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Color name
HEX #F0BF7E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0BF7E it is the complementary color #0F4081. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0BF7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0BF7E shade: #F5BF79, #FFD18C, #FFE39F, #FFF5B2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0BF7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0BF7E shade: #F0BF7E, #DFAD6B, #CE9B58, #BD8945 and #AC7732

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0BF7E shade: #F0BF7F, #F0A17F, #F0827F and #F07F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0BF7E shade: #F0BF7F, #F0DD7F, #E3F07F, #C5F07F and #A6F07F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0BF7E shade matches the following richer shades: #F0BF7F and #FBC173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0BF7E shade: #F0BF7F, #E4BD8A, #D8BC96, #CDBAA1 and #C1B9AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0BF7E shade: #F0827F, #F0A17F, #F0BF7F, #F0DD7F and #E4F07F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0BF7E shade: #E79A35, #EBAD5A, #F0BF7F, #F4D1A4 and #F8E4C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0BF7E shade: #F0BF7E, #99F07F and #917FF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0BF7E shade: #F0BF7E, #7FF0BF and #BF7FF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0BF7E shade: #F0BF7E, #99F07F, #7FB0F0 and #D57FF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0BF7E shade: #F0BF7E, #7FF086, #7FB0F0 and #F07FE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 48 / 6

HEX #F0BF7E

RGB 240 191 126

HSL 34.21, 0.79%, 0.72%

LAB 80.34, 9.63, 39.35

 

Complementary color

CMYK 88 / 50 / 0 / 49

HEX #0F4081

RGB 15 64 129

HSL 214.21, 0.79%, 0.28%

LAB 27.72, 10.56, -41.06

 

CMYK 0 / 22 / 51 / 4

HEX #F5BF79

RGB 245 191 121

HSL 33.87, 0.86%, 0.72%

LAB 80.77, 11.18, 42.53

 

CMYK 0 / 18 / 45 / 0

HEX #FFD18C

RGB 255 209 140

HSL 36, 1%, 0.77%

LAB 86.38, 7.58, 40.23

 

CMYK 0 / 11 / 38 / 0

HEX #FFE39F

RGB 255 227 159

HSL 42.5, 1%, 0.81%

LAB 91.1, 0.34, 36.74

 

CMYK 0 / 4 / 30 / 0

HEX #FFF5B2

RGB 255 245 178

HSL 52.21, 1%, 0.85%

LAB 95.91, -6.5, 33.53

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 20 / 48 / 6

HEX #F0BF7E

RGB 240 191 126

HSL 34.21, 0.79%, 0.72%

LAB 80.34, 9.63, 39.35

 

CMYK 0 / 22 / 52 / 13

HEX #DFAD6B

RGB 223 173 107

HSL 34.14, 0.64%, 0.65%

LAB 73.96, 10.51, 40.69

 

CMYK 0 / 25 / 57 / 19

HEX #CE9B58

RGB 206 155 88

HSL 34.07, 0.55%, 0.58%

LAB 67.48, 11.52, 42.09

 

CMYK 0 / 28 / 63 / 26

HEX #BD8945

RGB 189 137 69

HSL 34, 0.48%, 0.51%

LAB 60.9, 12.71, 43.52

 

CMYK 0 / 31 / 71 / 33

HEX #AC7732

RGB 172 119 50

HSL 33.93, 0.55%, 0.44%

LAB 54.23, 14.12, 44.87

 

CMYK 0 / 20 / 47 / 6

HEX #F0BF7F

RGB 240 191 127

HSL 33.98, 0.79%, 0.72%

LAB 80.36, 9.72, 38.86

 

CMYK 0 / 33 / 47 / 6

HEX #F0A17F

RGB 240 161 127

HSL 18.05, 0.79%, 0.72%

LAB 73.25, 25.57, 29.64

 

CMYK 0 / 46 / 47 / 6

HEX #F0827F

RGB 240 130 127

HSL 1.59, 0.79%, 0.72%

LAB 66.54, 41.71, 20.63

 

CMYK 0 / 47 / 47 / 6

HEX #F07F7F

RGB 240 127 127

HSL 0, 0.79%, 0.72%

LAB 65.93, 43.23, 19.81

 

CMYK 0 / 20 / 47 / 6

HEX #F0BF7F

RGB 240 191 127

HSL 33.98, 0.79%, 0.72%

LAB 80.36, 9.72, 38.86

 

CMYK 0 / 8 / 47 / 6

HEX #F0DD7F

RGB 240 221 127

HSL 49.91, 0.79%, 0.72%

LAB 87.86, -5.75, 48.24

 

CMYK 5 / 0 / 47 / 6

HEX #E3F07F

RGB 227 240 127

HSL 66.9, 0.79%, 0.72%

LAB 91.77, -20.26, 52.78

 

CMYK 18 / 0 / 47 / 6

HEX #C5F07F

RGB 197 240 127

HSL 82.83, 0.79%, 0.72%

LAB 89.73, -31.6, 49.83

 

CMYK 31 / 0 / 47 / 6

HEX #A6F07F

RGB 166 240 127

HSL 99.29, 0.79%, 0.72%

LAB 87.95, -42.51, 47.23

 

CMYK 0 / 20 / 47 / 6

HEX #F0BF7F

RGB 240 191 127

HSL 33.98, 0.79%, 0.72%

LAB 80.36, 9.72, 38.86

 

CMYK 0 / 23 / 54 / 2

HEX #FBC173

RGB 251 193 115

HSL 34.41, 0.94%, 0.72%

LAB 81.78, 12.06, 46.91

 

CMYK 0 / 20 / 47 / 6

HEX #F0BF7F

RGB 240 191 127

HSL 33.98, 0.79%, 0.72%

LAB 80.36, 9.72, 38.86

 

CMYK 0 / 17 / 39 / 11

HEX #E4BD8A

RGB 228 189 138

HSL 34, 0.63%, 0.72%

LAB 78.88, 7.13, 31.01

 

CMYK 0 / 13 / 31 / 15

HEX #D8BC96

RGB 216 188 150

HSL 34.55, 0.46%, 0.72%

LAB 77.74, 4.39, 22.93

 

CMYK 0 / 9 / 21 / 20

HEX #CDBAA1

RGB 205 186 161

HSL 34.09, 0.31%, 0.72%

LAB 76.48, 2.76, 15.13

 

CMYK 0 / 4 / 10 / 24

HEX #C1B9AD

RGB 193 185 173

HSL 36, 0.14%, 0.72%

LAB 75.48, 0.73, 7.08

 

CMYK 0 / 46 / 47 / 6

HEX #F0827F

RGB 240 130 127

HSL 1.59, 0.79%, 0.72%

LAB 66.54, 41.71, 20.63

 

CMYK 0 / 33 / 47 / 6

HEX #F0A17F

RGB 240 161 127

HSL 18.05, 0.79%, 0.72%

LAB 73.25, 25.57, 29.64

 

CMYK 0 / 20 / 47 / 6

HEX #F0BF7F

RGB 240 191 127

HSL 33.98, 0.79%, 0.72%

LAB 80.36, 9.72, 38.86

 

CMYK 0 / 8 / 47 / 6

HEX #F0DD7F

RGB 240 221 127

HSL 49.91, 0.79%, 0.72%

LAB 87.86, -5.75, 48.24

 

CMYK 5 / 0 / 47 / 6

HEX #E4F07F

RGB 228 240 127

HSL 66.37, 0.79%, 0.72%

LAB 91.84, -19.87, 52.88

 

CMYK 0 / 33 / 77 / 9

HEX #E79A35

RGB 231 154 53

HSL 34.04, 0.79%, 0.56%

LAB 69.72, 20.64, 61.4

 

CMYK 0 / 26 / 62 / 8

HEX #EBAD5A

RGB 235 173 90

HSL 34.34, 0.78%, 0.64%

LAB 75.01, 14.17, 50.71

 

CMYK 0 / 20 / 47 / 6

HEX #F0BF7F

RGB 240 191 127

HSL 33.98, 0.79%, 0.72%

LAB 80.36, 9.72, 38.86

 

CMYK 0 / 14 / 33 / 4

HEX #F4D1A4

RGB 244 209 164

HSL 33.75, 0.78%, 0.8%

LAB 85.76, 5.93, 26.89

 

CMYK 0 / 8 / 19 / 3

HEX #F8E4C9

RGB 248 228 201

HSL 34.47, 0.77%, 0.88%

LAB 91.53, 2.6, 15.65

 

CMYK 0 / 20 / 48 / 6

HEX #F0BF7E

RGB 240 191 126

HSL 34.21, 0.79%, 0.72%

LAB 80.34, 9.63, 39.35

 

CMYK 36 / 0 / 47 / 6

HEX #99F07F

RGB 153 240 127

HSL 106.19, 0.79%, 0.72%

LAB 87.3, -46.74, 46.29

 

CMYK 40 / 47 / 0 / 6

HEX #917FF0

RGB 145 127 240

HSL 249.56, 0.79%, 0.72%

LAB 59.42, 33.26, -54.76

 

CMYK 0 / 20 / 48 / 6

HEX #F0BF7E

RGB 240 191 126

HSL 34.21, 0.79%, 0.72%

LAB 80.34, 9.63, 39.35

 

CMYK 47 / 0 / 20 / 6

HEX #7FF0BF

RGB 127 240 191

HSL 153.98, 0.79%, 0.72%

LAB 87.29, -43.42, 13.82

 

CMYK 20 / 47 / 0 / 6

HEX #BF7FF0

RGB 191 127 240

HSL 273.98, 0.79%, 0.72%

LAB 63.79, 45.2, -47.56

 

CMYK 0 / 20 / 48 / 6

HEX #F0BF7E

RGB 240 191 126

HSL 34.21, 0.79%, 0.72%

LAB 80.34, 9.63, 39.35

 

CMYK 36 / 0 / 47 / 6

HEX #99F07F

RGB 153 240 127

HSL 106.19, 0.79%, 0.72%

LAB 87.3, -46.74, 46.29

 

CMYK 47 / 27 / 0 / 6

HEX #7FB0F0

RGB 127 176 240

HSL 213.98, 0.79%, 0.72%

LAB 70.77, 0.7, -36.98

 

CMYK 11 / 47 / 0 / 6

HEX #D57FF0

RGB 213 127 240

HSL 285.66, 0.79%, 0.72%

LAB 66.23, 51.24, -43.56

 

CMYK 0 / 20 / 48 / 6

HEX #F0BF7E

RGB 240 191 126

HSL 34.21, 0.79%, 0.72%

LAB 80.34, 9.63, 39.35

 

CMYK 47 / 0 / 44 / 6

HEX #7FF086

RGB 127 240 134

HSL 123.72, 0.79%, 0.72%

LAB 86.28, -53.45, 41.39

 

CMYK 47 / 27 / 0 / 6

HEX #7FB0F0

RGB 127 176 240

HSL 213.98, 0.79%, 0.72%

LAB 70.77, 0.7, -36.98

 

CMYK 0 / 47 / 3 / 6

HEX #F07FE8

RGB 240 127 232

HSL 304.25, 0.79%, 0.72%

LAB 69.13, 57.36, -34.37

 

Description

Color code: HEX #F0BF7E | qconv.com Color code: HEX #F0BF7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 191 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 191 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 48 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 48% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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