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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F09E22 it is the complementary color #0F61DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F09E22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F09E22 shade: #F59E1D, #FFB030, #FFC243, #FFD456 and #FFE669

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F09E22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F09E22 shade: #F09E22, #DF8C0F, #CE7A00, #BD6800 and #AC5600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F09E22 shade: #EF9E23, #EF6723, #EF3023 and #EF2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F09E22 shade: #EF9E23, #EFD523, #D2EF23, #9BEF23 and #64EF23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F09E22 shade matches the following richer shades: #EF9E23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F09E22 shade: #EF9E23, #DC9A36, #C99649, #B6925C and #A38F6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F09E22 shade: #EF3123, #EF6723, #EF9E23, #EFD423 and #D4EF23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F09E22 shade: #B4710C, #DA890F, #EF9E23, #F2AF4A and #F5C070

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F09E22 shade: #F09E22, #4CEF23 and #4C23EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F09E22 shade: #F09E22, #23EF9E and #9E23EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F09E22 shade: #F09E22, #4CEF23, #2375EF and #C623EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F09E22 shade: #F09E22, #23EF38, #2375EF and #EF23DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 86 / 6

HEX #F09E22

RGB 240 158 34

HSL 36.12, 0.87%, 0.54%

LAB 71.62, 21.75, 69.9

 

Complementary color

CMYK 93 / 56 / 0 / 13

HEX #0F61DD

RGB 15 97 221

HSL 216.12, 0.87%, 0.46%

LAB 44.05, 25.74, -69.21

 

CMYK 0 / 36 / 88 / 4

HEX #F59E1D

RGB 245 158 29

HSL 35.83, 0.92%, 0.54%

LAB 72.2, 23.74, 71.92

 

CMYK 0 / 31 / 81 / 0

HEX #FFB030

RGB 255 176 48

HSL 37.1, 1%, 0.59%

LAB 77.59, 18.96, 71.39

 

CMYK 0 / 24 / 74 / 0

HEX #FFC243

RGB 255 194 67

HSL 40.53, 1%, 0.63%

LAB 81.97, 10.27, 68.71

 

CMYK 0 / 17 / 66 / 0

HEX #FFD456

RGB 255 212 86

HSL 44.73, 1%, 0.67%

LAB 86.51, 1.93, 65.73

 

CMYK 0 / 10 / 59 / 0

HEX #FFE669

RGB 255 230 105

HSL 50, 1%, 0.71%

LAB 91.18, -5.99, 62.66

 

CMYK 0 / 34 / 86 / 6

HEX #F09E22

RGB 240 158 34

HSL 36.12, 0.87%, 0.54%

LAB 71.62, 21.75, 69.9

 

CMYK 0 / 37 / 93 / 13

HEX #DF8C0F

RGB 223 140 15

HSL 36.06, 0.87%, 0.47%

LAB 65.34, 23.76, 68.6

 

CMYK 0 / 41 / 100 / 19

HEX #CE7A00

RGB 206 122 0

HSL 35.53, 1%, 0.4%

LAB 59.01, 26, 65.67

 

CMYK 0 / 45 / 100 / 26

HEX #BD6800

RGB 189 104 0

HSL 33.02, 1%, 0.37%

LAB 52.64, 28.44, 60.52

 

CMYK 0 / 50 / 100 / 33

HEX #AC5600

RGB 172 86 0

HSL 30, 1%, 0.34%

LAB 46.21, 30.92, 55.34

 

CMYK 0 / 34 / 85 / 6

HEX #EF9E23

RGB 239 158 35

HSL 36.18, 0.86%, 0.54%

LAB 71.5, 21.35, 69.48

 

CMYK 0 / 57 / 85 / 6

HEX #EF6723

RGB 239 103 35

HSL 20, 0.86%, 0.54%

LAB 60.04, 49.25, 60.07

 

CMYK 0 / 80 / 85 / 6

HEX #EF3023

RGB 239 48 35

HSL 3.82, 0.86%, 0.54%

LAB 52.49, 69.71, 53.81

 

CMYK 0 / 85 / 85 / 6

HEX #EF2323

RGB 239 35 35

HSL 0, 0.86%, 0.54%

LAB 51.47, 72.63, 52.95

 

CMYK 0 / 34 / 85 / 6

HEX #EF9E23

RGB 239 158 35

HSL 36.18, 0.86%, 0.54%

LAB 71.5, 21.35, 69.48

 

CMYK 0 / 11 / 85 / 6

HEX #EFD523

RGB 239 213 35

HSL 52.35, 0.86%, 0.54%

LAB 85.03, -7.27, 80.49

 

CMYK 12 / 0 / 85 / 6

HEX #D2EF23

RGB 210 239 35

HSL 68.53, 0.86%, 0.54%

LAB 89.65, -31.92, 83.35

 

CMYK 35 / 0 / 85 / 6

HEX #9BEF23

RGB 155 239 35

HSL 84.71, 0.86%, 0.54%

LAB 86.42, -52.66, 79.33

 

CMYK 58 / 0 / 85 / 6

HEX #64EF23

RGB 100 239 35

HSL 100.88, 0.86%, 0.54%

LAB 84.26, -68.97, 76.62

 

CMYK 0 / 34 / 85 / 6

HEX #EF9E23

RGB 239 158 35

HSL 36.18, 0.86%, 0.54%

LAB 71.5, 21.35, 69.48

 

CMYK 0 / 34 / 85 / 6

HEX #EF9E23

RGB 239 158 35

HSL 36.18, 0.86%, 0.54%

LAB 71.5, 21.35, 69.48

 

CMYK 0 / 30 / 75 / 14

HEX #DC9A36

RGB 220 154 54

HSL 36.14, 0.7%, 0.54%

LAB 68.46, 16.01, 59.34

 

CMYK 0 / 25 / 64 / 21

HEX #C99649

RGB 201 150 73

HSL 36.09, 0.54%, 0.54%

LAB 65.52, 11.03, 47.14

 

CMYK 0 / 20 / 49 / 29

HEX #B6925C

RGB 182 146 92

HSL 36, 0.38%, 0.54%

LAB 62.74, 6.63, 33.62

 

CMYK 0 / 12 / 32 / 36

HEX #A38F6F

RGB 163 143 111

HSL 36.92, 0.22%, 0.54%

LAB 60.41, 2.54, 19.8

 

CMYK 0 / 79 / 85 / 6

HEX #EF3123

RGB 239 49 35

HSL 4.12, 0.86%, 0.54%

LAB 52.58, 69.45, 53.88

 

CMYK 0 / 57 / 85 / 6

HEX #EF6723

RGB 239 103 35

HSL 20, 0.86%, 0.54%

LAB 60.04, 49.25, 60.07

 

CMYK 0 / 34 / 85 / 6

HEX #EF9E23

RGB 239 158 35

HSL 36.18, 0.86%, 0.54%

LAB 71.5, 21.35, 69.48

 

CMYK 0 / 11 / 85 / 6

HEX #EFD423

RGB 239 212 35

HSL 52.06, 0.86%, 0.54%

LAB 84.77, -6.77, 80.28

 

CMYK 11 / 0 / 85 / 6

HEX #D4EF23

RGB 212 239 35

HSL 67.94, 0.86%, 0.54%

LAB 89.79, -31.11, 83.52

 

CMYK 0 / 37 / 93 / 29

HEX #B4710C

RGB 180 113 12

HSL 36.07, 0.88%, 0.38%

LAB 53.54, 19.75, 58.18

 

CMYK 0 / 37 / 93 / 15

HEX #DA890F

RGB 218 137 15

HSL 36.06, 0.87%, 0.46%

LAB 64.02, 23.23, 67.37

 

CMYK 0 / 34 / 85 / 6

HEX #EF9E23

RGB 239 158 35

HSL 36.18, 0.86%, 0.54%

LAB 71.5, 21.35, 69.48

 

CMYK 0 / 28 / 69 / 5

HEX #F2AF4A

RGB 242 175 74

HSL 36.07, 0.87%, 0.62%

LAB 76.09, 15.09, 59.46

 

CMYK 0 / 22 / 54 / 4

HEX #F5C070

RGB 245 192 112

HSL 36.09, 0.87%, 0.7%

LAB 80.9, 9.91, 47.18

 

CMYK 0 / 34 / 86 / 6

HEX #F09E22

RGB 240 158 34

HSL 36.12, 0.87%, 0.54%

LAB 71.62, 21.75, 69.9

 

CMYK 68 / 0 / 85 / 6

HEX #4CEF23

RGB 76 239 35

HSL 107.94, 0.86%, 0.54%

LAB 83.65, -74.06, 75.85

 

CMYK 68 / 85 / 0 / 6

HEX #4C23EF

RGB 76 35 239

HSL 252.06, 0.86%, 0.54%

LAB 35.93, 69.35, -92.71

 

CMYK 0 / 34 / 86 / 6

HEX #F09E22

RGB 240 158 34

HSL 36.12, 0.87%, 0.54%

LAB 71.62, 21.75, 69.9

 

CMYK 85 / 0 / 34 / 6

HEX #23EF9E

RGB 35 239 158

HSL 156.18, 0.86%, 0.54%

LAB 84.26, -64.67, 26.33

 

CMYK 34 / 85 / 0 / 6

HEX #9E23EF

RGB 158 35 239

HSL 276.18, 0.86%, 0.54%

LAB 45.22, 77.59, -77.07

 

CMYK 0 / 34 / 86 / 6

HEX #F09E22

RGB 240 158 34

HSL 36.12, 0.87%, 0.54%

LAB 71.62, 21.75, 69.9

 

CMYK 68 / 0 / 85 / 6

HEX #4CEF23

RGB 76 239 35

HSL 107.94, 0.86%, 0.54%

LAB 83.65, -74.06, 75.85

 

CMYK 85 / 51 / 0 / 6

HEX #2375EF

RGB 35 117 239

HSL 215.88, 0.86%, 0.54%

LAB 51.05, 20.91, -67.97

 

CMYK 17 / 85 / 0 / 6

HEX #C623EF

RGB 198 35 239

HSL 287.94, 0.86%, 0.54%

LAB 51.2, 83.39, -67.08

 

CMYK 0 / 34 / 86 / 6

HEX #F09E22

RGB 240 158 34

HSL 36.12, 0.87%, 0.54%

LAB 71.62, 21.75, 69.9

 

CMYK 85 / 0 / 77 / 6

HEX #23EF38

RGB 35 239 56

HSL 126.18, 0.86%, 0.54%

LAB 83.11, -78.39, 69.75

 

CMYK 85 / 51 / 0 / 6

HEX #2375EF

RGB 35 117 239

HSL 215.88, 0.86%, 0.54%

LAB 51.05, 20.91, -67.97

 

CMYK 0 / 85 / 8 / 6

HEX #EF23DB

RGB 239 35 219

HSL 305.88, 0.86%, 0.54%

LAB 56.75, 87.3, -46.52

 

Description

Color code: HEX #F09E22 | qconv.com Color code: HEX #F09E22 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 158 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 158 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 86 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 86% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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