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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0A5BE it is the complementary color #0F5A41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0A5BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0A5BE shade: #F5A5B9, #FFB7CC, #FFC9DF, #FFDBF2 and #FFEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0A5BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0A5BE shade: #F0A5BE, #DF93AB, #CE8198, #BD6F85 and #AC5D72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0A5BE shade: #EFA3BC, #EFA3A8 and #EFA3A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0A5BE shade: #EFA3BC, #EFA3D1, #EFA3E5, #E4A3EF and #D0A3EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0A5BE shade matches the following richer shades: #EFA3BC and #F89AB9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0A5BE shade: #EFA3BC, #E6ACBF, #DEB4C2, #D5BDC5 and #CCC6C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0A5BE shade: #EFA3E5, #EFA3D1, #EFA3BC, #EFA3A8 and #EFB2A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0A5BE shade: #E35C89, #E980A3, #EFA3BC, #F5C6D6 and #FBE9EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0A5BE shade: #F0A5BE, #EFE5A3 and #A3DBEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0A5BE shade: #F0A5BE, #BCEFA3 and #A3BCEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0A5BE shade: #F0A5BE, #EFE5A3, #A3EFD6 and #A3ADEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0A5BE shade: #F0A5BE, #E2EFA3, #A3EFD6 and #B0A3EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 21 / 6

HEX #F0A5BE

RGB 240 165 190

HSL 340, 0.71%, 0.79%

LAB 75.55, 31.16, -1.55

 

Complementary color

CMYK 83 / 0 / 28 / 65

HEX #0F5A41

RGB 15 90 65

HSL 160, 0.71%, 0.21%

LAB 33.55, -28.68, 8.28

 

CMYK 0 / 33 / 24 / 4

HEX #F5A5B9

RGB 245 165 185

HSL 345, 0.8%, 0.8%

LAB 75.96, 32.22, 1.86

 

CMYK 0 / 28 / 20 / 0

HEX #FFB7CC

RGB 255 183 204

HSL 342.5, 1%, 0.86%

LAB 81.56, 29.02, -0.17

 

CMYK 0 / 21 / 13 / 0

HEX #FFC9DF

RGB 255 201 223

HSL 335.56, 1%, 0.89%

LAB 86.19, 22.49, -3.55

 

CMYK 0 / 14 / 5 / 0

HEX #FFDBF2

RGB 255 219 242

HSL 321.67, 1%, 0.93%

LAB 90.93, 16.23, -6.59

 

CMYK 0 / 7 / 0 / 0

HEX #FFEDFF

RGB 255 237 255

HSL 300, 1%, 0.96%

LAB 95.6, 9.18, -6.47

 

CMYK 0 / 31 / 21 / 6

HEX #F0A5BE

RGB 240 165 190

HSL 340, 0.71%, 0.79%

LAB 75.55, 31.16, -1.55

 

CMYK 0 / 34 / 23 / 13

HEX #DF93AB

RGB 223 147 171

HSL 341.05, 0.54%, 0.73%

LAB 69.11, 31.92, -0.69

 

CMYK 0 / 37 / 26 / 19

HEX #CE8198

RGB 206 129 152

HSL 342.08, 0.44%, 0.66%

LAB 62.58, 32.73, 0.27

 

CMYK 0 / 41 / 30 / 26

HEX #BD6F85

RGB 189 111 133

HSL 343.08, 0.37%, 0.59%

LAB 55.97, 33.61, 1.34

 

CMYK 0 / 46 / 34 / 33

HEX #AC5D72

RGB 172 93 114

HSL 344.05, 0.32%, 0.52%

LAB 49.27, 34.54, 2.58

 

CMYK 0 / 32 / 21 / 6

HEX #EFA3BC

RGB 239 163 188

HSL 340.26, 0.7%, 0.79%

LAB 74.94, 31.57, -1.36

 

CMYK 0 / 32 / 30 / 6

HEX #EFA3A8

RGB 239 163 168

HSL 356.05, 0.7%, 0.79%

LAB 74.43, 28.8, 8.89

 

CMYK 0 / 32 / 32 / 6

HEX #EFA3A3

RGB 239 163 163

HSL 0, 0.7%, 0.79%

LAB 74.31, 28.15, 11.47

 

CMYK 0 / 32 / 21 / 6

HEX #EFA3BC

RGB 239 163 188

HSL 340.26, 0.7%, 0.79%

LAB 74.94, 31.57, -1.36

 

CMYK 0 / 32 / 13 / 6

HEX #EFA3D1

RGB 239 163 209

HSL 323.68, 0.7%, 0.79%

LAB 75.54, 34.82, -11.97

 

CMYK 0 / 32 / 4 / 6

HEX #EFA3E5

RGB 239 163 229

HSL 307.89, 0.7%, 0.79%

LAB 76.19, 38.19, -21.9

 

CMYK 5 / 32 / 0 / 6

HEX #E4A3EF

RGB 228 163 239

HSL 291.32, 0.7%, 0.79%

LAB 75.4, 36.54, -28.64

 

CMYK 13 / 32 / 0 / 6

HEX #D0A3EF

RGB 208 163 239

HSL 275.53, 0.7%, 0.79%

LAB 73.44, 30.36, -31.83

 

CMYK 0 / 32 / 21 / 6

HEX #EFA3BC

RGB 239 163 188

HSL 340.26, 0.7%, 0.79%

LAB 74.94, 31.57, -1.36

 

CMYK 0 / 38 / 25 / 3

HEX #F89AB9

RGB 248 154 185

HSL 340.21, 0.87%, 0.79%

LAB 73.91, 39.02, -1.08

 

CMYK 0 / 32 / 21 / 6

HEX #EFA3BC

RGB 239 163 188

HSL 340.26, 0.7%, 0.79%

LAB 74.94, 31.57, -1.36

 

CMYK 0 / 25 / 17 / 10

HEX #E6ACBF

RGB 230 172 191

HSL 340.34, 0.54%, 0.79%

LAB 76.12, 24.04, -1.37

 

CMYK 0 / 19 / 13 / 13

HEX #DEB4C2

RGB 222 180 194

HSL 340, 0.39%, 0.79%

LAB 77.32, 17.38, -1.35

 

CMYK 0 / 11 / 8 / 16

HEX #D5BDC5

RGB 213 189 197

HSL 340, 0.22%, 0.79%

LAB 78.79, 9.86, -0.91

 

CMYK 0 / 3 / 2 / 20

HEX #CCC6C8

RGB 204 198 200

HSL 340, 0.06%, 0.79%

LAB 80.4, 2.44, -0.27

 

CMYK 0 / 32 / 4 / 6

HEX #EFA3E5

RGB 239 163 229

HSL 307.89, 0.7%, 0.79%

LAB 76.19, 38.19, -21.9

 

CMYK 0 / 32 / 13 / 6

HEX #EFA3D1

RGB 239 163 209

HSL 323.68, 0.7%, 0.79%

LAB 75.54, 34.82, -11.97

 

CMYK 0 / 32 / 21 / 6

HEX #EFA3BC

RGB 239 163 188

HSL 340.26, 0.7%, 0.79%

LAB 74.94, 31.57, -1.36

 

CMYK 0 / 32 / 30 / 6

HEX #EFA3A8

RGB 239 163 168

HSL 356.05, 0.7%, 0.79%

LAB 74.43, 28.8, 8.89

 

CMYK 0 / 26 / 32 / 6

HEX #EFB2A3

RGB 239 178 163

HSL 11.84, 0.7%, 0.79%

LAB 77.78, 20.19, 16.35

 

CMYK 0 / 59 / 40 / 11

HEX #E35C89

RGB 227 92 137

HSL 340, 0.71%, 0.63%

LAB 57.84, 56.49, 2.38

 

CMYK 0 / 45 / 30 / 9

HEX #E980A3

RGB 233 128 163

HSL 340, 0.7%, 0.71%

LAB 66.06, 44.27, -0.5

 

CMYK 0 / 32 / 21 / 6

HEX #EFA3BC

RGB 239 163 188

HSL 340.26, 0.7%, 0.79%

LAB 74.94, 31.57, -1.36

 

CMYK 0 / 19 / 13 / 4

HEX #F5C6D6

RGB 245 198 214

HSL 339.57, 0.7%, 0.87%

LAB 84.31, 19.15, -1.63

 

CMYK 0 / 7 / 5 / 2

HEX #FBE9EF

RGB 251 233 239

HSL 340, 0.69%, 0.95%

LAB 93.89, 7.11, -0.71

 

CMYK 0 / 31 / 21 / 6

HEX #F0A5BE

RGB 240 165 190

HSL 340, 0.71%, 0.79%

LAB 75.55, 31.16, -1.55

 

CMYK 0 / 4 / 32 / 6

HEX #EFE5A3

RGB 239 229 163

HSL 52.11, 0.7%, 0.79%

LAB 90.34, -6.33, 33.47

 

CMYK 32 / 8 / 0 / 6

HEX #A3DBEF

RGB 163 219 239

HSL 195.79, 0.7%, 0.79%

LAB 84.32, -13.21, -15.56

 

CMYK 0 / 31 / 21 / 6

HEX #F0A5BE

RGB 240 165 190

HSL 340, 0.71%, 0.79%

LAB 75.55, 31.16, -1.55

 

CMYK 21 / 0 / 32 / 6

HEX #BCEFA3

RGB 188 239 163

HSL 100.26, 0.7%, 0.79%

LAB 89.43, -29.79, 31.62

 

CMYK 32 / 21 / 0 / 6

HEX #A3BCEF

RGB 163 188 239

HSL 220.26, 0.7%, 0.79%

LAB 76.06, 3.2, -28.1

 

CMYK 0 / 31 / 21 / 6

HEX #F0A5BE

RGB 240 165 190

HSL 340, 0.71%, 0.79%

LAB 75.55, 31.16, -1.55

 

CMYK 0 / 4 / 32 / 6

HEX #EFE5A3

RGB 239 229 163

HSL 52.11, 0.7%, 0.79%

LAB 90.34, -6.33, 33.47

 

CMYK 32 / 0 / 10 / 6

HEX #A3EFD6

RGB 163 239 214

HSL 160.26, 0.7%, 0.79%

LAB 89.1, -28.65, 4.65

 

CMYK 32 / 28 / 0 / 6

HEX #A3ADEF

RGB 163 173 239

HSL 232.11, 0.7%, 0.79%

LAB 72.17, 11.48, -34.1

 

CMYK 0 / 31 / 21 / 6

HEX #F0A5BE

RGB 240 165 190

HSL 340, 0.71%, 0.79%

LAB 75.55, 31.16, -1.55

 

CMYK 5 / 0 / 32 / 6

HEX #E2EFA3

RGB 226 239 163

HSL 70.26, 0.7%, 0.79%

LAB 91.93, -16.18, 35.4

 

CMYK 32 / 0 / 10 / 6

HEX #A3EFD6

RGB 163 239 214

HSL 160.26, 0.7%, 0.79%

LAB 89.1, -28.65, 4.65

 

CMYK 26 / 32 / 0 / 6

HEX #B0A3EF

RGB 176 163 239

HSL 250.26, 0.7%, 0.79%

LAB 70.63, 20.79, -36.4

 

Description

Color code: HEX #F0A5BE | qconv.com Color code: HEX #F0A5BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 165 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 165 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 21 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 21% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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