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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F00D97 it is the complementary color #0FF268. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F00D97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F00D97 shade: #F50D92, #FF1FA5, #FF31B8, #FF43CB and #FF55DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F00D97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F00D97 shade: #F00D97, #DF0084, #CE0071, #BD005E and #AC004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F00D97 shade: #F20C98, #F20C5A, #F20C1C and #F20C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F00D97 shade: #F20C98, #F20CD6, #D00CF2, #920CF2 and #540CF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F00D97 shade matches the following richer shades: #F20C98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F00D97 shade: #F20C98, #DD2193, #C8368F, #B44A8A and #9F5F86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F00D97 shade: #CF0CF2, #F20CD7, #F20C9A, #F20C5D and #F20C1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F00D97 shade: #A30867, #CB0A7F, #F20C98, #F433A8 and #F65BB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F00D97 shade: #F00D97, #F2920C and #0CF2EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F00D97 shade: #F00D97, #9AF20C and #0C9AF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F00D97 shade: #F00D97, #F2920C, #0CF264 and #0C6CF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F00D97 shade: #F00D97, #F2D70C, #0CF264 and #0C27F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 37 / 6

HEX #F00D97

RGB 240 13 151

HSL 323.52, 0.9%, 0.5%

LAB 53, 82.4, -12.81

 

Complementary color

CMYK 94 / 0 / 57 / 5

HEX #0FF268

RGB 15 242 104

HSL 143.52, 0.9%, 0.5%

LAB 84.28, -75.75, 52.5

 

CMYK 0 / 95 / 40 / 4

HEX #F50D92

RGB 245 13 146

HSL 325.6, 0.92%, 0.51%

LAB 53.79, 82.99, -8.55

 

CMYK 0 / 88 / 35 / 0

HEX #FF1FA5

RGB 255 31 165

HSL 324.11, 1%, 0.56%

LAB 57.03, 84.81, -14.72

 

CMYK 0 / 81 / 28 / 0

HEX #FF31B8

RGB 255 49 184

HSL 320.68, 1%, 0.6%

LAB 58.9, 83.44, -22.93

 

CMYK 0 / 74 / 20 / 0

HEX #FF43CB

RGB 255 67 203

HSL 316.6, 1%, 0.63%

LAB 61.3, 81.01, -30.12

 

CMYK 0 / 67 / 13 / 0

HEX #FF55DE

RGB 255 85 222

HSL 311.65, 1%, 0.67%

LAB 64.19, 77.67, -36.35

 

CMYK 0 / 95 / 37 / 6

HEX #F00D97

RGB 240 13 151

HSL 323.52, 0.9%, 0.5%

LAB 53, 82.4, -12.81

 

CMYK 0 / 100 / 41 / 13

HEX #DF0084

RGB 223 0 132

HSL 324.48, 1%, 0.44%

LAB 48.7, 78.11, -8.17

 

CMYK 0 / 100 / 45 / 19

HEX #CE0071

RGB 206 0 113

HSL 327.09, 1%, 0.4%

LAB 44.68, 72.85, -2.83

 

CMYK 0 / 100 / 50 / 26

HEX #BD005E

RGB 189 0 94

HSL 330.16, 1%, 0.37%

LAB 40.62, 67.57, 2.75

 

CMYK 0 / 100 / 56 / 33

HEX #AC004B

RGB 172 0 75

HSL 333.84, 1%, 0.34%

LAB 36.52, 62.27, 8.62

 

CMYK 0 / 95 / 37 / 5

HEX #F20C98

RGB 242 12 152

HSL 323.48, 0.91%, 0.5%

LAB 53.39, 82.99, -12.78

 

CMYK 0 / 95 / 63 / 5

HEX #F20C5A

RGB 242 12 90

HSL 339.65, 0.91%, 0.5%

LAB 51.7, 78.45, 22.25

 

CMYK 0 / 95 / 88 / 5

HEX #F20C1C

RGB 242 12 28

HSL 355.83, 0.91%, 0.5%

LAB 50.95, 76.38, 55.97

 

CMYK 0 / 95 / 95 / 5

HEX #F20C0C

RGB 242 12 12

HSL 0, 0.91%, 0.5%

LAB 50.88, 76.19, 61.62

 

CMYK 0 / 95 / 37 / 5

HEX #F20C98

RGB 242 12 152

HSL 323.48, 0.91%, 0.5%

LAB 53.39, 82.99, -12.78

 

CMYK 0 / 95 / 12 / 5

HEX #F20CD6

RGB 242 12 214

HSL 307.3, 0.91%, 0.5%

LAB 56.08, 89.91, -44.7

 

CMYK 14 / 95 / 0 / 5

HEX #D00CF2

RGB 208 12 242

HSL 291.13, 0.91%, 0.5%

LAB 51.93, 88.55, -67.51

 

CMYK 40 / 95 / 0 / 5

HEX #920CF2

RGB 146 12 242

HSL 274.96, 0.91%, 0.5%

LAB 42.44, 80.86, -83.4

 

CMYK 65 / 95 / 0 / 5

HEX #540CF2

RGB 84 12 242

HSL 258.78, 0.91%, 0.5%

LAB 35.12, 76.13, -95.74

 

CMYK 0 / 95 / 37 / 5

HEX #F20C98

RGB 242 12 152

HSL 323.48, 0.91%, 0.5%

LAB 53.39, 82.99, -12.78

 

CMYK 0 / 95 / 37 / 5

HEX #F20C98

RGB 242 12 152

HSL 323.48, 0.91%, 0.5%

LAB 53.39, 82.99, -12.78

 

CMYK 0 / 85 / 33 / 13

HEX #DD2193

RGB 221 33 147

HSL 323.62, 0.74%, 0.5%

LAB 50.18, 75.28, -15.04

 

CMYK 0 / 73 / 29 / 22

HEX #C8368F

RGB 200 54 143

HSL 323.42, 0.57%, 0.5%

LAB 48.13, 64.35, -16.09

 

CMYK 0 / 59 / 23 / 29

HEX #B44A8A

RGB 180 74 138

HSL 323.77, 0.42%, 0.5%

LAB 47.54, 50.1, -14.29

 

CMYK 0 / 40 / 16 / 38

HEX #9F5F86

RGB 159 95 134

HSL 323.44, 0.25%, 0.5%

LAB 48.61, 31.71, -10.57

 

CMYK 14 / 95 / 0 / 5

HEX #CF0CF2

RGB 207 12 242

HSL 290.87, 0.91%, 0.5%

LAB 51.77, 88.4, -67.78

 

CMYK 0 / 95 / 11 / 5

HEX #F20CD7

RGB 242 12 215

HSL 307.04, 0.91%, 0.5%

LAB 56.13, 90.04, -45.19

 

CMYK 0 / 95 / 36 / 5

HEX #F20C9A

RGB 242 12 154

HSL 322.96, 0.91%, 0.5%

LAB 53.46, 83.18, -13.86

 

CMYK 0 / 95 / 62 / 5

HEX #F20C5D

RGB 242 12 93

HSL 338.87, 0.91%, 0.5%

LAB 51.76, 78.61, 20.51

 

CMYK 0 / 95 / 87 / 5

HEX #F20C1F

RGB 242 12 31

HSL 355.04, 0.91%, 0.5%

LAB 50.97, 76.43, 54.65

 

CMYK 0 / 95 / 37 / 36

HEX #A30867

RGB 163 8 103

HSL 323.23, 0.91%, 0.34%

LAB 35.87, 61.63, -10.62

 

CMYK 0 / 95 / 37 / 20

HEX #CB0A7F

RGB 203 10 127

HSL 323.63, 0.91%, 0.42%

LAB 44.87, 72.57, -11.27

 

CMYK 0 / 95 / 37 / 5

HEX #F20C98

RGB 242 12 152

HSL 323.48, 0.91%, 0.5%

LAB 53.39, 82.99, -12.78

 

CMYK 0 / 79 / 31 / 4

HEX #F433A8

RGB 244 51 168

HSL 323.63, 0.9%, 0.58%

LAB 56.51, 78.75, -17.45

 

CMYK 0 / 63 / 25 / 4

HEX #F65BB9

RGB 246 91 185

HSL 323.61, 0.9%, 0.66%

LAB 62.15, 68.13, -18.67

 

CMYK 0 / 95 / 37 / 6

HEX #F00D97

RGB 240 13 151

HSL 323.52, 0.9%, 0.5%

LAB 53, 82.4, -12.81

 

CMYK 0 / 40 / 95 / 5

HEX #F2920C

RGB 242 146 12

HSL 34.96, 0.91%, 0.5%

LAB 69.08, 28.54, 72.81

 

CMYK 95 / 0 / 2 / 5

HEX #0CF2EE

RGB 12 242 238

HSL 178.96, 0.91%, 0.5%

LAB 86.88, -47.11, -11.61

 

CMYK 0 / 95 / 37 / 6

HEX #F00D97

RGB 240 13 151

HSL 323.52, 0.9%, 0.5%

LAB 53, 82.4, -12.81

 

CMYK 36 / 0 / 95 / 5

HEX #9AF20C

RGB 154 242 12

HSL 82.96, 0.91%, 0.5%

LAB 87.19, -54.68, 83.22

 

CMYK 95 / 36 / 0 / 5

HEX #0C9AF2

RGB 12 154 242

HSL 202.96, 0.91%, 0.5%

LAB 61.31, -1.59, -53.19

 

CMYK 0 / 95 / 37 / 6

HEX #F00D97

RGB 240 13 151

HSL 323.52, 0.9%, 0.5%

LAB 53, 82.4, -12.81

 

CMYK 0 / 40 / 95 / 5

HEX #F2920C

RGB 242 146 12

HSL 34.96, 0.91%, 0.5%

LAB 69.08, 28.54, 72.81

 

CMYK 95 / 0 / 59 / 5

HEX #0CF264

RGB 12 242 100

HSL 142.96, 0.91%, 0.5%

LAB 84.23, -76.37, 54.21

 

CMYK 95 / 55 / 0 / 5

HEX #0C6CF2

RGB 12 108 242

HSL 214.96, 0.91%, 0.5%

LAB 48.53, 26.71, -73.76

 

CMYK 0 / 95 / 37 / 6

HEX #F00D97

RGB 240 13 151

HSL 323.52, 0.9%, 0.5%

LAB 53, 82.4, -12.81

 

CMYK 0 / 11 / 95 / 5

HEX #F2D70C

RGB 242 215 12

HSL 52.96, 0.91%, 0.5%

LAB 85.76, -7.36, 84.72

 

CMYK 95 / 0 / 59 / 5

HEX #0CF264

RGB 12 242 100

HSL 142.96, 0.91%, 0.5%

LAB 84.23, -76.37, 54.21

 

CMYK 95 / 84 / 0 / 5

HEX #0C27F2

RGB 12 39 242

HSL 232.96, 0.91%, 0.5%

LAB 33.86, 66.28, -97.94

 

Description

Color code: HEX #F00D97 | qconv.com Color code: HEX #F00D97 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 13 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 13 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 37 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 37% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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