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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0A0E3 it is the complementary color #0F5F1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0A0E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0A0E3 shade: #F5A0DE, #FFB2F1, #FFC4FF, #FFD6FF and #FFE8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0A0E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0A0E3 shade: #F0A0E3, #DF8ED0, #CE7CBD, #BD6AAA and #AC5897

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0A0E3 shade: #EF9DE2, #EF9DCC, #EF9DB6, #EF9DA0 and #EF9D9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0A0E3 shade: #EF9DE2, #E79DEF, #D09DEF, #BA9DEF and #A49DEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0A0E3 shade matches the following richer shades: #EF9DE2 and #F894E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0A0E3 shade: #EF9DE2, #E6A7DC, #DDB0D6, #D4B9D0 and #CBC2CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0A0E3 shade: #D09DEF, #E69DEF, #EF9DE3, #EF9DCD and #EF9DB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0A0E3 shade: #E456CD, #EA7AD8, #EF9DE2, #F5C1ED and #FAE5F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0A0E3 shade: #F0A0E3, #EFBA9D and #9DEFDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0A0E3 shade: #F0A0E3, #E3EF9D and #9DE3EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0A0E3 shade: #F0A0E3, #EFBA9D, #9DEFAA and #9DD3EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0A0E3 shade: #F0A0E3, #EFD39D, #9DEFAA and #9DBAEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 5 / 6

HEX #F0A0E3

RGB 240 160 227

HSL 309.75, 0.73%, 0.78%

LAB 75.58, 39.74, -21.73

 

Complementary color

CMYK 84 / 0 / 71 / 63

HEX #0F5F1C

RGB 15 95 28

HSL 129.75, 0.73%, 0.22%

LAB 34.74, -37.85, 30.82

 

CMYK 0 / 35 / 9 / 4

HEX #F5A0DE

RGB 245 160 222

HSL 316.24, 0.81%, 0.79%

LAB 75.96, 40.5, -18.37

 

CMYK 0 / 30 / 5 / 0

HEX #FFB2F1

RGB 255 178 241

HSL 310.91, 1%, 0.85%

LAB 81.54, 37.54, -20.11

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 9 / 0 / 0

HEX #FFE8FF

RGB 255 232 255

HSL 300, 1%, 0.95%

LAB 94.39, 11.75, -8.26

 

CMYK 0 / 33 / 5 / 6

HEX #F0A0E3

RGB 240 160 227

HSL 309.75, 0.73%, 0.78%

LAB 75.58, 39.74, -21.73

 

CMYK 0 / 36 / 7 / 13

HEX #DF8ED0

RGB 223 142 208

HSL 311.11, 0.56%, 0.72%

LAB 69.18, 40.46, -21.2

 

CMYK 0 / 40 / 8 / 19

HEX #CE7CBD

RGB 206 124 189

HSL 312.44, 0.46%, 0.65%

LAB 62.69, 41.21, -20.63

 

CMYK 0 / 44 / 10 / 26

HEX #BD6AAA

RGB 189 106 170

HSL 313.73, 0.39%, 0.58%

LAB 56.12, 41.97, -19.98

 

CMYK 0 / 49 / 12 / 33

HEX #AC5897

RGB 172 88 151

HSL 315, 0.34%, 0.51%

LAB 49.48, 42.71, -19.21

 

CMYK 0 / 34 / 5 / 6

HEX #EF9DE2

RGB 239 157 226

HSL 309.51, 0.72%, 0.78%

LAB 74.8, 40.82, -22.39

 

CMYK 0 / 34 / 15 / 6

HEX #EF9DCC

RGB 239 157 204

HSL 325.61, 0.72%, 0.78%

LAB 74.08, 37.18, -11.42

 

CMYK 0 / 34 / 24 / 6

HEX #EF9DB6

RGB 239 157 182

HSL 341.71, 0.72%, 0.78%

LAB 73.44, 33.88, -0.24

 

CMYK 0 / 34 / 33 / 6

HEX #EF9DA0

RGB 239 157 160

HSL 357.8, 0.72%, 0.78%

LAB 72.89, 30.95, 11.11

 

CMYK 0 / 34 / 34 / 6

HEX #EF9D9D

RGB 239 157 157

HSL 0, 0.72%, 0.78%

LAB 72.83, 30.58, 12.67

 

CMYK 0 / 34 / 5 / 6

HEX #EF9DE2

RGB 239 157 226

HSL 309.51, 0.72%, 0.78%

LAB 74.8, 40.82, -22.39

 

CMYK 3 / 34 / 0 / 6

HEX #E79DEF

RGB 231 157 239

HSL 294.15, 0.72%, 0.78%

LAB 74.4, 40.65, -30.15

 

CMYK 13 / 34 / 0 / 6

HEX #D09DEF

RGB 208 157 239

HSL 277.32, 0.72%, 0.78%

LAB 72.06, 33.63, -33.95

 

CMYK 22 / 34 / 0 / 6

HEX #BA9DEF

RGB 186 157 239

HSL 261.22, 0.72%, 0.78%

LAB 70.03, 27.06, -37.28

 

CMYK 31 / 34 / 0 / 6

HEX #A49DEF

RGB 164 157 239

HSL 245.12, 0.72%, 0.78%

LAB 68.2, 20.76, -40.26

 

CMYK 0 / 34 / 5 / 6

HEX #EF9DE2

RGB 239 157 226

HSL 309.51, 0.72%, 0.78%

LAB 74.8, 40.82, -22.39

 

CMYK 0 / 40 / 6 / 3

HEX #F894E8

RGB 248 148 232

HSL 309.6, 0.88%, 0.78%

LAB 74.17, 49.3, -26.54

 

CMYK 0 / 34 / 5 / 6

HEX #EF9DE2

RGB 239 157 226

HSL 309.51, 0.72%, 0.78%

LAB 74.8, 40.82, -22.39

 

CMYK 0 / 27 / 4 / 10

HEX #E6A7DC

RGB 230 167 220

HSL 309.52, 0.56%, 0.78%

LAB 75.84, 31.55, -17.62

 

CMYK 0 / 20 / 3 / 13

HEX #DDB0D6

RGB 221 176 214

HSL 309.33, 0.4%, 0.78%

LAB 76.85, 22.63, -12.93

 

CMYK 0 / 13 / 2 / 17

HEX #D4B9D0

RGB 212 185 208

HSL 308.89, 0.24%, 0.78%

LAB 78.02, 13.61, -8.01

 

CMYK 0 / 4 / 0 / 20

HEX #CBC2CA

RGB 203 194 202

HSL 306.67, 0.08%, 0.78%

LAB 79.35, 4.59, -2.89

 

CMYK 13 / 34 / 0 / 6

HEX #D09DEF

RGB 208 157 239

HSL 277.32, 0.72%, 0.78%

LAB 72.06, 33.63, -33.95

 

CMYK 4 / 34 / 0 / 6

HEX #E69DEF

RGB 230 157 239

HSL 293.41, 0.72%, 0.78%

LAB 74.3, 40.35, -30.32

 

CMYK 0 / 34 / 5 / 6

HEX #EF9DE3

RGB 239 157 227

HSL 308.78, 0.72%, 0.78%

LAB 74.83, 40.99, -22.88

 

CMYK 0 / 34 / 14 / 6

HEX #EF9DCD

RGB 239 157 205

HSL 324.88, 0.72%, 0.78%

LAB 74.11, 37.34, -11.92

 

CMYK 0 / 34 / 23 / 6

HEX #EF9DB7

RGB 239 157 183

HSL 340.98, 0.72%, 0.78%

LAB 73.47, 34.02, -0.75

 

CMYK 0 / 62 / 10 / 11

HEX #E456CD

RGB 228 86 205

HSL 309.72, 0.72%, 0.62%

LAB 59.49, 68.16, -34.39

 

CMYK 0 / 48 / 8 / 8

HEX #EA7AD8

RGB 234 122 216

HSL 309.64, 0.73%, 0.7%

LAB 66.8, 55.38, -29.17

 

CMYK 0 / 34 / 5 / 6

HEX #EF9DE2

RGB 239 157 226

HSL 309.51, 0.72%, 0.78%

LAB 74.8, 40.82, -22.39

 

CMYK 0 / 21 / 3 / 4

HEX #F5C1ED

RGB 245 193 237

HSL 309.23, 0.72%, 0.86%

LAB 83.79, 25.68, -14.67

 

CMYK 0 / 8 / 1 / 2

HEX #FAE5F7

RGB 250 229 247

HSL 308.57, 0.68%, 0.94%

LAB 93.05, 10.23, -6.13

 

CMYK 0 / 33 / 5 / 6

HEX #F0A0E3

RGB 240 160 227

HSL 309.75, 0.73%, 0.78%

LAB 75.58, 39.74, -21.73

 

CMYK 0 / 22 / 34 / 6

HEX #EFBA9D

RGB 239 186 157

HSL 21.22, 0.72%, 0.78%

LAB 79.56, 15.21, 22.04

 

CMYK 34 / 0 / 8 / 6

HEX #9DEFDB

RGB 157 239 219

HSL 165.37, 0.72%, 0.78%

LAB 88.93, -29.27, 1.75

 

CMYK 0 / 33 / 5 / 6

HEX #F0A0E3

RGB 240 160 227

HSL 309.75, 0.73%, 0.78%

LAB 75.58, 39.74, -21.73

 

CMYK 5 / 0 / 34 / 6

HEX #E3EF9D

RGB 227 239 157

HSL 68.78, 0.72%, 0.78%

LAB 91.91, -16.55, 38.39

 

CMYK 34 / 5 / 0 / 6

HEX #9DE3EF

RGB 157 227 239

HSL 188.78, 0.72%, 0.78%

LAB 86.18, -18.88, -12.81

 

CMYK 0 / 33 / 5 / 6

HEX #F0A0E3

RGB 240 160 227

HSL 309.75, 0.73%, 0.78%

LAB 75.58, 39.74, -21.73

 

CMYK 0 / 22 / 34 / 6

HEX #EFBA9D

RGB 239 186 157

HSL 21.22, 0.72%, 0.78%

LAB 79.56, 15.21, 22.04

 

CMYK 34 / 0 / 29 / 6

HEX #9DEFAA

RGB 157 239 170

HSL 129.51, 0.72%, 0.78%

LAB 87.87, -38.72, 25.67

 

CMYK 34 / 12 / 0 / 6

HEX #9DD3EF

RGB 157 211 239

HSL 200.49, 0.72%, 0.78%

LAB 81.83, -10.72, -19.34

 

CMYK 0 / 33 / 5 / 6

HEX #F0A0E3

RGB 240 160 227

HSL 309.75, 0.73%, 0.78%

LAB 75.58, 39.74, -21.73

 

CMYK 0 / 12 / 34 / 6

HEX #EFD39D

RGB 239 211 157

HSL 39.51, 0.72%, 0.78%

LAB 85.69, 2.13, 30.35

 

CMYK 34 / 0 / 29 / 6

HEX #9DEFAA

RGB 157 239 170

HSL 129.51, 0.72%, 0.78%

LAB 87.87, -38.72, 25.67

 

CMYK 34 / 22 / 0 / 6

HEX #9DBAEF

RGB 157 186 239

HSL 218.78, 0.72%, 0.78%

LAB 75.15, 2.62, -29.53

 

Description

Color code: HEX #F0A0E3 | qconv.com Color code: HEX #F0A0E3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 160 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 160 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 5 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 5% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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