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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0AA60 it is the complementary color #0F559F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0AA60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0AA60 shade: #F5AA5B, #FFBC6E, #FFCE81, #FFE094 and #FFF2A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0AA60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0AA60 shade: #F0AA60, #DF984D, #CE863A, #BD7427 and #AC6214

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0AA60 shade: #F0AA60, #F08360 and #F06060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0AA60 shade: #F0AA60, #F0D160, #E8F060, #C1F060 and #9AF060

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0AA60 shade matches the following richer shades: #F0AA60 and #FEAA52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0AA60 shade: #F0AA60, #E2A96E, #D4A97C, #C6A98A and #B8A898

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0AA60 shade: #F06065, #F08160, #F0A860, #F0CE60 and #EBF060

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0AA60 shade: #E88115, #EC963A, #F0AA60, #F3BE86 and #F7D2AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0AA60 shade: #F0AA60, #8BF060 and #6E60F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0AA60 shade: #F0AA60, #60F0A8 and #A860F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0AA60 shade: #F0AA60, #8BF060, #60A8F0 and #C560F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0AA60 shade: #F0AA60, #60F060, #60A8F0 and #F060F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 60 / 6

HEX #F0AA60

RGB 240 170 96

HSL 30.83, 0.83%, 0.66%

LAB 74.9, 18.23, 47.8

 

Complementary color

CMYK 91 / 47 / 0 / 38

HEX #0F559F

RGB 15 85 159

HSL 210.83, 0.83%, 0.34%

LAB 36.18, 8.77, -45.78

 

CMYK 0 / 31 / 63 / 4

HEX #F5AA5B

RGB 245 170 91

HSL 30.78, 0.89%, 0.66%

LAB 75.4, 19.94, 50.96

 

CMYK 0 / 26 / 57 / 0

HEX #FFBC6E

RGB 255 188 110

HSL 32.28, 1%, 0.72%

LAB 80.93, 15.9, 48.46

 

CMYK 0 / 19 / 49 / 0

HEX #FFCE81

RGB 255 206 129

HSL 36.67, 1%, 0.75%

LAB 85.5, 8.1, 44.63

 

CMYK 0 / 12 / 42 / 0

HEX #FFE094

RGB 255 224 148

HSL 42.62, 1%, 0.79%

LAB 90.19, 0.69, 41.09

 

CMYK 0 / 5 / 35 / 0

HEX #FFF2A7

RGB 255 242 167

HSL 51.14, 1%, 0.83%

LAB 94.97, -6.31, 37.81

 

CMYK 0 / 29 / 60 / 6

HEX #F0AA60

RGB 240 170 96

HSL 30.83, 0.83%, 0.66%

LAB 74.9, 18.23, 47.8

 

CMYK 0 / 32 / 65 / 13

HEX #DF984D

RGB 223 152 77

HSL 30.82, 0.7%, 0.59%

LAB 68.52, 19.53, 49.25

 

CMYK 0 / 35 / 72 / 19

HEX #CE863A

RGB 206 134 58

HSL 30.81, 0.6%, 0.52%

LAB 62.06, 21.02, 50.64

 

CMYK 0 / 39 / 79 / 26

HEX #BD7427

RGB 189 116 39

HSL 30.8, 0.66%, 0.45%

LAB 55.54, 22.73, 51.76

 

CMYK 0 / 43 / 88 / 33

HEX #AC6214

RGB 172 98 20

HSL 30.79, 0.79%, 0.38%

LAB 48.95, 24.71, 52.14

 

CMYK 0 / 29 / 60 / 6

HEX #F0AA60

RGB 240 170 96

HSL 30.83, 0.83%, 0.66%

LAB 74.9, 18.23, 47.8

 

CMYK 0 / 45 / 60 / 6

HEX #F08360

RGB 240 131 96

HSL 14.58, 0.83%, 0.66%

LAB 66.21, 38.65, 37.31

 

CMYK 0 / 60 / 60 / 6

HEX #F06060

RGB 240 96 96

HSL 0, 0.83%, 0.66%

LAB 59.65, 55.46, 29.02

 

CMYK 0 / 29 / 60 / 6

HEX #F0AA60

RGB 240 170 96

HSL 30.83, 0.83%, 0.66%

LAB 74.9, 18.23, 47.8

 

CMYK 0 / 13 / 60 / 6

HEX #F0D160

RGB 240 209 96

HSL 47.08, 0.83%, 0.66%

LAB 84.47, -2.13, 58.78

 

CMYK 3 / 0 / 60 / 6

HEX #E8F060

RGB 232 240 96

HSL 63.33, 0.83%, 0.66%

LAB 91.83, -20.79, 66.69

 

CMYK 20 / 0 / 60 / 6

HEX #C1F060

RGB 193 240 96

HSL 79.58, 0.83%, 0.66%

LAB 89.16, -35.95, 63.01

 

CMYK 36 / 0 / 60 / 6

HEX #9AF060

RGB 154 240 96

HSL 95.83, 0.83%, 0.66%

LAB 87.01, -49.77, 60.02

 

CMYK 0 / 29 / 60 / 6

HEX #F0AA60

RGB 240 170 96

HSL 30.83, 0.83%, 0.66%

LAB 74.9, 18.23, 47.8

 

CMYK 0 / 33 / 68 / 0

HEX #FEAA52

RGB 254 170 82

HSL 30.7, 0.99%, 0.66%

LAB 76.33, 23.1, 56.54

 

CMYK 0 / 29 / 60 / 6

HEX #F0AA60

RGB 240 170 96

HSL 30.83, 0.83%, 0.66%

LAB 74.9, 18.23, 47.8

 

CMYK 0 / 25 / 51 / 11

HEX #E2A96E

RGB 226 169 110

HSL 30.52, 0.67%, 0.66%

LAB 73.33, 14.13, 38.43

 

CMYK 0 / 20 / 42 / 17

HEX #D4A97C

RGB 212 169 124

HSL 30.68, 0.51%, 0.66%

LAB 72.11, 9.83, 29.19

 

CMYK 0 / 15 / 30 / 22

HEX #C6A98A

RGB 198 169 138

HSL 31, 0.34%, 0.66%

LAB 71.02, 5.95, 19.93

 

CMYK 0 / 9 / 17 / 28

HEX #B8A898

RGB 184 168 152

HSL 30, 0.18%, 0.66%

LAB 69.8, 3.11, 10.36

 

CMYK 0 / 60 / 58 / 6

HEX #F06065

RGB 240 96 101

HSL 357.92, 0.83%, 0.66%

LAB 59.74, 55.8, 26.27

 

CMYK 0 / 46 / 60 / 6

HEX #F08160

RGB 240 129 96

HSL 13.75, 0.83%, 0.66%

LAB 65.8, 39.67, 36.8

 

CMYK 0 / 30 / 60 / 6

HEX #F0A860

RGB 240 168 96

HSL 30, 0.83%, 0.66%

LAB 74.43, 19.29, 47.24

 

CMYK 0 / 14 / 60 / 6

HEX #F0CE60

RGB 240 206 96

HSL 45.83, 0.83%, 0.66%

LAB 83.71, -0.59, 57.93

 

CMYK 2 / 0 / 60 / 6

HEX #EBF060

RGB 235 240 96

HSL 62.08, 0.83%, 0.66%

LAB 92.05, -19.59, 67

 

CMYK 0 / 44 / 91 / 9

HEX #E88115

RGB 232 129 21

HSL 30.71, 0.83%, 0.5%

LAB 64.09, 33.39, 67.01

 

CMYK 0 / 36 / 75 / 7

HEX #EC963A

RGB 236 150 58

HSL 31.01, 0.82%, 0.58%

LAB 69.43, 25.05, 59.3

 

CMYK 0 / 29 / 60 / 6

HEX #F0AA60

RGB 240 170 96

HSL 30.83, 0.83%, 0.66%

LAB 74.9, 18.23, 47.8

 

CMYK 0 / 22 / 45 / 5

HEX #F3BE86

RGB 243 190 134

HSL 30.83, 0.82%, 0.74%

LAB 80.52, 12.13, 35.51

 

CMYK 0 / 15 / 31 / 3

HEX #F7D2AB

RGB 247 210 171

HSL 30.79, 0.83%, 0.82%

LAB 86.41, 7.42, 24.16

 

CMYK 0 / 29 / 60 / 6

HEX #F0AA60

RGB 240 170 96

HSL 30.83, 0.83%, 0.66%

LAB 74.9, 18.23, 47.8

 

CMYK 42 / 0 / 60 / 6

HEX #8BF060

RGB 139 240 96

HSL 102.08, 0.83%, 0.66%

LAB 86.33, -54.54, 59.07

 

CMYK 54 / 60 / 0 / 6

HEX #6E60F0

RGB 110 96 240

HSL 245.83, 0.83%, 0.66%

LAB 49.46, 43.83, -70.94

 

CMYK 0 / 29 / 60 / 6

HEX #F0AA60

RGB 240 170 96

HSL 30.83, 0.83%, 0.66%

LAB 74.9, 18.23, 47.8

 

CMYK 60 / 0 / 30 / 6

HEX #60F0A8

RGB 96 240 168

HSL 150, 0.83%, 0.66%

LAB 85.82, -54.9, 23.52

 

CMYK 30 / 60 / 0 / 6

HEX #A860F0

RGB 168 96 240

HSL 270, 0.83%, 0.66%

LAB 55.05, 55.7, -61.63

 

CMYK 0 / 29 / 60 / 6

HEX #F0AA60

RGB 240 170 96

HSL 30.83, 0.83%, 0.66%

LAB 74.9, 18.23, 47.8

 

CMYK 42 / 0 / 60 / 6

HEX #8BF060

RGB 139 240 96

HSL 102.08, 0.83%, 0.66%

LAB 86.33, -54.54, 59.07

 

CMYK 60 / 30 / 0 / 6

HEX #60A8F0

RGB 96 168 240

HSL 210, 0.83%, 0.66%

LAB 67.11, -1.39, -42.8

 

CMYK 18 / 60 / 0 / 6

HEX #C560F0

RGB 197 96 240

HSL 282.08, 0.83%, 0.66%

LAB 58.53, 62.38, -55.86

 

CMYK 0 / 29 / 60 / 6

HEX #F0AA60

RGB 240 170 96

HSL 30.83, 0.83%, 0.66%

LAB 74.9, 18.23, 47.8

 

CMYK 60 / 0 / 60 / 6

HEX #60F060

RGB 96 240 96

HSL 120, 0.83%, 0.66%

LAB 84.82, -65.91, 56.95

 

CMYK 60 / 30 / 0 / 6

HEX #60A8F0

RGB 96 168 240

HSL 210, 0.83%, 0.66%

LAB 67.11, -1.39, -42.8

 

CMYK 0 / 60 / 0 / 6

HEX #F060F0

RGB 240 96 240

HSL 300, 0.83%, 0.66%

LAB 64.31, 72.63, -46.34

 

Description

Color code: HEX #F0AA60 | qconv.com Color code: HEX #F0AA60 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 170 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 170 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 60 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 60% 6% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

32% - Your Best Source for...
Link: http://fitness-crazy.com

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