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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0DB73 it is the complementary color #0F248C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0DB73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0DB73 shade: #F5DB6E, #FFED81, #FFFF94, #FFFFA7 and #FFFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0DB73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0DB73 shade: #F0DB73, #DFC960, #CEB74D, #BDA53A and #AC9327

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0DB73 shade: #F0DB74, #F0BA74, #F09874, #F07774 and #F07474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0DB73 shade: #F0DB74, #E3F074, #C2F074, #A1F074 and #7FF074

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0DB73 shade matches the following richer shades: #F0DB74 and #FCE368

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0DB73 shade: #F0DB74, #E4D380, #D7CB8D, #CBC299 and #BEBAA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0DB73 shade: #F09774, #F0B874, #F0D974, #E6F074 and #C5F074

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0DB73 shade: #E8C829, #ECD24F, #F0DB74, #F4E599 and #F8EEBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0DB73 shade: #F0DB73, #74F076 and #A874F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0DB73 shade: #F0DB73, #74F0D9 and #D974F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0DB73 shade: #F0DB73, #74F076, #748BF0 and #F074EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0DB73 shade: #F0DB73, #74F09B, #748BF0 and #F074C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 52 / 6

HEX #F0DB73

RGB 240 219 115

HSL 49.92, 0.81%, 0.7%

LAB 87.21, -5.78, 53.19

 

Complementary color

CMYK 89 / 74 / 0 / 45

HEX #0F248C

RGB 15 36 140

HSL 229.92, 0.81%, 0.3%

LAB 21.04, 34.44, -58.84

 

CMYK 0 / 11 / 55 / 4

HEX #F5DB6E

RGB 245 219 110

HSL 48.44, 0.87%, 0.7%

LAB 87.58, -4.16, 56.08

 

CMYK 0 / 7 / 49 / 0

HEX #FFED81

RGB 255 237 129

HSL 51.43, 1%, 0.75%

LAB 93.2, -7.63, 54.07

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 0 / 9 / 52 / 6

HEX #F0DB73

RGB 240 219 115

HSL 49.92, 0.81%, 0.7%

LAB 87.21, -5.78, 53.19

 

CMYK 0 / 10 / 57 / 13

HEX #DFC960

RGB 223 201 96

HSL 49.61, 0.66%, 0.63%

LAB 80.91, -5.06, 54.34

 

CMYK 0 / 11 / 63 / 19

HEX #CEB74D

RGB 206 183 77

HSL 49.3, 0.57%, 0.55%

LAB 74.52, -4.2, 55.4

 

CMYK 0 / 13 / 69 / 26

HEX #BDA53A

RGB 189 165 58

HSL 49.01, 0.53%, 0.48%

LAB 68.05, -3.19, 56.24

 

CMYK 0 / 15 / 77 / 33

HEX #AC9327

RGB 172 147 39

HSL 48.72, 0.63%, 0.41%

LAB 61.47, -1.96, 56.61

 

CMYK 0 / 9 / 52 / 6

HEX #F0DB74

RGB 240 219 116

HSL 49.84, 0.81%, 0.7%

LAB 87.22, -5.7, 52.74

 

CMYK 0 / 23 / 52 / 6

HEX #F0BA74

RGB 240 186 116

HSL 33.87, 0.81%, 0.7%

LAB 78.99, 11.35, 42.73

 

CMYK 0 / 37 / 52 / 6

HEX #F09874

RGB 240 152 116

HSL 17.42, 0.81%, 0.7%

LAB 71.04, 29.31, 32.66

 

CMYK 0 / 50 / 52 / 6

HEX #F07774

RGB 240 119 116

HSL 1.45, 0.81%, 0.7%

LAB 64.14, 46.21, 23.59

 

CMYK 0 / 52 / 52 / 6

HEX #F07474

RGB 240 116 116

HSL 0, 0.81%, 0.7%

LAB 63.57, 47.68, 22.82

 

CMYK 0 / 9 / 52 / 6

HEX #F0DB74

RGB 240 219 116

HSL 49.84, 0.81%, 0.7%

LAB 87.22, -5.7, 52.74

 

CMYK 5 / 0 / 52 / 6

HEX #E3F074

RGB 227 240 116

HSL 66.29, 0.81%, 0.7%

LAB 91.65, -21.25, 57.71

 

CMYK 19 / 0 / 52 / 6

HEX #C2F074

RGB 194 240 116

HSL 82.26, 0.81%, 0.7%

LAB 89.42, -33.82, 54.53

 

CMYK 33 / 0 / 52 / 6

HEX #A1F074

RGB 161 240 116

HSL 98.23, 0.81%, 0.7%

LAB 87.56, -45.44, 51.87

 

CMYK 47 / 0 / 52 / 6

HEX #7FF074

RGB 127 240 116

HSL 114.68, 0.81%, 0.7%

LAB 86.05, -55.85, 49.69

 

CMYK 0 / 9 / 52 / 6

HEX #F0DB74

RGB 240 219 116

HSL 49.84, 0.81%, 0.7%

LAB 87.22, -5.7, 52.74

 

CMYK 0 / 10 / 59 / 1

HEX #FCE368

RGB 252 227 104

HSL 49.86, 0.96%, 0.7%

LAB 90.15, -5.78, 61.89

 

CMYK 0 / 9 / 52 / 6

HEX #F0DB74

RGB 240 219 116

HSL 49.84, 0.81%, 0.7%

LAB 87.22, -5.7, 52.74

 

CMYK 0 / 7 / 44 / 11

HEX #E4D380

RGB 228 211 128

HSL 49.8, 0.65%, 0.7%

LAB 84.3, -5.35, 43.11

 

CMYK 0 / 6 / 34 / 16

HEX #D7CB8D

RGB 215 203 141

HSL 50.27, 0.48%, 0.7%

LAB 81.34, -4.96, 32.47

 

CMYK 0 / 4 / 25 / 20

HEX #CBC299

RGB 203 194 153

HSL 49.2, 0.32%, 0.7%

LAB 78.22, -3.37, 21.8

 

CMYK 0 / 2 / 13 / 25

HEX #BEBAA6

RGB 190 186 166

HSL 50, 0.16%, 0.7%

LAB 75.34, -2.06, 10.64

 

CMYK 0 / 37 / 52 / 6

HEX #F09774

RGB 240 151 116

HSL 16.94, 0.81%, 0.7%

LAB 70.82, 29.84, 32.37

 

CMYK 0 / 23 / 52 / 6

HEX #F0B874

RGB 240 184 116

HSL 32.9, 0.81%, 0.7%

LAB 78.5, 12.4, 42.13

 

CMYK 0 / 10 / 52 / 6

HEX #F0D974

RGB 240 217 116

HSL 48.87, 0.81%, 0.7%

LAB 86.71, -4.69, 52.13

 

CMYK 4 / 0 / 52 / 6

HEX #E6F074

RGB 230 240 116

HSL 64.84, 0.81%, 0.7%

LAB 91.87, -20.07, 58.02

 

CMYK 18 / 0 / 52 / 6

HEX #C5F074

RGB 197 240 116

HSL 80.81, 0.81%, 0.7%

LAB 89.6, -32.71, 54.8

 

CMYK 0 / 14 / 82 / 9

HEX #E8C829

RGB 232 200 41

HSL 49.95, 0.81%, 0.54%

LAB 81.08, -3.5, 75.53

 

CMYK 0 / 11 / 67 / 7

HEX #ECD24F

RGB 236 210 79

HSL 50.06, 0.81%, 0.62%

LAB 84.22, -5.34, 65.67

 

CMYK 0 / 9 / 52 / 6

HEX #F0DB74

RGB 240 219 116

HSL 49.84, 0.81%, 0.7%

LAB 87.22, -5.7, 52.74

 

CMYK 0 / 6 / 37 / 4

HEX #F4E599

RGB 244 229 153

HSL 50.11, 0.81%, 0.78%

LAB 90.58, -5.58, 38.92

 

CMYK 0 / 4 / 23 / 3

HEX #F8EEBF

RGB 248 238 191

HSL 49.47, 0.8%, 0.86%

LAB 93.83, -3.89, 24.01

 

CMYK 0 / 9 / 52 / 6

HEX #F0DB73

RGB 240 219 115

HSL 49.92, 0.81%, 0.7%

LAB 87.21, -5.78, 53.19

 

CMYK 52 / 0 / 51 / 6

HEX #74F076

RGB 116 240 118

HSL 120.97, 0.81%, 0.7%

LAB 85.68, -58.53, 48.21

 

CMYK 30 / 52 / 0 / 6

HEX #A874F0

RGB 168 116 240

HSL 265.16, 0.81%, 0.7%

LAB 59.07, 45.15, -55.19

 

CMYK 0 / 9 / 52 / 6

HEX #F0DB73

RGB 240 219 115

HSL 49.92, 0.81%, 0.7%

LAB 87.21, -5.78, 53.19

 

CMYK 52 / 0 / 10 / 6

HEX #74F0D9

RGB 116 240 217

HSL 168.87, 0.81%, 0.7%

LAB 87.51, -40.15, 0.52

 

CMYK 10 / 52 / 0 / 6

HEX #D974F0

RGB 217 116 240

HSL 288.87, 0.81%, 0.7%

LAB 64.59, 57.83, -46.1

 

CMYK 0 / 9 / 52 / 6

HEX #F0DB73

RGB 240 219 115

HSL 49.92, 0.81%, 0.7%

LAB 87.21, -5.78, 53.19

 

CMYK 52 / 0 / 51 / 6

HEX #74F076

RGB 116 240 118

HSL 120.97, 0.81%, 0.7%

LAB 85.68, -58.53, 48.21

 

CMYK 52 / 42 / 0 / 6

HEX #748BF0

RGB 116 139 240

HSL 228.87, 0.81%, 0.7%

LAB 60.31, 19.5, -53.47

 

CMYK 0 / 52 / 1 / 6

HEX #F074EE

RGB 240 116 238

HSL 300.97, 0.81%, 0.7%

LAB 67.42, 63.59, -40.35

 

CMYK 0 / 9 / 52 / 6

HEX #F0DB73

RGB 240 219 115

HSL 49.92, 0.81%, 0.7%

LAB 87.21, -5.78, 53.19

 

CMYK 52 / 0 / 35 / 6

HEX #74F09B

RGB 116 240 155

HSL 138.87, 0.81%, 0.7%

LAB 86.21, -52.94, 30.77

 

CMYK 52 / 42 / 0 / 6

HEX #748BF0

RGB 116 139 240

HSL 228.87, 0.81%, 0.7%

LAB 60.31, 19.5, -53.47

 

CMYK 0 / 52 / 16 / 6

HEX #F074C9

RGB 240 116 201

HSL 318.87, 0.81%, 0.7%

LAB 65.93, 57.68, -22.05

 

Description

Color code: HEX #F0DB73 | qconv.com Color code: HEX #F0DB73 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 219 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 219 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 52 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 52% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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