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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F17F22 it is the complementary color #0E80DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F17F22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F17F22 shade: #F67F1D, #FF9130, #FFA343, #FFB556 and #FFC769

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F17F22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F17F22 shade: #F17F22, #E06D0F, #CF5B00, #BE4900 and #AD3700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F17F22 shade: #F07F22, #F04722 and #F02222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F17F22 shade: #F07F22, #F0B622, #F0EE22, #BBF022 and #83F022

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F17F22 shade matches the following richer shades: #F07F22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F17F22 shade: #F07F22, #DD8135, #CA8348, #B7855B and #A5866E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F17F22 shade: #F02237, #F04422, #F07B22, #F0B222 and #F0EA22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F17F22 shade: #B5570B, #DC6A0E, #F07F22, #F39549 and #F5AC70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F17F22 shade: #F17F22, #6EF022 and #2922F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F17F22 shade: #F17F22, #22F07B and #7B22F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F17F22 shade: #F17F22, #6EF022, #2297F0 and #A522F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F17F22 shade: #F17F22, #30F022, #2297F0 and #E322F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 86 / 5

HEX #F17F22

RGB 241 127 34

HSL 26.96, 0.88%, 0.54%

LAB 64.96, 38.28, 64.56

 

Complementary color

CMYK 94 / 42 / 0 / 13

HEX #0E80DD

RGB 14 128 221

HSL 206.96, 0.88%, 0.46%

LAB 52.68, 6.02, -55.27

 

CMYK 0 / 48 / 88 / 4

HEX #F67F1D

RGB 246 127 29

HSL 27.1, 0.92%, 0.54%

LAB 65.64, 40.15, 66.93

 

CMYK 0 / 43 / 81 / 0

HEX #FF9130

RGB 255 145 48

HSL 28.12, 1%, 0.59%

LAB 70.68, 35.05, 65.28

 

CMYK 0 / 36 / 74 / 0

HEX #FFA343

RGB 255 163 67

HSL 30.64, 1%, 0.63%

LAB 74.74, 26.43, 61.55

 

CMYK 0 / 29 / 66 / 0

HEX #FFB556

RGB 255 181 86

HSL 33.73, 1%, 0.67%

LAB 79.03, 17.98, 57.69

 

CMYK 0 / 22 / 59 / 0

HEX #FFC769

RGB 255 199 105

HSL 37.6, 1%, 0.71%

LAB 83.51, 9.81, 53.92

 

CMYK 0 / 47 / 86 / 5

HEX #F17F22

RGB 241 127 34

HSL 26.96, 0.88%, 0.54%

LAB 64.96, 38.28, 64.56

 

CMYK 0 / 51 / 93 / 12

HEX #E06D0F

RGB 224 109 15

HSL 26.99, 0.87%, 0.47%

LAB 58.81, 40.31, 64.11

 

CMYK 0 / 56 / 100 / 19

HEX #CF5B00

RGB 207 91 0

HSL 26.38, 1%, 0.41%

LAB 52.67, 42.43, 61.93

 

CMYK 0 / 62 / 100 / 25

HEX #BE4900

RGB 190 73 0

HSL 23.05, 1%, 0.37%

LAB 46.59, 44.54, 57.09

 

CMYK 0 / 68 / 100 / 32

HEX #AD3700

RGB 173 55 0

HSL 19.08, 1%, 0.34%

LAB 40.6, 46.32, 52.33

 

CMYK 0 / 47 / 86 / 6

HEX #F07F22

RGB 240 127 34

HSL 27.09, 0.87%, 0.54%

LAB 64.82, 37.88, 64.39

 

CMYK 0 / 70 / 86 / 6

HEX #F04722

RGB 240 71 34

HSL 10.78, 0.87%, 0.54%

LAB 55.22, 62.88, 56.57

 

CMYK 0 / 86 / 86 / 6

HEX #F02222

RGB 240 34 34

HSL 0, 0.87%, 0.54%

LAB 51.59, 73.06, 53.6

 

CMYK 0 / 47 / 86 / 6

HEX #F07F22

RGB 240 127 34

HSL 27.09, 0.87%, 0.54%

LAB 64.82, 37.88, 64.39

 

CMYK 0 / 24 / 86 / 6

HEX #F0B622

RGB 240 182 34

HSL 43.11, 0.87%, 0.54%

LAB 77.34, 9.1, 74.53

 

CMYK 0 / 1 / 86 / 6

HEX #F0EE22

RGB 240 238 34

HSL 59.42, 0.87%, 0.54%

LAB 91.59, -19.21, 86.03

 

CMYK 22 / 0 / 86 / 6

HEX #BBF022

RGB 187 240 34

HSL 75.44, 0.87%, 0.54%

LAB 88.45, -41.42, 81.94

 

CMYK 45 / 0 / 86 / 6

HEX #83F022

RGB 131 240 34

HSL 91.75, 0.87%, 0.54%

LAB 85.64, -60.88, 78.43

 

CMYK 0 / 47 / 86 / 6

HEX #F07F22

RGB 240 127 34

HSL 27.09, 0.87%, 0.54%

LAB 64.82, 37.88, 64.39

 

CMYK 0 / 47 / 86 / 6

HEX #F07F22

RGB 240 127 34

HSL 27.09, 0.87%, 0.54%

LAB 64.82, 37.88, 64.39

 

CMYK 0 / 42 / 76 / 13

HEX #DD8135

RGB 221 129 53

HSL 27.14, 0.71%, 0.54%

LAB 62.78, 29.76, 54.23

 

CMYK 0 / 35 / 64 / 21

HEX #CA8348

RGB 202 131 72

HSL 27.23, 0.55%, 0.54%

LAB 61.01, 21.76, 42.52

 

CMYK 0 / 27 / 50 / 28

HEX #B7855B

RGB 183 133 91

HSL 27.39, 0.39%, 0.54%

LAB 59.52, 14.16, 30.11

 

CMYK 0 / 19 / 33 / 35

HEX #A5866E

RGB 165 134 110

HSL 26.18, 0.23%, 0.54%

LAB 58.2, 8.26, 17.39

 

CMYK 0 / 86 / 77 / 6

HEX #F02237

RGB 240 34 55

HSL 353.88, 0.87%, 0.54%

LAB 51.78, 73.59, 42.91

 

CMYK 0 / 72 / 86 / 6

HEX #F04422

RGB 240 68 34

HSL 9.9, 0.87%, 0.54%

LAB 54.84, 63.94, 56.26

 

CMYK 0 / 49 / 86 / 6

HEX #F07B22

RGB 240 123 34

HSL 25.92, 0.87%, 0.54%

LAB 64, 39.9, 63.72

 

CMYK 0 / 26 / 86 / 6

HEX #F0B222

RGB 240 178 34

HSL 41.94, 0.87%, 0.54%

LAB 76.36, 11.2, 73.74

 

CMYK 0 / 3 / 86 / 6

HEX #F0EA22

RGB 240 234 34

HSL 58.25, 0.87%, 0.54%

LAB 90.55, -17.27, 85.19

 

CMYK 0 / 52 / 94 / 29

HEX #B5570B

RGB 181 87 11

HSL 26.82, 0.89%, 0.38%

LAB 47.83, 34.27, 54.41

 

CMYK 0 / 52 / 94 / 14

HEX #DC6A0E

RGB 220 106 14

HSL 26.8, 0.88%, 0.46%

LAB 57.61, 40.23, 63.23

 

CMYK 0 / 47 / 86 / 6

HEX #F07F22

RGB 240 127 34

HSL 27.09, 0.87%, 0.54%

LAB 64.82, 37.88, 64.39

 

CMYK 0 / 39 / 70 / 5

HEX #F39549

RGB 243 149 73

HSL 26.82, 0.88%, 0.62%

LAB 70.2, 29.14, 53.68

 

CMYK 0 / 30 / 54 / 4

HEX #F5AC70

RGB 245 172 112

HSL 27.07, 0.87%, 0.7%

LAB 76.12, 20.42, 41.33

 

CMYK 0 / 47 / 86 / 5

HEX #F17F22

RGB 241 127 34

HSL 26.96, 0.88%, 0.54%

LAB 64.96, 38.28, 64.56

 

CMYK 54 / 0 / 86 / 6

HEX #6EF022

RGB 110 240 34

HSL 97.86, 0.87%, 0.54%

LAB 84.87, -66.83, 77.47

 

CMYK 83 / 86 / 0 / 6

HEX #2922F0

RGB 41 34 240

HSL 242.04, 0.87%, 0.54%

LAB 33.79, 68.29, -96.9

 

CMYK 0 / 47 / 86 / 5

HEX #F17F22

RGB 241 127 34

HSL 26.96, 0.88%, 0.54%

LAB 64.96, 38.28, 64.56

 

CMYK 86 / 0 / 49 / 6

HEX #22F07B

RGB 34 240 123

HSL 145.92, 0.87%, 0.54%

LAB 84.01, -71.36, 43.4

 

CMYK 49 / 86 / 0 / 6

HEX #7B22F0

RGB 123 34 240

HSL 265.92, 0.87%, 0.54%

LAB 40.65, 73.9, -85.32

 

CMYK 0 / 47 / 86 / 5

HEX #F17F22

RGB 241 127 34

HSL 26.96, 0.88%, 0.54%

LAB 64.96, 38.28, 64.56

 

CMYK 54 / 0 / 86 / 6

HEX #6EF022

RGB 110 240 34

HSL 97.86, 0.87%, 0.54%

LAB 84.87, -66.83, 77.47

 

CMYK 86 / 37 / 0 / 6

HEX #2297F0

RGB 34 151 240

HSL 205.92, 0.87%, 0.54%

LAB 60.57, 0.46, -53.24

 

CMYK 31 / 86 / 0 / 6

HEX #A522F0

RGB 165 34 240

HSL 278.16, 0.87%, 0.54%

LAB 46.22, 78.97, -75.96

 

CMYK 0 / 47 / 86 / 5

HEX #F17F22

RGB 241 127 34

HSL 26.96, 0.88%, 0.54%

LAB 64.96, 38.28, 64.56

 

CMYK 80 / 0 / 86 / 6

HEX #30F022

RGB 48 240 34

HSL 115.92, 0.87%, 0.54%

LAB 83.48, -78.54, 75.72

 

CMYK 86 / 37 / 0 / 6

HEX #2297F0

RGB 34 151 240

HSL 205.92, 0.87%, 0.54%

LAB 60.57, 0.46, -53.24

 

CMYK 5 / 86 / 0 / 6

HEX #E322F0

RGB 227 34 240

HSL 296.21, 0.87%, 0.54%

LAB 55.85, 88.4, -59.91

 

Description

Color code: HEX #F17F22 | qconv.com Color code: HEX #F17F22 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 127 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 127 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 86 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 86% 5% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - MeetMoi is the new w...
Link: http://m.meetmoi.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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