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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F06091 it is the complementary color #0F9F6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F06091. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F06091 shade: #F5608C, #FF729F, #FF84B2, #FF96C5 and #FFA8D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F06091. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F06091 shade: #F06091, #DF4E7E, #CE3C6B, #BD2A58 and #AC1845

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F06091 shade: #F06091, #F0606A and #F06060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F06091 shade: #F06091, #F060B8, #F060DE, #DA60F0 and #B360F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F06091 shade matches the following richer shades: #F06091 and #FE528C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F06091 shade: #F06091, #E26E95, #D47C9A, #C68A9E and #B898A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F06091 shade: #F060DF, #F060B9, #F06092, #F0606C and #F07A60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F06091 shade: #E8155D, #EC3A77, #F06091, #F386AB and #F7ABC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F06091 shade: #F06091, #F0DA60 and #60CCF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F06091 shade: #F06091, #92F060 and #6092F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F06091 shade: #F06091, #F0DA60, #60F0BD and #6075F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F06091 shade: #F06091, #DAF060, #60F0BD and #7560F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 40 / 6

HEX #F06091

RGB 240 96 145

HSL 339.58, 0.83%, 0.66%

LAB 60.72, 59.65, 2.16

 

Complementary color

CMYK 91 / 0 / 31 / 38

HEX #0F9F6E

RGB 15 159 110

HSL 159.58, 0.83%, 0.34%

LAB 58.06, -46.58, 16

 

CMYK 0 / 61 / 43 / 4

HEX #F5608C

RGB 245 96 140

HSL 342.28, 0.88%, 0.67%

LAB 61.37, 60.69, 6.09

 

CMYK 0 / 55 / 38 / 0

HEX #FF729F

RGB 255 114 159

HSL 340.85, 1%, 0.72%

LAB 66.37, 57.85, 2.58

 

CMYK 0 / 48 / 30 / 0

HEX #FF84B2

RGB 255 132 178

HSL 337.56, 1%, 0.76%

LAB 70.16, 51.56, -2.6

 

CMYK 0 / 41 / 23 / 0

HEX #FF96C5

RGB 255 150 197

HSL 333.14, 1%, 0.79%

LAB 74.26, 45.12, -7.1

 

CMYK 0 / 34 / 15 / 0

HEX #FFA8D8

RGB 255 168 216

HSL 326.9, 1%, 0.83%

LAB 78.59, 38.67, -11.05

 

CMYK 0 / 60 / 40 / 6

HEX #F06091

RGB 240 96 145

HSL 339.58, 0.83%, 0.66%

LAB 60.72, 59.65, 2.16

 

CMYK 0 / 65 / 43 / 13

HEX #DF4E7E

RGB 223 78 126

HSL 340.14, 0.69%, 0.59%

LAB 54.7, 60.07, 4.25

 

CMYK 0 / 71 / 48 / 19

HEX #CE3C6B

RGB 206 60 107

HSL 340.68, 0.6%, 0.52%

LAB 48.78, 60.16, 6.8

 

CMYK 0 / 78 / 53 / 26

HEX #BD2A58

RGB 189 42 88

HSL 341.22, 0.64%, 0.45%

LAB 43.03, 59.71, 9.97

 

CMYK 0 / 86 / 60 / 33

HEX #AC1845

RGB 172 24 69

HSL 341.76, 0.76%, 0.38%

LAB 37.58, 58.38, 13.96

 

CMYK 0 / 60 / 40 / 6

HEX #F06091

RGB 240 96 145

HSL 339.58, 0.83%, 0.66%

LAB 60.72, 59.65, 2.16

 

CMYK 0 / 60 / 56 / 6

HEX #F0606A

RGB 240 96 106

HSL 355.83, 0.83%, 0.66%

LAB 59.83, 56.16, 23.52

 

CMYK 0 / 60 / 60 / 6

HEX #F06060

RGB 240 96 96

HSL 0, 0.83%, 0.66%

LAB 59.65, 55.46, 29.02

 

CMYK 0 / 60 / 40 / 6

HEX #F06091

RGB 240 96 145

HSL 339.58, 0.83%, 0.66%

LAB 60.72, 59.65, 2.16

 

CMYK 0 / 60 / 23 / 6

HEX #F060B8

RGB 240 96 184

HSL 323.33, 0.83%, 0.66%

LAB 61.96, 64.27, -18.48

 

CMYK 0 / 60 / 8 / 6

HEX #F060DE

RGB 240 96 222

HSL 307.5, 0.83%, 0.66%

LAB 63.48, 69.74, -37.62

 

CMYK 9 / 60 / 0 / 6

HEX #DA60F0

RGB 218 96 240

HSL 290.83, 0.83%, 0.66%

LAB 61.27, 67.36, -51.33

 

CMYK 25 / 60 / 0 / 6

HEX #B360F0

RGB 179 96 240

HSL 274.58, 0.83%, 0.66%

LAB 56.33, 58.2, -59.51

 

CMYK 0 / 60 / 40 / 6

HEX #F06091

RGB 240 96 145

HSL 339.58, 0.83%, 0.66%

LAB 60.72, 59.65, 2.16

 

CMYK 0 / 68 / 45 / 0

HEX #FE528C

RGB 254 82 140

HSL 339.77, 0.99%, 0.66%

LAB 60.78, 68.94, 5.43

 

CMYK 0 / 60 / 40 / 6

HEX #F06091

RGB 240 96 145

HSL 339.58, 0.83%, 0.66%

LAB 60.72, 59.65, 2.16

 

CMYK 0 / 51 / 34 / 11

HEX #E26E95

RGB 226 110 149

HSL 339.83, 0.67%, 0.66%

LAB 61.21, 49.13, 0.3

 

CMYK 0 / 42 / 27 / 17

HEX #D47C9A

RGB 212 124 154

HSL 339.55, 0.51%, 0.66%

LAB 62.29, 37.83, -1.21

 

CMYK 0 / 30 / 20 / 22

HEX #C68A9E

RGB 198 138 158

HSL 340, 0.34%, 0.66%

LAB 63.88, 25.81, -1.36

 

CMYK 0 / 17 / 11 / 28

HEX #B898A3

RGB 184 152 163

HSL 339.38, 0.18%, 0.66%

LAB 65.97, 13.73, -1.28

 

CMYK 0 / 60 / 7 / 6

HEX #F060DF

RGB 240 96 223

HSL 307.08, 0.83%, 0.66%

LAB 63.52, 69.9, -38.11

 

CMYK 0 / 60 / 23 / 6

HEX #F060B9

RGB 240 96 185

HSL 322.92, 0.83%, 0.66%

LAB 61.99, 64.4, -18.99

 

CMYK 0 / 60 / 39 / 6

HEX #F06092

RGB 240 96 146

HSL 339.17, 0.83%, 0.66%

LAB 60.75, 59.75, 1.62

 

CMYK 0 / 60 / 55 / 6

HEX #F0606C

RGB 240 96 108

HSL 355, 0.83%, 0.66%

LAB 59.86, 56.31, 22.42

 

CMYK 0 / 49 / 60 / 6

HEX #F07A60

RGB 240 122 96

HSL 10.83, 0.83%, 0.66%

LAB 64.39, 43.19, 35.04

 

CMYK 0 / 91 / 60 / 9

HEX #E8155D

RGB 232 21 93

HSL 339.53, 0.83%, 0.5%

LAB 50.08, 75.35, 17.9

 

CMYK 0 / 75 / 50 / 7

HEX #EC3A77

RGB 236 58 119

HSL 339.44, 0.82%, 0.58%

LAB 54.23, 70.21, 8.05

 

CMYK 0 / 60 / 40 / 6

HEX #F06091

RGB 240 96 145

HSL 339.58, 0.83%, 0.66%

LAB 60.72, 59.65, 2.16

 

CMYK 0 / 45 / 30 / 5

HEX #F386AB

RGB 243 134 171

HSL 339.63, 0.82%, 0.74%

LAB 68.78, 45.68, -0.87

 

CMYK 0 / 31 / 20 / 3

HEX #F7ABC5

RGB 247 171 197

HSL 339.47, 0.83%, 0.82%

LAB 77.83, 31.49, -1.93

 

CMYK 0 / 60 / 40 / 6

HEX #F06091

RGB 240 96 145

HSL 339.58, 0.83%, 0.66%

LAB 60.72, 59.65, 2.16

 

CMYK 0 / 9 / 60 / 6

HEX #F0DA60

RGB 240 218 96

HSL 50.83, 0.83%, 0.66%

LAB 86.76, -6.7, 61.33

 

CMYK 60 / 15 / 0 / 6

HEX #60CCF0

RGB 96 204 240

HSL 195, 0.83%, 0.66%

LAB 77.26, -20.7, -27.08

 

CMYK 0 / 60 / 40 / 6

HEX #F06091

RGB 240 96 145

HSL 339.58, 0.83%, 0.66%

LAB 60.72, 59.65, 2.16

 

CMYK 39 / 0 / 60 / 6

HEX #92F060

RGB 146 240 96

HSL 99.17, 0.83%, 0.66%

LAB 86.64, -52.36, 59.5

 

CMYK 60 / 39 / 0 / 6

HEX #6092F0

RGB 96 146 240

HSL 219.17, 0.83%, 0.66%

LAB 61.08, 11.32, -52.32

 

CMYK 0 / 60 / 40 / 6

HEX #F06091

RGB 240 96 145

HSL 339.58, 0.83%, 0.66%

LAB 60.72, 59.65, 2.16

 

CMYK 0 / 9 / 60 / 6

HEX #F0DA60

RGB 240 218 96

HSL 50.83, 0.83%, 0.66%

LAB 86.76, -6.7, 61.33

 

CMYK 60 / 0 / 21 / 6

HEX #60F0BD

RGB 96 240 189

HSL 158.75, 0.83%, 0.66%

LAB 86.25, -50.53, 13.25

 

CMYK 60 / 51 / 0 / 6

HEX #6075F0

RGB 96 117 240

HSL 231.25, 0.83%, 0.66%

LAB 53.49, 28.79, -64.46

 

CMYK 0 / 60 / 40 / 6

HEX #F06091

RGB 240 96 145

HSL 339.58, 0.83%, 0.66%

LAB 60.72, 59.65, 2.16

 

CMYK 9 / 0 / 60 / 6

HEX #DAF060

RGB 218 240 96

HSL 69.17, 0.83%, 0.66%

LAB 90.81, -26.33, 65.29

 

CMYK 60 / 0 / 21 / 6

HEX #60F0BD

RGB 96 240 189

HSL 158.75, 0.83%, 0.66%

LAB 86.25, -50.53, 13.25

 

CMYK 51 / 60 / 0 / 6

HEX #7560F0

RGB 117 96 240

HSL 248.75, 0.83%, 0.66%

LAB 50.02, 45.1, -70

 

Description

Color code: HEX #F06091 | qconv.com Color code: HEX #F06091 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 96 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 96 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 40 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 40% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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