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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F08EE8 it is the complementary color #0F7117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F08EE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F08EE8 shade: #F58EE3, #FFA0F6, #FFB2FF, #FFC4FF and #FFD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F08EE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F08EE8 shade: #F08EE8, #DF7CD5, #CE6AC2, #BD58AF and #AC469C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F08EE8 shade: #F08EE8, #F08ECD, #F08EB3, #F08E98 and #F08E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F08EE8 shade: #F08EE8, #DD8EF0, #C38EF0, #A88EF0 and #8E8EF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F08EE8 shade matches the following richer shades: #F08EE8 and #FA83F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F08EE8 shade: #F08EE8, #E698DF, #DBA2D7, #D1ADCE and #C7B7C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F08EE8 shade: #C28EF0, #DC8EF0, #F08EE9, #F08ECF and #F08EB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F08EE8 shade: #E645D9, #EB69E0, #F08EE8, #F5B2EF and #F9D7F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F08EE8 shade: #F08EE8, #F0A88E and #8EF0CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F08EE8 shade: #F08EE8, #E9F08E and #8EE9F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F08EE8 shade: #F08EE8, #F0A88E, #8EF094 and #8ED6F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F08EE8 shade: #F08EE8, #F0C58E, #8EF094 and #8EB8F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 3 / 6

HEX #F08EE8

RGB 240 142 232

HSL 304.9, 0.77%, 0.75%

LAB 72.03, 49.91, -29.9

 

Complementary color

CMYK 87 / 0 / 80 / 56

HEX #0F7117

RGB 15 113 23

HSL 124.9, 0.77%, 0.25%

LAB 41.17, -44.55, 39.6

 

CMYK 0 / 42 / 7 / 4

HEX #F58EE3

RGB 245 142 227

HSL 310.49, 0.84%, 0.76%

LAB 72.43, 50.57, -26.49

 

CMYK 0 / 37 / 4 / 0

HEX #FFA0F6

RGB 255 160 246

HSL 305.68, 1%, 0.81%

LAB 77.91, 47.71, -28.34

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 41 / 3 / 6

HEX #F08EE8

RGB 240 142 232

HSL 304.9, 0.77%, 0.75%

LAB 72.03, 49.91, -29.9

 

CMYK 0 / 44 / 4 / 13

HEX #DF7CD5

RGB 223 124 213

HSL 306.06, 0.61%, 0.68%

LAB 65.68, 50.63, -29.35

 

CMYK 0 / 49 / 6 / 19

HEX #CE6AC2

RGB 206 106 194

HSL 307.2, 0.51%, 0.61%

LAB 59.27, 51.31, -28.71

 

CMYK 0 / 53 / 7 / 26

HEX #BD58AF

RGB 189 88 175

HSL 308.32, 0.43%, 0.54%

LAB 52.83, 51.92, -27.94

 

CMYK 0 / 59 / 9 / 33

HEX #AC469C

RGB 172 70 156

HSL 309.41, 0.42%, 0.47%

LAB 46.38, 52.35, -26.96

 

CMYK 0 / 41 / 3 / 6

HEX #F08EE8

RGB 240 142 232

HSL 304.9, 0.77%, 0.75%

LAB 72.03, 49.91, -29.9

 

CMYK 0 / 41 / 15 / 6

HEX #F08ECD

RGB 240 142 205

HSL 321.43, 0.77%, 0.75%

LAB 71.06, 45.46, -16.49

 

CMYK 0 / 41 / 25 / 6

HEX #F08EB3

RGB 240 142 179

HSL 337.35, 0.77%, 0.75%

LAB 70.26, 41.63, -3.22

 

CMYK 0 / 41 / 37 / 6

HEX #F08E98

RGB 240 142 152

HSL 353.88, 0.77%, 0.75%

LAB 69.57, 38.2, 10.85

 

CMYK 0 / 41 / 41 / 6

HEX #F08E8E

RGB 240 142 142

HSL 0, 0.77%, 0.75%

LAB 69.34, 37.08, 16.12

 

CMYK 0 / 41 / 3 / 6

HEX #F08EE8

RGB 240 142 232

HSL 304.9, 0.77%, 0.75%

LAB 72.03, 49.91, -29.9

 

CMYK 8 / 41 / 0 / 6

HEX #DD8EF0

RGB 221 142 240

HSL 288.37, 0.77%, 0.75%

LAB 70.18, 45.73, -37.31

 

CMYK 19 / 41 / 0 / 6

HEX #C38EF0

RGB 195 142 240

HSL 272.45, 0.77%, 0.75%

LAB 67.46, 38.19, -41.77

 

CMYK 30 / 41 / 0 / 6

HEX #A88EF0

RGB 168 142 240

HSL 255.92, 0.77%, 0.75%

LAB 64.93, 30.62, -45.91

 

CMYK 41 / 41 / 0 / 6

HEX #8E8EF0

RGB 142 142 240

HSL 240, 0.77%, 0.75%

LAB 62.83, 23.82, -49.36

 

CMYK 0 / 41 / 3 / 6

HEX #F08EE8

RGB 240 142 232

HSL 304.9, 0.77%, 0.75%

LAB 72.03, 49.91, -29.9

 

CMYK 0 / 48 / 4 / 2

HEX #FA83F0

RGB 250 131 240

HSL 305.04, 0.92%, 0.75%

LAB 71.45, 59.62, -35.07

 

CMYK 0 / 41 / 3 / 6

HEX #F08EE8

RGB 240 142 232

HSL 304.9, 0.77%, 0.75%

LAB 72.03, 49.91, -29.9

 

CMYK 0 / 34 / 3 / 10

HEX #E698DF

RGB 230 152 223

HSL 305.38, 0.61%, 0.75%

LAB 72.63, 40.06, -24.14

 

CMYK 0 / 26 / 2 / 14

HEX #DBA2D7

RGB 219 162 215

HSL 304.21, 0.44%, 0.75%

LAB 73.42, 29.7, -18.66

 

CMYK 0 / 17 / 1 / 18

HEX #D1ADCE

RGB 209 173 206

HSL 305, 0.28%, 0.75%

LAB 74.76, 18.72, -11.81

 

CMYK 0 / 8 / 1 / 22

HEX #C7B7C5

RGB 199 183 197

HSL 307.5, 0.13%, 0.75%

LAB 76.09, 8.18, -5.02

 

CMYK 19 / 41 / 0 / 6

HEX #C28EF0

RGB 194 142 240

HSL 271.84, 0.77%, 0.75%

LAB 67.36, 37.9, -41.93

 

CMYK 8 / 41 / 0 / 6

HEX #DC8EF0

RGB 220 142 240

HSL 287.76, 0.77%, 0.75%

LAB 70.07, 45.44, -37.49

 

CMYK 0 / 41 / 3 / 6

HEX #F08EE9

RGB 240 142 233

HSL 304.29, 0.77%, 0.75%

LAB 72.06, 50.08, -30.39

 

CMYK 0 / 41 / 14 / 6

HEX #F08ECF

RGB 240 142 207

HSL 320.2, 0.77%, 0.75%

LAB 71.13, 45.77, -17.5

 

CMYK 0 / 41 / 25 / 6

HEX #F08EB5

RGB 240 142 181

HSL 336.12, 0.77%, 0.75%

LAB 70.32, 41.91, -4.25

 

CMYK 0 / 70 / 6 / 10

HEX #E645D9

RGB 230 69 217

HSL 304.84, 0.76%, 0.59%

LAB 58.12, 76.7, -43.32

 

CMYK 0 / 55 / 5 / 8

HEX #EB69E0

RGB 235 105 224

HSL 305.08, 0.76%, 0.67%

LAB 64.28, 64.91, -37.54

 

CMYK 0 / 41 / 3 / 6

HEX #F08EE8

RGB 240 142 232

HSL 304.9, 0.77%, 0.75%

LAB 72.03, 49.91, -29.9

 

CMYK 0 / 27 / 2 / 4

HEX #F5B2EF

RGB 245 178 239

HSL 305.37, 0.77%, 0.83%

LAB 80.45, 33.97, -20.78

 

CMYK 0 / 14 / 1 / 2

HEX #F9D7F6

RGB 249 215 246

HSL 305.29, 0.74%, 0.91%

LAB 89.58, 17.01, -10.76

 

CMYK 0 / 41 / 3 / 6

HEX #F08EE8

RGB 240 142 232

HSL 304.9, 0.77%, 0.75%

LAB 72.03, 49.91, -29.9

 

CMYK 0 / 30 / 41 / 6

HEX #F0A88E

RGB 240 168 142

HSL 15.92, 0.77%, 0.75%

LAB 75.13, 23.41, 24.06

 

CMYK 41 / 0 / 14 / 6

HEX #8EF0CF

RGB 142 240 207

HSL 159.8, 0.77%, 0.75%

LAB 88.25, -36.3, 6.94

 

CMYK 0 / 41 / 3 / 6

HEX #F08EE8

RGB 240 142 232

HSL 304.9, 0.77%, 0.75%

LAB 72.03, 49.91, -29.9

 

CMYK 3 / 0 / 41 / 6

HEX #E9F08E

RGB 233 240 142

HSL 64.29, 0.77%, 0.75%

LAB 92.4, -16.45, 46.49

 

CMYK 41 / 3 / 0 / 6

HEX #8EE9F0

RGB 142 233 240

HSL 184.29, 0.77%, 0.75%

LAB 87.15, -25.4, -11.95

 

CMYK 0 / 41 / 3 / 6

HEX #F08EE8

RGB 240 142 232

HSL 304.9, 0.77%, 0.75%

LAB 72.03, 49.91, -29.9

 

CMYK 0 / 30 / 41 / 6

HEX #F0A88E

RGB 240 168 142

HSL 15.92, 0.77%, 0.75%

LAB 75.13, 23.41, 24.06

 

CMYK 41 / 0 / 38 / 6

HEX #8EF094

RGB 142 240 148

HSL 123.67, 0.77%, 0.75%

LAB 87.1, -47.16, 35.65

 

CMYK 41 / 11 / 0 / 6

HEX #8ED6F0

RGB 142 214 240

HSL 195.92, 0.77%, 0.75%

LAB 81.91, -15.92, -19.83

 

CMYK 0 / 41 / 3 / 6

HEX #F08EE8

RGB 240 142 232

HSL 304.9, 0.77%, 0.75%

LAB 72.03, 49.91, -29.9

 

CMYK 0 / 18 / 41 / 6

HEX #F0C58E

RGB 240 197 142

HSL 33.67, 0.77%, 0.75%

LAB 82.06, 8.1, 33.32

 

CMYK 41 / 0 / 38 / 6

HEX #8EF094

RGB 142 240 148

HSL 123.67, 0.77%, 0.75%

LAB 87.1, -47.16, 35.65

 

CMYK 41 / 23 / 0 / 6

HEX #8EB8F0

RGB 142 184 240

HSL 214.29, 0.77%, 0.75%

LAB 73.75, -0.01, -32.29

 

Description

Color code: HEX #F08EE8 | qconv.com Color code: HEX #F08EE8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 142 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 142 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 3 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 3% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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