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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F00A6D it is the complementary color #0FF592. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F00A6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F00A6D shade: #F50A68, #FF1C7B, #FF2E8E, #FF40A1 and #FF52B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F00A6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F00A6D shade: #F00A6D, #DF005A, #CE0047, #BD0034 and #AC0021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F00A6D shade: #EF096C, #EF092E and #EF0909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F00A6D shade: #EF096C, #EF09AA, #EF09E8, #B809EF and #7A09EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F00A6D shade matches the following richer shades: #EF096C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F00A6D shade: #EF096C, #DB1E6F, #C73272, #B34675 and #9F5A78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F00A6D shade: #EF09E8, #EF09AA, #EF096D, #EF0930 and #EF2009

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F00A6D shade: #A00648, #C8085A, #EF096C, #F62C83 and #F7549A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F00A6D shade: #F00A6D, #EFBA09 and #09C9EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F00A6D shade: #F00A6D, #6DEF09 and #096DEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F00A6D shade: #F00A6D, #EFBA09, #09EF8C and #093FEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F00A6D shade: #F00A6D, #E0EF09, #09EF8C and #1909EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 55 / 6

HEX #F00A6D

RGB 240 10 109

HSL 334.17, 0.92%, 0.49%

LAB 51.66, 79.27, 10.57

 

Complementary color

CMYK 94 / 0 / 40 / 4

HEX #0FF592

RGB 15 245 146

HSL 154.17, 0.92%, 0.51%

LAB 85.75, -70.1, 34.35

 

CMYK 0 / 96 / 58 / 4

HEX #F50A68

RGB 245 10 104

HSL 336, 0.92%, 0.5%

LAB 52.54, 80.08, 14.98

 

CMYK 0 / 89 / 52 / 0

HEX #FF1C7B

RGB 255 28 123

HSL 334.89, 1%, 0.55%

LAB 55.6, 81.72, 8.1

 

CMYK 0 / 82 / 44 / 0

HEX #FF2E8E

RGB 255 46 142

HSL 332.44, 1%, 0.59%

LAB 57.24, 79.99, -0.86

 

CMYK 0 / 75 / 37 / 0

HEX #FF40A1

RGB 255 64 161

HSL 329.53, 1%, 0.63%

LAB 59.43, 77.15, -8.77

 

CMYK 0 / 68 / 29 / 0

HEX #FF52B4

RGB 255 82 180

HSL 326.01, 1%, 0.66%

LAB 62.16, 73.34, -15.66

 

CMYK 0 / 96 / 55 / 6

HEX #F00A6D

RGB 240 10 109

HSL 334.17, 0.92%, 0.49%

LAB 51.66, 79.27, 10.57

 

CMYK 0 / 100 / 60 / 13

HEX #DF005A

RGB 223 0 90

HSL 335.78, 1%, 0.44%

LAB 47.53, 75.01, 15.98

 

CMYK 0 / 100 / 66 / 19

HEX #CE0047

RGB 206 0 71

HSL 339.32, 1%, 0.4%

LAB 43.62, 70.03, 21.99

 

CMYK 0 / 100 / 72 / 26

HEX #BD0034

RGB 189 0 52

HSL 343.49, 1%, 0.37%

LAB 39.69, 65.1, 28.2

 

CMYK 0 / 100 / 81 / 33

HEX #AC0021

RGB 172 0 33

HSL 348.49, 1%, 0.34%

LAB 35.75, 60.22, 34.41

 

CMYK 0 / 96 / 55 / 6

HEX #EF096C

RGB 239 9 108

HSL 334.17, 0.93%, 0.49%

LAB 51.41, 79.05, 10.8

 

CMYK 0 / 96 / 81 / 6

HEX #EF092E

RGB 239 9 46

HSL 350.35, 0.93%, 0.49%

LAB 50.39, 76.25, 46.37

 

CMYK 0 / 96 / 96 / 6

HEX #EF0909

RGB 239 9 9

HSL 0, 0.93%, 0.49%

LAB 50.18, 75.66, 61.7

 

CMYK 0 / 96 / 55 / 6

HEX #EF096C

RGB 239 9 108

HSL 334.17, 0.93%, 0.49%

LAB 51.41, 79.05, 10.8

 

CMYK 0 / 96 / 29 / 6

HEX #EF09AA

RGB 239 9 170

HSL 318, 0.93%, 0.49%

LAB 53.44, 84.39, -23.41

 

CMYK 0 / 96 / 3 / 6

HEX #EF09E8

RGB 239 9 232

HSL 301.83, 0.93%, 0.49%

LAB 56.46, 92, -54.33

 

CMYK 23 / 96 / 0 / 6

HEX #B809EF

RGB 184 9 239

HSL 285.65, 0.93%, 0.49%

LAB 47.77, 85, -72.74

 

CMYK 49 / 96 / 0 / 6

HEX #7A09EF

RGB 122 9 239

HSL 269.48, 0.93%, 0.49%

LAB 38.84, 78.35, -87.75

 

CMYK 0 / 96 / 55 / 6

HEX #EF096C

RGB 239 9 108

HSL 334.17, 0.93%, 0.49%

LAB 51.41, 79.05, 10.8

 

CMYK 0 / 96 / 55 / 6

HEX #EF096C

RGB 239 9 108

HSL 334.17, 0.93%, 0.49%

LAB 51.41, 79.05, 10.8

 

CMYK 0 / 86 / 49 / 14

HEX #DB1E6F

RGB 219 30 111

HSL 334.29, 0.76%, 0.49%

LAB 48.43, 72.08, 4.18

 

CMYK 0 / 75 / 43 / 22

HEX #C73272

RGB 199 50 114

HSL 334.23, 0.6%, 0.49%

LAB 46.5, 62.24, -0.94

 

CMYK 0 / 61 / 35 / 30

HEX #B34675

RGB 179 70 117

HSL 334.13, 0.44%, 0.49%

LAB 45.97, 48.87, -3.94

 

CMYK 0 / 43 / 25 / 38

HEX #9F5A78

RGB 159 90 120

HSL 333.91, 0.28%, 0.49%

LAB 47.03, 32.25, -4.53

 

CMYK 0 / 96 / 3 / 6

HEX #EF09E8

RGB 239 9 232

HSL 301.83, 0.93%, 0.49%

LAB 56.46, 92, -54.33

 

CMYK 0 / 96 / 29 / 6

HEX #EF09AA

RGB 239 9 170

HSL 318, 0.93%, 0.49%

LAB 53.44, 84.39, -23.41

 

CMYK 0 / 96 / 54 / 6

HEX #EF096D

RGB 239 9 109

HSL 333.91, 0.93%, 0.49%

LAB 51.44, 79.12, 10.22

 

CMYK 0 / 96 / 80 / 6

HEX #EF0930

RGB 239 9 48

HSL 349.83, 0.93%, 0.49%

LAB 50.4, 76.3, 45.3

 

CMYK 0 / 87 / 96 / 6

HEX #EF2009

RGB 239 32 9

HSL 6, 0.93%, 0.49%

LAB 51.16, 72.84, 62.17

 

CMYK 0 / 96 / 55 / 37

HEX #A00648

RGB 160 6 72

HSL 334.29, 0.93%, 0.33%

LAB 34.13, 58.44, 6.85

 

CMYK 0 / 96 / 55 / 22

HEX #C8085A

RGB 200 8 90

HSL 334.38, 0.92%, 0.41%

LAB 43.05, 69.01, 9.05

 

CMYK 0 / 96 / 55 / 6

HEX #EF096C

RGB 239 9 108

HSL 334.17, 0.93%, 0.49%

LAB 51.41, 79.05, 10.8

 

CMYK 0 / 82 / 47 / 4

HEX #F62C83

RGB 246 44 131

HSL 334.16, 0.92%, 0.57%

LAB 55.11, 77.35, 2.37

 

CMYK 0 / 66 / 38 / 3

HEX #F7549A

RGB 247 84 154

HSL 334.23, 0.91%, 0.65%

LAB 60.29, 67.56, -3.57

 

CMYK 0 / 96 / 55 / 6

HEX #F00A6D

RGB 240 10 109

HSL 334.17, 0.92%, 0.49%

LAB 51.66, 79.27, 10.57

 

CMYK 0 / 22 / 96 / 6

HEX #EFBA09

RGB 239 186 9

HSL 46.17, 0.93%, 0.49%

LAB 78.16, 6.2, 79.36

 

CMYK 96 / 16 / 0 / 6

HEX #09C9EF

RGB 9 201 239

HSL 189.91, 0.93%, 0.49%

LAB 74.86, -27.97, -30.34

 

CMYK 0 / 96 / 55 / 6

HEX #F00A6D

RGB 240 10 109

HSL 334.17, 0.92%, 0.49%

LAB 51.66, 79.27, 10.57

 

CMYK 54 / 0 / 96 / 6

HEX #6DEF09

RGB 109 239 9

HSL 93.91, 0.93%, 0.49%

LAB 84.49, -67.32, 80.55

 

CMYK 96 / 54 / 0 / 6

HEX #096DEF

RGB 9 109 239

HSL 213.91, 0.93%, 0.49%

LAB 48.55, 24.83, -72.05

 

CMYK 0 / 96 / 55 / 6

HEX #F00A6D

RGB 240 10 109

HSL 334.17, 0.92%, 0.49%

LAB 51.66, 79.27, 10.57

 

CMYK 0 / 22 / 96 / 6

HEX #EFBA09

RGB 239 186 9

HSL 46.17, 0.93%, 0.49%

LAB 78.16, 6.2, 79.36

 

CMYK 96 / 0 / 41 / 6

HEX #09EF8C

RGB 9 239 140

HSL 154.17, 0.93%, 0.49%

LAB 83.8, -69.38, 34.78

 

CMYK 96 / 74 / 0 / 6

HEX #093FEF

RGB 9 63 239

HSL 225.91, 0.93%, 0.49%

LAB 37.56, 53.41, -90.09

 

CMYK 0 / 96 / 55 / 6

HEX #F00A6D

RGB 240 10 109

HSL 334.17, 0.92%, 0.49%

LAB 51.66, 79.27, 10.57

 

CMYK 6 / 0 / 96 / 6

HEX #E0EF09

RGB 224 239 9

HSL 63.91, 0.93%, 0.49%

LAB 90.6, -26.64, 87.93

 

CMYK 96 / 0 / 41 / 6

HEX #09EF8C

RGB 9 239 140

HSL 154.17, 0.93%, 0.49%

LAB 83.8, -69.38, 34.78

 

CMYK 90 / 96 / 0 / 6

HEX #1909EF

RGB 25 9 239

HSL 244.17, 0.93%, 0.49%

LAB 30.96, 74.12, -101.07

 

Description

Color code: HEX #F00A6D | qconv.com Color code: HEX #F00A6D | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 10 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 10 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 55 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 55% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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