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Color name
HEX #F079D4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F079D4 it is the complementary color #0F862B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F079D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F079D4 shade: #F579CF, #FF8BE2, #FF9DF5, #FFAFFF and #FFC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F079D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F079D4 shade: #F079D4, #DF67C1, #CE55AE, #BD439B and #AC3188

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F079D4 shade: #F079D4, #F079B4, #F07994 and #F07979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F079D4 shade: #F079D4, #EC79F0, #CC79F0, #AC79F0 and #8C79F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F079D4 shade matches the following richer shades: #F079D4 and #FC6DDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F079D4 shade: #F079D4, #E485CE, #D891C7, #CC9DC1 and #C0A9BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F079D4 shade: #CC79F0, #EC79F0, #F079D4, #F079B5 and #F07995

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F079D4 shade: #E72FBC, #EC54C8, #F079D4, #F49FE0 and #F8C4EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F079D4 shade: #F079D4, #F0AD79 and #79F0DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F079D4 shade: #F079D4, #D4F079 and #79D4F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F079D4 shade: #F079D4, #F0AD79, #79F095 and #79BCF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F079D4 shade: #F079D4, #F0D079, #79F095 and #7999F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 12 / 6

HEX #F079D4

RGB 240 121 212

HSL 314.12, 0.8%, 0.71%

LAB 67.24, 56.98, -26.2

 

Complementary color

CMYK 89 / 0 / 68 / 47

HEX #0F862B

RGB 15 134 43

HSL 134.12, 0.8%, 0.29%

LAB 48.67, -49.52, 39.18

 

CMYK 0 / 51 / 16 / 4

HEX #F579CF

RGB 245 121 207

HSL 318.39, 0.86%, 0.72%

LAB 67.72, 57.7, -22.62

 

CMYK 0 / 45 / 11 / 0

HEX #FF8BE2

RGB 255 139 226

HSL 315, 1%, 0.77%

LAB 73.03, 54.93, -24.91

 

CMYK 0 / 38 / 4 / 0

HEX #FF9DF5

RGB 255 157 245

HSL 306.12, 1%, 0.81%

LAB 77.26, 49.07, -28.79

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 0 / 50 / 12 / 6

HEX #F079D4

RGB 240 121 212

HSL 314.12, 0.8%, 0.71%

LAB 67.24, 56.98, -26.2

 

CMYK 0 / 54 / 13 / 13

HEX #DF67C1

RGB 223 103 193

HSL 315, 0.65%, 0.64%

LAB 60.99, 57.57, -25.3

 

CMYK 0 / 59 / 16 / 19

HEX #CE55AE

RGB 206 85 174

HSL 315.87, 0.55%, 0.57%

LAB 54.74, 58.01, -24.21

 

CMYK 0 / 65 / 18 / 26

HEX #BD439B

RGB 189 67 155

HSL 316.72, 0.48%, 0.5%

LAB 48.51, 58.19, -22.85

 

CMYK 0 / 72 / 21 / 33

HEX #AC3188

RGB 172 49 136

HSL 317.56, 0.56%, 0.43%

LAB 42.38, 57.94, -21.1

 

CMYK 0 / 50 / 12 / 6

HEX #F079D4

RGB 240 121 212

HSL 314.12, 0.8%, 0.71%

LAB 67.24, 56.98, -26.2

 

CMYK 0 / 50 / 25 / 6

HEX #F079B4

RGB 240 121 180

HSL 330.25, 0.8%, 0.71%

LAB 66.13, 52.31, -9.91

 

CMYK 0 / 50 / 38 / 6

HEX #F07994

RGB 240 121 148

HSL 346.39, 0.8%, 0.71%

LAB 65.23, 48.37, 6.93

 

CMYK 0 / 50 / 50 / 6

HEX #F07979

RGB 240 121 121

HSL 0, 0.8%, 0.71%

LAB 64.63, 45.66, 21.42

 

CMYK 0 / 50 / 12 / 6

HEX #F079D4

RGB 240 121 212

HSL 314.12, 0.8%, 0.71%

LAB 67.24, 56.98, -26.2

 

CMYK 2 / 50 / 0 / 6

HEX #EC79F0

RGB 236 121 240

HSL 297.98, 0.8%, 0.71%

LAB 67.87, 60.52, -40.78

 

CMYK 15 / 50 / 0 / 6

HEX #CC79F0

RGB 204 121 240

HSL 281.85, 0.8%, 0.71%

LAB 64, 51.86, -47.13

 

CMYK 28 / 50 / 0 / 6

HEX #AC79F0

RGB 172 121 240

HSL 265.71, 0.8%, 0.71%

LAB 60.55, 43.42, -52.82

 

CMYK 42 / 50 / 0 / 6

HEX #8C79F0

RGB 140 121 240

HSL 249.58, 0.8%, 0.71%

LAB 57.6, 35.53, -57.7

 

CMYK 0 / 50 / 12 / 6

HEX #F079D4

RGB 240 121 212

HSL 314.12, 0.8%, 0.71%

LAB 67.24, 56.98, -26.2

 

CMYK 0 / 57 / 13 / 1

HEX #FC6DDA

RGB 252 109 218

HSL 314.27, 0.96%, 0.71%

LAB 67.05, 66.79, -29.71

 

CMYK 0 / 50 / 12 / 6

HEX #F079D4

RGB 240 121 212

HSL 314.12, 0.8%, 0.71%

LAB 67.24, 56.98, -26.2

 

CMYK 0 / 42 / 10 / 11

HEX #E485CE

RGB 228 133 206

HSL 313.89, 0.64%, 0.71%

LAB 67.82, 46.4, -22.11

 

CMYK 0 / 33 / 8 / 15

HEX #D891C7

RGB 216 145 199

HSL 314.37, 0.48%, 0.71%

LAB 68.73, 35.02, -16.95

 

CMYK 0 / 23 / 5 / 20

HEX #CC9DC1

RGB 204 157 193

HSL 314.04, 0.32%, 0.71%

LAB 70.04, 23.37, -11.78

 

CMYK 0 / 12 / 3 / 25

HEX #C0A9BB

RGB 192 169 187

HSL 313.04, 0.15%, 0.71%

LAB 71.67, 11.51, -6.15

 

CMYK 15 / 50 / 0 / 6

HEX #CC79F0

RGB 204 121 240

HSL 281.85, 0.8%, 0.71%

LAB 64, 51.86, -47.13

 

CMYK 2 / 50 / 0 / 6

HEX #EC79F0

RGB 236 121 240

HSL 297.98, 0.8%, 0.71%

LAB 67.87, 60.52, -40.78

 

CMYK 0 / 50 / 12 / 6

HEX #F079D4

RGB 240 121 212

HSL 314.12, 0.8%, 0.71%

LAB 67.24, 56.98, -26.2

 

CMYK 0 / 50 / 25 / 6

HEX #F079B5

RGB 240 121 181

HSL 329.75, 0.8%, 0.71%

LAB 66.16, 52.45, -10.43

 

CMYK 0 / 50 / 38 / 6

HEX #F07995

RGB 240 121 149

HSL 345.88, 0.8%, 0.71%

LAB 65.26, 48.48, 6.4

 

CMYK 0 / 80 / 19 / 9

HEX #E72FBC

RGB 231 47 188

HSL 314.02, 0.79%, 0.55%

LAB 54.71, 79.18, -32.05

 

CMYK 0 / 64 / 15 / 7

HEX #EC54C8

RGB 236 84 200

HSL 314.21, 0.8%, 0.63%

LAB 60.2, 70.25, -30.35

 

CMYK 0 / 50 / 12 / 6

HEX #F079D4

RGB 240 121 212

HSL 314.12, 0.8%, 0.71%

LAB 67.24, 56.98, -26.2

 

CMYK 0 / 35 / 8 / 4

HEX #F49FE0

RGB 244 159 224

HSL 314.12, 0.79%, 0.79%

LAB 75.71, 41.04, -19.86

 

CMYK 0 / 21 / 5 / 3

HEX #F8C4EC

RGB 248 196 236

HSL 313.85, 0.79%, 0.87%

LAB 84.74, 24.92, -12.7

 

CMYK 0 / 50 / 12 / 6

HEX #F079D4

RGB 240 121 212

HSL 314.12, 0.8%, 0.71%

LAB 67.24, 56.98, -26.2

 

CMYK 0 / 28 / 50 / 6

HEX #F0AD79

RGB 240 173 121

HSL 26.22, 0.8%, 0.71%

LAB 75.94, 18.66, 36.32

 

CMYK 50 / 0 / 8 / 6

HEX #79F0DC

RGB 121 240 220

HSL 169.92, 0.8%, 0.71%

LAB 87.75, -38.37, -0.67

 

CMYK 0 / 50 / 12 / 6

HEX #F079D4

RGB 240 121 212

HSL 314.12, 0.8%, 0.71%

LAB 67.24, 56.98, -26.2

 

CMYK 12 / 0 / 50 / 6

HEX #D4F079

RGB 212 240 121

HSL 74.12, 0.8%, 0.71%

LAB 90.64, -26.59, 53.97

 

CMYK 50 / 12 / 0 / 6

HEX #79D4F0

RGB 121 212 240

HSL 194.12, 0.8%, 0.71%

LAB 80.43, -19.81, -22.16

 

CMYK 0 / 50 / 12 / 6

HEX #F079D4

RGB 240 121 212

HSL 314.12, 0.8%, 0.71%

LAB 67.24, 56.98, -26.2

 

CMYK 0 / 28 / 50 / 6

HEX #F0AD79

RGB 240 173 121

HSL 26.22, 0.8%, 0.71%

LAB 75.94, 18.66, 36.32

 

CMYK 50 / 0 / 38 / 6

HEX #79F095

RGB 121 240 149

HSL 134.12, 0.8%, 0.71%

LAB 86.28, -52.71, 33.92

 

CMYK 50 / 22 / 0 / 6

HEX #79BCF0

RGB 121 188 240

HSL 206.22, 0.8%, 0.71%

LAB 73.75, -7.26, -32.38

 

CMYK 0 / 50 / 12 / 6

HEX #F079D4

RGB 240 121 212

HSL 314.12, 0.8%, 0.71%

LAB 67.24, 56.98, -26.2

 

CMYK 0 / 13 / 50 / 6

HEX #F0D079

RGB 240 208 121

HSL 43.87, 0.8%, 0.71%

LAB 84.49, 0.34, 47.04

 

CMYK 50 / 0 / 38 / 6

HEX #79F095

RGB 121 240 149

HSL 134.12, 0.8%, 0.71%

LAB 86.28, -52.71, 33.92

 

CMYK 50 / 36 / 0 / 6

HEX #7999F0

RGB 121 153 240

HSL 223.87, 0.8%, 0.71%

LAB 64.27, 12.39, -47.18

 

Description

Color code: HEX #F079D4 | qconv.com Color code: HEX #F079D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 121 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 121 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 12 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 12% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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