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Color name
HEX #F07F80

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F07F80 it is the complementary color #0F807F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F07F80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F07F80 shade: #F57F7B, #FF918E, #FFA3A1, #FFB5B4 and #FFC7C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F07F80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F07F80 shade: #F07F80, #DF6D6D, #CE5B5A, #BD4947 and #AC3734

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F07F80 shade: #F07F80 and #F07F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F07F80 shade: #F07F80, #F07F9E, #F07FBD, #F07FDB and #E67FF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F07F80 shade matches the following richer shades: #F07F80 and #FB7374

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F07F80 shade: #F07F80, #E48A8B, #D89696, #CDA1A2 and #C1ADAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F07F80 shade: #F07FBD, #F07F9F, #F07F81, #F09B7F and #F0B97F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F07F80 shade: #E73536, #EB5A5B, #F07F80, #F4A4A4 and #F8C9C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F07F80 shade: #F07F80, #DBF07F and #7FAEF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F07F80 shade: #F07F80, #81F07F and #7F81F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F07F80 shade: #F07F80, #DBF07F, #7FF0EE and #937FF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F07F80 shade: #F07F80, #B9F07F, #7FF0EE and #B57FF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 47 / 6

HEX #F07F80

RGB 240 127 128

HSL 359.47, 0.79%, 0.72%

LAB 65.95, 43.32, 19.27

 

Complementary color

CMYK 88 / 0 / 1 / 50

HEX #0F807F

RGB 15 128 127

HSL 179.47, 0.79%, 0.28%

LAB 48.35, -28.32, -7.74

 

CMYK 0 / 48 / 50 / 4

HEX #F57F7B

RGB 245 127 123

HSL 1.97, 0.86%, 0.72%

LAB 66.54, 44.67, 22.99

 

CMYK 0 / 43 / 44 / 0

HEX #FF918E

RGB 255 145 142

HSL 1.59, 1%, 0.78%

LAB 71.87, 41.04, 19.9

 

CMYK 0 / 36 / 37 / 0

HEX #FFA3A1

RGB 255 163 161

HSL 1.28, 1%, 0.82%

LAB 76.09, 33.82, 15.33

 

CMYK 0 / 29 / 29 / 0

HEX #FFB5B4

RGB 255 181 180

HSL 0.8, 1%, 0.85%

LAB 80.52, 26.74, 11.27

 

CMYK 0 / 22 / 22 / 0

HEX #FFC7C7

RGB 255 199 199

HSL 0, 1%, 0.89%

LAB 85.11, 19.9, 7.66

 

CMYK 0 / 47 / 47 / 6

HEX #F07F80

RGB 240 127 128

HSL 359.47, 0.79%, 0.72%

LAB 65.95, 43.32, 19.27

 

CMYK 0 / 51 / 51 / 13

HEX #DF6D6D

RGB 223 109 109

HSL 0, 0.64%, 0.65%

LAB 59.64, 44.41, 21.1

 

CMYK 0 / 56 / 56 / 19

HEX #CE5B5A

RGB 206 91 90

HSL 0.52, 0.54%, 0.58%

LAB 53.32, 45.52, 23.22

 

CMYK 0 / 61 / 62 / 26

HEX #BD4947

RGB 189 73 71

HSL 1.02, 0.47%, 0.51%

LAB 47.03, 46.57, 25.72

 

CMYK 0 / 68 / 70 / 33

HEX #AC3734

RGB 172 55 52

HSL 1.5, 0.54%, 0.44%

LAB 40.82, 47.45, 28.73

 

CMYK 0 / 47 / 47 / 6

HEX #F07F80

RGB 240 127 128

HSL 359.47, 0.79%, 0.72%

LAB 65.95, 43.32, 19.27

 

CMYK 0 / 47 / 47 / 6

HEX #F07F7F

RGB 240 127 127

HSL 0, 0.79%, 0.72%

LAB 65.93, 43.23, 19.81

 

CMYK 0 / 47 / 47 / 6

HEX #F07F80

RGB 240 127 128

HSL 359.47, 0.79%, 0.72%

LAB 65.95, 43.32, 19.27

 

CMYK 0 / 47 / 34 / 6

HEX #F07F9E

RGB 240 127 158

HSL 343.54, 0.79%, 0.72%

LAB 66.65, 46.55, 3.3

 

CMYK 0 / 47 / 21 / 6

HEX #F07FBD

RGB 240 127 189

HSL 327.08, 0.79%, 0.72%

LAB 67.56, 50.62, -12.84

 

CMYK 0 / 47 / 9 / 6

HEX #F07FDB

RGB 240 127 219

HSL 311.15, 0.79%, 0.72%

LAB 68.62, 55.2, -27.98

 

CMYK 4 / 47 / 0 / 6

HEX #E67FF0

RGB 230 127 240

HSL 294.69, 0.79%, 0.72%

LAB 68.24, 55.96, -40.27

 

CMYK 0 / 47 / 47 / 6

HEX #F07F80

RGB 240 127 128

HSL 359.47, 0.79%, 0.72%

LAB 65.95, 43.32, 19.27

 

CMYK 0 / 54 / 54 / 2

HEX #FB7374

RGB 251 115 116

HSL 359.56, 0.94%, 0.72%

LAB 64.99, 52.02, 24.99

 

CMYK 0 / 47 / 47 / 6

HEX #F07F80

RGB 240 127 128

HSL 359.47, 0.79%, 0.72%

LAB 65.95, 43.32, 19.27

 

CMYK 0 / 39 / 39 / 11

HEX #E48A8B

RGB 228 138 139

HSL 359.33, 0.63%, 0.72%

LAB 66.93, 34.39, 14.2

 

CMYK 0 / 31 / 31 / 15

HEX #D89696

RGB 216 150 150

HSL 0, 0.46%, 0.72%

LAB 68.47, 24.82, 10.02

 

CMYK 0 / 21 / 21 / 20

HEX #CDA1A2

RGB 205 161 162

HSL 358.64, 0.31%, 0.72%

LAB 70.23, 16.4, 5.71

 

CMYK 0 / 10 / 10 / 24

HEX #C1ADAD

RGB 193 173 173

HSL 0, 0.14%, 0.72%

LAB 72.39, 7.2, 2.62

 

CMYK 0 / 47 / 21 / 6

HEX #F07FBD

RGB 240 127 189

HSL 327.08, 0.79%, 0.72%

LAB 67.56, 50.62, -12.84

 

CMYK 0 / 47 / 34 / 6

HEX #F07F9F

RGB 240 127 159

HSL 343.01, 0.79%, 0.72%

LAB 66.68, 46.67, 2.77

 

CMYK 0 / 47 / 46 / 6

HEX #F07F81

RGB 240 127 129

HSL 358.94, 0.79%, 0.72%

LAB 65.97, 43.42, 18.74

 

CMYK 0 / 35 / 47 / 6

HEX #F09B7F

RGB 240 155 127

HSL 14.87, 0.79%, 0.72%

LAB 71.89, 28.74, 27.84

 

CMYK 0 / 23 / 47 / 6

HEX #F0B97F

RGB 240 185 127

HSL 30.8, 0.79%, 0.72%

LAB 78.9, 12.88, 36.99

 

CMYK 0 / 77 / 77 / 9

HEX #E73536

RGB 231 53 54

HSL 359.66, 0.79%, 0.56%

LAB 51.61, 66.59, 42.76

 

CMYK 0 / 62 / 61 / 8

HEX #EB5A5B

RGB 235 90 91

HSL 359.59, 0.78%, 0.64%

LAB 57.78, 56.07, 29.32

 

CMYK 0 / 47 / 47 / 6

HEX #F07F80

RGB 240 127 128

HSL 359.47, 0.79%, 0.72%

LAB 65.95, 43.32, 19.27

 

CMYK 0 / 33 / 33 / 4

HEX #F4A4A4

RGB 244 164 164

HSL 0, 0.78%, 0.8%

LAB 75.12, 29.6, 12.14

 

CMYK 0 / 19 / 19 / 3

HEX #F8C9C9

RGB 248 201 201

HSL 0, 0.77%, 0.88%

LAB 84.97, 16.62, 6.3

 

CMYK 0 / 47 / 47 / 6

HEX #F07F80

RGB 240 127 128

HSL 359.47, 0.79%, 0.72%

LAB 65.95, 43.32, 19.27

 

CMYK 9 / 0 / 47 / 6

HEX #DBF07F

RGB 219 240 127

HSL 71.15, 0.79%, 0.72%

LAB 91.19, -23.34, 51.95

 

CMYK 47 / 28 / 0 / 6

HEX #7FAEF0

RGB 127 174 240

HSL 215.04, 0.79%, 0.72%

LAB 70.23, 1.82, -37.82

 

CMYK 0 / 47 / 47 / 6

HEX #F07F80

RGB 240 127 128

HSL 359.47, 0.79%, 0.72%

LAB 65.95, 43.32, 19.27

 

CMYK 46 / 0 / 47 / 6

HEX #81F07F

RGB 129 240 127

HSL 118.94, 0.79%, 0.72%

LAB 86.27, -53.88, 44.77

 

CMYK 47 / 46 / 0 / 6

HEX #7F81F0

RGB 127 129 240

HSL 238.94, 0.79%, 0.72%

LAB 58.51, 27.86, -56.3

 

CMYK 0 / 47 / 47 / 6

HEX #F07F80

RGB 240 127 128

HSL 359.47, 0.79%, 0.72%

LAB 65.95, 43.32, 19.27

 

CMYK 9 / 0 / 47 / 6

HEX #DBF07F

RGB 219 240 127

HSL 71.15, 0.79%, 0.72%

LAB 91.19, -23.34, 51.95

 

CMYK 47 / 0 / 1 / 6

HEX #7FF0EE

RGB 127 240 238

HSL 178.94, 0.79%, 0.72%

LAB 88.45, -32.69, -9.03

 

CMYK 39 / 47 / 0 / 6

HEX #937FF0

RGB 147 127 240

HSL 250.62, 0.79%, 0.72%

LAB 59.59, 33.75, -54.48

 

CMYK 0 / 47 / 47 / 6

HEX #F07F80

RGB 240 127 128

HSL 359.47, 0.79%, 0.72%

LAB 65.95, 43.32, 19.27

 

CMYK 23 / 0 / 47 / 6

HEX #B9F07F

RGB 185 240 127

HSL 89.2, 0.79%, 0.72%

LAB 89, -35.94, 48.77

 

CMYK 47 / 0 / 1 / 6

HEX #7FF0EE

RGB 127 240 238

HSL 178.94, 0.79%, 0.72%

LAB 88.45, -32.69, -9.03

 

CMYK 25 / 47 / 0 / 6

HEX #B57FF0

RGB 181 127 240

HSL 268.67, 0.79%, 0.72%

LAB 62.75, 42.5, -49.27

 

Description

Color code: HEX #F07F80 | qconv.com Color code: HEX #F07F80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 127 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 127 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 47 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 47% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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