 / 5

HEX #F1BE88

RGB 241 190 136

HSL 30.86, 0.79%, 0.74%

LAB 80.35, 11.54, 34.22

 

CMYK 44 / 0 / 43 / 5

HEX #88F18A

RGB 136 241 138

HSL 121.14, 0.79%, 0.74%

LAB 86.99, -50.79, 40.41

 

CMYK 44 / 23 / 0 / 5

HEX #88BAF1

RGB 136 186 241

HSL 211.43, 0.79%, 0.74%

LAB 74, -2.35, -32.48

 

Description

Color code: HEX #F187EF | qconv.com Color code: HEX #F187EF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 135 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 135 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 1 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 1% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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