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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F098D9 it is the complementary color #0F6726. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F098D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F098D9 shade: #F598D4, #FFAAE7, #FFBCFA, #FFCEFF and #FFE0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F098D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F098D9 shade: #F098D9, #DF86C6, #CE74B3, #BD62A0 and #AC508D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F098D9 shade: #F098D9, #F098C1, #F098A9 and #F09898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F098D9 shade: #F098D9, #EF98F0, #D798F0, #C098F0 and #A898F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F098D9 shade matches the following richer shades: #F098D9 and #F98EDD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F098D9 shade: #F098D9, #E6A1D4, #DDABD0, #D3B4CB and #CABEC7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F098D9 shade: #D798F0, #EE98F0, #F098DA, #F098C2 and #F098AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F098D9 shade: #E650BE, #EB74CC, #F098D9, #F5BCE6 and #FAE0F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F098D9 shade: #F098D9, #F0BF98 and #98F0E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F098D9 shade: #F098D9, #DAF098 and #98DAF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F098D9 shade: #F098D9, #F0BF98, #98F0AE and #98C8F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F098D9 shade: #F098D9, #F0DA98, #98F0AE and #98AEF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 10 / 6

HEX #F098D9

RGB 240 152 217

HSL 315.68, 0.75%, 0.77%

LAB 73.54, 42.22, -19.36

 

Complementary color

CMYK 85 / 0 / 63 / 60

HEX #0F6726

RGB 15 103 38

HSL 135.68, 0.75%, 0.23%

LAB 37.74, -39.45, 29.25

 

CMYK 0 / 38 / 13 / 4

HEX #F598D4

RGB 245 152 212

HSL 321.29, 0.82%, 0.78%

LAB 73.95, 43.04, -15.94

 

CMYK 0 / 33 / 9 / 0

HEX #FFAAE7

RGB 255 170 231

HSL 316.94, 1%, 0.83%

LAB 79.49, 40.03, -17.83

 

CMYK 0 / 26 / 2 / 0

HEX #FFBCFA

RGB 255 188 250

HSL 304.48, 1%, 0.87%

LAB 84.03, 33.88, -21.15

 

CMYK 0 / 19 / 0 / 0

HEX #FFCEFF

RGB 255 206 255

HSL 300, 1%, 0.9%

LAB 88.27, 25.32, -17.41

 

CMYK 0 / 12 / 0 / 0

HEX #FFE0FF

RGB 255 224 255

HSL 300, 1%, 0.94%

LAB 92.48, 15.9, -11.1

 

CMYK 0 / 37 / 10 / 6

HEX #F098D9

RGB 240 152 217

HSL 315.68, 0.75%, 0.77%

LAB 73.54, 42.22, -19.36

 

CMYK 0 / 40 / 11 / 13

HEX #DF86C6

RGB 223 134 198

HSL 316.85, 0.58%, 0.7%

LAB 67.14, 42.97, -18.73

 

CMYK 0 / 44 / 13 / 19

HEX #CE74B3

RGB 206 116 179

HSL 318, 0.48%, 0.63%

LAB 60.66, 43.73, -18.02

 

CMYK 0 / 48 / 15 / 26

HEX #BD62A0

RGB 189 98 160

HSL 319.12, 0.41%, 0.56%

LAB 54.12, 44.48, -17.2

 

CMYK 0 / 53 / 18 / 33

HEX #AC508D

RGB 172 80 141

HSL 320.22, 0.37%, 0.49%

LAB 47.54, 45.17, -16.22

 

CMYK 0 / 37 / 10 / 6

HEX #F098D9

RGB 240 152 217

HSL 315.68, 0.75%, 0.77%

LAB 73.54, 42.22, -19.36

 

CMYK 0 / 37 / 20 / 6

HEX #F098C1

RGB 240 152 193

HSL 332.05, 0.75%, 0.77%

LAB 72.78, 38.45, -7.28

 

CMYK 0 / 37 / 30 / 6

HEX #F098A9

RGB 240 152 169

HSL 348.41, 0.75%, 0.77%

LAB 72.13, 35.09, 5.05

 

CMYK 0 / 37 / 37 / 6

HEX #F09898

RGB 240 152 152

HSL 0, 0.75%, 0.77%

LAB 71.72, 32.99, 13.89

 

CMYK 0 / 37 / 10 / 6

HEX #F098D9

RGB 240 152 217

HSL 315.68, 0.75%, 0.77%

LAB 73.54, 42.22, -19.36

 

CMYK 0 / 37 / 0 / 6

HEX #EF98F0

RGB 239 152 240

HSL 299.32, 0.75%, 0.77%

LAB 74.25, 45.9, -30.85

 

CMYK 10 / 37 / 0 / 6

HEX #D798F0

RGB 215 152 240

HSL 282.95, 0.75%, 0.77%

LAB 71.69, 38.65, -35.03

 

CMYK 20 / 37 / 0 / 6

HEX #C098F0

RGB 192 152 240

HSL 267.27, 0.75%, 0.77%

LAB 69.44, 31.82, -38.7

 

CMYK 30 / 37 / 0 / 6

HEX #A898F0

RGB 168 152 240

HSL 250.91, 0.75%, 0.77%

LAB 67.33, 24.96, -42.14

 

CMYK 0 / 37 / 10 / 6

HEX #F098D9

RGB 240 152 217

HSL 315.68, 0.75%, 0.77%

LAB 73.54, 42.22, -19.36

 

CMYK 0 / 43 / 11 / 2

HEX #F98EDD

RGB 249 142 221

HSL 315.7, 0.9%, 0.77%

LAB 72.7, 50.83, -22.74

 

CMYK 0 / 37 / 10 / 6

HEX #F098D9

RGB 240 152 217

HSL 315.68, 0.75%, 0.77%

LAB 73.54, 42.22, -19.36

 

CMYK 0 / 30 / 8 / 10

HEX #E6A1D4

RGB 230 161 212

HSL 315.65, 0.58%, 0.77%

LAB 74.23, 33.36, -15.68

 

CMYK 0 / 23 / 6 / 13

HEX #DDABD0

RGB 221 171 208

HSL 315.6, 0.42%, 0.77%

LAB 75.48, 24.26, -11.7

 

CMYK 0 / 15 / 4 / 17

HEX #D3B4CB

RGB 211 180 203

HSL 315.48, 0.26%, 0.77%

LAB 76.56, 15.06, -7.48

 

CMYK 0 / 6 / 1 / 21

HEX #CABEC7

RGB 202 190 199

HSL 315, 0.1%, 0.77%

LAB 78.17, 5.83, -3.01

 

CMYK 10 / 37 / 0 / 6

HEX #D798F0

RGB 215 152 240

HSL 282.95, 0.75%, 0.77%

LAB 71.69, 38.65, -35.03

 

CMYK 1 / 37 / 0 / 6

HEX #EE98F0

RGB 238 152 240

HSL 298.64, 0.75%, 0.77%

LAB 74.14, 45.59, -31.03

 

CMYK 0 / 37 / 9 / 6

HEX #F098DA

RGB 240 152 218

HSL 315, 0.75%, 0.77%

LAB 73.57, 42.39, -19.86

 

CMYK 0 / 37 / 19 / 6

HEX #F098C2

RGB 240 152 194

HSL 331.36, 0.75%, 0.77%

LAB 72.81, 38.6, -7.79

 

CMYK 0 / 37 / 29 / 6

HEX #F098AB

RGB 240 152 171

HSL 347.05, 0.75%, 0.77%

LAB 72.18, 35.36, 4.02

 

CMYK 0 / 65 / 17 / 10

HEX #E650BE

RGB 230 80 190

HSL 316, 0.75%, 0.61%

LAB 58.3, 68.85, -27.65

 

CMYK 0 / 51 / 13 / 8

HEX #EB74CC

RGB 235 116 204

HSL 315.63, 0.75%, 0.69%

LAB 65.37, 56.65, -24.66

 

CMYK 0 / 37 / 10 / 6

HEX #F098D9

RGB 240 152 217

HSL 315.68, 0.75%, 0.77%

LAB 73.54, 42.22, -19.36

 

CMYK 0 / 23 / 6 / 4

HEX #F5BCE6

RGB 245 188 230

HSL 315.79, 0.74%, 0.85%

LAB 82.43, 27.11, -12.97

 

CMYK 0 / 10 / 3 / 2

HEX #FAE0F3

RGB 250 224 243

HSL 316.15, 0.72%, 0.93%

LAB 91.73, 12.12, -5.98

 

CMYK 0 / 37 / 10 / 6

HEX #F098D9

RGB 240 152 217

HSL 315.68, 0.75%, 0.77%

LAB 73.54, 42.22, -19.36

 

CMYK 0 / 20 / 37 / 6

HEX #F0BF98

RGB 240 191 152

HSL 26.59, 0.75%, 0.77%

LAB 80.77, 12.37, 26.36

 

CMYK 37 / 0 / 5 / 6

HEX #98F0E3

RGB 152 240 227

HSL 171.14, 0.75%, 0.77%

LAB 89.18, -29.32, -2.09

 

CMYK 0 / 37 / 10 / 6

HEX #F098D9

RGB 240 152 217

HSL 315.68, 0.75%, 0.77%

LAB 73.54, 42.22, -19.36

 

CMYK 9 / 0 / 37 / 6

HEX #DAF098

RGB 218 240 152

HSL 75, 0.75%, 0.77%

LAB 91.46, -20.99, 40.16

 

CMYK 37 / 9 / 0 / 6

HEX #98DAF0

RGB 152 218 240

HSL 195, 0.75%, 0.77%

LAB 83.5, -15.41, -17.38

 

CMYK 0 / 37 / 10 / 6

HEX #F098D9

RGB 240 152 217

HSL 315.68, 0.75%, 0.77%

LAB 73.54, 42.22, -19.36

 

CMYK 0 / 20 / 37 / 6

HEX #F0BF98

RGB 240 191 152

HSL 26.59, 0.75%, 0.77%

LAB 80.77, 12.37, 26.36

 

CMYK 37 / 0 / 28 / 6

HEX #98F0AE

RGB 152 240 174

HSL 135, 0.75%, 0.77%

LAB 87.99, -39.97, 23.75

 

CMYK 37 / 17 / 0 / 6

HEX #98C8F0

RGB 152 200 240

HSL 207.27, 0.75%, 0.77%

LAB 78.62, -6.03, -24.77

 

CMYK 0 / 37 / 10 / 6

HEX #F098D9

RGB 240 152 217

HSL 315.68, 0.75%, 0.77%

LAB 73.54, 42.22, -19.36

 

CMYK 0 / 9 / 37 / 6

HEX #F0DA98

RGB 240 218 152

HSL 45, 0.75%, 0.77%

LAB 87.45, -1.65, 35.27

 

CMYK 37 / 0 / 28 / 6

HEX #98F0AE

RGB 152 240 174

HSL 135, 0.75%, 0.77%

LAB 87.99, -39.97, 23.75

 

CMYK 37 / 28 / 0 / 6

HEX #98AEF0

RGB 152 174 240

HSL 225, 0.75%, 0.77%

LAB 71.72, 8.15, -35.39

 

Description

Color code: HEX #F098D9 | qconv.com Color code: HEX #F098D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 152 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 152 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 10 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 10% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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