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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1259C it is the complementary color #0EDA63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1259C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F1259C shade: #F62597, #FF37AA, #FF49BD, #FF5BD0 and #FF6DE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1259C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F1259C shade: #F1259C, #E01389, #CF0176, #BE0063 and #AD0050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F1259C shade: #F1279D, #F12766, #F12730 and #F12727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F1259C shade: #F1279D, #F127D3, #D827F1, #A127F1 and #6B27F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F1259C shade matches the following richer shades: #F1279D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F1259C shade: #F1279D, #DE3999, #CC4C96, #B95E93 and #A67190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F1259C shade: #D927F1, #F127D2, #F1279D, #F12767 and #F12731

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F1259C shade: #BA0B71, #E00E89, #F1279D, #F34EAE and #F674C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F1259C shade: #F1259C, #F1A327 and #27EDF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F1259C shade: #F1259C, #9DF127 and #279DF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F1259C shade: #F1259C, #F1A327, #27F17B and #2774F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F1259C shade: #F1259C, #F1E027, #27F17B and #2738F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 35 / 5

HEX #F1259C

RGB 241 37 156

HSL 325, 0.88%, 0.55%

LAB 54.47, 79.88, -13.53

 

Complementary color

CMYK 94 / 0 / 55 / 15

HEX #0EDA63

RGB 14 218 99

HSL 145, 0.88%, 0.45%

LAB 76.76, -69.12, 45.82

 

CMYK 0 / 85 / 39 / 4

HEX #F62597

RGB 246 37 151

HSL 327.27, 0.92%, 0.55%

LAB 55.23, 80.52, -9.35

 

CMYK 0 / 78 / 33 / 0

HEX #FF37AA

RGB 255 55 170

HSL 325.5, 1%, 0.61%

LAB 58.88, 80.51, -14.85

 

CMYK 0 / 71 / 26 / 0

HEX #FF49BD

RGB 255 73 189

HSL 321.76, 1%, 0.64%

LAB 61.39, 77.45, -21.98

 

CMYK 0 / 64 / 18 / 0

HEX #FF5BD0

RGB 255 91 208

HSL 317.2, 1%, 0.68%

LAB 64.4, 73.53, -28.15

 

CMYK 0 / 57 / 11 / 0

HEX #FF6DE3

RGB 255 109 227

HSL 311.51, 1%, 0.71%

LAB 67.83, 68.94, -33.47

 

CMYK 0 / 85 / 35 / 5

HEX #F1259C

RGB 241 37 156

HSL 325, 0.88%, 0.55%

LAB 54.47, 79.88, -13.53

 

CMYK 0 / 92 / 39 / 12

HEX #E01389

RGB 224 19 137

HSL 325.46, 0.84%, 0.48%

LAB 49.64, 77.11, -9.77

 

CMYK 0 / 100 / 43 / 19

HEX #CF0176

RGB 207 1 118

HSL 325.92, 0.99%, 0.41%

LAB 45.07, 73.4, -5.33

 

CMYK 0 / 100 / 48 / 25

HEX #BE0063

RGB 190 0 99

HSL 328.74, 1%, 0.37%

LAB 40.97, 68.19, 0.12

 

CMYK 0 / 100 / 54 / 32

HEX #AD0050

RGB 173 0 80

HSL 332.25, 1%, 0.34%

LAB 36.86, 62.86, 5.89

 

CMYK 0 / 84 / 35 / 5

HEX #F1279D

RGB 241 39 157

HSL 324.95, 0.88%, 0.55%

LAB 54.64, 79.6, -13.87

 

CMYK 0 / 84 / 58 / 5

HEX #F12766

RGB 241 39 102

HSL 341.29, 0.88%, 0.55%

LAB 53.07, 75.09, 16.79

 

CMYK 0 / 84 / 80 / 5

HEX #F12730

RGB 241 39 48

HSL 357.33, 0.88%, 0.55%

LAB 52.25, 72.66, 47.27

 

CMYK 0 / 84 / 84 / 5

HEX #F12727

RGB 241 39 39

HSL 0, 0.88%, 0.55%

LAB 52.17, 72.44, 51.79

 

CMYK 0 / 84 / 35 / 5

HEX #F1279D

RGB 241 39 157

HSL 324.95, 0.88%, 0.55%

LAB 54.64, 79.6, -13.87

 

CMYK 0 / 84 / 12 / 5

HEX #F127D3

RGB 241 39 211

HSL 308.91, 0.88%, 0.55%

LAB 56.93, 85.89, -41.66

 

CMYK 10 / 84 / 0 / 5

HEX #D827F1

RGB 216 39 241

HSL 292.57, 0.88%, 0.55%

LAB 54.45, 85.81, -62.82

 

CMYK 33 / 84 / 0 / 5

HEX #A127F1

RGB 161 39 241

HSL 276.24, 0.88%, 0.55%

LAB 46.15, 77.4, -76.67

 

CMYK 56 / 84 / 0 / 5

HEX #6B27F1

RGB 107 39 241

HSL 260.2, 0.88%, 0.55%

LAB 39.46, 71.02, -87.91

 

CMYK 0 / 84 / 35 / 5

HEX #F1279D

RGB 241 39 157

HSL 324.95, 0.88%, 0.55%

LAB 54.64, 79.6, -13.87

 

CMYK 0 / 84 / 35 / 5

HEX #F1279D

RGB 241 39 157

HSL 324.95, 0.88%, 0.55%

LAB 54.64, 79.6, -13.87

 

CMYK 0 / 74 / 31 / 13

HEX #DE3999

RGB 222 57 153

HSL 325.09, 0.71%, 0.55%

LAB 52.68, 70.15, -14.8

 

CMYK 0 / 63 / 26 / 20

HEX #CC4C96

RGB 204 76 150

HSL 325.31, 0.56%, 0.55%

LAB 52.07, 57.98, -14.23

 

CMYK 0 / 49 / 21 / 27

HEX #B95E93

RGB 185 94 147

HSL 325.05, 0.39%, 0.55%

LAB 52.32, 43.21, -12.36

 

CMYK 0 / 32 / 13 / 35

HEX #A67190

RGB 166 113 144

HSL 324.91, 0.23%, 0.55%

LAB 53.95, 25.8, -8.38

 

CMYK 10 / 84 / 0 / 5

HEX #D927F1

RGB 217 39 241

HSL 292.87, 0.88%, 0.55%

LAB 54.61, 85.97, -62.55

 

CMYK 0 / 84 / 13 / 5

HEX #F127D2

RGB 241 39 210

HSL 309.21, 0.88%, 0.55%

LAB 56.88, 85.76, -41.17

 

CMYK 0 / 84 / 35 / 5

HEX #F1279D

RGB 241 39 157

HSL 324.95, 0.88%, 0.55%

LAB 54.64, 79.6, -13.87

 

CMYK 0 / 84 / 57 / 5

HEX #F12767

RGB 241 39 103

HSL 340.99, 0.88%, 0.55%

LAB 53.09, 75.15, 16.22

 

CMYK 0 / 84 / 80 / 5

HEX #F12731

RGB 241 39 49

HSL 357.03, 0.88%, 0.55%

LAB 52.26, 72.69, 46.75

 

CMYK 0 / 94 / 39 / 27

HEX #BA0B71

RGB 186 11 113

HSL 325.03, 0.89%, 0.39%

LAB 41.01, 67.42, -8.73

 

CMYK 0 / 94 / 39 / 12

HEX #E00E89

RGB 224 14 137

HSL 324.86, 0.88%, 0.47%

LAB 49.46, 77.65, -10.05

 

CMYK 0 / 84 / 35 / 5

HEX #F1279D

RGB 241 39 157

HSL 324.95, 0.88%, 0.55%

LAB 54.64, 79.6, -13.87

 

CMYK 0 / 68 / 28 / 5

HEX #F34EAE

RGB 243 78 174

HSL 325.09, 0.87%, 0.63%

LAB 59.49, 70.92, -16.43

 

CMYK 0 / 53 / 22 / 4

HEX #F674C0

RGB 246 116 192

HSL 324.92, 0.88%, 0.71%

LAB 66.44, 58.19, -16.14

 

CMYK 0 / 85 / 35 / 5

HEX #F1259C

RGB 241 37 156

HSL 325, 0.88%, 0.55%

LAB 54.47, 79.88, -13.53

 

CMYK 0 / 32 / 84 / 5

HEX #F1A327

RGB 241 163 39

HSL 36.83, 0.88%, 0.55%

LAB 72.92, 19.65, 69.57

 

CMYK 84 / 2 / 0 / 5

HEX #27EDF1

RGB 39 237 241

HSL 181.19, 0.88%, 0.55%

LAB 85.68, -42.9, -14.95

 

CMYK 0 / 85 / 35 / 5

HEX #F1259C

RGB 241 37 156

HSL 325, 0.88%, 0.55%

LAB 54.47, 79.88, -13.53

 

CMYK 35 / 0 / 84 / 5

HEX #9DF127

RGB 157 241 39

HSL 84.95, 0.88%, 0.55%

LAB 87.11, -52.64, 79.13

 

CMYK 84 / 35 / 0 / 5

HEX #279DF1

RGB 39 157 241

HSL 204.95, 0.88%, 0.55%

LAB 62.42, -2.3, -50.85

 

CMYK 0 / 85 / 35 / 5

HEX #F1259C

RGB 241 37 156

HSL 325, 0.88%, 0.55%

LAB 54.47, 79.88, -13.53

 

CMYK 0 / 32 / 84 / 5

HEX #F1A327

RGB 241 163 39

HSL 36.83, 0.88%, 0.55%

LAB 72.92, 19.65, 69.57

 

CMYK 84 / 0 / 49 / 5

HEX #27F17B

RGB 39 241 123

HSL 144.95, 0.88%, 0.55%

LAB 84.37, -71.29, 43.85

 

CMYK 84 / 52 / 0 / 5

HEX #2774F1

RGB 39 116 241

HSL 217.13, 0.88%, 0.55%

LAB 51.01, 22.58, -69.15

 

CMYK 0 / 85 / 35 / 5

HEX #F1259C

RGB 241 37 156

HSL 325, 0.88%, 0.55%

LAB 54.47, 79.88, -13.53

 

CMYK 0 / 7 / 84 / 5

HEX #F1E027

RGB 241 224 39

HSL 54.95, 0.88%, 0.55%

LAB 88.04, -11.83, 82.16

 

CMYK 84 / 0 / 49 / 5

HEX #27F17B

RGB 39 241 123

HSL 144.95, 0.88%, 0.55%

LAB 84.37, -71.29, 43.85

 

CMYK 84 / 77 / 0 / 5

HEX #2738F1

RGB 39 56 241

HSL 234.95, 0.88%, 0.55%

LAB 37.13, 58.78, -91.91

 

Description

Color code: HEX #F1259C | qconv.com Color code: HEX #F1259C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 37 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 37 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 35 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 35% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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