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Color name
HEX #F0283F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0283F it is the complementary color #0FD7C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0283F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0283F shade: #F5283A, #FF3A4D, #FF4C60, #FF5E73 and #FF7086

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0283F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0283F shade: #F0283F, #DF162C, #CE0419, #BD0006 and #AC0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0283F shade: #F0283F and #F02828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0283F shade: #F0283F, #F02875, #F028AB, #F028E0 and #C928F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0283F shade matches the following richer shades: #F0283F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0283F shade: #F0283F, #DD3A4D, #CA4D5B, #B8606A and #A57278

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0283F shade: #F028AA, #F02874, #F0283F, #F04628 and #F07B28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0283F shade: #B90C20, #DF0F27, #F0283F, #F24E61 and #F57584

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0283F shade: #F0283F, #DFF028 and #288FF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0283F shade: #F0283F, #3FF028 and #283FF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0283F shade: #F0283F, #DFF028, #28F0D8 and #3928F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0283F shade: #F0283F, #A3F028, #28F0D8 and #7428F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 74 / 6

HEX #F0283F

RGB 240 40 63

HSL 353.1, 0.87%, 0.55%

LAB 52.29, 72.67, 38.94

 

Complementary color

CMYK 93 / 0 / 11 / 16

HEX #0FD7C0

RGB 15 215 192

HSL 173.1, 0.87%, 0.45%

LAB 77.58, -48.4, -0.97

 

CMYK 0 / 84 / 76 / 4

HEX #F5283A

RGB 245 40 58

HSL 354.73, 0.91%, 0.56%

LAB 53.21, 73.81, 43.06

 

CMYK 0 / 77 / 70 / 0

HEX #FF3A4D

RGB 255 58 77

HSL 354.21, 1%, 0.61%

LAB 56.9, 72.83, 37.02

 

CMYK 0 / 70 / 62 / 0

HEX #FF4C60

RGB 255 76 96

HSL 353.3, 1%, 0.65%

LAB 59.23, 68.13, 28.97

 

CMYK 0 / 63 / 55 / 0

HEX #FF5E73

RGB 255 94 115

HSL 352.17, 1%, 0.68%

LAB 62.09, 62.52, 21.78

 

CMYK 0 / 56 / 47 / 0

HEX #FF7086

RGB 255 112 134

HSL 350.77, 1%, 0.72%

LAB 65.41, 56.28, 15.46

 

CMYK 0 / 83 / 74 / 6

HEX #F0283F

RGB 240 40 63

HSL 353.1, 0.87%, 0.55%

LAB 52.29, 72.67, 38.94

 

CMYK 0 / 90 / 80 / 13

HEX #DF162C

RGB 223 22 44

HSL 353.43, 0.82%, 0.48%

LAB 47.55, 70.88, 43.57

 

CMYK 0 / 98 / 88 / 19

HEX #CE0419

RGB 206 4 25

HSL 353.76, 0.96%, 0.41%

LAB 43.18, 68.12, 48.15

 

CMYK 0 / 100 / 97 / 26

HEX #BD0006

RGB 189 0 6

HSL 358.1, 1%, 0.37%

LAB 39.3, 64.02, 51.39

 

CMYK 0 / 100 / 100 / 33

HEX #AC0000

RGB 172 0 0

HSL 0, 1%, 0.34%

LAB 35.54, 59.64, 49.89

HEX #AC0000

CMYK 0 / 83 / 74 / 6

HEX #F0283F

RGB 240 40 63

HSL 353.1, 0.87%, 0.55%

LAB 52.29, 72.67, 38.94

 

CMYK 0 / 83 / 83 / 6

HEX #F02828

RGB 240 40 40

HSL 0, 0.87%, 0.55%

LAB 52.06, 71.98, 51.13

 

CMYK 0 / 83 / 74 / 6

HEX #F0283F

RGB 240 40 63

HSL 353.1, 0.87%, 0.55%

LAB 52.29, 72.67, 38.94

 

CMYK 0 / 83 / 51 / 6

HEX #F02875

RGB 240 40 117

HSL 336.9, 0.87%, 0.55%

LAB 53.31, 75.67, 8.04

 

CMYK 0 / 83 / 29 / 6

HEX #F028AB

RGB 240 40 171

HSL 320.7, 0.87%, 0.55%

LAB 55.05, 80.65, -21.49

 

CMYK 0 / 83 / 7 / 6

HEX #F028E0

RGB 240 40 224

HSL 304.8, 0.87%, 0.55%

LAB 57.49, 87.27, -48.17

 

CMYK 16 / 83 / 0 / 6

HEX #C928F0

RGB 201 40 240

HSL 288.3, 0.87%, 0.55%

LAB 52.09, 82.98, -66.18

 

CMYK 0 / 83 / 74 / 6

HEX #F0283F

RGB 240 40 63

HSL 353.1, 0.87%, 0.55%

LAB 52.29, 72.67, 38.94

 

CMYK 0 / 83 / 74 / 6

HEX #F0283F

RGB 240 40 63

HSL 353.1, 0.87%, 0.55%

LAB 52.29, 72.67, 38.94

 

CMYK 0 / 74 / 65 / 13

HEX #DD3A4D

RGB 221 58 77

HSL 353.01, 0.71%, 0.55%

LAB 50.61, 63.14, 27.87

 

CMYK 0 / 62 / 55 / 21

HEX #CA4D5B

RGB 202 77 91

HSL 353.28, 0.54%, 0.55%

LAB 50.24, 50.7, 18.4

 

CMYK 0 / 48 / 42 / 28

HEX #B8606A

RGB 184 96 106

HSL 353.18, 0.38%, 0.55%

LAB 51.38, 36.43, 10.59

 

CMYK 0 / 31 / 27 / 35

HEX #A57278

RGB 165 114 120

HSL 352.94, 0.22%, 0.55%

LAB 53.37, 21.01, 4.82

 

CMYK 0 / 83 / 29 / 6

HEX #F028AA

RGB 240 40 170

HSL 321, 0.87%, 0.55%

LAB 55.02, 80.54, -20.97

 

CMYK 0 / 83 / 52 / 6

HEX #F02874

RGB 240 40 116

HSL 337.2, 0.87%, 0.55%

LAB 53.28, 75.59, 8.61

 

CMYK 0 / 83 / 74 / 6

HEX #F0283F

RGB 240 40 63

HSL 353.1, 0.87%, 0.55%

LAB 52.29, 72.67, 38.94

 

CMYK 0 / 71 / 83 / 6

HEX #F04628

RGB 240 70 40

HSL 9, 0.87%, 0.55%

LAB 55.13, 63.37, 53.86

 

CMYK 0 / 49 / 83 / 6

HEX #F07B28

RGB 240 123 40

HSL 24.9, 0.87%, 0.55%

LAB 64.03, 40.05, 61.63

 

CMYK 0 / 94 / 83 / 27

HEX #B90C20

RGB 185 12 32

HSL 353.06, 0.88%, 0.39%

LAB 39.04, 62.13, 39.19

 

CMYK 0 / 93 / 83 / 13

HEX #DF0F27

RGB 223 15 39

HSL 353.08, 0.87%, 0.47%

LAB 47.2, 71.62, 45.93

 

CMYK 0 / 83 / 74 / 6

HEX #F0283F

RGB 240 40 63

HSL 353.1, 0.87%, 0.55%

LAB 52.29, 72.67, 38.94

 

CMYK 0 / 68 / 60 / 5

HEX #F24E61

RGB 242 78 97

HSL 353.05, 0.86%, 0.63%

LAB 57.26, 63.55, 25.4

 

CMYK 0 / 52 / 46 / 4

HEX #F57584

RGB 245 117 132

HSL 352.97, 0.86%, 0.71%

LAB 64.8, 50.38, 15.53

 

CMYK 0 / 83 / 74 / 6

HEX #F0283F

RGB 240 40 63

HSL 353.1, 0.87%, 0.55%

LAB 52.29, 72.67, 38.94

 

CMYK 7 / 0 / 83 / 6

HEX #DFF028

RGB 223 240 40

HSL 65.1, 0.87%, 0.55%

LAB 90.85, -27, 83.7

 

CMYK 83 / 40 / 0 / 6

HEX #288FF0

RGB 40 143 240

HSL 209.1, 0.87%, 0.55%

LAB 58.4, 5.63, -56.69

 

CMYK 0 / 83 / 74 / 6

HEX #F0283F

RGB 240 40 63

HSL 353.1, 0.87%, 0.55%

LAB 52.29, 72.67, 38.94

 

CMYK 74 / 0 / 83 / 6

HEX #3FF028

RGB 63 240 40

HSL 113.1, 0.87%, 0.55%

LAB 83.72, -76.32, 74.73

 

CMYK 83 / 74 / 0 / 6

HEX #283FF0

RGB 40 63 240

HSL 233.1, 0.87%, 0.55%

LAB 38.37, 54.78, -89.29

 

CMYK 0 / 83 / 74 / 6

HEX #F0283F

RGB 240 40 63

HSL 353.1, 0.87%, 0.55%

LAB 52.29, 72.67, 38.94

 

CMYK 7 / 0 / 83 / 6

HEX #DFF028

RGB 223 240 40

HSL 65.1, 0.87%, 0.55%

LAB 90.85, -27, 83.7

 

CMYK 83 / 0 / 10 / 6

HEX #28F0D8

RGB 40 240 216

HSL 172.8, 0.87%, 0.55%

LAB 85.87, -51.05, -1.54

 

CMYK 76 / 83 / 0 / 6

HEX #3928F0

RGB 57 40 240

HSL 245.1, 0.87%, 0.55%

LAB 35.36, 66.68, -94.26

 

CMYK 0 / 83 / 74 / 6

HEX #F0283F

RGB 240 40 63

HSL 353.1, 0.87%, 0.55%

LAB 52.29, 72.67, 38.94

 

CMYK 32 / 0 / 83 / 6

HEX #A3F028

RGB 163 240 40

HSL 83.1, 0.87%, 0.55%

LAB 87.12, -50.1, 79.04

 

CMYK 83 / 0 / 10 / 6

HEX #28F0D8

RGB 40 240 216

HSL 172.8, 0.87%, 0.55%

LAB 85.87, -51.05, -1.54

 

CMYK 52 / 83 / 0 / 6

HEX #7428F0

RGB 116 40 240

HSL 262.8, 0.87%, 0.55%

LAB 40.45, 71.36, -85.68

 

Description

Color code: HEX #F0283F | qconv.com Color code: HEX #F0283F | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 40 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 40 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 74 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 74% 6% C M Y K

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Provide designers and agencies with accurate color values.

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