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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3E0A4 it is the complementary color #0C1F5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3E0A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3E0A4 shade: #F8E09F, #FFF2B2, #FFFFC5, #FFFFD8 and #FFFFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3E0A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3E0A4 shade: #F3E0A4, #E2CE91, #D1BC7E, #C0AA6B and #AF9858

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3E0A4 shade: #F3E0A4, #F3CBA4, #F3B6A4 and #F3A4A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3E0A4 shade: #F3E0A4, #F0F3A4, #DBF3A4, #C6F3A4 and #B1F3A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3E0A4 shade matches the following richer shades: #F3E0A4 and #FBE49C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3E0A4 shade: #F3E0A4, #EBDCAC, #E2D7B5, #DAD3BD and #D2CFC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3E0A4 shade: #F3B5A4, #F3CAA4, #F3DFA4, #F1F3A4 and #DDF3A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3E0A4 shade: #E9C75B, #EED380, #F3E0A4, #F8ECC9 and #FCF9ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3E0A4 shade: #F3E0A4, #A8F3A4 and #C0A4F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3E0A4 shade: #F3E0A4, #A4F3DF and #DFA4F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3E0A4 shade: #F3E0A4, #A8F3A4, #A4B8F3 and #EFA4F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3E0A4 shade: #F3E0A4, #A4F3B8, #A4B8F3 and #F3A4DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 33 / 5

HEX #F3E0A4

RGB 243 224 164

HSL 45.57, 0.77%, 0.8%

LAB 89.41, -2.16, 31.79

 

Complementary color

CMYK 87 / 66 / 0 / 64

HEX #0C1F5B

RGB 12 31 91

HSL 225.57, 0.77%, 0.2%

LAB 14.48, 17.93, -38.03

 

CMYK 0 / 10 / 36 / 3

HEX #F8E09F

RGB 248 224 159

HSL 43.82, 0.86%, 0.8%

LAB 89.75, -0.83, 34.86

 

CMYK 0 / 5 / 30 / 0

HEX #FFF2B2

RGB 255 242 178

HSL 49.87, 1%, 0.85%

LAB 95.15, -5, 32.52

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 0 / 8 / 33 / 5

HEX #F3E0A4

RGB 243 224 164

HSL 45.57, 0.77%, 0.8%

LAB 89.41, -2.16, 31.79

 

CMYK 0 / 9 / 36 / 11

HEX #E2CE91

RGB 226 206 145

HSL 45.19, 0.58%, 0.73%

LAB 83.1, -1.74, 32.91

 

CMYK 0 / 10 / 40 / 18

HEX #D1BC7E

RGB 209 188 126

HSL 44.82, 0.47%, 0.66%

LAB 76.7, -1.26, 34.08

 

CMYK 0 / 11 / 44 / 25

HEX #C0AA6B

RGB 192 170 107

HSL 44.47, 0.4%, 0.59%

LAB 70.19, -0.7, 35.32

 

CMYK 0 / 13 / 50 / 31

HEX #AF9858

RGB 175 152 88

HSL 44.14, 0.35%, 0.52%

LAB 63.57, -0.03, 36.62

 

CMYK 0 / 8 / 33 / 5

HEX #F3E0A4

RGB 243 224 164

HSL 45.57, 0.77%, 0.8%

LAB 89.41, -2.16, 31.79

 

CMYK 0 / 16 / 33 / 5

HEX #F3CBA4

RGB 243 203 164

HSL 29.62, 0.77%, 0.8%

LAB 84.2, 8.67, 24.74

 

CMYK 0 / 25 / 33 / 5

HEX #F3B6A4

RGB 243 182 164

HSL 13.67, 0.77%, 0.8%

LAB 79.15, 19.71, 17.78

 

CMYK 0 / 33 / 33 / 5

HEX #F3A4A4

RGB 243 164 164

HSL 0, 0.77%, 0.8%

LAB 75, 29.23, 11.97

 

CMYK 0 / 8 / 33 / 5

HEX #F3E0A4

RGB 243 224 164

HSL 45.57, 0.77%, 0.8%

LAB 89.41, -2.16, 31.79

 

CMYK 1 / 0 / 33 / 5

HEX #F0F3A4

RGB 240 243 164

HSL 62.28, 0.77%, 0.8%

LAB 94.02, -12.81, 37.84

 

CMYK 10 / 0 / 33 / 5

HEX #DBF3A4

RGB 219 243 164

HSL 78.23, 0.77%, 0.8%

LAB 92.5, -20.58, 35.57

 

CMYK 19 / 0 / 33 / 5

HEX #C6F3A4

RGB 198 243 164

HSL 94.18, 0.77%, 0.8%

LAB 91.14, -28.08, 33.51

 

CMYK 27 / 0 / 33 / 5

HEX #B1F3A4

RGB 177 243 164

HSL 110.13, 0.77%, 0.8%

LAB 89.92, -35.19, 31.66

 

CMYK 0 / 8 / 33 / 5

HEX #F3E0A4

RGB 243 224 164

HSL 45.57, 0.77%, 0.8%

LAB 89.41, -2.16, 31.79

 

CMYK 0 / 9 / 38 / 2

HEX #FBE49C

RGB 251 228 156

HSL 45.47, 0.92%, 0.8%

LAB 90.96, -2.04, 38.01

 

CMYK 0 / 8 / 33 / 5

HEX #F3E0A4

RGB 243 224 164

HSL 45.57, 0.77%, 0.8%

LAB 89.41, -2.16, 31.79

 

CMYK 0 / 6 / 27 / 8

HEX #EBDCAC

RGB 235 220 172

HSL 45.71, 0.61%, 0.8%

LAB 87.89, -2.13, 25.49

 

CMYK 0 / 5 / 20 / 11

HEX #E2D7B5

RGB 226 215 181

HSL 45.33, 0.44%, 0.8%

LAB 86.06, -1.65, 18.16

 

CMYK 0 / 3 / 13 / 15

HEX #DAD3BD

RGB 218 211 189

HSL 45.52, 0.28%, 0.8%

LAB 84.57, -1.28, 11.75

 

CMYK 0 / 1 / 6 / 18

HEX #D2CFC5

RGB 210 207 197

HSL 46.15, 0.13%, 0.8%

LAB 83.1, -0.72, 5.32

 

CMYK 0 / 26 / 33 / 5

HEX #F3B5A4

RGB 243 181 164

HSL 12.91, 0.77%, 0.8%

LAB 78.92, 20.24, 17.46

 

CMYK 0 / 17 / 33 / 5

HEX #F3CAA4

RGB 243 202 164

HSL 28.86, 0.77%, 0.8%

LAB 83.95, 9.19, 24.41

 

CMYK 0 / 8 / 33 / 5

HEX #F3DFA4

RGB 243 223 164

HSL 44.81, 0.77%, 0.8%

LAB 89.16, -1.65, 31.45

 

CMYK 1 / 0 / 33 / 5

HEX #F1F3A4

RGB 241 243 164

HSL 61.52, 0.77%, 0.8%

LAB 94.09, -12.43, 37.95

 

CMYK 9 / 0 / 33 / 5

HEX #DDF3A4

RGB 221 243 164

HSL 76.71, 0.77%, 0.8%

LAB 92.64, -19.85, 35.77

 

CMYK 0 / 15 / 61 / 9

HEX #E9C75B

RGB 233 199 91

HSL 45.63, 0.76%, 0.64%

LAB 81.25, -0.23, 57.25

 

CMYK 0 / 11 / 46 / 7

HEX #EED380

RGB 238 211 128

HSL 45.27, 0.76%, 0.72%

LAB 85.16, -1.36, 44.37

 

CMYK 0 / 8 / 33 / 5

HEX #F3E0A4

RGB 243 224 164

HSL 45.57, 0.77%, 0.8%

LAB 89.41, -2.16, 31.79

 

CMYK 0 / 5 / 19 / 3

HEX #F8ECC9

RGB 248 236 201

HSL 44.68, 0.77%, 0.88%

LAB 93.52, -1.47, 18.44

 

CMYK 0 / 1 / 6 / 1

HEX #FCF9ED

RGB 252 249 237

HSL 48, 0.71%, 0.96%

LAB 97.86, -1.04, 6.09

 

CMYK 0 / 8 / 33 / 5

HEX #F3E0A4

RGB 243 224 164

HSL 45.57, 0.77%, 0.8%

LAB 89.41, -2.16, 31.79

 

CMYK 31 / 0 / 33 / 5

HEX #A8F3A4

RGB 168 243 164

HSL 116.96, 0.77%, 0.8%

LAB 89.44, -38.09, 30.94

 

CMYK 21 / 33 / 0 / 5

HEX #C0A4F3

RGB 192 164 243

HSL 261.27, 0.77%, 0.8%

LAB 72.38, 25.86, -35.76

 

CMYK 0 / 8 / 33 / 5

HEX #F3E0A4

RGB 243 224 164

HSL 45.57, 0.77%, 0.8%

LAB 89.41, -2.16, 31.79

 

CMYK 33 / 0 / 8 / 5

HEX #A4F3DF

RGB 164 243 223

HSL 164.81, 0.77%, 0.8%

LAB 90.47, -28.39, 1.95

 

CMYK 8 / 33 / 0 / 5

HEX #DFA4F3

RGB 223 164 243

HSL 284.81, 0.77%, 0.8%

LAB 75.27, 35.24, -31.05

 

CMYK 0 / 8 / 33 / 5

HEX #F3E0A4

RGB 243 224 164

HSL 45.57, 0.77%, 0.8%

LAB 89.41, -2.16, 31.79

 

CMYK 31 / 0 / 33 / 5

HEX #A8F3A4

RGB 168 243 164

HSL 116.96, 0.77%, 0.8%

LAB 89.44, -38.09, 30.94

 

CMYK 33 / 24 / 0 / 5

HEX #A4B8F3

RGB 164 184 243

HSL 224.81, 0.77%, 0.8%

LAB 75.23, 6.67, -31.52

 

CMYK 2 / 33 / 0 / 5

HEX #EFA4F3

RGB 239 164 243

HSL 296.96, 0.77%, 0.8%

LAB 76.9, 40.18, -28.4

 

CMYK 0 / 8 / 33 / 5

HEX #F3E0A4

RGB 243 224 164

HSL 45.57, 0.77%, 0.8%

LAB 89.41, -2.16, 31.79

 

CMYK 33 / 0 / 24 / 5

HEX #A4F3B8

RGB 164 243 184

HSL 135.19, 0.77%, 0.8%

LAB 89.61, -36, 20.93

 

CMYK 33 / 24 / 0 / 5

HEX #A4B8F3

RGB 164 184 243

HSL 224.81, 0.77%, 0.8%

LAB 75.23, 6.67, -31.52

 

CMYK 0 / 33 / 8 / 5

HEX #F3A4DF

RGB 243 164 223

HSL 315.19, 0.77%, 0.8%

LAB 76.64, 37.93, -17.92

 

Description

Color code: HEX #F3E0A4 | qconv.com Color code: HEX #F3E0A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 224 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 224 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 33 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 33% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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