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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0AD9D it is the complementary color #0F5262. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0AD9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0AD9D shade: #F5AD98, #FFBFAB, #FFD1BE, #FFE3D1 and #FFF5E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0AD9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0AD9D shade: #F0AD9D, #DF9B8A, #CE8977, #BD7764 and #AC6551

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0AD9D shade: #EFAD9D and #EF9D9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0AD9D shade: #EFAD9D, #EFC39D, #EFD99D, #EFEF9D and #D9EF9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0AD9D shade matches the following richer shades: #EFAD9D and #F8A894

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0AD9D shade: #EFAD9D, #E6B3A7, #DDB8B0, #D4BEB9 and #CBC4C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0AD9D shade: #EF9DBA, #EF9DA4, #EFAC9D, #EFC29D and #EFD89D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0AD9D shade: #E47156, #EA8F7A, #EFAD9D, #F5CBC1 and #FAE9E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0AD9D shade: #F0AD9D, #D0EF9D and #9DAFEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0AD9D shade: #F0AD9D, #9DEFAC and #AC9DEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0AD9D shade: #F0AD9D, #D0EF9D, #9DE0EF and #BD9DEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0AD9D shade: #F0AD9D, #B7EF9D, #9DE0EF and #D59DEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 35 / 6

HEX #F0AD9D

RGB 240 173 157

HSL 11.57, 0.73%, 0.78%

LAB 76.59, 22.48, 17.95

 

Complementary color

CMYK 85 / 16 / 0 / 62

HEX #0F5262

RGB 15 82 98

HSL 191.57, 0.73%, 0.22%

LAB 31.85, -13.8, -15.03

 

CMYK 0 / 29 / 38 / 4

HEX #F5AD98

RGB 245 173 152

HSL 13.55, 0.82%, 0.78%

LAB 77.02, 23.8, 21.34

 

CMYK 0 / 25 / 33 / 0

HEX #FFBFAB

RGB 255 191 171

HSL 14.29, 1%, 0.84%

LAB 82.63, 20.36, 19.06

 

CMYK 0 / 18 / 25 / 0

HEX #FFD1BE

RGB 255 209 190

HSL 17.54, 1%, 0.87%

LAB 87.28, 13.42, 15.5

 

CMYK 0 / 11 / 18 / 0

HEX #FFE3D1

RGB 255 227 209

HSL 23.48, 1%, 0.91%

LAB 92.04, 6.81, 12.29

 

CMYK 0 / 4 / 11 / 0

HEX #FFF5E4

RGB 255 245 228

HSL 37.78, 1%, 0.95%

LAB 96.89, 0.55, 9.36

 

CMYK 0 / 28 / 35 / 6

HEX #F0AD9D

RGB 240 173 157

HSL 11.57, 0.73%, 0.78%

LAB 76.59, 22.48, 17.95

 

CMYK 0 / 30 / 38 / 13

HEX #DF9B8A

RGB 223 155 138

HSL 12, 0.57%, 0.71%

LAB 70.15, 23.31, 19.14

 

CMYK 0 / 33 / 42 / 19

HEX #CE8977

RGB 206 137 119

HSL 12.41, 0.47%, 0.64%

LAB 63.63, 24.24, 20.45

 

CMYK 0 / 37 / 47 / 26

HEX #BD7764

RGB 189 119 100

HSL 12.81, 0.4%, 0.57%

LAB 57.01, 25.29, 21.91

 

CMYK 0 / 41 / 53 / 33

HEX #AC6551

RGB 172 101 81

HSL 13.19, 0.36%, 0.5%

LAB 50.3, 26.48, 23.57

 

CMYK 0 / 28 / 34 / 6

HEX #EFAD9D

RGB 239 173 157

HSL 11.71, 0.72%, 0.78%

LAB 76.48, 22.1, 17.78

 

CMYK 0 / 34 / 34 / 6

HEX #EF9D9D

RGB 239 157 157

HSL 0, 0.72%, 0.78%

LAB 72.83, 30.58, 12.67

 

CMYK 0 / 28 / 34 / 6

HEX #EFAD9D

RGB 239 173 157

HSL 11.71, 0.72%, 0.78%

LAB 76.48, 22.1, 17.78

 

CMYK 0 / 18 / 34 / 6

HEX #EFC39D

RGB 239 195 157

HSL 27.8, 0.72%, 0.78%

LAB 81.74, 10.47, 25.01

 

CMYK 0 / 9 / 34 / 6

HEX #EFD99D

RGB 239 217 157

HSL 43.9, 0.72%, 0.78%

LAB 87.2, -0.95, 32.36

 

CMYK 0 / 0 / 34 / 6

HEX #EFEF9D

RGB 239 239 157

HSL 60, 0.72%, 0.78%

LAB 92.8, -12.03, 39.73

 

CMYK 9 / 0 / 34 / 6

HEX #D9EF9D

RGB 217 239 157

HSL 76.1, 0.72%, 0.78%

LAB 91.2, -20.26, 37.32

 

CMYK 0 / 28 / 34 / 6

HEX #EFAD9D

RGB 239 173 157

HSL 11.71, 0.72%, 0.78%

LAB 76.48, 22.1, 17.78

 

CMYK 0 / 32 / 40 / 3

HEX #F8A894

RGB 248 168 148

HSL 12, 0.88%, 0.78%

LAB 76.13, 27.13, 22.33

 

CMYK 0 / 28 / 34 / 6

HEX #EFAD9D

RGB 239 173 157

HSL 11.71, 0.72%, 0.78%

LAB 76.48, 22.1, 17.78

 

CMYK 0 / 22 / 27 / 10

HEX #E6B3A7

RGB 230 179 167

HSL 11.43, 0.56%, 0.78%

LAB 77.19, 16.79, 13.23

 

CMYK 0 / 17 / 20 / 13

HEX #DDB8B0

RGB 221 184 176

HSL 10.67, 0.4%, 0.78%

LAB 77.75, 12.05, 9.03

 

CMYK 0 / 10 / 13 / 17

HEX #D4BEB9

RGB 212 190 185

HSL 11.11, 0.24%, 0.78%

LAB 78.65, 6.95, 5.35

 

CMYK 0 / 3 / 4 / 20

HEX #CBC4C2

RGB 203 196 194

HSL 13.33, 0.08%, 0.78%

LAB 79.65, 2.08, 1.86

 

CMYK 0 / 34 / 22 / 6

HEX #EF9DBA

RGB 239 157 186

HSL 338.78, 0.72%, 0.78%

LAB 73.55, 34.45, -2.29

 

CMYK 0 / 34 / 31 / 6

HEX #EF9DA4

RGB 239 157 164

HSL 354.88, 0.72%, 0.78%

LAB 72.99, 31.45, 9.04

 

CMYK 0 / 28 / 34 / 6

HEX #EFAC9D

RGB 239 172 157

HSL 10.98, 0.72%, 0.78%

LAB 76.25, 22.63, 17.46

 

CMYK 0 / 19 / 34 / 6

HEX #EFC29D

RGB 239 194 157

HSL 27.07, 0.72%, 0.78%

LAB 81.49, 11, 24.68

 

CMYK 0 / 10 / 34 / 6

HEX #EFD89D

RGB 239 216 157

HSL 43.17, 0.72%, 0.78%

LAB 86.95, -0.44, 32.02

 

CMYK 0 / 50 / 62 / 11

HEX #E47156

RGB 228 113 86

HSL 11.41, 0.72%, 0.62%

LAB 60.76, 42.51, 35.64

 

CMYK 0 / 39 / 48 / 8

HEX #EA8F7A

RGB 234 143 122

HSL 11.25, 0.73%, 0.7%

LAB 68.42, 32.26, 25.82

 

CMYK 0 / 28 / 34 / 6

HEX #EFAD9D

RGB 239 173 157

HSL 11.71, 0.72%, 0.78%

LAB 76.48, 22.1, 17.78

 

CMYK 0 / 17 / 21 / 4

HEX #F5CBC1

RGB 245 203 193

HSL 11.54, 0.72%, 0.86%

LAB 84.98, 13.31, 10.53

 

CMYK 0 / 7 / 8 / 2

HEX #FAE9E5

RGB 250 233 229

HSL 11.43, 0.68%, 0.94%

LAB 93.56, 5.1, 4

 

CMYK 0 / 28 / 35 / 6

HEX #F0AD9D

RGB 240 173 157

HSL 11.57, 0.73%, 0.78%

LAB 76.59, 22.48, 17.95

 

CMYK 13 / 0 / 34 / 6

HEX #D0EF9D

RGB 208 239 157

HSL 82.68, 0.72%, 0.78%

LAB 90.59, -23.56, 36.41

 

CMYK 34 / 27 / 0 / 6

HEX #9DAFEF

RGB 157 175 239

HSL 226.83, 0.72%, 0.78%

LAB 72.27, 8.69, -33.97

 

CMYK 0 / 28 / 35 / 6

HEX #F0AD9D

RGB 240 173 157

HSL 11.57, 0.73%, 0.78%

LAB 76.59, 22.48, 17.95

 

CMYK 34 / 0 / 28 / 6

HEX #9DEFAC

RGB 157 239 172

HSL 130.98, 0.72%, 0.78%

LAB 87.91, -38.38, 24.7

 

CMYK 28 / 34 / 0 / 6

HEX #AC9DEF

RGB 172 157 239

HSL 250.98, 0.72%, 0.78%

LAB 68.84, 23.01, -39.22

 

CMYK 0 / 28 / 35 / 6

HEX #F0AD9D

RGB 240 173 157

HSL 11.57, 0.73%, 0.78%

LAB 76.59, 22.48, 17.95

 

CMYK 13 / 0 / 34 / 6

HEX #D0EF9D

RGB 208 239 157

HSL 82.68, 0.72%, 0.78%

LAB 90.59, -23.56, 36.41

 

CMYK 34 / 6 / 0 / 6

HEX #9DE0EF

RGB 157 224 239

HSL 190.98, 0.72%, 0.78%

LAB 85.36, -17.37, -14.03

 

CMYK 21 / 34 / 0 / 6

HEX #BD9DEF

RGB 189 157 239

HSL 263.41, 0.72%, 0.78%

LAB 70.29, 27.94, -36.84

 

CMYK 0 / 28 / 35 / 6

HEX #F0AD9D

RGB 240 173 157

HSL 11.57, 0.73%, 0.78%

LAB 76.59, 22.48, 17.95

 

CMYK 23 / 0 / 34 / 6

HEX #B7EF9D

RGB 183 239 157

HSL 100.98, 0.72%, 0.78%

LAB 89.03, -32.37, 34.07

 

CMYK 34 / 6 / 0 / 6

HEX #9DE0EF

RGB 157 224 239

HSL 190.98, 0.72%, 0.78%

LAB 85.36, -17.37, -14.03

 

CMYK 11 / 34 / 0 / 6

HEX #D59DEF

RGB 213 157 239

HSL 280.98, 0.72%, 0.78%

LAB 72.56, 35.14, -33.15

 

Description

Color code: HEX #F0AD9D | qconv.com Color code: HEX #F0AD9D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 173 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 173 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 35 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 35% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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