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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F14AE7 it is the complementary color #0EB518. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F14AE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F14AE7 shade: #F64AE2, #FF5CF5, #FF6EFF, #FF80FF and #FF92FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F14AE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F14AE7 shade: #F14AE7, #E038D4, #CF26C1, #BE14AE and #AD029B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F14AE7 shade: #F14AE7, #F14ABA, #F14A8D, #F14A60 and #F14A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F14AE7 shade: #F14AE7, #CE4AF1, #A14AF1, #744AF1 and #4A4AF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F14AE7 shade matches the following richer shades: #F14AE7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F14AE7 shade: #F14AE7, #E15AD9, #D26ACB, #C279BE and #B289B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F14AE7 shade: #A04AF1, #CD4AF1, #F14AE9, #F14ABC and #F14A90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F14AE7 shade: #D910CD, #EE24E2, #F14AE7, #F471EC and #F797F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F14AE7 shade: #F14AE7, #F1744A and #4AF1B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F14AE7 shade: #F14AE7, #E9F14A and #4AE9F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F14AE7 shade: #F14AE7, #F1744A, #4AF153 and #4AC7F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F14AE7 shade: #F14AE7, #F1A64A, #4AF153 and #4A95F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 4 / 5

HEX #F14AE7

RGB 241 74 231

HSL 303.59, 0.86%, 0.62%

LAB 61.1, 79.58, -46.37

 

Complementary color

CMYK 92 / 0 / 87 / 29

HEX #0EB518

RGB 14 181 24

HSL 123.59, 0.86%, 0.38%

LAB 64.33, -65.25, 60.8

 

CMYK 0 / 70 / 8 / 4

HEX #F64AE2

RGB 246 74 226

HSL 306.98, 0.91%, 0.63%

LAB 61.64, 79.93, -42.68

 

CMYK 0 / 64 / 4 / 0

HEX #FF5CF5

RGB 255 92 245

HSL 303.68, 1%, 0.68%

LAB 66.14, 78.52, -46.07

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 69 / 4 / 5

HEX #F14AE7

RGB 241 74 231

HSL 303.59, 0.86%, 0.62%

LAB 61.1, 79.58, -46.37

 

CMYK 0 / 75 / 5 / 12

HEX #E038D4

RGB 224 56 212

HSL 304.29, 0.73%, 0.55%

LAB 55.51, 78.66, -44.66

 

CMYK 0 / 82 / 7 / 19

HEX #CF26C1

RGB 207 38 193

HSL 304.97, 0.69%, 0.48%

LAB 50.1, 77.02, -42.49

 

CMYK 0 / 89 / 8 / 25

HEX #BE14AE

RGB 190 20 174

HSL 305.65, 0.81%, 0.41%

LAB 44.95, 74.39, -39.71

 

CMYK 0 / 99 / 10 / 32

HEX #AD029B

RGB 173 2 155

HSL 306.32, 0.98%, 0.34%

LAB 40.07, 70.66, -36.25

 

CMYK 0 / 69 / 4 / 5

HEX #F14AE7

RGB 241 74 231

HSL 303.59, 0.86%, 0.62%

LAB 61.1, 79.58, -46.37

 

CMYK 0 / 69 / 23 / 5

HEX #F14ABA

RGB 241 74 186

HSL 319.76, 0.86%, 0.62%

LAB 59.11, 73.29, -23.96

 

CMYK 0 / 69 / 41 / 5

HEX #F14A8D

RGB 241 74 141

HSL 335.93, 0.86%, 0.62%

LAB 57.58, 68.26, -0.06

 

CMYK 0 / 69 / 60 / 5

HEX #F14A60

RGB 241 74 96

HSL 352.1, 0.86%, 0.62%

LAB 56.53, 64.66, 25

 

CMYK 0 / 69 / 69 / 5

HEX #F14A4A

RGB 241 74 74

HSL 0, 0.86%, 0.62%

LAB 56.18, 63.45, 37.25

 

CMYK 0 / 69 / 4 / 5

HEX #F14AE7

RGB 241 74 231

HSL 303.59, 0.86%, 0.62%

LAB 61.1, 79.58, -46.37

 

CMYK 15 / 69 / 0 / 5

HEX #CE4AF1

RGB 206 74 241

HSL 287.43, 0.86%, 0.62%

LAB 56.46, 73.83, -59.67

 

CMYK 33 / 69 / 0 / 5

HEX #A14AF1

RGB 161 74 241

HSL 271.26, 0.86%, 0.62%

LAB 50.48, 64.94, -69.61

 

CMYK 52 / 69 / 0 / 5

HEX #744AF1

RGB 116 74 241

HSL 255.09, 0.86%, 0.62%

LAB 45.58, 57.16, -77.81

 

CMYK 69 / 69 / 0 / 5

HEX #4A4AF1

RGB 74 74 241

HSL 240, 0.86%, 0.62%

LAB 42.31, 51.63, -83.29

 

CMYK 0 / 69 / 4 / 5

HEX #F14AE7

RGB 241 74 231

HSL 303.59, 0.86%, 0.62%

LAB 61.1, 79.58, -46.37

 

CMYK 0 / 69 / 4 / 5

HEX #F14AE7

RGB 241 74 231

HSL 303.59, 0.86%, 0.62%

LAB 61.1, 79.58, -46.37

 

CMYK 0 / 60 / 4 / 12

HEX #E15AD9

RGB 225 90 217

HSL 303.56, 0.69%, 0.62%

LAB 60.19, 67.65, -40.12

 

CMYK 0 / 50 / 3 / 18

HEX #D26ACB

RGB 210 106 203

HSL 304.04, 0.54%, 0.62%

LAB 60.18, 54.03, -32.38

 

CMYK 0 / 38 / 2 / 24

HEX #C279BE

RGB 194 121 190

HSL 303.29, 0.37%, 0.62%

LAB 60.66, 39.14, -24.42

 

CMYK 0 / 23 / 1 / 30

HEX #B289B0

RGB 178 137 176

HSL 302.93, 0.21%, 0.62%

LAB 62.08, 22.33, -14.48

 

CMYK 34 / 69 / 0 / 5

HEX #A04AF1

RGB 160 74 241

HSL 270.9, 0.86%, 0.62%

LAB 50.36, 64.76, -69.81

 

CMYK 15 / 69 / 0 / 5

HEX #CD4AF1

RGB 205 74 241

HSL 287.07, 0.86%, 0.62%

LAB 56.31, 73.62, -59.91

 

CMYK 0 / 69 / 3 / 5

HEX #F14AE9

RGB 241 74 233

HSL 302.87, 0.86%, 0.62%

LAB 61.2, 79.88, -47.33

 

CMYK 0 / 69 / 22 / 5

HEX #F14ABC

RGB 241 74 188

HSL 319.04, 0.86%, 0.62%

LAB 59.19, 73.55, -24.99

 

CMYK 0 / 69 / 40 / 5

HEX #F14A90

RGB 241 74 144

HSL 334.85, 0.86%, 0.62%

LAB 57.67, 68.55, -1.7

 

CMYK 0 / 93 / 6 / 15

HEX #D910CD

RGB 217 16 205

HSL 303.58, 0.86%, 0.46%

LAB 51.3, 84.04, -47.41

 

CMYK 0 / 85 / 5 / 7

HEX #EE24E2

RGB 238 36 226

HSL 303.56, 0.86%, 0.54%

LAB 57.01, 87.91, -50.08

 

CMYK 0 / 69 / 4 / 5

HEX #F14AE7

RGB 241 74 231

HSL 303.59, 0.86%, 0.62%

LAB 61.1, 79.58, -46.37

 

CMYK 0 / 54 / 3 / 4

HEX #F471EC

RGB 244 113 236

HSL 303.66, 0.86%, 0.7%

LAB 67.35, 65.68, -39.31

 

CMYK 0 / 39 / 2 / 3

HEX #F797F1

RGB 247 151 241

HSL 303.75, 0.86%, 0.78%

LAB 74.99, 49.01, -30.19

 

CMYK 0 / 69 / 4 / 5

HEX #F14AE7

RGB 241 74 231

HSL 303.59, 0.86%, 0.62%

LAB 61.1, 79.58, -46.37

 

CMYK 0 / 52 / 69 / 5

HEX #F1744A

RGB 241 116 74

HSL 15.09, 0.86%, 0.62%

LAB 63.08, 45.2, 45.25

 

CMYK 69 / 0 / 24 / 5

HEX #4AF1B7

RGB 74 241 183

HSL 159.16, 0.86%, 0.62%

LAB 85.9, -55.9, 15.8

 

CMYK 0 / 69 / 4 / 5

HEX #F14AE7

RGB 241 74 231

HSL 303.59, 0.86%, 0.62%

LAB 61.1, 79.58, -46.37

 

CMYK 3 / 0 / 69 / 5

HEX #E9F14A

RGB 233 241 74

HSL 62.87, 0.86%, 0.62%

LAB 92.01, -22.14, 75.32

 

CMYK 69 / 3 / 0 / 5

HEX #4AE9F1

RGB 74 233 241

HSL 182.87, 0.86%, 0.62%

LAB 85.04, -37.79, -15.86

 

CMYK 0 / 69 / 4 / 5

HEX #F14AE7

RGB 241 74 231

HSL 303.59, 0.86%, 0.62%

LAB 61.1, 79.58, -46.37

 

CMYK 0 / 52 / 69 / 5

HEX #F1744A

RGB 241 116 74

HSL 15.09, 0.86%, 0.62%

LAB 63.08, 45.2, 45.25

 

CMYK 69 / 0 / 66 / 5

HEX #4AF153

RGB 74 241 83

HSL 123.23, 0.86%, 0.62%

LAB 84.48, -71.87, 61.79

 

CMYK 69 / 17 / 0 / 5

HEX #4AC7F1

RGB 74 199 241

HSL 195.09, 0.86%, 0.62%

LAB 75.24, -21.31, -30.78

 

CMYK 0 / 69 / 4 / 5

HEX #F14AE7

RGB 241 74 231

HSL 303.59, 0.86%, 0.62%

LAB 61.1, 79.58, -46.37

 

CMYK 0 / 31 / 69 / 5

HEX #F1A64A

RGB 241 166 74

HSL 33.05, 0.86%, 0.62%

LAB 73.85, 19.42, 57.06

 

CMYK 69 / 0 / 66 / 5

HEX #4AF153

RGB 74 241 83

HSL 123.23, 0.86%, 0.62%

LAB 84.48, -71.87, 61.79

 

CMYK 69 / 38 / 0 / 5

HEX #4A95F1

RGB 74 149 241

HSL 213.05, 0.86%, 0.62%

LAB 61.05, 6.24, -52.98

 

Description

Color code: HEX #F14AE7 | qconv.com Color code: HEX #F14AE7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 74 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 74 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 4 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 4% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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