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Color name
HEX #F166EC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F166EC it is the complementary color #0E9913. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F166EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F166EC shade: #F666E7, #FF78FA, #FF8AFF, #FF9CFF and #FFAEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F166EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F166EC shade: #F166EC, #E054D9, #CF42C6, #BE30B3 and #AD1EA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F166EC shade: #F065EB, #F065C5, #F065A0, #F0657A and #F06565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F166EC shade: #F065EB, #D065F0, #AA65F0, #8465F0 and #6565F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F166EC shade matches the following richer shades: #F065EB and #FE57F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F166EC shade: #F065EB, #E372DF, #D580D2, #C78DC5 and #BA9BB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F166EC shade: #AA65F0, #D065F0, #F065EC, #F065C6 and #F065A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F166EC shade: #E919E2, #ED3FE6, #F065EB, #F48AF0 and #F7B0F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F166EC shade: #F166EC, #F08565 and #65F0BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F166EC shade: #F166EC, #ECF065 and #65ECF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F166EC shade: #F166EC, #F08565, #65F069 and #65D0F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F166EC shade: #F166EC, #F0AF65, #65F069 and #65A6F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 2 / 5

HEX #F166EC

RGB 241 102 236

HSL 302.16, 0.83%, 0.67%

LAB 65.17, 69.72, -42.76

 

Complementary color

CMYK 91 / 0 / 88 / 40

HEX #0E9913

RGB 14 153 19

HSL 122.16, 0.83%, 0.33%

LAB 54.99, -57.35, 53.64

 

CMYK 0 / 59 / 6 / 4

HEX #F666E7

RGB 246 102 231

HSL 306.25, 0.89%, 0.68%

LAB 65.64, 70.18, -39.19

 

CMYK 0 / 53 / 2 / 0

HEX #FF78FA

RGB 255 120 250

HSL 302.22, 1%, 0.74%

LAB 70.59, 67.76, -41.84

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 0 / 32 / 0 / 0

HEX #FFAEFF

RGB 255 174 255

HSL 300, 1%, 0.84%

LAB 81.16, 42.08, -28.2

 

CMYK 0 / 58 / 2 / 5

HEX #F166EC

RGB 241 102 236

HSL 302.16, 0.83%, 0.67%

LAB 65.17, 69.72, -42.76

 

CMYK 0 / 63 / 3 / 12

HEX #E054D9

RGB 224 84 217

HSL 303, 0.69%, 0.6%

LAB 59.16, 69.85, -41.75

 

CMYK 0 / 68 / 4 / 19

HEX #CF42C6

RGB 207 66 198

HSL 303.83, 0.59%, 0.54%

LAB 53.21, 69.61, -40.46

 

CMYK 0 / 75 / 6 / 25

HEX #BE30B3

RGB 190 48 179

HSL 304.65, 0.6%, 0.47%

LAB 47.39, 68.83, -38.79

 

CMYK 0 / 83 / 8 / 32

HEX #AD1EA0

RGB 173 30 160

HSL 305.45, 0.7%, 0.4%

LAB 41.77, 67.22, -36.58

 

CMYK 0 / 58 / 2 / 6

HEX #F065EB

RGB 240 101 235

HSL 302.16, 0.82%, 0.67%

LAB 64.83, 69.73, -42.75

 

CMYK 0 / 58 / 18 / 6

HEX #F065C5

RGB 240 101 197

HSL 318.56, 0.82%, 0.67%

LAB 63.23, 63.9, -23.93

 

CMYK 0 / 58 / 33 / 6

HEX #F065A0

RGB 240 101 160

HSL 334.53, 0.82%, 0.67%

LAB 61.97, 59.11, -4.68

 

CMYK 0 / 58 / 49 / 6

HEX #F0657A

RGB 240 101 122

HSL 350.94, 0.82%, 0.67%

LAB 60.99, 55.23, 15.86

 

CMYK 0 / 58 / 58 / 6

HEX #F06565

RGB 240 101 101

HSL 0, 0.82%, 0.67%

LAB 60.58, 53.57, 27.38

 

CMYK 0 / 58 / 2 / 6

HEX #F065EB

RGB 240 101 235

HSL 302.16, 0.82%, 0.67%

LAB 64.83, 69.73, -42.75

 

CMYK 13 / 58 / 0 / 6

HEX #D065F0

RGB 208 101 240

HSL 286.19, 0.82%, 0.67%

LAB 60.79, 62.69, -52.19

 

CMYK 29 / 58 / 0 / 6

HEX #AA65F0

RGB 170 101 240

HSL 269.78, 0.82%, 0.67%

LAB 56.23, 53.6, -59.72

 

CMYK 45 / 58 / 0 / 6

HEX #8465F0

RGB 132 101 240

HSL 253.38, 0.82%, 0.67%

LAB 52.4, 45.21, -66.09

 

CMYK 58 / 58 / 0 / 6

HEX #6565F0

RGB 101 101 240

HSL 240, 0.82%, 0.67%

LAB 49.94, 39.32, -70.2

 

CMYK 0 / 58 / 2 / 6

HEX #F065EB

RGB 240 101 235

HSL 302.16, 0.82%, 0.67%

LAB 64.83, 69.73, -42.75

 

CMYK 0 / 66 / 2 / 0

HEX #FE57F8

RGB 254 87 248

HSL 302.16, 0.99%, 0.67%

LAB 65.49, 80.58, -48.77

 

CMYK 0 / 58 / 2 / 6

HEX #F065EB

RGB 240 101 235

HSL 302.16, 0.82%, 0.67%

LAB 64.83, 69.73, -42.75

 

CMYK 0 / 50 / 2 / 11

HEX #E372DF

RGB 227 114 223

HSL 302.12, 0.67%, 0.67%

LAB 64.72, 58.42, -36.38

 

CMYK 0 / 40 / 1 / 16

HEX #D580D2

RGB 213 128 210

HSL 302.12, 0.5%, 0.67%

LAB 65.15, 45.02, -28.59

 

CMYK 0 / 29 / 1 / 22

HEX #C78DC5

RGB 199 141 197

HSL 302.07, 0.34%, 0.67%

LAB 65.92, 31.19, -20.27

 

CMYK 0 / 17 / 1 / 27

HEX #BA9BB9

RGB 186 155 185

HSL 301.94, 0.18%, 0.67%

LAB 67.56, 16.76, -11.21

 

CMYK 29 / 58 / 0 / 6

HEX #AA65F0

RGB 170 101 240

HSL 269.78, 0.82%, 0.67%

LAB 56.23, 53.6, -59.72

 

CMYK 13 / 58 / 0 / 6

HEX #D065F0

RGB 208 101 240

HSL 286.19, 0.82%, 0.67%

LAB 60.79, 62.69, -52.19

 

CMYK 0 / 58 / 2 / 6

HEX #F065EC

RGB 240 101 236

HSL 301.73, 0.82%, 0.67%

LAB 64.87, 69.89, -43.23

 

CMYK 0 / 58 / 18 / 6

HEX #F065C6

RGB 240 101 198

HSL 318.13, 0.82%, 0.67%

LAB 63.27, 64.05, -24.43

 

CMYK 0 / 58 / 33 / 6

HEX #F065A1

RGB 240 101 161

HSL 334.1, 0.82%, 0.67%

LAB 62, 59.23, -5.21

 

CMYK 0 / 89 / 3 / 9

HEX #E919E2

RGB 233 25 226

HSL 302.02, 0.83%, 0.51%

LAB 55.59, 88.69, -52.39

 

CMYK 0 / 73 / 3 / 7

HEX #ED3FE6

RGB 237 63 230

HSL 302.41, 0.83%, 0.59%

LAB 59.23, 82.01, -48.82

 

CMYK 0 / 58 / 2 / 6

HEX #F065EB

RGB 240 101 235

HSL 302.16, 0.82%, 0.67%

LAB 64.83, 69.73, -42.75

 

CMYK 0 / 43 / 2 / 4

HEX #F48AF0

RGB 244 138 240

HSL 302.26, 0.83%, 0.75%

LAB 72.03, 54.49, -34.24

 

CMYK 0 / 29 / 1 / 3

HEX #F7B0F5

RGB 247 176 245

HSL 301.69, 0.82%, 0.83%

LAB 80.41, 36.74, -24.04

 

CMYK 0 / 58 / 2 / 5

HEX #F166EC

RGB 241 102 236

HSL 302.16, 0.83%, 0.67%

LAB 65.17, 69.72, -42.76

 

CMYK 0 / 45 / 58 / 6

HEX #F08565

RGB 240 133 101

HSL 13.81, 0.82%, 0.67%

LAB 66.7, 37.99, 35.22

 

CMYK 58 / 0 / 21 / 6

HEX #65F0BD

RGB 101 240 189

HSL 157.99, 0.82%, 0.67%

LAB 86.39, -49.57, 13.47

 

CMYK 0 / 58 / 2 / 5

HEX #F166EC

RGB 241 102 236

HSL 302.16, 0.83%, 0.67%

LAB 65.17, 69.72, -42.76

 

CMYK 2 / 0 / 58 / 6

HEX #ECF065

RGB 236 240 101

HSL 61.73, 0.82%, 0.67%

LAB 92.17, -18.85, 65.07

 

CMYK 58 / 2 / 0 / 6

HEX #65ECF0

RGB 101 236 240

HSL 181.73, 0.82%, 0.67%

LAB 86.53, -35.39, -13.04

 

CMYK 0 / 58 / 2 / 5

HEX #F166EC

RGB 241 102 236

HSL 302.16, 0.83%, 0.67%

LAB 65.17, 69.72, -42.76

 

CMYK 0 / 45 / 58 / 6

HEX #F08565

RGB 240 133 101

HSL 13.81, 0.82%, 0.67%

LAB 66.7, 37.99, 35.22

 

CMYK 58 / 0 / 56 / 6

HEX #65F069

RGB 101 240 105

HSL 121.73, 0.82%, 0.67%

LAB 85.05, -63.78, 53.3

 

CMYK 58 / 13 / 0 / 6

HEX #65D0F0

RGB 101 208 240

HSL 193.81, 0.82%, 0.67%

LAB 78.56, -21.82, -25.07

 

CMYK 0 / 58 / 2 / 5

HEX #F166EC

RGB 241 102 236

HSL 302.16, 0.83%, 0.67%

LAB 65.17, 69.72, -42.76

 

CMYK 0 / 27 / 58 / 6

HEX #F0AF65

RGB 240 175 101

HSL 31.94, 0.82%, 0.67%

LAB 76.15, 15.95, 46.79

 

CMYK 58 / 0 / 56 / 6

HEX #65F069

RGB 101 240 105

HSL 121.73, 0.82%, 0.67%

LAB 85.05, -63.78, 53.3

 

CMYK 58 / 31 / 0 / 6

HEX #65A6F0

RGB 101 166 240

HSL 211.94, 0.82%, 0.67%

LAB 66.77, 0.69, -43.32

 

Description

Color code: HEX #F166EC | qconv.com Color code: HEX #F166EC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 102 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 102 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 2 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 2% 5% C M Y K

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Provide designers and agencies with accurate color values.

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