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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F083B3 it is the complementary color #0F7C4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F083B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F083B3 shade: #F583AE, #FF95C1, #FFA7D4, #FFB9E7 and #FFCBFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F083B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F083B3 shade: #F083B3, #DF71A0, #CE5F8D, #BD4D7A and #AC3B67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F083B3 shade: #EF84B3, #EF8496 and #EF8484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F083B3 shade: #EF84B3, #EF84D0, #EF84ED, #D584EF and #B884EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F083B3 shade matches the following richer shades: #EF84B3 and #FA79B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F083B3 shade: #EF84B3, #E48FB5, #D99AB6, #CEA5B7 and #C3B1B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F083B3 shade: #EF84EE, #EF84D1, #EF84B4, #EF8498 and #EF8D84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F083B3 shade: #E63B86, #EB5F9D, #EF84B3, #F4A9CA and #F8CDE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F083B3 shade: #F083B3, #EFD584 and #84DFEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F083B3 shade: #F083B3, #B4EF84 and #84B4EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F083B3 shade: #F083B3, #EFD584, #84EFBF and #849FEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F083B3 shade: #F083B3, #EAEF84, #84EFBF and #8984EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 25 / 6

HEX #F083B3

RGB 240 131 179

HSL 333.58, 0.78%, 0.73%

LAB 68.03, 47.23, -6.52

 

Complementary color

CMYK 88 / 0 / 39 / 51

HEX #0F7C4C

RGB 15 124 76

HSL 153.58, 0.78%, 0.27%

LAB 45.69, -40.48, 18.34

 

CMYK 0 / 47 / 29 / 4

HEX #F583AE

RGB 245 131 174

HSL 337.37, 0.85%, 0.74%

LAB 68.53, 48.24, -2.89

 

CMYK 0 / 42 / 24 / 0

HEX #FF95C1

RGB 255 149 193

HSL 335.09, 1%, 0.79%

LAB 73.94, 45.07, -5.37

 

CMYK 0 / 35 / 17 / 0

HEX #FFA7D4

RGB 255 167 212

HSL 329.32, 1%, 0.83%

LAB 78.26, 38.58, -9.37

 

CMYK 0 / 27 / 9 / 0

HEX #FFB9E7

RGB 255 185 231

HSL 320.57, 1%, 0.86%

LAB 82.77, 32.2, -12.9

 

CMYK 0 / 20 / 2 / 0

HEX #FFCBFA

RGB 255 203 250

HSL 305.77, 1%, 0.9%

LAB 87.42, 26, -16.03

 

CMYK 0 / 45 / 25 / 6

HEX #F083B3

RGB 240 131 179

HSL 333.58, 0.78%, 0.73%

LAB 68.03, 47.23, -6.52

 

CMYK 0 / 49 / 28 / 13

HEX #DF71A0

RGB 223 113 160

HSL 334.36, 0.63%, 0.66%

LAB 61.69, 48.04, -5.38

 

CMYK 0 / 54 / 32 / 19

HEX #CE5F8D

RGB 206 95 141

HSL 335.14, 0.53%, 0.59%

LAB 55.31, 48.8, -4.05

 

CMYK 0 / 59 / 35 / 26

HEX #BD4D7A

RGB 189 77 122

HSL 335.89, 0.46%, 0.52%

LAB 48.92, 49.46, -2.44

 

CMYK 0 / 66 / 40 / 33

HEX #AC3B67

RGB 172 59 103

HSL 336.64, 0.49%, 0.45%

LAB 42.58, 49.9, -0.45

 

CMYK 0 / 45 / 25 / 6

HEX #EF84B3

RGB 239 132 179

HSL 333.64, 0.77%, 0.73%

LAB 68.1, 46.4, -6.43

 

CMYK 0 / 45 / 37 / 6

HEX #EF8496

RGB 239 132 150

HSL 349.91, 0.77%, 0.73%

LAB 67.32, 42.75, 8.76

 

CMYK 0 / 45 / 45 / 6

HEX #EF8484

RGB 239 132 132

HSL 0, 0.77%, 0.73%

LAB 66.91, 40.82, 18.33

 

CMYK 0 / 45 / 25 / 6

HEX #EF84B3

RGB 239 132 179

HSL 333.64, 0.77%, 0.73%

LAB 68.1, 46.4, -6.43

 

CMYK 0 / 45 / 13 / 6

HEX #EF84D0

RGB 239 132 208

HSL 317.38, 0.77%, 0.73%

LAB 69.05, 50.67, -21.23

 

CMYK 0 / 45 / 1 / 6

HEX #EF84ED

RGB 239 132 237

HSL 301.12, 0.77%, 0.73%

LAB 70.15, 55.49, -35.55

 

CMYK 11 / 45 / 0 / 6

HEX #D584EF

RGB 213 132 239

HSL 285.42, 0.77%, 0.73%

LAB 67.19, 48.45, -41.5

 

CMYK 23 / 45 / 0 / 6

HEX #B884EF

RGB 184 132 239

HSL 269.16, 0.77%, 0.73%

LAB 64.1, 40.35, -46.57

 

CMYK 0 / 45 / 25 / 6

HEX #EF84B3

RGB 239 132 179

HSL 333.64, 0.77%, 0.73%

LAB 68.1, 46.4, -6.43

 

CMYK 0 / 52 / 29 / 2

HEX #FA79B2

RGB 250 121 178

HSL 333.49, 0.93%, 0.73%

LAB 67.44, 55.23, -6.69

 

CMYK 0 / 45 / 25 / 6

HEX #EF84B3

RGB 239 132 179

HSL 333.64, 0.77%, 0.73%

LAB 68.1, 46.4, -6.43

 

CMYK 0 / 37 / 21 / 11

HEX #E48FB5

RGB 228 143 181

HSL 333.18, 0.61%, 0.73%

LAB 69.09, 37.27, -6.23

 

CMYK 0 / 29 / 16 / 15

HEX #D99AB6

RGB 217 154 182

HSL 333.33, 0.45%, 0.73%

LAB 70.34, 27.69, -5.07

 

CMYK 0 / 20 / 11 / 19

HEX #CEA5B7

RGB 206 165 183

HSL 333.66, 0.29%, 0.73%

LAB 71.86, 17.96, -3.52

 

CMYK 0 / 9 / 5 / 24

HEX #C3B1B9

RGB 195 177 185

HSL 333.33, 0.13%, 0.73%

LAB 73.9, 7.84, -1.74

 

CMYK 0 / 45 / 0 / 6

HEX #EF84EE

RGB 239 132 238

HSL 300.56, 0.77%, 0.73%

LAB 70.19, 55.67, -36.04

 

CMYK 0 / 45 / 13 / 6

HEX #EF84D1

RGB 239 132 209

HSL 316.82, 0.77%, 0.73%

LAB 69.08, 50.83, -21.73

 

CMYK 0 / 45 / 25 / 6

HEX #EF84B4

RGB 239 132 180

HSL 333.08, 0.77%, 0.73%

LAB 68.13, 46.54, -6.95

 

CMYK 0 / 45 / 36 / 6

HEX #EF8498

RGB 239 132 152

HSL 348.79, 0.77%, 0.73%

LAB 67.37, 42.98, 7.7

 

CMYK 0 / 41 / 45 / 6

HEX #EF8D84

RGB 239 141 132

HSL 5.05, 0.77%, 0.73%

LAB 68.8, 36.18, 20.91

 

CMYK 0 / 74 / 42 / 10

HEX #E63B86

RGB 230 59 134

HSL 333.68, 0.77%, 0.57%

LAB 53.68, 69.62, -1.86

 

CMYK 0 / 60 / 33 / 8

HEX #EB5F9D

RGB 235 95 157

HSL 333.43, 0.78%, 0.65%

LAB 60.14, 59.87, -5.74

 

CMYK 0 / 45 / 25 / 6

HEX #EF84B3

RGB 239 132 179

HSL 333.64, 0.77%, 0.73%

LAB 68.1, 46.4, -6.43

 

CMYK 0 / 31 / 17 / 4

HEX #F4A9CA

RGB 244 169 202

HSL 333.6, 0.77%, 0.81%

LAB 77.21, 32.25, -5.62

 

CMYK 0 / 17 / 10 / 3

HEX #F8CDE0

RGB 248 205 224

HSL 333.49, 0.75%, 0.89%

LAB 86.5, 18.14, -3.69

 

CMYK 0 / 45 / 25 / 6

HEX #F083B3

RGB 240 131 179

HSL 333.58, 0.78%, 0.73%

LAB 68.03, 47.23, -6.52

 

CMYK 0 / 11 / 45 / 6

HEX #EFD584

RGB 239 213 132

HSL 45.42, 0.77%, 0.73%

LAB 85.81, -1.6, 43.22

 

CMYK 45 / 7 / 0 / 6

HEX #84DFEF

RGB 132 223 239

HSL 188.97, 0.77%, 0.73%

LAB 83.92, -23.11, -16.31

 

CMYK 0 / 45 / 25 / 6

HEX #F083B3

RGB 240 131 179

HSL 333.58, 0.78%, 0.73%

LAB 68.03, 47.23, -6.52

 

CMYK 25 / 0 / 45 / 6

HEX #B4EF84

RGB 180 239 132

HSL 93.08, 0.77%, 0.73%

LAB 88.5, -36.67, 45.69

 

CMYK 45 / 25 / 0 / 6

HEX #84B4EF

RGB 132 180 239

HSL 213.08, 0.77%, 0.73%

LAB 72.08, -0.59, -34.38

 

CMYK 0 / 45 / 25 / 6

HEX #F083B3

RGB 240 131 179

HSL 333.58, 0.78%, 0.73%

LAB 68.03, 47.23, -6.52

 

CMYK 0 / 11 / 45 / 6

HEX #EFD584

RGB 239 213 132

HSL 45.42, 0.77%, 0.73%

LAB 85.81, -1.6, 43.22

 

CMYK 45 / 0 / 20 / 6

HEX #84EFBF

RGB 132 239 191

HSL 153.08, 0.77%, 0.73%

LAB 87.19, -41.75, 13.72

 

CMYK 45 / 33 / 0 / 6

HEX #849FEF

RGB 132 159 239

HSL 224.86, 0.77%, 0.73%

LAB 66.47, 11.23, -43.13

 

CMYK 0 / 45 / 25 / 6

HEX #F083B3

RGB 240 131 179

HSL 333.58, 0.78%, 0.73%

LAB 68.03, 47.23, -6.52

 

CMYK 2 / 0 / 45 / 6

HEX #EAEF84

RGB 234 239 132

HSL 62.8, 0.77%, 0.73%

LAB 92.08, -16.58, 50.92

 

CMYK 45 / 0 / 20 / 6

HEX #84EFBF

RGB 132 239 191

HSL 153.08, 0.77%, 0.73%

LAB 87.19, -41.75, 13.72

 

CMYK 43 / 45 / 0 / 6

HEX #8984EF

RGB 137 132 239

HSL 242.8, 0.77%, 0.73%

LAB 59.94, 28.14, -53.43

 

Description

Color code: HEX #F083B3 | qconv.com Color code: HEX #F083B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 131 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 131 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 25 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 25% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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