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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3F772 it is the complementary color #0C088D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3F772. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3F772 shade: #F8F76D, #FFFF80, #FFFF93, #FFFFA6 and #FFFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3F772. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3F772 shade: #F3F772, #E2E55F, #D1D34C, #C0C139 and #AFAF26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3F772 shade: #F2F673, #F6D773, #F6B373, #F69073 and #F67373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3F772 shade: #F2F673, #CFF673, #ABF673, #88F673 and #73F681

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3F772 shade matches the following richer shades: #F2F673

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3F772 shade: #F2F673, #E7EA7F, #DCDE8B, #D1D297 and #C5C7A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3F772 shade: #F6B273, #F6D573, #F4F673, #D1F673 and #AEF673

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3F772 shade: #ECF225, #EFF44C, #F2F673, #F6F99A and #F9FBC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3F772 shade: #F3F772, #73F68F and #C473F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3F772 shade: #F3F772, #73F4F6 and #F673F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3F772 shade: #F3F772, #73F68F, #7573F6 and #F673DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3F772 shade: #F3F772, #73F6B7, #7573F6 and #F673B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 54 / 3

HEX #F3F772

RGB 243 247 114

HSL 61.8, 0.89%, 0.71%

LAB 94.65, -18.5, 62.38

 

Complementary color

CMYK 91 / 94 / 0 / 45

HEX #0C088D

RGB 12 8 141

HSL 241.8, 0.89%, 0.29%

LAB 16.38, 48.35, -67.22

 

CMYK 0 / 0 / 56 / 3

HEX #F8F76D

RGB 248 247 109

HSL 59.57, 0.91%, 0.7%

LAB 94.98, -16.89, 65.03

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF93

RGB 255 255 147

HSL 60, 1%, 0.79%

LAB 97.99, -14.83, 51.43

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFB9

RGB 255 255 185

HSL 60, 1%, 0.86%

LAB 98.54, -10.58, 33.56

 

CMYK 2 / 0 / 54 / 3

HEX #F3F772

RGB 243 247 114

HSL 61.8, 0.89%, 0.71%

LAB 94.65, -18.5, 62.38

 

CMYK 1 / 0 / 59 / 10

HEX #E2E55F

RGB 226 229 95

HSL 61.34, 0.72%, 0.64%

LAB 88.46, -17.93, 63.31

 

CMYK 1 / 0 / 64 / 17

HEX #D1D34C

RGB 209 211 76

HSL 60.89, 0.61%, 0.56%

LAB 82.2, -17.25, 64.07

 

CMYK 1 / 0 / 70 / 24

HEX #C0C139

RGB 192 193 57

HSL 60.44, 0.54%, 0.49%

LAB 75.85, -16.44, 64.48

 

CMYK 0 / 0 / 78 / 31

HEX #AFAF26

RGB 175 175 38

HSL 60, 0.64%, 0.42%

LAB 69.41, -15.45, 64.26

 

CMYK 2 / 0 / 53 / 4

HEX #F2F673

RGB 242 246 115

HSL 61.83, 0.88%, 0.71%

LAB 94.32, -18.33, 61.54

 

CMYK 0 / 13 / 53 / 4

HEX #F6D773

RGB 246 215 115

HSL 45.8, 0.88%, 0.71%

LAB 86.72, -1.33, 52.74

 

CMYK 0 / 27 / 53 / 4

HEX #F6B373

RGB 246 179 115

HSL 29.31, 0.88%, 0.71%

LAB 77.92, 17.38, 42.05

 

CMYK 0 / 41 / 53 / 4

HEX #F69073

RGB 246 144 115

HSL 13.28, 0.88%, 0.71%

LAB 70.02, 35.72, 32.03

 

CMYK 0 / 53 / 53 / 4

HEX #F67373

RGB 246 115 115

HSL 0, 0.88%, 0.71%

LAB 64.24, 50.19, 24.42

 

CMYK 2 / 0 / 53 / 4

HEX #F2F673

RGB 242 246 115

HSL 61.83, 0.88%, 0.71%

LAB 94.32, -18.33, 61.54

 

CMYK 16 / 0 / 53 / 4

HEX #CFF673

RGB 207 246 115

HSL 77.86, 0.88%, 0.71%

LAB 91.87, -31.84, 58.07

 

CMYK 30 / 0 / 53 / 4

HEX #ABF673

RGB 171 246 115

HSL 94.35, 0.88%, 0.71%

LAB 89.77, -44.76, 55.08

 

CMYK 45 / 0 / 53 / 4

HEX #88F673

RGB 136 246 115

HSL 110.38, 0.88%, 0.71%

LAB 88.15, -55.79, 52.76

 

CMYK 53 / 0 / 48 / 4

HEX #73F681

RGB 115 246 129

HSL 126.41, 0.88%, 0.71%

LAB 87.55, -59.6, 45.32

 

CMYK 2 / 0 / 53 / 4

HEX #F2F673

RGB 242 246 115

HSL 61.83, 0.88%, 0.71%

LAB 94.32, -18.33, 61.54

 

CMYK 2 / 0 / 53 / 4

HEX #F2F673

RGB 242 246 115

HSL 61.83, 0.88%, 0.71%

LAB 94.32, -18.33, 61.54

 

CMYK 1 / 0 / 46 / 8

HEX #E7EA7F

RGB 231 234 127

HSL 61.68, 0.72%, 0.71%

LAB 90.49, -15.78, 51.3

 

CMYK 1 / 0 / 37 / 13

HEX #DCDE8B

RGB 220 222 139

HSL 61.45, 0.56%, 0.71%

LAB 86.66, -12.89, 40.49

 

CMYK 0 / 0 / 28 / 18

HEX #D1D297

RGB 209 210 151

HSL 61.02, 0.4%, 0.71%

LAB 82.85, -9.61, 29.22

 

CMYK 1 / 0 / 18 / 22

HEX #C5C7A3

RGB 197 199 163

HSL 63.33, 0.24%, 0.71%

LAB 79.25, -6.77, 17.83

 

CMYK 0 / 28 / 53 / 4

HEX #F6B273

RGB 246 178 115

HSL 28.85, 0.88%, 0.71%

LAB 77.68, 17.9, 41.75

 

CMYK 0 / 13 / 53 / 4

HEX #F6D573

RGB 246 213 115

HSL 44.89, 0.88%, 0.71%

LAB 86.22, -0.31, 52.15

 

CMYK 1 / 0 / 53 / 4

HEX #F4F673

RGB 244 246 115

HSL 60.92, 0.88%, 0.71%

LAB 94.48, -17.55, 61.76

 

CMYK 15 / 0 / 53 / 4

HEX #D1F673

RGB 209 246 115

HSL 76.95, 0.88%, 0.71%

LAB 92, -31.08, 58.25

 

CMYK 29 / 0 / 53 / 4

HEX #AEF673

RGB 174 246 115

HSL 92.98, 0.88%, 0.71%

LAB 89.93, -43.74, 55.3

 

CMYK 2 / 0 / 85 / 5

HEX #ECF225

RGB 236 242 37

HSL 61.76, 0.89%, 0.55%

LAB 92.34, -22.71, 85.94

 

CMYK 2 / 0 / 69 / 4

HEX #EFF44C

RGB 239 244 76

HSL 61.79, 0.88%, 0.63%

LAB 93.27, -21.05, 76

 

CMYK 2 / 0 / 53 / 4

HEX #F2F673

RGB 242 246 115

HSL 61.83, 0.88%, 0.71%

LAB 94.32, -18.33, 61.54

 

CMYK 1 / 0 / 38 / 2

HEX #F6F99A

RGB 246 249 154

HSL 61.89, 0.89%, 0.79%

LAB 95.86, -14.62, 45.24

 

CMYK 1 / 0 / 23 / 2

HEX #F9FBC1

RGB 249 251 193

HSL 62.07, 0.88%, 0.87%

LAB 97.22, -9.74, 27.66

 

CMYK 2 / 0 / 54 / 3

HEX #F3F772

RGB 243 247 114

HSL 61.8, 0.89%, 0.71%

LAB 94.65, -18.5, 62.38

 

CMYK 53 / 0 / 42 / 4

HEX #73F68F

RGB 115 246 143

HSL 132.82, 0.88%, 0.71%

LAB 87.75, -57.53, 38.78

 

CMYK 20 / 53 / 0 / 4

HEX #C473F6

RGB 196 115 246

HSL 277.1, 0.88%, 0.71%

LAB 62.21, 54.1, -53.34

 

CMYK 2 / 0 / 54 / 3

HEX #F3F772

RGB 243 247 114

HSL 61.8, 0.89%, 0.71%

LAB 94.65, -18.5, 62.38

 

CMYK 53 / 1 / 0 / 4

HEX #73F4F6

RGB 115 244 246

HSL 180.92, 0.88%, 0.71%

LAB 89.39, -34.98, -11.86

 

CMYK 0 / 53 / 1 / 4

HEX #F673F4

RGB 246 115 244

HSL 300.92, 0.88%, 0.71%

LAB 68.3, 66.65, -42.21

 

CMYK 2 / 0 / 54 / 3

HEX #F3F772

RGB 243 247 114

HSL 61.8, 0.89%, 0.71%

LAB 94.65, -18.5, 62.38

 

CMYK 53 / 0 / 42 / 4

HEX #73F68F

RGB 115 246 143

HSL 132.82, 0.88%, 0.71%

LAB 87.75, -57.53, 38.78

 

CMYK 52 / 53 / 0 / 4

HEX #7573F6

RGB 117 115 246

HSL 240.92, 0.88%, 0.71%

LAB 54.76, 35.82, -65.69

 

CMYK 0 / 53 / 11 / 4

HEX #F673DA

RGB 246 115 218

HSL 312.82, 0.88%, 0.71%

LAB 67.21, 62.45, -29.52

 

CMYK 2 / 0 / 54 / 3

HEX #F3F772

RGB 243 247 114

HSL 61.8, 0.89%, 0.71%

LAB 94.65, -18.5, 62.38

 

CMYK 53 / 0 / 26 / 4

HEX #73F6B7

RGB 115 246 183

HSL 151.15, 0.88%, 0.71%

LAB 88.44, -50.4, 19.51

 

CMYK 52 / 53 / 0 / 4

HEX #7573F6

RGB 117 115 246

HSL 240.92, 0.88%, 0.71%

LAB 54.76, 35.82, -65.69

 

CMYK 0 / 53 / 28 / 4

HEX #F673B2

RGB 246 115 178

HSL 331.15, 0.88%, 0.71%

LAB 65.8, 56.8, -9.18

 

Description

Color code: HEX #F3F772 | qconv.com Color code: HEX #F3F772 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 247 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 247 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 54 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 54% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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