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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0B5BB it is the complementary color #0F4A44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0B5BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0B5BB shade: #F5B5B6, #FFC7C9, #FFD9DC, #FFEBEF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0B5BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0B5BB shade: #F0B5BB, #DFA3A8, #CE9195, #BD7F82 and #AC6D6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0B5BB shade: #F0B7BC and #F0B7B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0B5BB shade: #F0B7BC, #F0B7CC, #F0B7DB, #F0B7EB and #E5B7F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0B5BB shade matches the following richer shades: #F0B7BC, #F7B0B7 and #FEA9B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0B5BB shade: #F0B7BC, #E9BEC2, #E2C5C8, #DBCCCD and #D4D3D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0B5BB shade: #F0B7DC, #F0B7CC, #F0B7BD, #F0BFB7 and #F0CEB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0B5BB shade: #E2727D, #E9949D, #F0B7BC, #F7D9DC and #FEFBFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0B5BB shade: #F0B5BB, #EBF0B7 and #B7D4F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0B5BB shade: #F0B5BB, #BDF0B7 and #B7BDF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0B5BB shade: #F0B5BB, #EBF0B7, #B7F0E9 and #BBB7F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0B5BB shade: #F0B5BB, #DAF0B7, #B7F0E9 and #CCB7F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 22 / 6

HEX #F0B5BB

RGB 240 181 187

HSL 353.9, 0.66%, 0.83%

LAB 79.13, 22.24, 5.3

 

Complementary color

CMYK 80 / 0 / 8 / 71

HEX #0F4A44

RGB 15 74 68

HSL 173.9, 0.66%, 0.17%

LAB 27.89, -19.89, -1.76

 

CMYK 0 / 26 / 26 / 4

HEX #F5B5B6

RGB 245 181 182

HSL 359.06, 0.76%, 0.84%

LAB 79.52, 23.35, 8.63

 

CMYK 0 / 22 / 21 / 0

HEX #FFC7C9

RGB 255 199 201

HSL 357.86, 1%, 0.89%

LAB 85.16, 20.19, 6.66

 

CMYK 0 / 15 / 14 / 0

HEX #FFD9DC

RGB 255 217 220

HSL 355.26, 1%, 0.93%

LAB 89.88, 13.66, 3.43

 

CMYK 0 / 8 / 6 / 0

HEX #FFEBEF

RGB 255 235 239

HSL 348, 1%, 0.96%

LAB 94.7, 7.44, 0.51

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 0 / 25 / 22 / 6

HEX #F0B5BB

RGB 240 181 187

HSL 353.9, 0.66%, 0.83%

LAB 79.13, 22.24, 5.3

 

CMYK 0 / 27 / 25 / 13

HEX #DFA3A8

RGB 223 163 168

HSL 355, 0.48%, 0.76%

LAB 72.7, 22.9, 6.19

 

CMYK 0 / 30 / 28 / 19

HEX #CE9195

RGB 206 145 149

HSL 356.07, 0.38%, 0.69%

LAB 66.17, 23.63, 7.15

 

CMYK 0 / 33 / 31 / 26

HEX #BD7F82

RGB 189 127 130

HSL 357.1, 0.32%, 0.62%

LAB 59.53, 24.44, 8.21

 

CMYK 0 / 37 / 35 / 33

HEX #AC6D6F

RGB 172 109 111

HSL 358.1, 0.28%, 0.55%

LAB 52.79, 25.34, 9.39

 

CMYK 0 / 24 / 22 / 6

HEX #F0B7BC

RGB 240 183 188

HSL 354.74, 0.66%, 0.83%

LAB 79.63, 21.32, 5.47

 

CMYK 0 / 24 / 24 / 6

HEX #F0B7B7

RGB 240 183 183

HSL 0, 0.66%, 0.83%

LAB 79.51, 20.6, 8

 

CMYK 0 / 24 / 22 / 6

HEX #F0B7BC

RGB 240 183 188

HSL 354.74, 0.66%, 0.83%

LAB 79.63, 21.32, 5.47

 

CMYK 0 / 24 / 15 / 6

HEX #F0B7CC

RGB 240 183 204

HSL 337.89, 0.66%, 0.83%

LAB 80.04, 23.75, -2.57

 

CMYK 0 / 24 / 9 / 6

HEX #F0B7DB

RGB 240 183 219

HSL 322.11, 0.66%, 0.83%

LAB 80.46, 26.2, -10.04

 

CMYK 0 / 24 / 2 / 6

HEX #F0B7EB

RGB 240 183 235

HSL 305.26, 0.66%, 0.83%

LAB 80.96, 28.98, -17.92

 

CMYK 5 / 24 / 0 / 6

HEX #E5B7F0

RGB 229 183 240

HSL 288.42, 0.66%, 0.83%

LAB 80.08, 26.34, -22.03

 

CMYK 0 / 24 / 22 / 6

HEX #F0B7BC

RGB 240 183 188

HSL 354.74, 0.66%, 0.83%

LAB 79.63, 21.32, 5.47

 

CMYK 0 / 29 / 26 / 3

HEX #F7B0B7

RGB 247 176 183

HSL 354.08, 0.82%, 0.83%

LAB 78.6, 26.86, 6.8

 

CMYK 0 / 33 / 30 / 0

HEX #FEA9B1

RGB 254 169 177

HSL 354.35, 0.98%, 0.83%

LAB 77.65, 32.28, 8.8

 

CMYK 0 / 24 / 22 / 6

HEX #F0B7BC

RGB 240 183 188

HSL 354.74, 0.66%, 0.83%

LAB 79.63, 21.32, 5.47

 

CMYK 0 / 18 / 17 / 9

HEX #E9BEC2

RGB 233 190 194

HSL 354.42, 0.49%, 0.83%

LAB 80.76, 15.97, 3.79

 

CMYK 0 / 13 / 12 / 11

HEX #E2C5C8

RGB 226 197 200

HSL 353.79, 0.33%, 0.83%

LAB 81.99, 10.71, 2.26

 

CMYK 0 / 7 / 6 / 14

HEX #DBCCCD

RGB 219 204 205

HSL 356, 0.17%, 0.83%

LAB 83.26, 5.38, 1.37

 

CMYK 0 / 0 / 0 / 17

HEX #D4D3D3

RGB 212 211 211

HSL 0, 0.01%, 0.83%

LAB 84.63, 0.35, 0.11

 

CMYK 0 / 24 / 8 / 6

HEX #F0B7DC

RGB 240 183 220

HSL 321.05, 0.66%, 0.83%

LAB 80.49, 26.37, -10.54

 

CMYK 0 / 24 / 15 / 6

HEX #F0B7CC

RGB 240 183 204

HSL 337.89, 0.66%, 0.83%

LAB 80.04, 23.75, -2.57

 

CMYK 0 / 24 / 21 / 6

HEX #F0B7BD

RGB 240 183 189

HSL 353.68, 0.66%, 0.83%

LAB 79.65, 21.47, 4.97

 

CMYK 0 / 20 / 24 / 6

HEX #F0BFB7

RGB 240 191 183

HSL 8.42, 0.66%, 0.83%

LAB 81.4, 16.36, 10.71

 

CMYK 0 / 14 / 24 / 6

HEX #F0CEB7

RGB 240 206 183

HSL 24.21, 0.66%, 0.83%

LAB 85.04, 8.48, 15.85

 

CMYK 0 / 50 / 45 / 11

HEX #E2727D

RGB 226 114 125

HSL 354.11, 0.66%, 0.67%

LAB 61.38, 44.51, 14.36

 

CMYK 0 / 36 / 33 / 9

HEX #E9949D

RGB 233 148 157

HSL 353.65, 0.66%, 0.75%

LAB 70.13, 33.12, 8.75

 

CMYK 0 / 24 / 22 / 6

HEX #F0B7BC

RGB 240 183 188

HSL 354.74, 0.66%, 0.83%

LAB 79.63, 21.32, 5.47

 

CMYK 0 / 12 / 11 / 3

HEX #F7D9DC

RGB 247 217 220

HSL 354, 0.65%, 0.91%

LAB 89.19, 10.86, 2.34

 

CMYK 0 / 1 / 1 / 0

HEX #FEFBFB

RGB 254 251 251

HSL 0, 0.6%, 0.99%

LAB 98.84, 1, 0.34

 

CMYK 0 / 25 / 22 / 6

HEX #F0B5BB

RGB 240 181 187

HSL 353.9, 0.66%, 0.83%

LAB 79.13, 22.24, 5.3

 

CMYK 2 / 0 / 24 / 6

HEX #EBF0B7

RGB 235 240 183

HSL 65.26, 0.66%, 0.83%

LAB 93.19, -10.74, 27.07

 

CMYK 24 / 12 / 0 / 6

HEX #B7D4F0

RGB 183 212 240

HSL 209.47, 0.66%, 0.83%

LAB 83.68, -3.6, -16.94

 

CMYK 0 / 25 / 22 / 6

HEX #F0B5BB

RGB 240 181 187

HSL 353.9, 0.66%, 0.83%

LAB 79.13, 22.24, 5.3

 

CMYK 21 / 0 / 24 / 6

HEX #BDF0B7

RGB 189 240 183

HSL 113.68, 0.66%, 0.83%

LAB 90.12, -26.84, 22.36

 

CMYK 24 / 21 / 0 / 6

HEX #B7BDF0

RGB 183 189 240

HSL 233.68, 0.66%, 0.83%

LAB 77.73, 8.71, -25.96

 

CMYK 0 / 25 / 22 / 6

HEX #F0B5BB

RGB 240 181 187

HSL 353.9, 0.66%, 0.83%

LAB 79.13, 22.24, 5.3

 

CMYK 2 / 0 / 24 / 6

HEX #EBF0B7

RGB 235 240 183

HSL 65.26, 0.66%, 0.83%

LAB 93.19, -10.74, 27.07

 

CMYK 24 / 0 / 3 / 6

HEX #B7F0E9

RGB 183 240 233

HSL 172.63, 0.66%, 0.83%

LAB 90.9, -19.38, -2.51

 

CMYK 22 / 24 / 0 / 6

HEX #BBB7F0

RGB 187 183 240

HSL 244.21, 0.66%, 0.83%

LAB 76.51, 13.19, -27.8

 

CMYK 0 / 25 / 22 / 6

HEX #F0B5BB

RGB 240 181 187

HSL 353.9, 0.66%, 0.83%

LAB 79.13, 22.24, 5.3

 

CMYK 9 / 0 / 24 / 6

HEX #DAF0B7

RGB 218 240 183

HSL 83.16, 0.66%, 0.83%

LAB 91.97, -16.85, 25.21

 

CMYK 24 / 0 / 3 / 6

HEX #B7F0E9

RGB 183 240 233

HSL 172.63, 0.66%, 0.83%

LAB 90.9, -19.38, -2.51

 

CMYK 15 / 24 / 0 / 6

HEX #CCB7F0

RGB 204 183 240

HSL 262.11, 0.66%, 0.83%

LAB 77.87, 18.41, -25.59

 

Description

Color code: HEX #F0B5BB | qconv.com Color code: HEX #F0B5BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 181 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 181 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 22 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 22% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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