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Color name
HEX #F0D510

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0D510 it is the complementary color #0F2AEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0D510. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0D510 shade: #F5D50B, #FFE71E, #FFF931, #FFFF44 and #FFFF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0D510. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0D510 shade: #F0D510, #DFC300, #CEB100, #BD9F00 and #AC8D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0D510 shade: #EFD40F, #EF980F, #EF5B0F, #EF1F0F and #EF0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0D510 shade: #EFD40F, #CEEF0F, #91EF0F, #55EF0F and #18EF0F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0D510 shade matches the following richer shades: #EFD40F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0D510 shade: #EFD40F, #DBC523, #C6B538, #B1A54D and #9D9661

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0D510 shade: #EF5A0F, #EF950F, #EFD10F, #D1EF0F and #95EF0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0D510 shade: #A28F0A, #C8B20C, #EFD40F, #F2DB36 and #F4E25C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0D510 shade: #F0D510, #0FEF1E and #780FEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0D510 shade: #F0D510, #0FEFD1 and #D10FEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0D510 shade: #F0D510, #0FEF1E, #0F2DEF and #EF0FE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0D510 shade: #F0D510, #0FEF61, #0F2DEF and #EF0F9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 93 / 6

HEX #F0D510

RGB 240 213 16

HSL 52.77, 0.88%, 0.5%

LAB 85.07, -7.17, 83.71

 

Complementary color

CMYK 94 / 82 / 0 / 6

HEX #0F2AEF

RGB 15 42 239

HSL 232.77, 0.88%, 0.5%

LAB 33.96, 64.16, -96.07

 

CMYK 0 / 13 / 96 / 4

HEX #F5D50B

RGB 245 213 11

HSL 51.79, 0.92%, 0.5%

LAB 85.52, -5.08, 84.76

 

CMYK 0 / 9 / 88 / 0

HEX #FFE71E

RGB 255 231 30

HSL 53.6, 1%, 0.56%

LAB 91.01, -9.61, 86.81

 

CMYK 0 / 2 / 81 / 0

HEX #FFF931

RGB 255 249 49

HSL 58.25, 1%, 0.6%

LAB 95.68, -17.96, 86.7

 

CMYK 0 / 0 / 73 / 0

HEX #FFFF44

RGB 255 255 68

HSL 60, 1%, 0.63%

LAB 97.31, -20.19, 82.92

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 11 / 93 / 6

HEX #F0D510

RGB 240 213 16

HSL 52.77, 0.88%, 0.5%

LAB 85.07, -7.17, 83.71

 

CMYK 0 / 13 / 100 / 13

HEX #DFC300

RGB 223 195 0

HSL 52.47, 1%, 0.44%

LAB 78.88, -5.48, 80.06

 

CMYK 0 / 14 / 100 / 19

HEX #CEB100

RGB 206 177 0

HSL 51.55, 1%, 0.4%

LAB 72.61, -3.59, 74.88

 

CMYK 0 / 16 / 100 / 26

HEX #BD9F00

RGB 189 159 0

HSL 50.48, 1%, 0.37%

LAB 66.22, -1.64, 69.6

 

CMYK 0 / 18 / 100 / 33

HEX #AC8D00

RGB 172 141 0

HSL 49.19, 1%, 0.34%

LAB 59.73, 0.39, 64.24

 

CMYK 0 / 11 / 94 / 6

HEX #EFD40F

RGB 239 212 15

HSL 52.77, 0.88%, 0.5%

LAB 84.73, -7.1, 83.53

 

CMYK 0 / 36 / 94 / 6

HEX #EF980F

RGB 239 152 15

HSL 36.7, 0.88%, 0.5%

LAB 70.06, 24.17, 72.87

 

CMYK 0 / 62 / 94 / 6

HEX #EF5B0F

RGB 239 91 15

HSL 20.36, 0.88%, 0.5%

LAB 57.91, 54.31, 64.66

 

CMYK 0 / 87 / 94 / 6

HEX #EF1F0F

RGB 239 31 15

HSL 4.29, 0.88%, 0.5%

LAB 51.11, 73.07, 60.56

 

CMYK 0 / 94 / 94 / 6

HEX #EF0F0F

RGB 239 15 15

HSL 0, 0.88%, 0.5%

LAB 50.37, 75.21, 60.14

 

CMYK 0 / 11 / 94 / 6

HEX #EFD40F

RGB 239 212 15

HSL 52.77, 0.88%, 0.5%

LAB 84.73, -7.1, 83.53

 

CMYK 14 / 0 / 94 / 6

HEX #CEEF0F

RGB 206 239 15

HSL 68.84, 0.88%, 0.5%

LAB 89.34, -33.88, 85.91

 

CMYK 39 / 0 / 94 / 6

HEX #91EF0F

RGB 145 239 15

HSL 85.18, 0.88%, 0.5%

LAB 85.9, -56.49, 81.73

 

CMYK 64 / 0 / 94 / 6

HEX #55EF0F

RGB 85 239 15

HSL 101.25, 0.88%, 0.5%

LAB 83.81, -72.86, 79.17

 

CMYK 90 / 0 / 94 / 6

HEX #18EF0F

RGB 24 239 15

HSL 117.59, 0.88%, 0.5%

LAB 82.89, -80.87, 78.04

 

CMYK 0 / 11 / 94 / 6

HEX #EFD40F

RGB 239 212 15

HSL 52.77, 0.88%, 0.5%

LAB 84.73, -7.1, 83.53

 

CMYK 0 / 11 / 94 / 6

HEX #EFD40F

RGB 239 212 15

HSL 52.77, 0.88%, 0.5%

LAB 84.73, -7.1, 83.53

 

CMYK 0 / 10 / 84 / 14

HEX #DBC523

RGB 219 197 35

HSL 52.83, 0.72%, 0.5%

LAB 79.11, -7.71, 74.9

 

CMYK 0 / 9 / 72 / 22

HEX #C6B538

RGB 198 181 56

HSL 52.82, 0.56%, 0.5%

LAB 73.11, -7.78, 62.35

 

CMYK 0 / 7 / 56 / 31

HEX #B1A54D

RGB 177 165 77

HSL 52.8, 0.39%, 0.5%

LAB 67.12, -7.12, 46.4

 

CMYK 0 / 4 / 38 / 38

HEX #9D9661

RGB 157 150 97

HSL 53, 0.24%, 0.5%

LAB 61.52, -5.58, 28.89

 

CMYK 0 / 62 / 94 / 6

HEX #EF5A0F

RGB 239 90 15

HSL 20.09, 0.88%, 0.5%

LAB 57.75, 54.74, 64.55

 

CMYK 0 / 38 / 94 / 6

HEX #EF950F

RGB 239 149 15

HSL 35.89, 0.88%, 0.5%

LAB 69.38, 25.75, 72.39

 

CMYK 0 / 13 / 94 / 6

HEX #EFD10F

RGB 239 209 15

HSL 51.96, 0.88%, 0.5%

LAB 83.96, -5.58, 82.96

 

CMYK 13 / 0 / 94 / 6

HEX #D1EF0F

RGB 209 239 15

HSL 68.04, 0.88%, 0.5%

LAB 89.54, -32.68, 86.15

 

CMYK 38 / 0 / 94 / 6

HEX #95EF0F

RGB 149 239 15

HSL 84.11, 0.88%, 0.5%

LAB 86.08, -55.15, 81.96

 

CMYK 0 / 12 / 94 / 36

HEX #A28F0A

RGB 162 143 10

HSL 52.5, 0.88%, 0.34%

LAB 59.3, -5.14, 61.92

 

CMYK 0 / 11 / 94 / 22

HEX #C8B20C

RGB 200 178 12

HSL 52.98, 0.89%, 0.42%

LAB 72.33, -6.63, 73.05

 

CMYK 0 / 11 / 94 / 6

HEX #EFD40F

RGB 239 212 15

HSL 52.77, 0.88%, 0.5%

LAB 84.73, -7.1, 83.53

 

CMYK 0 / 10 / 78 / 5

HEX #F2DB36

RGB 242 219 54

HSL 52.66, 0.88%, 0.58%

LAB 86.9, -8.48, 77.29

 

CMYK 0 / 7 / 62 / 4

HEX #F4E25C

RGB 244 226 92

HSL 52.89, 0.87%, 0.66%

LAB 89.11, -9.33, 65.7

 

CMYK 0 / 11 / 93 / 6

HEX #F0D510

RGB 240 213 16

HSL 52.77, 0.88%, 0.5%

LAB 85.07, -7.17, 83.71

 

CMYK 94 / 0 / 87 / 6

HEX #0FEF1E

RGB 15 239 30

HSL 124.02, 0.88%, 0.5%

LAB 82.88, -80.91, 75.85

 

CMYK 50 / 94 / 0 / 6

HEX #780FEF

RGB 120 15 239

HSL 268.13, 0.88%, 0.5%

LAB 38.84, 77.42, -87.75

 

CMYK 0 / 11 / 93 / 6

HEX #F0D510

RGB 240 213 16

HSL 52.77, 0.88%, 0.5%

LAB 85.07, -7.17, 83.71

 

CMYK 94 / 0 / 13 / 6

HEX #0FEFD1

RGB 15 239 209

HSL 171.96, 0.88%, 0.5%

LAB 85.22, -53.73, 1.16

 

CMYK 13 / 94 / 0 / 6

HEX #D10FEF

RGB 209 15 239

HSL 291.96, 0.88%, 0.5%

LAB 51.98, 87.95, -65.73

 

CMYK 0 / 11 / 93 / 6

HEX #F0D510

RGB 240 213 16

HSL 52.77, 0.88%, 0.5%

LAB 85.07, -7.17, 83.71

 

CMYK 94 / 0 / 87 / 6

HEX #0FEF1E

RGB 15 239 30

HSL 124.02, 0.88%, 0.5%

LAB 82.88, -80.91, 75.85

 

CMYK 94 / 81 / 0 / 6

HEX #0F2DEF

RGB 15 45 239

HSL 231.96, 0.88%, 0.5%

LAB 34.42, 62.82, -95.31

 

CMYK 0 / 94 / 6 / 6

HEX #EF0FE0

RGB 239 15 224

HSL 304.02, 0.88%, 0.5%

LAB 56.16, 90.48, -50.29

 

CMYK 0 / 11 / 93 / 6

HEX #F0D510

RGB 240 213 16

HSL 52.77, 0.88%, 0.5%

LAB 85.07, -7.17, 83.71

 

CMYK 94 / 0 / 59 / 6

HEX #0FEF61

RGB 15 239 97

HSL 141.96, 0.88%, 0.5%

LAB 83.28, -75.74, 54.43

 

CMYK 94 / 81 / 0 / 6

HEX #0F2DEF

RGB 15 45 239

HSL 231.96, 0.88%, 0.5%

LAB 34.42, 62.82, -95.31

 

CMYK 0 / 94 / 34 / 6

HEX #EF0F9D

RGB 239 15 157

HSL 321.96, 0.88%, 0.5%

LAB 53.09, 82.6, -16.26

 

Description

Color code: HEX #F0D510 | qconv.com Color code: HEX #F0D510 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 213 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 213 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 93 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 93% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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