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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F032C7 it is the complementary color #0FCD38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F032C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F032C7 shade: #F532C2, #FF44D5, #FF56E8, #FF68FB and #FF7AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F032C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F032C7 shade: #F032C7, #DF20B4, #CE0EA1, #BD008E and #AC007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F032C7 shade: #EF33C6, #EF3394, #EF3361 and #EF3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F032C7 shade: #EF33C6, #E533EF, #B233EF, #7F33EF and #4C33EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F032C7 shade matches the following richer shades: #EF33C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F032C7 shade: #EF33C6, #DD44BC, #CC56B2, #BA68A8 and #A87A9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F032C7 shade: #B033EF, #E333EF, #EF33C9, #EF3397 and #EF3365

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F032C7 shade: #C10E9A, #E711B9, #EF33C6, #F259D1 and #F57FDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F032C7 shade: #F032C7, #EF7E33 and #33EFC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F032C7 shade: #F032C7, #C9EF33 and #33C9EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F032C7 shade: #F032C7, #EF7E33, #33EF58 and #33A4EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F032C7 shade: #F032C7, #EFB733, #33EF58 and #336BEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 17 / 6

HEX #F032C7

RGB 240 50 199

HSL 312.95, 0.86%, 0.57%

LAB 57.01, 81.78, -34.7

 

Complementary color

CMYK 93 / 0 / 73 / 20

HEX #0FCD38

RGB 15 205 56

HSL 132.95, 0.86%, 0.43%

LAB 72.26, -70.03, 58.9

 

CMYK 0 / 80 / 21 / 4

HEX #F532C2

RGB 245 50 194

HSL 315.69, 0.91%, 0.58%

LAB 57.64, 82.21, -30.77

 

CMYK 0 / 73 / 16 / 0

HEX #FF44D5

RGB 255 68 213

HSL 313.48, 1%, 0.63%

LAB 61.82, 82, -34.96

 

CMYK 0 / 66 / 9 / 0

HEX #FF56E8

RGB 255 86 232

HSL 308.17, 1%, 0.67%

LAB 64.76, 78.75, -41.04

 

CMYK 0 / 59 / 2 / 0

HEX #FF68FB

RGB 255 104 251

HSL 301.59, 1%, 0.7%

LAB 68.11, 74.78, -46.27

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 0 / 79 / 17 / 6

HEX #F032C7

RGB 240 50 199

HSL 312.95, 0.86%, 0.57%

LAB 57.01, 81.78, -34.7

 

CMYK 0 / 86 / 19 / 13

HEX #DF20B4

RGB 223 32 180

HSL 313.51, 0.75%, 0.5%

LAB 51.86, 79.65, -31.96

 

CMYK 0 / 93 / 22 / 19

HEX #CE0EA1

RGB 206 14 161

HSL 314.06, 0.87%, 0.43%

LAB 46.99, 76.5, -28.56

 

CMYK 0 / 100 / 25 / 26

HEX #BD008E

RGB 189 0 142

HSL 314.92, 1%, 0.37%

LAB 42.42, 72.23, -24.45

 

CMYK 0 / 100 / 28 / 33

HEX #AC007B

RGB 172 0 123

HSL 317.09, 1%, 0.34%

LAB 38.2, 66.66, -19.52

 

CMYK 0 / 79 / 17 / 6

HEX #EF33C6

RGB 239 51 198

HSL 313.09, 0.85%, 0.57%

LAB 56.88, 81.19, -34.34

 

CMYK 0 / 79 / 38 / 6

HEX #EF3394

RGB 239 51 148

HSL 329.04, 0.85%, 0.57%

LAB 54.92, 75.51, -8.16

 

CMYK 0 / 79 / 59 / 6

HEX #EF3361

RGB 239 51 97

HSL 345.32, 0.85%, 0.57%

LAB 53.58, 71.43, 20.43

 

CMYK 0 / 79 / 79 / 6

HEX #EF3333

RGB 239 51 51

HSL 0, 0.85%, 0.57%

LAB 52.9, 69.33, 46.2

 

CMYK 0 / 79 / 17 / 6

HEX #EF33C6

RGB 239 51 198

HSL 313.09, 0.85%, 0.57%

LAB 56.88, 81.19, -34.34

 

CMYK 4 / 79 / 0 / 6

HEX #E533EF

RGB 229 51 239

HSL 296.81, 0.85%, 0.57%

LAB 57.33, 85.07, -56.97

 

CMYK 26 / 79 / 0 / 6

HEX #B233EF

RGB 178 51 239

HSL 280.53, 0.85%, 0.57%

LAB 49.57, 76.16, -69.86

 

CMYK 47 / 79 / 0 / 6

HEX #7F33EF

RGB 127 51 239

HSL 264.26, 0.85%, 0.57%

LAB 42.93, 68.54, -80.98

 

CMYK 68 / 79 / 0 / 6

HEX #4C33EF

RGB 76 51 239

HSL 247.98, 0.85%, 0.57%

LAB 38.09, 62.99, -89.14

 

CMYK 0 / 79 / 17 / 6

HEX #EF33C6

RGB 239 51 198

HSL 313.09, 0.85%, 0.57%

LAB 56.88, 81.19, -34.34

 

CMYK 0 / 79 / 17 / 6

HEX #EF33C6

RGB 239 51 198

HSL 313.09, 0.85%, 0.57%

LAB 56.88, 81.19, -34.34

 

CMYK 0 / 69 / 15 / 13

HEX #DD44BC

RGB 221 68 188

HSL 312.94, 0.69%, 0.57%

LAB 55.21, 70.72, -31.4

 

CMYK 0 / 58 / 13 / 20

HEX #CC56B2

RGB 204 86 178

HSL 313.22, 0.54%, 0.57%

LAB 54.77, 57.61, -26.51

 

CMYK 0 / 44 / 10 / 27

HEX #BA68A8

RGB 186 104 168

HSL 313.17, 0.37%, 0.57%

LAB 55.24, 41.72, -20.19

 

CMYK 0 / 27 / 6 / 34

HEX #A87A9E

RGB 168 122 158

HSL 313.04, 0.21%, 0.57%

LAB 56.79, 23.92, -12.24

 

CMYK 26 / 79 / 0 / 6

HEX #B033EF

RGB 176 51 239

HSL 279.89, 0.85%, 0.57%

LAB 49.29, 75.83, -70.33

 

CMYK 5 / 79 / 0 / 6

HEX #E333EF

RGB 227 51 239

HSL 296.17, 0.85%, 0.57%

LAB 57.01, 84.7, -57.5

 

CMYK 0 / 79 / 16 / 6

HEX #EF33C9

RGB 239 51 201

HSL 312.13, 0.85%, 0.57%

LAB 57.01, 81.58, -35.85

 

CMYK 0 / 79 / 37 / 6

HEX #EF3397

RGB 239 51 151

HSL 328.09, 0.85%, 0.57%

LAB 55.02, 75.81, -9.79

 

CMYK 0 / 79 / 58 / 6

HEX #EF3365

RGB 239 51 101

HSL 344.04, 0.85%, 0.57%

LAB 53.66, 71.69, 18.14

 

CMYK 0 / 93 / 20 / 24

HEX #C10E9A

RGB 193 14 154

HSL 313.07, 0.86%, 0.41%

LAB 44.21, 73.09, -28.88

 

CMYK 0 / 93 / 20 / 9

HEX #E711B9

RGB 231 17 185

HSL 312.9, 0.86%, 0.49%

LAB 52.83, 83.88, -33.25

 

CMYK 0 / 79 / 17 / 6

HEX #EF33C6

RGB 239 51 198

HSL 313.09, 0.85%, 0.57%

LAB 56.88, 81.19, -34.34

 

CMYK 0 / 63 / 14 / 5

HEX #F259D1

RGB 242 89 209

HSL 312.94, 0.85%, 0.65%

LAB 62.19, 71.12, -32.29

 

CMYK 0 / 48 / 10 / 4

HEX #F57FDC

RGB 245 127 220

HSL 312.71, 0.86%, 0.73%

LAB 69.3, 56.84, -27.44

 

CMYK 0 / 79 / 17 / 6

HEX #F032C7

RGB 240 50 199

HSL 312.95, 0.86%, 0.57%

LAB 57.01, 81.78, -34.7

 

CMYK 0 / 47 / 79 / 6

HEX #EF7E33

RGB 239 126 51

HSL 23.94, 0.85%, 0.57%

LAB 64.57, 38.48, 57.67

 

CMYK 79 / 0 / 16 / 6

HEX #33EFC9

RGB 51 239 201

HSL 167.87, 0.85%, 0.57%

LAB 85.33, -53.6, 5.56

 

CMYK 0 / 79 / 17 / 6

HEX #F032C7

RGB 240 50 199

HSL 312.95, 0.86%, 0.57%

LAB 57.01, 81.78, -34.7

 

CMYK 16 / 0 / 79 / 6

HEX #C9EF33

RGB 201 239 51

HSL 72.13, 0.85%, 0.57%

LAB 89.11, -35, 78.94

 

CMYK 79 / 16 / 0 / 6

HEX #33C9EF

RGB 51 201 239

HSL 192.13, 0.85%, 0.57%

LAB 75.27, -25.61, -29.69

 

CMYK 0 / 79 / 17 / 6

HEX #F032C7

RGB 240 50 199

HSL 312.95, 0.86%, 0.57%

LAB 57.01, 81.78, -34.7

 

CMYK 0 / 47 / 79 / 6

HEX #EF7E33

RGB 239 126 51

HSL 23.94, 0.85%, 0.57%

LAB 64.57, 38.48, 57.67

 

CMYK 79 / 0 / 63 / 6

HEX #33EF58

RGB 51 239 88

HSL 131.81, 0.85%, 0.57%

LAB 83.52, -74.04, 58.6

 

CMYK 79 / 31 / 0 / 6

HEX #33A4EF

RGB 51 164 239

HSL 203.94, 0.85%, 0.57%

LAB 64.55, -5.95, -46.37

 

CMYK 0 / 79 / 17 / 6

HEX #F032C7

RGB 240 50 199

HSL 312.95, 0.86%, 0.57%

LAB 57.01, 81.78, -34.7

 

CMYK 0 / 23 / 79 / 6

HEX #EFB733

RGB 239 183 51

HSL 42.13, 0.85%, 0.57%

LAB 77.55, 8.63, 69.71

 

CMYK 79 / 0 / 63 / 6

HEX #33EF58

RGB 51 239 88

HSL 131.81, 0.85%, 0.57%

LAB 83.52, -74.04, 58.6

 

CMYK 79 / 55 / 0 / 6

HEX #336BEF

RGB 51 107 239

HSL 222.13, 0.85%, 0.57%

LAB 48.82, 28.52, -71.56

 

Description

Color code: HEX #F032C7 | qconv.com Color code: HEX #F032C7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 50 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 50 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 17 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 17% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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