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Color name
HEX #F142CE

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F142CE it is the complementary color #0EBD31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F142CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F142CE shade: #F642C9, #FF54DC, #FF66EF, #FF78FF and #FF8AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F142CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F142CE shade: #F142CE, #E030BB, #CF1EA8, #BE0C95 and #AD0082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F142CE shade: #F041CD, #F0419E, #F0416F and #F04141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F142CE shade: #F041CD, #E441F0, #B541F0, #8541F0 and #5641F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F142CE shade matches the following richer shades: #F041CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F142CE shade: #F041CD, #E051C3, #CF62B9, #BF72AF and #AE83A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F142CE shade: #B641F0, #E541F0, #F041CD, #F0419E and #F04170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F142CE shade: #CF0FA9, #ED1AC3, #F041CD, #F367D7 and #F68EE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F142CE shade: #F142CE, #F08741 and #41F0CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F142CE shade: #F142CE, #CDF041 and #41CDF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F142CE shade: #F142CE, #F08741, #41F064 and #41AAF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F142CE shade: #F142CE, #F0BC41, #41F064 and #4175F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 15 / 5

HEX #F142CE

RGB 241 66 206

HSL 312, 0.86%, 0.6%

LAB 59.02, 78.53, -35.53

 

Complementary color

CMYK 93 / 0 / 74 / 26

HEX #0EBD31

RGB 14 189 49

HSL 132, 0.86%, 0.4%

LAB 67.06, -66, 56.1

 

CMYK 0 / 73 / 18 / 4

HEX #F642C9

RGB 246 66 201

HSL 315, 0.91%, 0.61%

LAB 59.62, 79, -31.69

 

CMYK 0 / 67 / 14 / 0

HEX #FF54DC

RGB 255 84 220

HSL 312.28, 1%, 0.66%

LAB 63.97, 77.75, -35.56

 

CMYK 0 / 60 / 6 / 0

HEX #FF66EF

RGB 255 102 239

HSL 306.27, 1%, 0.7%

LAB 67.27, 73.69, -40.98

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 73 / 15 / 5

HEX #F142CE

RGB 241 66 206

HSL 312, 0.86%, 0.6%

LAB 59.02, 78.53, -35.53

 

CMYK 0 / 79 / 17 / 12

HEX #E030BB

RGB 224 48 187

HSL 312.61, 0.74%, 0.53%

LAB 53.55, 77.31, -33.38

 

CMYK 0 / 86 / 19 / 19

HEX #CF1EA8

RGB 207 30 168

HSL 313.22, 0.75%, 0.46%

LAB 48.29, 75.26, -30.68

 

CMYK 0 / 94 / 22 / 25

HEX #BE0C95

RGB 190 12 149

HSL 313.82, 0.88%, 0.4%

LAB 43.33, 72.1, -27.27

 

CMYK 0 / 100 / 25 / 32

HEX #AD0082

RGB 173 0 130

HSL 314.91, 1%, 0.34%

LAB 38.72, 67.67, -23.06

 

CMYK 0 / 73 / 15 / 6

HEX #F041CD

RGB 240 65 205

HSL 312, 0.85%, 0.6%

LAB 58.71, 78.48, -35.47

 

CMYK 0 / 73 / 34 / 6

HEX #F0419E

RGB 240 65 158

HSL 328.11, 0.85%, 0.6%

LAB 56.86, 72.75, -11.14

 

CMYK 0 / 73 / 54 / 6

HEX #F0416F

RGB 240 65 111

HSL 344.23, 0.85%, 0.6%

LAB 55.54, 68.5, 14.76

 

CMYK 0 / 73 / 73 / 6

HEX #F04141

RGB 240 65 65

HSL 0, 0.85%, 0.6%

LAB 54.75, 65.89, 40.6

 

CMYK 0 / 73 / 15 / 6

HEX #F041CD

RGB 240 65 205

HSL 312, 0.85%, 0.6%

LAB 58.71, 78.48, -35.47

 

CMYK 5 / 73 / 0 / 6

HEX #E441F0

RGB 228 65 240

HSL 295.89, 0.85%, 0.6%

LAB 58.57, 81.16, -55.55

 

CMYK 25 / 73 / 0 / 6

HEX #B541F0

RGB 181 65 240

HSL 279.77, 0.85%, 0.6%

LAB 51.72, 72.12, -66.92

 

CMYK 45 / 73 / 0 / 6

HEX #8541F0

RGB 133 65 240

HSL 263.31, 0.85%, 0.6%

LAB 45.71, 63.85, -76.96

 

CMYK 64 / 73 / 0 / 6

HEX #5641F0

RGB 86 65 240

HSL 247.2, 0.85%, 0.6%

LAB 41.3, 57.48, -84.38

 

CMYK 0 / 73 / 15 / 6

HEX #F041CD

RGB 240 65 205

HSL 312, 0.85%, 0.6%

LAB 58.71, 78.48, -35.47

 

CMYK 0 / 73 / 15 / 6

HEX #F041CD

RGB 240 65 205

HSL 312, 0.85%, 0.6%

LAB 58.71, 78.48, -35.47

 

CMYK 0 / 64 / 13 / 12

HEX #E051C3

RGB 224 81 195

HSL 312.17, 0.7%, 0.6%

LAB 57.72, 67.64, -31.48

 

CMYK 0 / 53 / 11 / 19

HEX #CF62B9

RGB 207 98 185

HSL 312.11, 0.53%, 0.6%

LAB 57.56, 54.01, -26.2

 

CMYK 0 / 40 / 8 / 25

HEX #BF72AF

RGB 191 114 175

HSL 312.47, 0.38%, 0.6%

LAB 58.23, 39.24, -19.61

 

CMYK 0 / 25 / 5 / 32

HEX #AE83A6

RGB 174 131 166

HSL 311.16, 0.21%, 0.6%

LAB 59.87, 22.43, -12.14

 

CMYK 24 / 73 / 0 / 6

HEX #B641F0

RGB 182 65 240

HSL 280.11, 0.85%, 0.6%

LAB 51.86, 72.3, -66.7

 

CMYK 5 / 73 / 0 / 6

HEX #E541F0

RGB 229 65 240

HSL 296.23, 0.85%, 0.6%

LAB 58.72, 81.36, -55.3

 

CMYK 0 / 73 / 15 / 6

HEX #F041CD

RGB 240 65 205

HSL 312, 0.85%, 0.6%

LAB 58.71, 78.48, -35.47

 

CMYK 0 / 73 / 34 / 6

HEX #F0419E

RGB 240 65 158

HSL 328.11, 0.85%, 0.6%

LAB 56.86, 72.75, -11.14

 

CMYK 0 / 73 / 53 / 6

HEX #F04170

RGB 240 65 112

HSL 343.89, 0.85%, 0.6%

LAB 55.56, 68.58, 14.2

 

CMYK 0 / 93 / 18 / 19

HEX #CF0FA9

RGB 207 15 169

HSL 311.88, 0.86%, 0.44%

LAB 47.59, 77.57, -32.37

 

CMYK 0 / 89 / 18 / 7

HEX #ED1AC3

RGB 237 26 195

HSL 311.94, 0.85%, 0.52%

LAB 54.74, 85.18, -35.97

 

CMYK 0 / 73 / 15 / 6

HEX #F041CD

RGB 240 65 205

HSL 312, 0.85%, 0.6%

LAB 58.71, 78.48, -35.47

 

CMYK 0 / 58 / 12 / 5

HEX #F367D7

RGB 243 103 215

HSL 312, 0.85%, 0.68%

LAB 64.69, 66.5, -31.78

 

CMYK 0 / 42 / 9 / 4

HEX #F68EE1

RGB 246 142 225

HSL 312.12, 0.85%, 0.76%

LAB 72.48, 50.55, -25.3

 

CMYK 0 / 73 / 15 / 5

HEX #F142CE

RGB 241 66 206

HSL 312, 0.86%, 0.6%

LAB 59.02, 78.53, -35.53

 

CMYK 0 / 44 / 73 / 6

HEX #F08741

RGB 240 135 65

HSL 24, 0.85%, 0.6%

LAB 66.7, 34.83, 53.59

 

CMYK 73 / 0 / 15 / 6

HEX #41F0CD

RGB 65 240 205

HSL 168, 0.85%, 0.6%

LAB 85.93, -51.52, 4.36

 

CMYK 0 / 73 / 15 / 5

HEX #F142CE

RGB 241 66 206

HSL 312, 0.86%, 0.6%

LAB 59.02, 78.53, -35.53

 

CMYK 15 / 0 / 73 / 6

HEX #CDF041

RGB 205 240 65

HSL 72, 0.85%, 0.6%

LAB 89.71, -33.29, 75.44

 

CMYK 73 / 15 / 0 / 6

HEX #41CDF0

RGB 65 205 240

HSL 192, 0.85%, 0.6%

LAB 76.73, -25.8, -27.97

 

CMYK 0 / 73 / 15 / 5

HEX #F142CE

RGB 241 66 206

HSL 312, 0.86%, 0.6%

LAB 59.02, 78.53, -35.53

 

CMYK 0 / 44 / 73 / 6

HEX #F08741

RGB 240 135 65

HSL 24, 0.85%, 0.6%

LAB 66.7, 34.83, 53.59

 

CMYK 73 / 0 / 58 / 6

HEX #41F064

RGB 65 240 100

HSL 132, 0.85%, 0.6%

LAB 84.15, -71.15, 54.26

 

CMYK 73 / 29 / 0 / 6

HEX #41AAF0

RGB 65 170 240

HSL 204, 0.85%, 0.6%

LAB 66.65, -7.37, -43.6

 

CMYK 0 / 73 / 15 / 5

HEX #F142CE

RGB 241 66 206

HSL 312, 0.86%, 0.6%

LAB 59.02, 78.53, -35.53

 

CMYK 0 / 22 / 73 / 6

HEX #F0BC41

RGB 240 188 65

HSL 42.17, 0.85%, 0.6%

LAB 78.97, 6.99, 66.02

 

CMYK 73 / 0 / 58 / 6

HEX #41F064

RGB 65 240 100

HSL 132, 0.85%, 0.6%

LAB 84.15, -71.15, 54.26

 

CMYK 73 / 51 / 0 / 6

HEX #4175F0

RGB 65 117 240

HSL 222.17, 0.85%, 0.6%

LAB 51.99, 24.14, -66.96

 

Description

Color code: HEX #F142CE | qconv.com Color code: HEX #F142CE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 66 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 66 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 15 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 15% 5% C M Y K

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Provide designers and agencies with accurate color values.

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