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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F093AC it is the complementary color #0F6C53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F093AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F093AC shade: #F593A7, #FFA5BA, #FFB7CD, #FFC9E0 and #FFDBF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F093AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F093AC shade: #F093AC, #DF8199, #CE6F86, #BD5D73 and #AC4B60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F093AC shade: #F093AC and #F09393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F093AC shade: #F093AC, #F093C5, #F093DE, #E993F0 and #CF93F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F093AC shade matches the following richer shades: #F093AC and #FA89A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F093AC shade: #F093AC, #E69DB0, #DCA7B5, #D2B0BA and #C8BABE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F093AC shade: #F093DF, #F093C6, #F093AD, #F09394 and #F0AA93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F093AC shade: #E64A74, #EB6E90, #F093AC, #F5B7C8 and #FADBE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F093AC shade: #F093AC, #F0E893 and #93D2F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F093AC shade: #F093AC, #ADF093 and #93ADF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F093AC shade: #F093AC, #F0E893, #93F0D5 and #939BF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F093AC shade: #F093AC, #DCF093, #93F0D5 and #A793F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 28 / 6

HEX #F093AC

RGB 240 147 172

HSL 343.87, 0.76%, 0.76%

LAB 71.13, 38.1, 1.94

 

Complementary color

CMYK 86 / 0 / 23 / 58

HEX #0F6C53

RGB 15 108 83

HSL 163.87, 0.76%, 0.24%

LAB 40.33, -32.02, 6.83

 

CMYK 0 / 40 / 32 / 4

HEX #F593A7

RGB 245 147 167

HSL 347.76, 0.83%, 0.77%

LAB 71.6, 39.22, 5.48

 

CMYK 0 / 35 / 27 / 0

HEX #FFA5BA

RGB 255 165 186

HSL 346, 1%, 0.82%

LAB 77.11, 35.9, 3.12

 

CMYK 0 / 28 / 20 / 0

HEX #FFB7CD

RGB 255 183 205

HSL 341.67, 1%, 0.86%

LAB 81.58, 29.17, -0.67

 

CMYK 0 / 21 / 12 / 0

HEX #FFC9E0

RGB 255 201 224

HSL 334.44, 1%, 0.89%

LAB 86.21, 22.65, -4.05

 

CMYK 0 / 14 / 5 / 0

HEX #FFDBF3

RGB 255 219 243

HSL 320, 1%, 0.93%

LAB 90.96, 16.4, -7.08

 

CMYK 0 / 39 / 28 / 6

HEX #F093AC

RGB 240 147 172

HSL 343.87, 0.76%, 0.76%

LAB 71.13, 38.1, 1.94

 

CMYK 0 / 42 / 31 / 13

HEX #DF8199

RGB 223 129 153

HSL 344.68, 0.59%, 0.69%

LAB 64.71, 38.97, 3.05

 

CMYK 0 / 46 / 35 / 19

HEX #CE6F86

RGB 206 111 134

HSL 345.47, 0.49%, 0.62%

LAB 58.24, 39.89, 4.32

 

CMYK 0 / 51 / 39 / 26

HEX #BD5D73

RGB 189 93 115

HSL 346.25, 0.42%, 0.55%

LAB 51.71, 40.83, 5.8

 

CMYK 0 / 56 / 44 / 33

HEX #AC4B60

RGB 172 75 96

HSL 347.01, 0.39%, 0.48%

LAB 45.15, 41.75, 7.57

 

CMYK 0 / 39 / 28 / 6

HEX #F093AC

RGB 240 147 172

HSL 343.87, 0.76%, 0.76%

LAB 71.13, 38.1, 1.94

 

CMYK 0 / 39 / 39 / 6

HEX #F09393

RGB 240 147 147

HSL 0, 0.76%, 0.76%

LAB 70.52, 35.03, 14.98

 

CMYK 0 / 39 / 28 / 6

HEX #F093AC

RGB 240 147 172

HSL 343.87, 0.76%, 0.76%

LAB 71.13, 38.1, 1.94

 

CMYK 0 / 39 / 18 / 6

HEX #F093C5

RGB 240 147 197

HSL 327.74, 0.76%, 0.76%

LAB 71.84, 41.65, -10.89

 

CMYK 0 / 39 / 8 / 6

HEX #F093DE

RGB 240 147 222

HSL 311.61, 0.76%, 0.76%

LAB 72.67, 45.65, -23.42

 

CMYK 3 / 39 / 0 / 6

HEX #E993F0

RGB 233 147 240

HSL 295.48, 0.76%, 0.76%

LAB 72.55, 46.68, -33.54

 

CMYK 14 / 39 / 0 / 6

HEX #CF93F0

RGB 207 147 240

HSL 278.71, 0.76%, 0.76%

LAB 69.77, 38.96, -38.07

 

CMYK 0 / 39 / 28 / 6

HEX #F093AC

RGB 240 147 172

HSL 343.87, 0.76%, 0.76%

LAB 71.13, 38.1, 1.94

 

CMYK 0 / 45 / 33 / 2

HEX #FA89A7

RGB 250 137 167

HSL 344.07, 0.92%, 0.76%

LAB 70.18, 46.06, 3.51

 

CMYK 0 / 39 / 28 / 6

HEX #F093AC

RGB 240 147 172

HSL 343.87, 0.76%, 0.76%

LAB 71.13, 38.1, 1.94

 

CMYK 0 / 32 / 23 / 10

HEX #E69DB0

RGB 230 157 176

HSL 344.38, 0.59%, 0.76%

LAB 72.28, 29.81, 1.25

 

CMYK 0 / 24 / 18 / 14

HEX #DCA7B5

RGB 220 167 181

HSL 344.15, 0.43%, 0.76%

LAB 73.67, 21.58, 0.39

 

CMYK 0 / 16 / 11 / 18

HEX #D2B0BA

RGB 210 176 186

HSL 342.35, 0.27%, 0.76%

LAB 75.01, 13.92, -0.5

 

CMYK 0 / 7 / 5 / 22

HEX #C8BABE

RGB 200 186 190

HSL 342.86, 0.11%, 0.76%

LAB 76.75, 5.65, -0.24

 

CMYK 0 / 39 / 7 / 6

HEX #F093DF

RGB 240 147 223

HSL 310.97, 0.76%, 0.76%

LAB 72.71, 45.81, -23.92

 

CMYK 0 / 39 / 18 / 6

HEX #F093C6

RGB 240 147 198

HSL 327.1, 0.76%, 0.76%

LAB 71.87, 41.8, -11.4

 

CMYK 0 / 39 / 28 / 6

HEX #F093AD

RGB 240 147 173

HSL 343.23, 0.76%, 0.76%

LAB 71.15, 38.23, 1.42

 

CMYK 0 / 39 / 38 / 6

HEX #F09394

RGB 240 147 148

HSL 359.35, 0.76%, 0.76%

LAB 70.55, 35.14, 14.46

 

CMYK 0 / 29 / 39 / 6

HEX #F0AA93

RGB 240 170 147

HSL 14.84, 0.76%, 0.76%

LAB 75.69, 22.9, 22.12

 

CMYK 0 / 68 / 50 / 10

HEX #E64A74

RGB 230 74 116

HSL 343.85, 0.76%, 0.6%

LAB 55.05, 62.83, 10.85

 

CMYK 0 / 53 / 39 / 8

HEX #EB6E90

RGB 235 110 144

HSL 343.68, 0.76%, 0.68%

LAB 62.36, 51.56, 5.01

 

CMYK 0 / 39 / 28 / 6

HEX #F093AC

RGB 240 147 172

HSL 343.87, 0.76%, 0.76%

LAB 71.13, 38.1, 1.94

 

CMYK 0 / 25 / 18 / 4

HEX #F5B7C8

RGB 245 183 200

HSL 343.55, 0.76%, 0.84%

LAB 80.43, 24.9, 0.22

 

CMYK 0 / 12 / 9 / 2

HEX #FADBE4

RGB 250 219 228

HSL 342.58, 0.76%, 0.92%

LAB 90.13, 12.17, -0.47

 

CMYK 0 / 39 / 28 / 6

HEX #F093AC

RGB 240 147 172

HSL 343.87, 0.76%, 0.76%

LAB 71.13, 38.1, 1.94

 

CMYK 0 / 3 / 39 / 6

HEX #F0E893

RGB 240 232 147

HSL 54.84, 0.76%, 0.76%

LAB 90.94, -9.28, 42.3

 

CMYK 39 / 13 / 0 / 6

HEX #93D2F0

RGB 147 210 240

HSL 199.35, 0.76%, 0.76%

LAB 81.06, -12.59, -21.08

 

CMYK 0 / 39 / 28 / 6

HEX #F093AC

RGB 240 147 172

HSL 343.87, 0.76%, 0.76%

LAB 71.13, 38.1, 1.94

 

CMYK 28 / 0 / 39 / 6

HEX #ADF093

RGB 173 240 147

HSL 103.23, 0.76%, 0.76%

LAB 88.6, -37.6, 38.39

 

CMYK 39 / 28 / 0 / 6

HEX #93ADF0

RGB 147 173 240

HSL 223.23, 0.76%, 0.76%

LAB 71.13, 7.38, -36.33

 

CMYK 0 / 39 / 28 / 6

HEX #F093AC

RGB 240 147 172

HSL 343.87, 0.76%, 0.76%

LAB 71.13, 38.1, 1.94

 

CMYK 0 / 3 / 39 / 6

HEX #F0E893

RGB 240 232 147

HSL 54.84, 0.76%, 0.76%

LAB 90.94, -9.28, 42.3

 

CMYK 39 / 0 / 11 / 6

HEX #93F0D5

RGB 147 240 213

HSL 162.58, 0.76%, 0.76%

LAB 88.6, -33.71, 4.36

 

CMYK 39 / 35 / 0 / 6

HEX #939BF0

RGB 147 155 240

HSL 234.84, 0.76%, 0.76%

LAB 66.47, 17.59, -43.6

 

CMYK 0 / 39 / 28 / 6

HEX #F093AC

RGB 240 147 172

HSL 343.87, 0.76%, 0.76%

LAB 71.13, 38.1, 1.94

 

CMYK 8 / 0 / 39 / 6

HEX #DCF093

RGB 220 240 147

HSL 72.9, 0.76%, 0.76%

LAB 91.52, -20.83, 42.75

 

CMYK 39 / 0 / 11 / 6

HEX #93F0D5

RGB 147 240 213

HSL 162.58, 0.76%, 0.76%

LAB 88.6, -33.71, 4.36

 

CMYK 30 / 39 / 0 / 6

HEX #A793F0

RGB 167 147 240

HSL 252.9, 0.76%, 0.76%

LAB 66.04, 27.52, -44.17

 

Description

Color code: HEX #F093AC | qconv.com Color code: HEX #F093AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 147 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 147 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 28 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 28% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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