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Color name
HEX #F03618

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F03618 it is the complementary color #0FC9E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F03618. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F03618 shade: #F53613, #FF4826, #FF5A39, #FF6C4C and #FF7E5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F03618. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F03618 shade: #F03618, #DF2405, #CE1200, #BD0000 and #AC0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F03618 shade: #F03618 and #F01818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F03618 shade: #F03618, #F07018, #F0AA18, #F0E518 and #C1F018

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F03618 shade matches the following richer shades: #F03618

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F03618 shade: #F03618, #DC452C, #C85340, #B46154 and #A17068

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F03618 shade: #F0186F, #F01835, #F03518, #F06F18 and #F0A818

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F03618 shade: #AB210A, #D2280D, #F03618, #F2583F and #F57A66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F03618 shade: #F03618, #A8F018 and #1852F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F03618 shade: #F03618, #18F035 and #3518F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F03618 shade: #F03618, #A8F018, #18D3F0 and #6018F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F03618 shade: #F03618, #67F018, #18D3F0 and #A118F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 90 / 6

HEX #F03618

RGB 240 54 24

HSL 8.33, 0.88%, 0.52%

LAB 53.2, 68.18, 58.97

 

Complementary color

CMYK 94 / 13 / 0 / 9

HEX #0FC9E7

RGB 15 201 231

HSL 188.33, 0.88%, 0.48%

LAB 74.6, -30.41, -26.44

 

CMYK 0 / 78 / 92 / 4

HEX #F53613

RGB 245 54 19

HSL 9.29, 0.92%, 0.52%

LAB 54.13, 69.55, 61.73

 

CMYK 0 / 72 / 85 / 0

HEX #FF4826

RGB 255 72 38

HSL 9.4, 1%, 0.57%

LAB 58.07, 67.25, 58.33

 

CMYK 0 / 65 / 78 / 0

HEX #FF5A39

RGB 255 90 57

HSL 10, 1%, 0.61%

LAB 60.66, 61.07, 51.92

 

CMYK 0 / 58 / 70 / 0

HEX #FF6C4C

RGB 255 108 76

HSL 10.73, 1%, 0.65%

LAB 63.76, 54.12, 45.55

 

CMYK 0 / 51 / 63 / 0

HEX #FF7E5F

RGB 255 126 95

HSL 11.63, 1%, 0.69%

LAB 67.28, 46.7, 39.63

 

CMYK 0 / 78 / 90 / 6

HEX #F03618

RGB 240 54 24

HSL 8.33, 0.88%, 0.52%

LAB 53.2, 68.18, 58.97

 

CMYK 0 / 84 / 98 / 13

HEX #DF2405

RGB 223 36 5

HSL 8.53, 0.96%, 0.45%

LAB 48.21, 67.74, 59.96

 

CMYK 0 / 91 / 100 / 19

HEX #CE1200

RGB 206 18 0

HSL 5.24, 1%, 0.4%

LAB 43.59, 66.35, 57.46

 

CMYK 0 / 100 / 100 / 26

HEX #BD0000

RGB 189 0 0

HSL 0, 1%, 0.37%

LAB 39.27, 63.96, 53.67

 

CMYK 0 / 100 / 100 / 33

HEX #AC0000

RGB 172 0 0

HSL 0, 1%, 0.34%

LAB 35.54, 59.64, 49.89

HEX #AC0000

CMYK 0 / 78 / 90 / 6

HEX #F03618

RGB 240 54 24

HSL 8.33, 0.88%, 0.52%

LAB 53.2, 68.18, 58.97

 

CMYK 0 / 90 / 90 / 6

HEX #F01818

RGB 240 24 24

HSL 0, 0.88%, 0.52%

LAB 50.97, 74.51, 57.45

 

CMYK 0 / 78 / 90 / 6

HEX #F03618

RGB 240 54 24

HSL 8.33, 0.88%, 0.52%

LAB 53.2, 68.18, 58.97

 

CMYK 0 / 53 / 90 / 6

HEX #F07018

RGB 240 112 24

HSL 24.44, 0.88%, 0.52%

LAB 61.81, 45.14, 65.1

 

CMYK 0 / 29 / 90 / 6

HEX #F0AA18

RGB 240 170 24

HSL 40.56, 0.88%, 0.52%

LAB 74.41, 15.21, 74.47

 

CMYK 0 / 5 / 90 / 6

HEX #F0E518

RGB 240 229 24

HSL 56.94, 0.88%, 0.52%

LAB 89.22, -15.01, 85.82

 

CMYK 20 / 0 / 90 / 6

HEX #C1F018

RGB 193 240 24

HSL 73.06, 0.88%, 0.52%

LAB 88.79, -39.33, 84.04

 

CMYK 0 / 78 / 90 / 6

HEX #F03618

RGB 240 54 24

HSL 8.33, 0.88%, 0.52%

LAB 53.2, 68.18, 58.97

 

CMYK 0 / 78 / 90 / 6

HEX #F03618

RGB 240 54 24

HSL 8.33, 0.88%, 0.52%

LAB 53.2, 68.18, 58.97

 

CMYK 0 / 69 / 80 / 14

HEX #DC452C

RGB 220 69 44

HSL 8.52, 0.72%, 0.52%

LAB 51.44, 57.49, 47.21

 

CMYK 0 / 59 / 68 / 22

HEX #C85340

RGB 200 83 64

HSL 8.38, 0.55%, 0.52%

LAB 50.49, 45.43, 34.45

 

CMYK 0 / 46 / 53 / 29

HEX #B46154

RGB 180 97 84

HSL 8.13, 0.39%, 0.52%

LAB 50.56, 32.16, 22.37

 

CMYK 0 / 30 / 35 / 37

HEX #A17068

RGB 161 112 104

HSL 8.42, 0.23%, 0.52%

LAB 52.02, 18.33, 12.23

 

CMYK 0 / 90 / 54 / 6

HEX #F0186F

RGB 240 24 111

HSL 335.83, 0.88%, 0.52%

LAB 52.2, 77.98, 10.11

 

CMYK 0 / 90 / 78 / 6

HEX #F01835

RGB 240 24 53

HSL 351.94, 0.88%, 0.52%

LAB 51.19, 75.14, 43.41

 

CMYK 0 / 78 / 90 / 6

HEX #F03518

RGB 240 53 24

HSL 8.06, 0.88%, 0.52%

LAB 53.1, 68.46, 58.9

 

CMYK 0 / 54 / 90 / 6

HEX #F06F18

RGB 240 111 24

HSL 24.17, 0.88%, 0.52%

LAB 61.62, 45.62, 64.96

 

CMYK 0 / 30 / 90 / 6

HEX #F0A818

RGB 240 168 24

HSL 40, 0.88%, 0.52%

LAB 73.93, 16.27, 74.11

 

CMYK 0 / 81 / 94 / 33

HEX #AB210A

RGB 171 33 10

HSL 8.57, 0.89%, 0.35%

LAB 37.42, 53.6, 46.92

 

CMYK 0 / 81 / 94 / 18

HEX #D2280D

RGB 210 40 13

HSL 8.22, 0.88%, 0.44%

LAB 45.97, 63.22, 55.16

 

CMYK 0 / 78 / 90 / 6

HEX #F03618

RGB 240 54 24

HSL 8.33, 0.88%, 0.52%

LAB 53.2, 68.18, 58.97

 

CMYK 0 / 64 / 74 / 5

HEX #F2583F

RGB 242 88 63

HSL 8.38, 0.87%, 0.6%

LAB 58.24, 57.8, 45.65

 

CMYK 0 / 50 / 58 / 4

HEX #F57A66

RGB 245 122 102

HSL 8.39, 0.88%, 0.68%

LAB 65.19, 45.46, 32.91

 

CMYK 0 / 78 / 90 / 6

HEX #F03618

RGB 240 54 24

HSL 8.33, 0.88%, 0.52%

LAB 53.2, 68.18, 58.97

 

CMYK 30 / 0 / 90 / 6

HEX #A8F018

RGB 168 240 24

HSL 80, 0.88%, 0.52%

LAB 87.34, -48.74, 82.26

 

CMYK 90 / 66 / 0 / 6

HEX #1852F0

RGB 24 82 240

HSL 223.89, 0.88%, 0.52%

LAB 42.03, 42.85, -83.26

 

CMYK 0 / 78 / 90 / 6

HEX #F03618

RGB 240 54 24

HSL 8.33, 0.88%, 0.52%

LAB 53.2, 68.18, 58.97

 

CMYK 90 / 0 / 78 / 6

HEX #18F035

RGB 24 240 53

HSL 128.06, 0.88%, 0.52%

LAB 83.32, -79.63, 70.81

 

CMYK 78 / 90 / 0 / 6

HEX #3518F0

RGB 53 24 240

HSL 248.06, 0.88%, 0.52%

LAB 33.35, 71.84, -97.61

 

CMYK 0 / 78 / 90 / 6

HEX #F03618

RGB 240 54 24

HSL 8.33, 0.88%, 0.52%

LAB 53.2, 68.18, 58.97

 

CMYK 30 / 0 / 90 / 6

HEX #A8F018

RGB 168 240 24

HSL 80, 0.88%, 0.52%

LAB 87.34, -48.74, 82.26

 

CMYK 90 / 12 / 0 / 6

HEX #18D3F0

RGB 24 211 240

HSL 188.06, 0.88%, 0.52%

LAB 77.92, -32.01, -26.19

 

CMYK 60 / 90 / 0 / 6

HEX #6018F0

RGB 96 24 240

HSL 260, 0.88%, 0.52%

LAB 36.8, 74.09, -91.78

 

CMYK 0 / 78 / 90 / 6

HEX #F03618

RGB 240 54 24

HSL 8.33, 0.88%, 0.52%

LAB 53.2, 68.18, 58.97

 

CMYK 57 / 0 / 90 / 6

HEX #67F018

RGB 103 240 24

HSL 98.06, 0.88%, 0.52%

LAB 84.62, -68.9, 78.9

 

CMYK 90 / 12 / 0 / 6

HEX #18D3F0

RGB 24 211 240

HSL 188.06, 0.88%, 0.52%

LAB 77.92, -32.01, -26.19

 

CMYK 33 / 90 / 0 / 6

HEX #A118F0

RGB 161 24 240

HSL 278.06, 0.88%, 0.52%

LAB 44.97, 80.45, -78.03

 

Description

Color code: HEX #F03618 | qconv.com Color code: HEX #F03618 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 54 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 54 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 90 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 90% 6% C M Y K

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