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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0E761 it is the complementary color #0F189E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0E761. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0E761 shade: #F5E75C, #FFF96F, #FFFF82, #FFFF95 and #FFFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0E761. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0E761 shade: #F0E761, #DFD54E, #CEC33B, #BDB128 and #AC9F15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0E761 shade: #F0E760, #F0C060, #F09960, #F07260 and #F06060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0E761 shade: #F0E760, #D2F060, #ABF060, #84F060 and #60F062

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0E761 shade matches the following richer shades: #F0E760 and #FEF352

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0E761 shade: #F0E760, #E2DA6E, #D4CE7C, #C6C28A and #B8B698

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0E761 shade: #F09960, #F0C060, #F0E660, #D3F060 and #ADF060

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0E761 shade: #E8DB15, #ECE13A, #F0E760, #F3EC86 and #F7F2AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0E761 shade: #F0E761, #60F073 and #AD60F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0E761 shade: #F0E761, #60F0E6 and #E660F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0E761 shade: #F0E761, #60F073, #6069F0 and #F060DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0E761 shade: #F0E761, #60F09E, #6069F0 and #F060B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 60 / 6

HEX #F0E761

RGB 240 231 97

HSL 56.22, 0.83%, 0.66%

LAB 90.11, -13.11, 64.58

 

Complementary color

CMYK 91 / 85 / 0 / 38

HEX #0F189E

RGB 15 24 158

HSL 236.22, 0.83%, 0.34%

LAB 20.92, 47.37, -70.17

 

CMYK 0 / 6 / 62 / 4

HEX #F5E75C

RGB 245 231 92

HSL 54.51, 0.88%, 0.66%

LAB 90.48, -11.4, 67.19

 

CMYK 0 / 2 / 56 / 0

HEX #FFF96F

RGB 255 249 111

HSL 57.5, 1%, 0.72%

LAB 96.06, -14.94, 65.53

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 0 / 4 / 60 / 6

HEX #F0E761

RGB 240 231 97

HSL 56.22, 0.83%, 0.66%

LAB 90.11, -13.11, 64.58

 

CMYK 0 / 4 / 65 / 13

HEX #DFD54E

RGB 223 213 78

HSL 55.86, 0.69%, 0.59%

LAB 83.88, -12.33, 65.36

 

CMYK 0 / 5 / 71 / 19

HEX #CEC33B

RGB 206 195 59

HSL 55.51, 0.6%, 0.52%

LAB 77.56, -11.4, 65.81

 

CMYK 0 / 6 / 79 / 26

HEX #BDB128

RGB 189 177 40

HSL 55.17, 0.65%, 0.45%

LAB 71.16, -10.29, 65.68

 

CMYK 0 / 8 / 88 / 33

HEX #AC9F15

RGB 172 159 21

HSL 54.83, 0.78%, 0.38%

LAB 64.66, -8.97, 64.51

 

CMYK 0 / 4 / 60 / 6

HEX #F0E760

RGB 240 231 96

HSL 56.25, 0.83%, 0.66%

LAB 90.1, -13.18, 65

 

CMYK 0 / 20 / 60 / 6

HEX #F0C060

RGB 240 192 96

HSL 40, 0.83%, 0.66%

LAB 80.22, 6.66, 53.97

 

CMYK 0 / 36 / 60 / 6

HEX #F09960

RGB 240 153 96

HSL 23.75, 0.83%, 0.66%

LAB 70.98, 27.21, 43.12

 

CMYK 0 / 53 / 60 / 6

HEX #F07260

RGB 240 114 96

HSL 7.5, 0.83%, 0.66%

LAB 62.85, 47.12, 33.1

 

CMYK 0 / 60 / 60 / 6

HEX #F06060

RGB 240 96 96

HSL 0, 0.83%, 0.66%

LAB 59.65, 55.46, 29.02

 

CMYK 0 / 4 / 60 / 6

HEX #F0E760

RGB 240 231 96

HSL 56.25, 0.83%, 0.66%

LAB 90.1, -13.18, 65

 

CMYK 13 / 0 / 60 / 6

HEX #D2F060

RGB 210 240 96

HSL 72.5, 0.83%, 0.66%

LAB 90.26, -29.46, 64.53

 

CMYK 29 / 0 / 60 / 6

HEX #ABF060

RGB 171 240 96

HSL 88.75, 0.83%, 0.66%

LAB 87.88, -43.97, 61.23

 

CMYK 45 / 0 / 60 / 6

HEX #84F060

RGB 132 240 96

HSL 105, 0.83%, 0.66%

LAB 86.04, -56.63, 58.66

 

CMYK 60 / 0 / 59 / 6

HEX #60F062

RGB 96 240 98

HSL 120.83, 0.83%, 0.66%

LAB 84.84, -65.69, 56.11

 

CMYK 0 / 4 / 60 / 6

HEX #F0E760

RGB 240 231 96

HSL 56.25, 0.83%, 0.66%

LAB 90.1, -13.18, 65

 

CMYK 0 / 4 / 68 / 0

HEX #FEF352

RGB 254 243 82

HSL 56.16, 0.99%, 0.66%

LAB 94.22, -14.18, 75.19

 

CMYK 0 / 4 / 60 / 6

HEX #F0E760

RGB 240 231 96

HSL 56.25, 0.83%, 0.66%

LAB 90.1, -13.18, 65

 

CMYK 0 / 4 / 51 / 11

HEX #E2DA6E

RGB 226 218 110

HSL 55.86, 0.67%, 0.66%

LAB 85.72, -11.34, 53.5

 

CMYK 0 / 3 / 42 / 17

HEX #D4CE7C

RGB 212 206 124

HSL 55.91, 0.51%, 0.66%

LAB 81.62, -9.58, 41.45

 

CMYK 0 / 2 / 30 / 22

HEX #C6C28A

RGB 198 194 138

HSL 56, 0.34%, 0.66%

LAB 77.53, -7.31, 28.74

 

CMYK 0 / 1 / 17 / 28

HEX #B8B698

RGB 184 182 152

HSL 56.25, 0.18%, 0.66%

LAB 73.49, -4.4, 15.55

 

CMYK 0 / 36 / 60 / 6

HEX #F09960

RGB 240 153 96

HSL 23.75, 0.83%, 0.66%

LAB 70.98, 27.21, 43.12

 

CMYK 0 / 20 / 60 / 6

HEX #F0C060

RGB 240 192 96

HSL 40, 0.83%, 0.66%

LAB 80.22, 6.66, 53.97

 

CMYK 0 / 4 / 60 / 6

HEX #F0E660

RGB 240 230 96

HSL 55.83, 0.83%, 0.66%

LAB 89.84, -12.69, 64.72

 

CMYK 12 / 0 / 60 / 6

HEX #D3F060

RGB 211 240 96

HSL 72.08, 0.83%, 0.66%

LAB 90.33, -29.07, 64.63

 

CMYK 28 / 0 / 60 / 6

HEX #ADF060

RGB 173 240 96

HSL 87.92, 0.83%, 0.66%

LAB 87.99, -43.26, 61.39

 

CMYK 0 / 6 / 91 / 9

HEX #E8DB15

RGB 232 219 21

HSL 56.3, 0.83%, 0.5%

LAB 85.94, -13.5, 83.43

 

CMYK 0 / 5 / 75 / 7

HEX #ECE13A

RGB 236 225 58

HSL 56.29, 0.82%, 0.58%

LAB 87.96, -13.83, 76.84

 

CMYK 0 / 4 / 60 / 6

HEX #F0E760

RGB 240 231 96

HSL 56.25, 0.83%, 0.66%

LAB 90.1, -13.18, 65

 

CMYK 0 / 3 / 45 / 5

HEX #F3EC86

RGB 243 236 134

HSL 56.15, 0.82%, 0.74%

LAB 92.03, -11.41, 50.05

 

CMYK 0 / 2 / 31 / 3

HEX #F7F2AB

RGB 247 242 171

HSL 56.05, 0.83%, 0.82%

LAB 94.41, -8.85, 34.94

 

CMYK 0 / 4 / 60 / 6

HEX #F0E761

RGB 240 231 97

HSL 56.22, 0.83%, 0.66%

LAB 90.11, -13.11, 64.58

 

CMYK 60 / 0 / 52 / 6

HEX #60F073

RGB 96 240 115

HSL 127.92, 0.83%, 0.66%

LAB 85.02, -63.63, 48.66

 

CMYK 28 / 60 / 0 / 6

HEX #AD60F0

RGB 173 96 240

HSL 272.08, 0.83%, 0.66%

LAB 55.63, 56.83, -60.68

 

CMYK 0 / 4 / 60 / 6

HEX #F0E761

RGB 240 231 97

HSL 56.22, 0.83%, 0.66%

LAB 90.11, -13.11, 64.58

 

CMYK 60 / 0 / 4 / 6

HEX #60F0E6

RGB 96 240 230

HSL 175.83, 0.83%, 0.66%

LAB 87.25, -40.7, -6.73

 

CMYK 4 / 60 / 0 / 6

HEX #E660F0

RGB 230 96 240

HSL 295.83, 0.83%, 0.66%

LAB 62.91, 70.23, -48.64

 

CMYK 0 / 4 / 60 / 6

HEX #F0E761

RGB 240 231 97

HSL 56.22, 0.83%, 0.66%

LAB 90.11, -13.11, 64.58

 

CMYK 60 / 0 / 52 / 6

HEX #60F073

RGB 96 240 115

HSL 127.92, 0.83%, 0.66%

LAB 85.02, -63.63, 48.66

 

CMYK 60 / 56 / 0 / 6

HEX #6069F0

RGB 96 105 240

HSL 236.25, 0.83%, 0.66%

LAB 50.55, 36.07, -69.22

 

CMYK 0 / 60 / 8 / 6

HEX #F060DD

RGB 240 96 221

HSL 307.92, 0.83%, 0.66%

LAB 63.43, 69.59, -37.13

 

CMYK 0 / 4 / 60 / 6

HEX #F0E761

RGB 240 231 97

HSL 56.22, 0.83%, 0.66%

LAB 90.11, -13.11, 64.58

 

CMYK 60 / 0 / 34 / 6

HEX #60F09E

RGB 96 240 158

HSL 145.83, 0.83%, 0.66%

LAB 85.64, -56.81, 28.39

 

CMYK 60 / 56 / 0 / 6

HEX #6069F0

RGB 96 105 240

HSL 236.25, 0.83%, 0.66%

LAB 50.55, 36.07, -69.22

 

CMYK 0 / 60 / 26 / 6

HEX #F060B1

RGB 240 96 177

HSL 326.25, 0.83%, 0.66%

LAB 61.71, 63.36, -14.84

 

Description

Color code: HEX #F0E761 | qconv.com Color code: HEX #F0E761 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 231 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 231 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 60 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 60% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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