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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F07FF1 it is the complementary color #0F800E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F07FF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F07FF1 shade: #F57FEC, #FF91FF, #FFA3FF, #FFB5FF and #FFC7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F07FF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F07FF1 shade: #F07FF1, #DF6DDE, #CE5BCB, #BD49B8 and #AC37A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F07FF1 shade: #EF7EF0, #F07ED2, #F07EB4, #F07E95 and #F07E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F07FF1 shade: #EF7EF0, #D07EF0, #B27EF0, #937EF0 and #7E7EF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F07FF1 shade matches the following richer shades: #EF7EF0 and #FB72FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F07FF1 shade: #EF7EF0, #E48AE5, #D995D9, #CDA1CE and #C2ACC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F07FF1 shade: #B17EF0, #D07EF0, #EE7EF0, #F07ED4 and #F07EB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F07FF1 shade: #E634E8, #EB59EC, #EF7EF0, #F4A3F4 and #F8C8F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F07FF1 shade: #F07FF1, #F0937E and #7EF0C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F07FF1 shade: #F07FF1, #F0EE7E and #7EF0EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F07FF1 shade: #F07FF1, #F0937E, #80F07E and #7EDBF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F07FF1 shade: #F07FF1, #F0B57E, #80F07E and #7EB9F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 0 / 5

HEX #F07FF1

RGB 240 127 241

HSL 299.47, 0.8%, 0.72%

LAB 69.51, 58.92, -38.74

 

Complementary color

CMYK 88 / 0 / 89 / 50

HEX #0F800E

RGB 15 128 14

HSL 119.47, 0.8%, 0.28%

LAB 46.41, -49.92, 47.19

 

CMYK 0 / 48 / 4 / 4

HEX #F57FEC

RGB 245 127 236

HSL 304.58, 0.86%, 0.73%

LAB 69.93, 59.46, -35.29

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 0 / 47 / 0 / 5

HEX #F07FF1

RGB 240 127 241

HSL 299.47, 0.8%, 0.72%

LAB 69.51, 58.92, -38.74

 

CMYK 0 / 51 / 0 / 13

HEX #DF6DDE

RGB 223 109 222

HSL 300.53, 0.64%, 0.65%

LAB 63.26, 59.51, -38.13

 

CMYK 0 / 56 / 1 / 19

HEX #CE5BCB

RGB 206 91 203

HSL 301.57, 0.54%, 0.58%

LAB 56.99, 59.99, -37.39

 

CMYK 0 / 61 / 3 / 26

HEX #BD49B8

RGB 189 73 184

HSL 302.59, 0.47%, 0.51%

LAB 50.74, 60.24, -36.44

 

CMYK 0 / 68 / 4 / 33

HEX #AC37A5

RGB 172 55 165

HSL 303.59, 0.52%, 0.45%

LAB 44.55, 60.11, -35.19

 

CMYK 0 / 48 / 0 / 6

HEX #EF7EF0

RGB 239 126 240

HSL 299.47, 0.79%, 0.72%

LAB 69.16, 58.95, -38.75

 

CMYK 0 / 48 / 13 / 6

HEX #F07ED2

RGB 240 126 210

HSL 315.79, 0.79%, 0.72%

LAB 68.09, 54.25, -23.78

 

CMYK 0 / 48 / 25 / 6

HEX #F07EB4

RGB 240 126 180

HSL 331.58, 0.79%, 0.72%

LAB 67.08, 49.86, -8.49

 

CMYK 0 / 48 / 38 / 6

HEX #F07E95

RGB 240 126 149

HSL 347.89, 0.79%, 0.72%

LAB 66.23, 46.01, 7.79

 

CMYK 0 / 48 / 48 / 6

HEX #F07E7E

RGB 240 126 126

HSL 0, 0.79%, 0.72%

LAB 65.71, 43.63, 20.07

 

CMYK 0 / 48 / 0 / 6

HEX #EF7EF0

RGB 239 126 240

HSL 299.47, 0.79%, 0.72%

LAB 69.16, 58.95, -38.75

 

CMYK 13 / 48 / 0 / 6

HEX #D07EF0

RGB 208 126 240

HSL 283.16, 0.79%, 0.72%

LAB 65.45, 50.37, -44.81

 

CMYK 26 / 48 / 0 / 6

HEX #B27EF0

RGB 178 126 240

HSL 267.37, 0.79%, 0.72%

LAB 62.23, 42.25, -50.11

 

CMYK 39 / 48 / 0 / 6

HEX #937EF0

RGB 147 126 240

HSL 251.05, 0.79%, 0.72%

LAB 59.36, 34.32, -54.86

 

CMYK 48 / 48 / 0 / 6

HEX #7E7EF0

RGB 126 126 240

HSL 240, 0.79%, 0.72%

LAB 57.7, 29.4, -57.6

 

CMYK 0 / 48 / 0 / 6

HEX #EF7EF0

RGB 239 126 240

HSL 299.47, 0.79%, 0.72%

LAB 69.16, 58.95, -38.75

 

CMYK 0 / 55 / 0 / 1

HEX #FB72FC

RGB 251 114 252

HSL 299.57, 0.96%, 0.72%

LAB 69.16, 69.72, -45.21

 

CMYK 0 / 48 / 0 / 6

HEX #EF7EF0

RGB 239 126 240

HSL 299.47, 0.79%, 0.72%

LAB 69.16, 58.95, -38.75

 

CMYK 0 / 40 / 0 / 10

HEX #E48AE5

RGB 228 138 229

HSL 299.34, 0.64%, 0.72%

LAB 69.7, 47.82, -31.95

 

CMYK 0 / 31 / 0 / 15

HEX #D995D9

RGB 217 149 217

HSL 300, 0.47%, 0.72%

LAB 70.36, 36.42, -24.44

 

CMYK 0 / 22 / 0 / 19

HEX #CDA1CE

RGB 205 161 206

HSL 298.67, 0.31%, 0.72%

LAB 71.5, 23.92, -16.75

 

CMYK 0 / 11 / 0 / 24

HEX #C2ACC2

RGB 194 172 194

HSL 300, 0.15%, 0.72%

LAB 72.81, 11.87, -8.3

 

CMYK 26 / 48 / 0 / 6

HEX #B17EF0

RGB 177 126 240

HSL 266.84, 0.79%, 0.72%

LAB 62.13, 41.99, -50.27

 

CMYK 13 / 48 / 0 / 6

HEX #D07EF0

RGB 208 126 240

HSL 283.16, 0.79%, 0.72%

LAB 65.45, 50.37, -44.81

 

CMYK 1 / 48 / 0 / 6

HEX #EE7EF0

RGB 238 126 240

HSL 298.95, 0.79%, 0.72%

LAB 69.03, 58.67, -38.95

 

CMYK 0 / 48 / 12 / 6

HEX #F07ED4

RGB 240 126 212

HSL 314.74, 0.79%, 0.72%

LAB 68.17, 54.57, -24.78

 

CMYK 0 / 48 / 25 / 6

HEX #F07EB5

RGB 240 126 181

HSL 331.05, 0.79%, 0.72%

LAB 67.11, 50, -9.01

 

CMYK 1 / 78 / 0 / 9

HEX #E634E8

RGB 230 52 232

HSL 299.33, 0.8%, 0.56%

LAB 57.18, 83.93, -53.27

 

CMYK 0 / 62 / 0 / 7

HEX #EB59EC

RGB 235 89 236

HSL 299.59, 0.79%, 0.64%

LAB 62.39, 73.58, -47.19

 

CMYK 0 / 48 / 0 / 6

HEX #EF7EF0

RGB 239 126 240

HSL 299.47, 0.79%, 0.72%

LAB 69.16, 58.95, -38.75

 

CMYK 0 / 33 / 0 / 4

HEX #F4A3F4

RGB 244 163 244

HSL 300, 0.79%, 0.8%

LAB 77.26, 42.43, -28.36

 

CMYK 0 / 19 / 0 / 3

HEX #F8C8F8

RGB 248 200 248

HSL 300, 0.77%, 0.88%

LAB 86.03, 24.94, -17.14

 

CMYK 0 / 47 / 0 / 5

HEX #F07FF1

RGB 240 127 241

HSL 299.47, 0.8%, 0.72%

LAB 69.51, 58.92, -38.74

 

CMYK 0 / 39 / 48 / 6

HEX #F0937E

RGB 240 147 126

HSL 11.05, 0.79%, 0.72%

LAB 70.11, 32.85, 26

 

CMYK 48 / 0 / 20 / 6

HEX #7EF0C1

RGB 126 240 193

HSL 155.26, 0.79%, 0.72%

LAB 87.29, -43.25, 12.79

 

CMYK 0 / 47 / 0 / 5

HEX #F07FF1

RGB 240 127 241

HSL 299.47, 0.8%, 0.72%

LAB 69.51, 58.92, -38.74

 

CMYK 0 / 1 / 48 / 6

HEX #F0EE7E

RGB 240 238 126

HSL 58.95, 0.79%, 0.72%

LAB 92.21, -14.31, 54.01

 

CMYK 48 / 0 / 1 / 6

HEX #7EF0EE

RGB 126 240 238

HSL 178.95, 0.79%, 0.72%

LAB 88.41, -32.91, -9.09

 

CMYK 0 / 47 / 0 / 5

HEX #F07FF1

RGB 240 127 241

HSL 299.47, 0.8%, 0.72%

LAB 69.51, 58.92, -38.74

 

CMYK 0 / 39 / 48 / 6

HEX #F0937E

RGB 240 147 126

HSL 11.05, 0.79%, 0.72%

LAB 70.11, 32.85, 26

 

CMYK 47 / 0 / 48 / 6

HEX #80F07E

RGB 128 240 126

HSL 118.95, 0.79%, 0.72%

LAB 86.21, -54.29, 45.18

 

CMYK 48 / 9 / 0 / 6

HEX #7EDBF0

RGB 126 219 240

HSL 191.05, 0.79%, 0.72%

LAB 82.59, -22.23, -18.87

 

CMYK 0 / 47 / 0 / 5

HEX #F07FF1

RGB 240 127 241

HSL 299.47, 0.8%, 0.72%

LAB 69.51, 58.92, -38.74

 

CMYK 0 / 25 / 48 / 6

HEX #F0B57E

RGB 240 181 126

HSL 28.95, 0.79%, 0.72%

LAB 77.92, 14.89, 36.25

 

CMYK 47 / 0 / 48 / 6

HEX #80F07E

RGB 128 240 126

HSL 118.95, 0.79%, 0.72%

LAB 86.21, -54.29, 45.18

 

CMYK 48 / 23 / 0 / 6

HEX #7EB9F0

RGB 126 185 240

HSL 208.95, 0.79%, 0.72%

LAB 73.17, -4.48, -33.26

 

Description

Color code: HEX #F07FF1 | qconv.com Color code: HEX #F07FF1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 127 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 127 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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