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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0DAED it is the complementary color #0F2512. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0DAED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0DAED shade: #F5DAE8, #FFECFB and #FFFEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0DAED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0DAED shade: #F0DAED, #DFC8DA, #CEB6C7, #BDA4B4 and #AC92A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0DAED shade: #F0DAED, #F0DAE7, #F0DAE1, #F0DADB and #F0DADA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0DAED shade: #F0DAED, #EDDAF0, #E7DAF0, #E1DAF0 and #DCDAF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0DAED shade matches the following richer shades: #F0DAED, #F4D6F0, #F8D2F3 and #FCCEF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0DAED shade: #F0DAED, #ECDEEA, #E7E3E7, #E3E7E4 and #DFEBE1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0DAED shade: #E7DAF0, #EDDAF0, #F0DAED, #F0DAE7 and #F0DAE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0DAED shade: #D8A0D0, #E4BDDE, #F0DAED and #FCF8FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0DAED shade: #F0DAED, #F0E1DA and #DAF0EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0DAED shade: #F0DAED, #EDF0DA and #DAEDF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0DAED shade: #F0DAED, #F0E1DA, #DAF0DD and #DAE9F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0DAED shade: #F0DAED, #F0E8DA, #DAF0DD and #DAE2F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 1 / 6

HEX #F0DAED

RGB 240 218 237

HSL 308.18, 0.42%, 0.9%

LAB 89.29, 10.84, -6.53

 

Complementary color

CMYK 59 / 0 / 51 / 85

HEX #0F2512

RGB 15 37 18

HSL 128.18, 0.42%, 0.1%

LAB 12.41, -14.07, 9.88

 

CMYK 0 / 11 / 5 / 4

HEX #F5DAE8

RGB 245 218 232

HSL 328.89, 0.57%, 0.91%

LAB 89.57, 11.65, -3.44

 

CMYK 0 / 7 / 2 / 0

HEX #FFECFB

RGB 255 236 251

HSL 312.63, 1%, 0.96%

LAB 95.25, 8.98, -4.91

 

CMYK 0 / 0 / 0 / 0

HEX #FFFEFF

RGB 255 254 255

HSL 300, 1%, 1%

LAB 99.75, 0.51, -0.37

 

CMYK 0 / 9 / 1 / 6

HEX #F0DAED

RGB 240 218 237

HSL 308.18, 0.42%, 0.9%

LAB 89.29, 10.84, -6.53

 

CMYK 0 / 10 / 2 / 13

HEX #DFC8DA

RGB 223 200 218

HSL 313.04, 0.26%, 0.83%

LAB 82.94, 11.17, -6

 

CMYK 0 / 12 / 3 / 19

HEX #CEB6C7

RGB 206 182 199

HSL 317.5, 0.2%, 0.76%

LAB 76.5, 11.52, -5.44

 

CMYK 0 / 13 / 5 / 26

HEX #BDA4B4

RGB 189 164 180

HSL 321.6, 0.16%, 0.69%

LAB 69.94, 11.91, -4.87

 

CMYK 0 / 15 / 6 / 33

HEX #AC92A1

RGB 172 146 161

HSL 325.38, 0.14%, 0.62%

LAB 63.26, 12.33, -4.28

 

CMYK 0 / 9 / 1 / 6

HEX #F0DAED

RGB 240 218 237

HSL 308.18, 0.42%, 0.9%

LAB 89.29, 10.84, -6.53

 

CMYK 0 / 9 / 4 / 6

HEX #F0DAE7

RGB 240 218 231

HSL 324.55, 0.42%, 0.9%

LAB 89.13, 9.78, -3.61

 

CMYK 0 / 9 / 6 / 6

HEX #F0DAE1

RGB 240 218 225

HSL 340.91, 0.42%, 0.9%

LAB 88.97, 8.74, -0.68

 

CMYK 0 / 9 / 9 / 6

HEX #F0DADB

RGB 240 218 219

HSL 357.27, 0.42%, 0.9%

LAB 88.82, 7.74, 2.25

 

CMYK 0 / 9 / 9 / 6

HEX #F0DADA

RGB 240 218 218

HSL 0, 0.42%, 0.9%

LAB 88.79, 7.57, 2.74

 

CMYK 0 / 9 / 1 / 6

HEX #F0DAED

RGB 240 218 237

HSL 308.18, 0.42%, 0.9%

LAB 89.29, 10.84, -6.53

 

CMYK 1 / 9 / 0 / 6

HEX #EDDAF0

RGB 237 218 240

HSL 291.82, 0.42%, 0.9%

LAB 89.13, 10.38, -8.38

 

CMYK 4 / 9 / 0 / 6

HEX #E7DAF0

RGB 231 218 240

HSL 275.45, 0.42%, 0.9%

LAB 88.65, 8.39, -9.14

 

CMYK 6 / 9 / 0 / 6

HEX #E1DAF0

RGB 225 218 240

HSL 259.09, 0.42%, 0.9%

LAB 88.18, 6.42, -9.89

 

CMYK 8 / 9 / 0 / 6

HEX #DCDAF0

RGB 220 218 240

HSL 245.45, 0.42%, 0.9%

LAB 87.8, 4.8, -10.5

 

CMYK 0 / 9 / 1 / 6

HEX #F0DAED

RGB 240 218 237

HSL 308.18, 0.42%, 0.9%

LAB 89.29, 10.84, -6.53

 

CMYK 0 / 12 / 2 / 4

HEX #F4D6F0

RGB 244 214 240

HSL 308, 0.58%, 0.9%

LAB 88.74, 14.8, -8.89

 

CMYK 0 / 15 / 2 / 3

HEX #F8D2F3

RGB 248 210 243

HSL 307.89, 0.73%, 0.9%

LAB 88.22, 18.77, -11.21

 

CMYK 0 / 18 / 2 / 1

HEX #FCCEF6

RGB 252 206 246

HSL 307.83, 0.88%, 0.9%

LAB 87.72, 22.73, -13.5

 

CMYK 0 / 9 / 1 / 6

HEX #F0DAED

RGB 240 218 237

HSL 308.18, 0.42%, 0.9%

LAB 89.29, 10.84, -6.53

 

CMYK 0 / 6 / 1 / 7

HEX #ECDEEA

RGB 236 222 234

HSL 308.57, 0.27%, 0.9%

LAB 89.87, 6.87, -4.14

 

CMYK 0 / 2 / 0 / 9

HEX #E7E3E7

RGB 231 227 231

HSL 300, 0.08%, 0.9%

LAB 90.64, 2.06, -1.48

 

CMYK 2 / 0 / 1 / 9

HEX #E3E7E4

RGB 227 231 228

HSL 135, 0.08%, 0.9%

LAB 91.27, -1.87, 0.98

 

CMYK 5 / 0 / 4 / 8

HEX #DFEBE1

RGB 223 235 225

HSL 130, 0.23%, 0.9%

LAB 91.93, -5.79, 3.46

 

CMYK 4 / 9 / 0 / 6

HEX #E7DAF0

RGB 231 218 240

HSL 275.45, 0.42%, 0.9%

LAB 88.65, 8.39, -9.14

 

CMYK 1 / 9 / 0 / 6

HEX #EDDAF0

RGB 237 218 240

HSL 291.82, 0.42%, 0.9%

LAB 89.13, 10.38, -8.38

 

CMYK 0 / 9 / 1 / 6

HEX #F0DAED

RGB 240 218 237

HSL 308.18, 0.42%, 0.9%

LAB 89.29, 10.84, -6.53

 

CMYK 0 / 9 / 4 / 6

HEX #F0DAE7

RGB 240 218 231

HSL 324.55, 0.42%, 0.9%

LAB 89.13, 9.78, -3.61

 

CMYK 0 / 9 / 6 / 6

HEX #F0DAE1

RGB 240 218 225

HSL 340.91, 0.42%, 0.9%

LAB 88.97, 8.74, -0.68

 

CMYK 0 / 26 / 4 / 15

HEX #D8A0D0

RGB 216 160 208

HSL 308.57, 0.42%, 0.74%

LAB 72.42, 28.52, -16.35

 

CMYK 0 / 17 / 3 / 11

HEX #E4BDDE

RGB 228 189 222

HSL 309.23, 0.42%, 0.82%

LAB 80.83, 19.45, -11.23

 

CMYK 0 / 9 / 1 / 6

HEX #F0DAED

RGB 240 218 237

HSL 308.18, 0.42%, 0.9%

LAB 89.29, 10.84, -6.53

 

CMYK 0 / 2 / 0 / 1

HEX #FCF8FB

RGB 252 248 251

HSL 315, 0.4%, 0.98%

LAB 97.95, 1.86, -0.98

 

CMYK 0 / 9 / 1 / 6

HEX #F0DAED

RGB 240 218 237

HSL 308.18, 0.42%, 0.9%

LAB 89.29, 10.84, -6.53

 

CMYK 0 / 6 / 9 / 6

HEX #F0E1DA

RGB 240 225 218

HSL 19.09, 0.42%, 0.9%

LAB 90.52, 3.94, 5.25

 

CMYK 9 / 0 / 3 / 6

HEX #DAF0EA

RGB 218 240 234

HSL 163.64, 0.42%, 0.9%

LAB 93.09, -8.32, 0.42

 

CMYK 0 / 9 / 1 / 6

HEX #F0DAED

RGB 240 218 237

HSL 308.18, 0.42%, 0.9%

LAB 89.29, 10.84, -6.53

 

CMYK 1 / 0 / 9 / 6

HEX #EDF0DA

RGB 237 240 218

HSL 68.18, 0.42%, 0.9%

LAB 94.05, -4.76, 10.28

 

CMYK 9 / 1 / 0 / 6

HEX #DAEDF0

RGB 218 237 240

HSL 188.18, 0.42%, 0.9%

LAB 92.47, -5.66, -3.6

 

CMYK 0 / 9 / 1 / 6

HEX #F0DAED

RGB 240 218 237

HSL 308.18, 0.42%, 0.9%

LAB 89.29, 10.84, -6.53

 

CMYK 0 / 6 / 9 / 6

HEX #F0E1DA

RGB 240 225 218

HSL 19.09, 0.42%, 0.9%

LAB 90.52, 3.94, 5.25

 

CMYK 9 / 0 / 8 / 6

HEX #DAF0DD

RGB 218 240 221

HSL 128.18, 0.42%, 0.9%

LAB 92.77, -10.69, 6.72

 

CMYK 9 / 3 / 0 / 6

HEX #DAE9F0

RGB 218 233 240

HSL 199.09, 0.42%, 0.9%

LAB 91.45, -3.62, -5.11

 

CMYK 0 / 9 / 1 / 6

HEX #F0DAED

RGB 240 218 237

HSL 308.18, 0.42%, 0.9%

LAB 89.29, 10.84, -6.53

 

CMYK 0 / 3 / 9 / 6

HEX #F0E8DA

RGB 240 232 218

HSL 38.18, 0.42%, 0.9%

LAB 92.27, 0.35, 7.76

 

CMYK 9 / 0 / 8 / 6

HEX #DAF0DD

RGB 218 240 221

HSL 128.18, 0.42%, 0.9%

LAB 92.77, -10.69, 6.72

 

CMYK 9 / 6 / 0 / 6

HEX #DAE2F0

RGB 218 226 240

HSL 218.18, 0.42%, 0.9%

LAB 89.67, -0.02, -7.74

 

Description

Color code: HEX #F0DAED | qconv.com Color code: HEX #F0DAED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 218 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 218 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 1 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 1% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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