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Color name
HEX #F0B56E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0B56E it is the complementary color #0F4A91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0B56E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0B56E shade: #F5B569, #FFC77C, #FFD98F, #FFEBA2 and #FFFDB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0B56E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0B56E shade: #F0B56E, #DFA35B, #CE9148, #BD7F35 and #AC6D22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0B56E shade: #EFB56F, #EF936F, #EF706F and #EF6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0B56E shade: #EFB56F, #EFD86F, #E5EF6F, #C2EF6F and #9FEF6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0B56E shade matches the following richer shades: #EFB56F and #FCB763

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0B56E shade: #EFB56F, #E3B47C, #D6B389, #C9B296 and #BCB1A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0B56E shade: #EF6F6F, #EF926F, #EFB46F, #EFD66F and #E7EF6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0B56E shade: #E88F25, #ECA24A, #EFB56F, #F3C895 and #F7DCBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0B56E shade: #F0B56E, #92EF6F and #806FEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0B56E shade: #F0B56E, #6FEFB4 and #B46FEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0B56E shade: #F0B56E, #92EF6F, #6FABEF and #CD6FEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0B56E shade: #F0B56E, #6FEF74, #6FABEF and #EF6FEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 54 / 6

HEX #F0B56E

RGB 240 181 110

HSL 32.77, 0.81%, 0.69%

LAB 77.7, 13.48, 44.17

 

Complementary color

CMYK 90 / 49 / 0 / 43

HEX #0F4A91

RGB 15 74 145

HSL 212.77, 0.81%, 0.31%

LAB 31.91, 10.39, -44.19

 

CMYK 0 / 26 / 57 / 4

HEX #F5B569

RGB 245 181 105

HSL 32.57, 0.88%, 0.69%

LAB 78.16, 15.13, 47.35

 

CMYK 0 / 22 / 51 / 0

HEX #FFC77C

RGB 255 199 124

HSL 34.35, 1%, 0.74%

LAB 83.74, 11.29, 44.94

 

CMYK 0 / 15 / 44 / 0

HEX #FFD98F

RGB 255 217 143

HSL 39.64, 1%, 0.78%

LAB 88.39, 3.76, 41.28

 

CMYK 0 / 8 / 36 / 0

HEX #FFEBA2

RGB 255 235 162

HSL 47.1, 1%, 0.82%

LAB 93.14, -3.37, 37.91

 

CMYK 0 / 1 / 29 / 0

HEX #FFFDB5

RGB 255 253 181

HSL 58.38, 1%, 0.85%

LAB 97.97, -10.09, 34.79

 

CMYK 0 / 25 / 54 / 6

HEX #F0B56E

RGB 240 181 110

HSL 32.77, 0.81%, 0.69%

LAB 77.7, 13.48, 44.17

 

CMYK 0 / 27 / 59 / 13

HEX #DFA35B

RGB 223 163 91

HSL 32.73, 0.67%, 0.62%

LAB 71.31, 14.57, 45.58

 

CMYK 0 / 30 / 65 / 19

HEX #CE9148

RGB 206 145 72

HSL 32.69, 0.58%, 0.55%

LAB 64.84, 15.82, 47

 

CMYK 0 / 33 / 72 / 26

HEX #BD7F35

RGB 189 127 53

HSL 32.65, 0.56%, 0.47%

LAB 58.28, 17.29, 48.34

 

CMYK 0 / 37 / 80 / 33

HEX #AC6D22

RGB 172 109 34

HSL 32.61, 0.67%, 0.4%

LAB 51.64, 19, 49.37

 

CMYK 0 / 24 / 54 / 6

HEX #EFB56F

RGB 239 181 111

HSL 32.81, 0.8%, 0.69%

LAB 77.61, 13.16, 43.53

 

CMYK 0 / 38 / 54 / 6

HEX #EF936F

RGB 239 147 111

HSL 16.88, 0.8%, 0.69%

LAB 69.73, 31.12, 33.64

 

CMYK 0 / 53 / 54 / 6

HEX #EF706F

RGB 239 112 111

HSL 0.47, 0.8%, 0.69%

LAB 62.58, 48.84, 24.3

 

CMYK 0 / 54 / 54 / 6

HEX #EF6F6F

RGB 239 111 111

HSL 0, 0.8%, 0.69%

LAB 62.4, 49.32, 24.05

 

CMYK 0 / 24 / 54 / 6

HEX #EFB56F

RGB 239 181 111

HSL 32.81, 0.8%, 0.69%

LAB 77.61, 13.16, 43.53

 

CMYK 0 / 10 / 54 / 6

HEX #EFD86F

RGB 239 216 111

HSL 49.22, 0.8%, 0.69%

LAB 86.31, -4.99, 53.99

 

CMYK 4 / 0 / 54 / 6

HEX #E5EF6F

RGB 229 239 111

HSL 64.69, 0.8%, 0.69%

LAB 91.48, -20.39, 59.79

 

CMYK 19 / 0 / 54 / 6

HEX #C2EF6F

RGB 194 239 111

HSL 81.09, 0.8%, 0.69%

LAB 89.09, -33.84, 56.41

 

CMYK 33 / 0 / 54 / 6

HEX #9FEF6F

RGB 159 239 111

HSL 97.5, 0.8%, 0.69%

LAB 87.12, -46.22, 53.61

 

CMYK 0 / 24 / 54 / 6

HEX #EFB56F

RGB 239 181 111

HSL 32.81, 0.8%, 0.69%

LAB 77.61, 13.16, 43.53

 

CMYK 0 / 27 / 61 / 1

HEX #FCB763

RGB 252 183 99

HSL 32.94, 0.96%, 0.69%

LAB 79.31, 16.51, 51.82

 

CMYK 0 / 24 / 54 / 6

HEX #EFB56F

RGB 239 181 111

HSL 32.81, 0.8%, 0.69%

LAB 77.61, 13.16, 43.53

 

CMYK 0 / 21 / 45 / 11

HEX #E3B47C

RGB 227 180 124

HSL 32.62, 0.65%, 0.69%

LAB 76.33, 10.01, 34.98

 

CMYK 0 / 16 / 36 / 16

HEX #D6B389

RGB 214 179 137

HSL 32.73, 0.48%, 0.69%

LAB 75.04, 6.77, 26.18

 

CMYK 0 / 11 / 25 / 21

HEX #C9B296

RGB 201 178 150

HSL 32.94, 0.32%, 0.69%

LAB 73.84, 3.92, 17.35

 

CMYK 0 / 6 / 13 / 26

HEX #BCB1A3

RGB 188 177 163

HSL 33.6, 0.16%, 0.69%

LAB 72.75, 1.52, 8.56

 

CMYK 0 / 54 / 54 / 6

HEX #EF6F6F

RGB 239 111 111

HSL 0, 0.8%, 0.69%

LAB 62.4, 49.32, 24.05

 

CMYK 0 / 39 / 54 / 6

HEX #EF926F

RGB 239 146 111

HSL 16.41, 0.8%, 0.69%

LAB 69.51, 31.65, 33.36

 

CMYK 0 / 25 / 54 / 6

HEX #EFB46F

RGB 239 180 111

HSL 32.34, 0.8%, 0.69%

LAB 77.37, 13.68, 43.23

 

CMYK 0 / 10 / 54 / 6

HEX #EFD66F

RGB 239 214 111

HSL 48.28, 0.8%, 0.69%

LAB 85.8, -3.98, 53.39

 

CMYK 3 / 0 / 54 / 6

HEX #E7EF6F

RGB 231 239 111

HSL 63.75, 0.8%, 0.69%

LAB 91.63, -19.6, 60

 

CMYK 0 / 38 / 84 / 9

HEX #E88F25

RGB 232 143 37

HSL 32.62, 0.81%, 0.53%

LAB 67.23, 26.39, 64.97

 

CMYK 0 / 31 / 69 / 7

HEX #ECA24A

RGB 236 162 74

HSL 32.59, 0.81%, 0.61%

LAB 72.34, 19.45, 55.28

 

CMYK 0 / 24 / 54 / 6

HEX #EFB56F

RGB 239 181 111

HSL 32.81, 0.8%, 0.69%

LAB 77.61, 13.16, 43.53

 

CMYK 0 / 18 / 39 / 5

HEX #F3C895

RGB 243 200 149

HSL 32.55, 0.8%, 0.77%

LAB 83.2, 8.48, 31.24

 

CMYK 0 / 11 / 25 / 3

HEX #F7DCBA

RGB 247 220 186

HSL 33.44, 0.79%, 0.85%

LAB 89.16, 4.22, 20.13

 

CMYK 0 / 25 / 54 / 6

HEX #F0B56E

RGB 240 181 110

HSL 32.77, 0.81%, 0.69%

LAB 77.7, 13.48, 44.17

 

CMYK 39 / 0 / 54 / 6

HEX #92EF6F

RGB 146 239 111

HSL 103.59, 0.8%, 0.69%

LAB 86.5, -50.42, 52.72

 

CMYK 46 / 54 / 0 / 6

HEX #806FEF

RGB 128 111 239

HSL 247.97, 0.8%, 0.69%

LAB 54.23, 38.35, -62.6

 

CMYK 0 / 25 / 54 / 6

HEX #F0B56E

RGB 240 181 110

HSL 32.77, 0.81%, 0.69%

LAB 77.7, 13.48, 44.17

 

CMYK 54 / 0 / 25 / 6

HEX #6FEFB4

RGB 111 239 180

HSL 152.34, 0.8%, 0.69%

LAB 86.21, -48.97, 17.94

 

CMYK 25 / 54 / 0 / 6

HEX #B46FEF

RGB 180 111 239

HSL 272.34, 0.8%, 0.69%

LAB 59.25, 50.59, -54.27

 

CMYK 0 / 25 / 54 / 6

HEX #F0B56E

RGB 240 181 110

HSL 32.77, 0.81%, 0.69%

LAB 77.7, 13.48, 44.17

 

CMYK 39 / 0 / 54 / 6

HEX #92EF6F

RGB 146 239 111

HSL 103.59, 0.8%, 0.69%

LAB 86.5, -50.42, 52.72

 

CMYK 54 / 28 / 0 / 6

HEX #6FABEF

RGB 111 171 239

HSL 211.88, 0.8%, 0.69%

LAB 68.56, -0.4, -39.94

 

CMYK 14 / 54 / 0 / 6

HEX #CD6FEF

RGB 205 111 239

HSL 284.06, 0.8%, 0.69%

LAB 62.15, 56.95, -49.49

 

CMYK 0 / 25 / 54 / 6

HEX #F0B56E

RGB 240 181 110

HSL 32.77, 0.81%, 0.69%

LAB 77.7, 13.48, 44.17

 

CMYK 54 / 0 / 51 / 6

HEX #6FEF74

RGB 111 239 116

HSL 122.34, 0.8%, 0.69%

LAB 85.19, -59.67, 48.51

 

CMYK 54 / 28 / 0 / 6

HEX #6FABEF

RGB 111 171 239

HSL 211.88, 0.8%, 0.69%

LAB 68.56, -0.4, -39.94

 

CMYK 0 / 54 / 2 / 6

HEX #EF6FEB

RGB 239 111 235

HSL 301.88, 0.8%, 0.69%

LAB 66.3, 65.1, -40.45

 

Description

Color code: HEX #F0B56E | qconv.com Color code: HEX #F0B56E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 181 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 181 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 54 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 54% 6% C M Y K

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Provide designers and agencies with accurate color values.

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