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Color name
HEX #F16DE3

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F16DE3 it is the complementary color #0E921C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F16DE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F16DE3 shade: #F66DDE, #FF7FF1, #FF91FF, #FFA3FF and #FFB5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F16DE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F16DE3 shade: #F16DE3, #E05BD0, #CF49BD, #BE37AA and #AD2597

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F16DE3 shade: #F16EE3, #F16EC0, #F16E9C, #F16E79 and #F16E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F16DE3 shade: #F16EE3, #DC6EF1, #B86EF1, #956EF1 and #716EF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F16DE3 shade matches the following richer shades: #F16EE3 and #FE61ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F16DE3 shade: #F16EE3, #E47BD9, #D787CF, #CB94C5 and #BEA1BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F16DE3 shade: #B86EF1, #DB6EF1, #F16EE4, #F16EC1 and #F16E9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F16DE3 shade: #EA22D5, #EE48DC, #F16EE3, #F594EA and #F8B9F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F16DE3 shade: #F16DE3, #F1956E and #6EF1CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F16DE3 shade: #F16DE3, #E4F16E and #6EE4F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F16DE3 shade: #F16DE3, #F1956E, #6EF17B and #6ECAF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F16DE3 shade: #F16DE3, #F1BD6E, #6EF17B and #6EA2F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 6 / 5

HEX #F16DE3

RGB 241 109 227

HSL 306.36, 0.83%, 0.69%

LAB 65.89, 65.21, -36.63

 

Complementary color

CMYK 90 / 0 / 81 / 43

HEX #0E921C

RGB 14 146 28

HSL 126.36, 0.83%, 0.31%

LAB 52.66, -54.74, 49.03

 

CMYK 0 / 56 / 10 / 4

HEX #F66DDE

RGB 246 109 222

HSL 310.51, 0.88%, 0.7%

LAB 66.37, 65.76, -33.05

 

CMYK 0 / 50 / 5 / 0

HEX #FF7FF1

RGB 255 127 241

HSL 306.56, 1%, 0.75%

LAB 71.41, 63.08, -35.63

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 0 / 55 / 6 / 5

HEX #F16DE3

RGB 241 109 227

HSL 306.36, 0.83%, 0.69%

LAB 65.89, 65.21, -36.63

 

CMYK 0 / 59 / 7 / 12

HEX #E05BD0

RGB 224 91 208

HSL 307.22, 0.68%, 0.62%

LAB 59.78, 65.53, -35.68

 

CMYK 0 / 65 / 9 / 19

HEX #CF49BD

RGB 207 73 189

HSL 308.06, 0.58%, 0.55%

LAB 53.71, 65.58, -34.48

 

CMYK 0 / 71 / 11 / 25

HEX #BE37AA

RGB 190 55 170

HSL 308.89, 0.55%, 0.48%

LAB 47.73, 65.2, -32.95

 

CMYK 0 / 79 / 13 / 32

HEX #AD2597

RGB 173 37 151

HSL 309.71, 0.65%, 0.41%

LAB 41.91, 64.12, -30.93

 

CMYK 0 / 54 / 6 / 5

HEX #F16EE3

RGB 241 110 227

HSL 306.41, 0.82%, 0.69%

LAB 66.06, 64.76, -36.37

 

CMYK 0 / 54 / 20 / 5

HEX #F16EC0

RGB 241 110 192

HSL 322.44, 0.82%, 0.69%

LAB 64.69, 59.47, -18.85

 

CMYK 0 / 54 / 35 / 5

HEX #F16E9C

RGB 241 110 156

HSL 338.93, 0.82%, 0.69%

LAB 63.55, 54.87, -0.05

 

CMYK 0 / 54 / 50 / 5

HEX #F16E79

RGB 241 110 121

HSL 354.96, 0.82%, 0.69%

LAB 62.7, 51.33, 18.82

 

CMYK 0 / 54 / 54 / 5

HEX #F16E6E

RGB 241 110 110

HSL 0, 0.82%, 0.69%

LAB 62.49, 50.41, 24.8

 

CMYK 0 / 54 / 6 / 5

HEX #F16EE3

RGB 241 110 227

HSL 306.41, 0.82%, 0.69%

LAB 66.06, 64.76, -36.37

 

CMYK 9 / 54 / 0 / 5

HEX #DC6EF1

RGB 220 110 241

HSL 290.38, 0.82%, 0.69%

LAB 63.93, 61.68, -47.67

 

CMYK 24 / 54 / 0 / 5

HEX #B86EF1

RGB 184 110 241

HSL 273.89, 0.82%, 0.69%

LAB 59.61, 52.56, -54.79

 

CMYK 38 / 54 / 0 / 5

HEX #956EF1

RGB 149 110 241

HSL 257.86, 0.82%, 0.69%

LAB 55.98, 44.15, -60.8

 

CMYK 53 / 54 / 0 / 5

HEX #716EF1

RGB 113 110 241

HSL 241.37, 0.82%, 0.69%

LAB 52.96, 36.47, -65.82

 

CMYK 0 / 54 / 6 / 5

HEX #F16EE3

RGB 241 110 227

HSL 306.41, 0.82%, 0.69%

LAB 66.06, 64.76, -36.37

 

CMYK 0 / 62 / 7 / 0

HEX #FE61ED

RGB 254 97 237

HSL 306.5, 0.99%, 0.69%

LAB 66.32, 75.14, -41.38

 

CMYK 0 / 54 / 6 / 5

HEX #F16EE3

RGB 241 110 227

HSL 306.41, 0.82%, 0.69%

LAB 66.06, 64.76, -36.37

 

CMYK 0 / 46 / 5 / 11

HEX #E47BD9

RGB 228 123 217

HSL 306.29, 0.66%, 0.69%

LAB 66.27, 53.3, -30.62

 

CMYK 0 / 37 / 4 / 16

HEX #D787CF

RGB 215 135 207

HSL 306, 0.5%, 0.69%

LAB 66.73, 41.43, -24.46

 

CMYK 0 / 27 / 3 / 20

HEX #CB94C5

RGB 203 148 197

HSL 306.55, 0.35%, 0.69%

LAB 67.95, 28.69, -17.15

 

CMYK 0 / 15 / 2 / 25

HEX #BEA1BB

RGB 190 161 187

HSL 306.21, 0.18%, 0.69%

LAB 69.49, 15.21, -9.41

 

CMYK 24 / 54 / 0 / 5

HEX #B86EF1

RGB 184 110 241

HSL 273.89, 0.82%, 0.69%

LAB 59.61, 52.56, -54.79

 

CMYK 9 / 54 / 0 / 5

HEX #DB6EF1

RGB 219 110 241

HSL 289.92, 0.82%, 0.69%

LAB 63.81, 61.42, -47.87

 

CMYK 0 / 54 / 5 / 5

HEX #F16EE4

RGB 241 110 228

HSL 305.95, 0.82%, 0.69%

LAB 66.1, 64.92, -36.86

 

CMYK 0 / 54 / 20 / 5

HEX #F16EC1

RGB 241 110 193

HSL 321.98, 0.82%, 0.69%

LAB 64.73, 59.61, -19.37

 

CMYK 0 / 54 / 34 / 5

HEX #F16E9E

RGB 241 110 158

HSL 338.02, 0.82%, 0.69%

LAB 63.61, 55.1, -1.11

 

CMYK 0 / 85 / 9 / 8

HEX #EA22D5

RGB 234 34 213

HSL 306.3, 0.83%, 0.53%

LAB 55.52, 85.73, -45.11

 

CMYK 0 / 70 / 8 / 7

HEX #EE48DC

RGB 238 72 220

HSL 306.51, 0.83%, 0.61%

LAB 59.87, 77.93, -42.17

 

CMYK 0 / 54 / 6 / 5

HEX #F16EE3

RGB 241 110 227

HSL 306.41, 0.82%, 0.69%

LAB 66.06, 64.76, -36.37

 

CMYK 0 / 40 / 4 / 4

HEX #F594EA

RGB 245 148 234

HSL 306.8, 0.83%, 0.77%

LAB 73.89, 48.72, -28.08

 

CMYK 0 / 25 / 3 / 3

HEX #F8B9F1

RGB 248 185 241

HSL 306.67, 0.82%, 0.85%

LAB 82.38, 31.6, -18.91

 

CMYK 0 / 55 / 6 / 5

HEX #F16DE3

RGB 241 109 227

HSL 306.36, 0.83%, 0.69%

LAB 65.89, 65.21, -36.63

 

CMYK 0 / 38 / 54 / 5

HEX #F1956E

RGB 241 149 110

HSL 17.86, 0.82%, 0.69%

LAB 70.4, 30.77, 35.09

 

CMYK 54 / 0 / 16 / 5

HEX #6EF1CA

RGB 110 241 202

HSL 162.14, 0.82%, 0.69%

LAB 87.24, -45.31, 7.95

 

CMYK 0 / 55 / 6 / 5

HEX #F16DE3

RGB 241 109 227

HSL 306.36, 0.83%, 0.69%

LAB 65.89, 65.21, -36.63

 

CMYK 5 / 0 / 54 / 5

HEX #E4F16E

RGB 228 241 110

HSL 65.95, 0.82%, 0.69%

LAB 91.92, -21.83, 60.73

 

CMYK 54 / 5 / 0 / 5

HEX #6EE4F1

RGB 110 228 241

HSL 185.95, 0.82%, 0.69%

LAB 84.56, -29.69, -16.48

 

CMYK 0 / 55 / 6 / 5

HEX #F16DE3

RGB 241 109 227

HSL 306.36, 0.83%, 0.69%

LAB 65.89, 65.21, -36.63

 

CMYK 0 / 38 / 54 / 5

HEX #F1956E

RGB 241 149 110

HSL 17.86, 0.82%, 0.69%

LAB 70.4, 30.77, 35.09

 

CMYK 54 / 0 / 49 / 5

HEX #6EF17B

RGB 110 241 123

HSL 125.95, 0.82%, 0.69%

LAB 85.83, -59.74, 46

 

CMYK 54 / 16 / 0 / 5

HEX #6ECAF1

RGB 110 202 241

HSL 197.86, 0.82%, 0.69%

LAB 77.23, -16.73, -27.62

 

CMYK 0 / 55 / 6 / 5

HEX #F16DE3

RGB 241 109 227

HSL 306.36, 0.83%, 0.69%

LAB 65.89, 65.21, -36.63

 

CMYK 0 / 22 / 54 / 5

HEX #F1BD6E

RGB 241 189 110

HSL 36.18, 0.82%, 0.69%

LAB 79.74, 9.68, 46.68

 

CMYK 54 / 0 / 49 / 5

HEX #6EF17B

RGB 110 241 123

HSL 125.95, 0.82%, 0.69%

LAB 85.83, -59.74, 46

 

CMYK 54 / 33 / 0 / 5

HEX #6EA2F1

RGB 110 162 241

HSL 216.18, 0.82%, 0.69%

LAB 66.14, 5.1, -44.83

 

Description

Color code: HEX #F16DE3 | qconv.com Color code: HEX #F16DE3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 109 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 109 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 6 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 6% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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