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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F01EF4 it is the complementary color #0FE10B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F01EF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F01EF4 shade: #F51EEF, #FF30FF, #FF42FF, #FF54FF and #FF66FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F01EF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F01EF4 shade: #F01EF4, #DF0CE1, #CE00CE, #BD00BB and #AC00A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F01EF4 shade: #F01EF4, #F41EBE, #F41E85, #F41E4B and #F41E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F01EF4 shade: #F01EF4, #B61EF4, #7D1EF4, #431EF4 and #1E1EF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F01EF4 shade matches the following richer shades: #F01EF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F01EF4 shade: #F01EF4, #DE31E1, #CB44CE, #B957BB and #A76AA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F01EF4 shade: #7B1EF4, #B41EF4, #ED1EF4, #F41EC2 and #F41E89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F01EF4 shade: #B408B8, #DB0ADF, #F01EF4, #F346F6 and #F56DF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F01EF4 shade: #F01EF4, #F4421E and #1EF497

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F01EF4 shade: #F01EF4, #F4ED1E and #1EF4ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F01EF4 shade: #F01EF4, #F4421E, #26F41E and #1ED0F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F01EF4 shade: #F01EF4, #F4821E, #26F41E and #1E90F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 88 / 0 / 4

HEX #F01EF4

RGB 240 30 244

HSL 298.88, 0.91%, 0.54%

LAB 58.02, 91.77, -58.55

 

Complementary color

CMYK 93 / 0 / 95 / 12

HEX #0FE10B

RGB 15 225 11

HSL 118.88, 0.91%, 0.46%

LAB 78.45, -77.68, 74.75

 

CMYK 0 / 88 / 2 / 4

HEX #F51EEF

RGB 245 30 239

HSL 301.67, 0.91%, 0.54%

LAB 58.58, 91.9, -54.82

 

CMYK 0 / 81 / 0 / 0

HEX #FF30FF

RGB 255 48 255

HSL 300, 1%, 0.59%

LAB 62.16, 92.83, -57.9

 

CMYK 0 / 74 / 0 / 0

HEX #FF42FF

RGB 255 66 255

HSL 300, 1%, 0.63%

LAB 63.65, 88.52, -55.53

 

CMYK 0 / 67 / 0 / 0

HEX #FF54FF

RGB 255 84 255

HSL 300, 1%, 0.66%

LAB 65.61, 82.94, -52.42

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 2 / 88 / 0 / 4

HEX #F01EF4

RGB 240 30 244

HSL 298.88, 0.91%, 0.54%

LAB 58.02, 91.77, -58.55

 

CMYK 1 / 95 / 0 / 12

HEX #DF0CE1

RGB 223 12 225

HSL 299.44, 0.9%, 0.46%

LAB 53.37, 88.23, -55.47

 

CMYK 0 / 100 / 0 / 19

HEX #CE00CE

RGB 206 0 206

HSL 300, 1%, 0.4%

LAB 48.98, 83.66, -51.8

 

CMYK 0 / 100 / 1 / 26

HEX #BD00BB

RGB 189 0 187

HSL 300.63, 1%, 0.37%

LAB 44.81, 78.15, -47.6

 

CMYK 0 / 100 / 2 / 33

HEX #AC00A8

RGB 172 0 168

HSL 301.4, 1%, 0.34%

LAB 40.57, 72.55, -43.3

 

CMYK 2 / 88 / 0 / 4

HEX #F01EF4

RGB 240 30 244

HSL 298.88, 0.91%, 0.54%

LAB 58.02, 91.77, -58.55

 

CMYK 0 / 88 / 22 / 4

HEX #F41EBE

RGB 244 30 190

HSL 315.14, 0.91%, 0.54%

LAB 55.97, 85.37, -31.08

 

CMYK 0 / 88 / 45 / 4

HEX #F41E85

RGB 244 30 133

HSL 331.12, 0.91%, 0.54%

LAB 53.87, 79.68, -0.67

 

CMYK 0 / 88 / 69 / 4

HEX #F41E4B

RGB 244 30 75

HSL 347.38, 0.91%, 0.54%

LAB 52.59, 76.05, 32.48

 

CMYK 0 / 88 / 88 / 4

HEX #F41E1E

RGB 244 30 30

HSL 0, 0.91%, 0.54%

LAB 52.12, 74.72, 56.16

 

CMYK 2 / 88 / 0 / 4

HEX #F01EF4

RGB 240 30 244

HSL 298.88, 0.91%, 0.54%

LAB 58.02, 91.77, -58.55

 

CMYK 25 / 88 / 0 / 4

HEX #B61EF4

RGB 182 30 244

HSL 282.62, 0.91%, 0.54%

LAB 48.77, 82.88, -73.95

 

CMYK 49 / 88 / 0 / 4

HEX #7D1EF4

RGB 125 30 244

HSL 266.64, 0.91%, 0.54%

LAB 40.93, 76.04, -87.11

 

CMYK 73 / 88 / 0 / 4

HEX #431EF4

RGB 67 30 244

HSL 250.37, 0.91%, 0.54%

LAB 35.31, 71.75, -96.59

 

CMYK 88 / 88 / 0 / 4

HEX #1E1EF4

RGB 30 30 244

HSL 240, 0.91%, 0.54%

LAB 33.43, 70.47, -99.77

 

CMYK 2 / 88 / 0 / 4

HEX #F01EF4

RGB 240 30 244

HSL 298.88, 0.91%, 0.54%

LAB 58.02, 91.77, -58.55

 

CMYK 2 / 88 / 0 / 4

HEX #F01EF4

RGB 240 30 244

HSL 298.88, 0.91%, 0.54%

LAB 58.02, 91.77, -58.55

 

CMYK 1 / 78 / 0 / 12

HEX #DE31E1

RGB 222 49 225

HSL 298.98, 0.75%, 0.54%

LAB 55.24, 82.09, -52.49

 

CMYK 1 / 67 / 0 / 19

HEX #CB44CE

RGB 203 68 206

HSL 298.7, 0.58%, 0.54%

LAB 53.26, 69.27, -45.01

 

CMYK 1 / 53 / 0 / 27

HEX #B957BB

RGB 185 87 187

HSL 298.8, 0.42%, 0.54%

LAB 52.64, 53.36, -35.24

 

CMYK 1 / 37 / 0 / 34

HEX #A76AA8

RGB 167 106 168

HSL 299.03, 0.26%, 0.54%

LAB 53.33, 34.48, -23.32

 

CMYK 50 / 88 / 0 / 4

HEX #7B1EF4

RGB 123 30 244

HSL 266.07, 0.91%, 0.54%

LAB 40.69, 75.85, -87.51

 

CMYK 26 / 88 / 0 / 4

HEX #B41EF4

RGB 180 30 244

HSL 282.06, 0.91%, 0.54%

LAB 48.47, 82.6, -74.46

 

CMYK 3 / 88 / 0 / 4

HEX #ED1EF4

RGB 237 30 244

HSL 298.04, 0.91%, 0.54%

LAB 57.53, 91.28, -59.37

 

CMYK 0 / 88 / 20 / 4

HEX #F41EC2

RGB 244 30 194

HSL 314.02, 0.91%, 0.54%

LAB 56.14, 85.85, -33.12

 

CMYK 0 / 88 / 44 / 4

HEX #F41E89

RGB 244 30 137

HSL 330, 0.91%, 0.54%

LAB 53.99, 80.01, -2.89

 

CMYK 2 / 96 / 0 / 28

HEX #B408B8

RGB 180 8 184

HSL 298.64, 0.92%, 0.38%

LAB 43.27, 75.48, -48.39

 

CMYK 2 / 96 / 0 / 13

HEX #DB0ADF

RGB 219 10 223

HSL 298.87, 0.91%, 0.46%

LAB 52.51, 87.45, -55.74

 

CMYK 2 / 88 / 0 / 4

HEX #F01EF4

RGB 240 30 244

HSL 298.88, 0.91%, 0.54%

LAB 58.02, 91.77, -58.55

 

CMYK 1 / 72 / 0 / 4

HEX #F346F6

RGB 243 70 246

HSL 298.98, 0.91%, 0.62%

LAB 61.73, 83.59, -53.72

 

CMYK 1 / 56 / 0 / 3

HEX #F56DF8

RGB 245 109 248

HSL 298.71, 0.91%, 0.7%

LAB 67.37, 69.72, -45.88

 

CMYK 2 / 88 / 0 / 4

HEX #F01EF4

RGB 240 30 244

HSL 298.88, 0.91%, 0.54%

LAB 58.02, 91.77, -58.55

 

CMYK 0 / 73 / 88 / 4

HEX #F4421E

RGB 244 66 30

HSL 10.09, 0.91%, 0.54%

LAB 55.3, 65.76, 58.57

 

CMYK 88 / 0 / 38 / 4

HEX #1EF497

RGB 30 244 151

HSL 153.93, 0.91%, 0.54%

LAB 85.61, -68.12, 31.68

 

CMYK 2 / 88 / 0 / 4

HEX #F01EF4

RGB 240 30 244

HSL 298.88, 0.91%, 0.54%

LAB 58.02, 91.77, -58.55

 

CMYK 0 / 3 / 88 / 4

HEX #F4ED1E

RGB 244 237 30

HSL 58.04, 0.91%, 0.54%

LAB 91.64, -17.14, 86.91

 

CMYK 88 / 0 / 3 / 4

HEX #1EF4ED

RGB 30 244 237

HSL 178.04, 0.91%, 0.54%

LAB 87.53, -47.6, -10.1

 

CMYK 2 / 88 / 0 / 4

HEX #F01EF4

RGB 240 30 244

HSL 298.88, 0.91%, 0.54%

LAB 58.02, 91.77, -58.55

 

CMYK 0 / 73 / 88 / 4

HEX #F4421E

RGB 244 66 30

HSL 10.09, 0.91%, 0.54%

LAB 55.3, 65.76, 58.57

 

CMYK 84 / 0 / 88 / 4

HEX #26F41E

RGB 38 244 30

HSL 117.76, 0.91%, 0.54%

LAB 84.59, -80.8, 77.4

 

CMYK 88 / 15 / 0 / 4

HEX #1ED0F4

RGB 30 208 244

HSL 190.09, 0.91%, 0.54%

LAB 77.23, -28.99, -29.37

 

CMYK 2 / 88 / 0 / 4

HEX #F01EF4

RGB 240 30 244

HSL 298.88, 0.91%, 0.54%

LAB 58.02, 91.77, -58.55

 

CMYK 0 / 47 / 88 / 4

HEX #F4821E

RGB 244 130 30

HSL 28.04, 0.91%, 0.54%

LAB 65.98, 37.87, 66.78

 

CMYK 84 / 0 / 88 / 4

HEX #26F41E

RGB 38 244 30

HSL 117.76, 0.91%, 0.54%

LAB 84.59, -80.8, 77.4

 

CMYK 88 / 41 / 0 / 4

HEX #1E90F4

RGB 30 144 244

HSL 208.04, 0.91%, 0.54%

LAB 58.75, 5.84, -58.36

 

Description

Color code: HEX #F01EF4 | qconv.com Color code: HEX #F01EF4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 30 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 30 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 88 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 88% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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