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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3E659 it is the complementary color #0C19A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3E659. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3E659 shade: #F8E654, #FFF867, #FFFF7A, #FFFF8D and #FFFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3E659. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3E659 shade: #F3E659, #E2D446, #D1C233, #C0B020 and #AF9E0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3E659 shade: #F3E658, #F3BC58, #F39258, #F36858 and #F35858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3E659 shade: #F3E658, #D6F358, #ACF358, #82F358 and #58F358

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3E659 shade matches the following richer shades: #F3E658

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3E659 shade: #F3E658, #E4DA66, #D6CE74, #C8C283 and #B9B691

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3E659 shade: #F39158, #F3BA58, #F3E358, #D9F358 and #B0F358

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3E659 shade: #E8D610, #F0E031, #F3E658, #F6EC7E and #F8F1A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3E659 shade: #F3E659, #58F367 and #A558F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3E659 shade: #F3E659, #58F3E3 and #E358F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3E659 shade: #F3E659, #58F367, #5867F3 and #F358E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3E659 shade: #F3E659, #58F396, #5867F3 and #F358B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 63 / 5

HEX #F3E659

RGB 243 230 89

HSL 54.94, 0.87%, 0.65%

LAB 90.03, -11.9, 67.89

 

Complementary color

CMYK 93 / 85 / 0 / 35

HEX #0C19A6

RGB 12 25 166

HSL 234.94, 0.87%, 0.35%

LAB 22.04, 49.36, -73.18

 

CMYK 0 / 7 / 66 / 3

HEX #F8E654

RGB 248 230 84

HSL 53.41, 0.92%, 0.65%

LAB 90.41, -10.14, 70.4

 

CMYK 0 / 3 / 60 / 0

HEX #FFF867

RGB 255 248 103

HSL 57.24, 1%, 0.7%

LAB 95.74, -15, 68.55

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7A

RGB 255 255 122

HSL 60, 1%, 0.74%

LAB 97.71, -17.02, 62.59

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 5 / 63 / 5

HEX #F3E659

RGB 243 230 89

HSL 54.94, 0.87%, 0.65%

LAB 90.03, -11.9, 67.89

 

CMYK 0 / 6 / 69 / 11

HEX #E2D446

RGB 226 212 70

HSL 54.62, 0.73%, 0.58%

LAB 83.81, -11.01, 68.48

 

CMYK 0 / 7 / 76 / 18

HEX #D1C233

RGB 209 194 51

HSL 54.3, 0.63%, 0.51%

LAB 77.51, -9.96, 68.62

 

CMYK 0 / 8 / 83 / 25

HEX #C0B020

RGB 192 176 32

HSL 54, 0.71%, 0.44%

LAB 71.12, -8.72, 67.98

 

CMYK 0 / 10 / 93 / 31

HEX #AF9E0D

RGB 175 158 13

HSL 53.7, 0.86%, 0.37%

LAB 64.64, -7.24, 66.08

 

CMYK 0 / 5 / 64 / 5

HEX #F3E658

RGB 243 230 88

HSL 54.97, 0.87%, 0.65%

LAB 90.02, -11.96, 68.29

 

CMYK 0 / 23 / 64 / 5

HEX #F3BC58

RGB 243 188 88

HSL 38.71, 0.87%, 0.65%

LAB 79.46, 9.47, 56.89

 

CMYK 0 / 40 / 64 / 5

HEX #F39258

RGB 243 146 88

HSL 22.45, 0.87%, 0.65%

LAB 69.69, 31.55, 45.78

 

CMYK 0 / 57 / 64 / 5

HEX #F36858

RGB 243 104 88

HSL 6.19, 0.87%, 0.65%

LAB 61.36, 52.38, 35.77

 

CMYK 0 / 64 / 64 / 5

HEX #F35858

RGB 243 88 88

HSL 0, 0.87%, 0.65%

LAB 58.73, 59.36, 32.51

 

CMYK 0 / 5 / 64 / 5

HEX #F3E658

RGB 243 230 88

HSL 54.97, 0.87%, 0.65%

LAB 90.02, -11.96, 68.29

 

CMYK 12 / 0 / 64 / 5

HEX #D6F358

RGB 214 243 88

HSL 71.23, 0.87%, 0.65%

LAB 91.28, -29.85, 68.94

 

CMYK 29 / 0 / 64 / 5

HEX #ACF358

RGB 172 243 88

HSL 87.48, 0.87%, 0.65%

LAB 88.72, -45.55, 65.45

 

CMYK 47 / 0 / 64 / 5

HEX #82F358

RGB 130 243 88

HSL 103.74, 0.87%, 0.65%

LAB 86.78, -59.11, 62.78

 

CMYK 64 / 0 / 64 / 5

HEX #58F358

RGB 88 243 88

HSL 120, 0.87%, 0.65%

LAB 85.44, -69.44, 60.93

 

CMYK 0 / 5 / 64 / 5

HEX #F3E658

RGB 243 230 88

HSL 54.97, 0.87%, 0.65%

LAB 90.02, -11.96, 68.29

 

CMYK 0 / 5 / 64 / 5

HEX #F3E658

RGB 243 230 88

HSL 54.97, 0.87%, 0.65%

LAB 90.02, -11.96, 68.29

 

CMYK 0 / 4 / 55 / 11

HEX #E4DA66

RGB 228 218 102

HSL 55.24, 0.7%, 0.65%

LAB 85.8, -11.17, 57.31

 

CMYK 0 / 4 / 46 / 16

HEX #D6CE74

RGB 214 206 116

HSL 55.1, 0.54%, 0.65%

LAB 81.67, -9.58, 45.52

 

CMYK 0 / 3 / 35 / 22

HEX #C8C283

RGB 200 194 131

HSL 54.78, 0.39%, 0.65%

LAB 77.58, -7.39, 32.49

 

CMYK 0 / 2 / 22 / 27

HEX #B9B691

RGB 185 182 145

HSL 55.5, 0.22%, 0.65%

LAB 73.43, -5.08, 19.26

 

CMYK 0 / 40 / 64 / 5

HEX #F39158

RGB 243 145 88

HSL 22.06, 0.87%, 0.65%

LAB 69.48, 32.07, 45.52

 

CMYK 0 / 23 / 64 / 5

HEX #F3BA58

RGB 243 186 88

HSL 37.94, 0.87%, 0.65%

LAB 78.97, 10.51, 56.35

 

CMYK 0 / 7 / 64 / 5

HEX #F3E358

RGB 243 227 88

HSL 53.81, 0.87%, 0.65%

LAB 89.25, -10.47, 67.47

 

CMYK 11 / 0 / 64 / 5

HEX #D9F358

RGB 217 243 88

HSL 70.06, 0.87%, 0.65%

LAB 91.49, -28.68, 69.22

 

CMYK 28 / 0 / 64 / 5

HEX #B0F358

RGB 176 243 88

HSL 85.94, 0.87%, 0.65%

LAB 88.94, -44.13, 65.75

 

CMYK 0 / 8 / 93 / 9

HEX #E8D610

RGB 232 214 16

HSL 55, 0.87%, 0.49%

LAB 84.63, -11.08, 83.07

 

CMYK 0 / 7 / 80 / 6

HEX #F0E031

RGB 240 224 49

HSL 54.97, 0.86%, 0.57%

LAB 88, -11.98, 79.61

 

CMYK 0 / 5 / 64 / 5

HEX #F3E658

RGB 243 230 88

HSL 54.97, 0.87%, 0.65%

LAB 90.02, -11.96, 68.29

 

CMYK 0 / 4 / 49 / 4

HEX #F6EC7E

RGB 246 236 126

HSL 55, 0.87%, 0.73%

LAB 92.17, -10.96, 54.08

 

CMYK 0 / 3 / 33 / 3

HEX #F8F1A5

RGB 248 241 165

HSL 54.94, 0.86%, 0.81%

LAB 94.13, -8.69, 37.61

 

CMYK 0 / 5 / 63 / 5

HEX #F3E659

RGB 243 230 89

HSL 54.94, 0.87%, 0.65%

LAB 90.03, -11.9, 67.89

 

CMYK 64 / 0 / 58 / 5

HEX #58F367

RGB 88 243 103

HSL 125.81, 0.87%, 0.65%

LAB 85.58, -67.83, 54.73

 

CMYK 32 / 64 / 0 / 5

HEX #A558F3

RGB 165 88 243

HSL 269.81, 0.87%, 0.65%

LAB 53.44, 59.71, -65.92

 

CMYK 0 / 5 / 63 / 5

HEX #F3E659

RGB 243 230 89

HSL 54.94, 0.87%, 0.65%

LAB 90.03, -11.9, 67.89

 

CMYK 64 / 0 / 7 / 5

HEX #58F3E3

RGB 88 243 227

HSL 173.81, 0.87%, 0.65%

LAB 87.83, -44.1, -4.32

 

CMYK 7 / 64 / 0 / 5

HEX #E358F3

RGB 227 88 243

HSL 293.81, 0.87%, 0.65%

LAB 61.47, 73.32, -52.62

 

CMYK 0 / 5 / 63 / 5

HEX #F3E659

RGB 243 230 89

HSL 54.94, 0.87%, 0.65%

LAB 90.03, -11.9, 67.89

 

CMYK 64 / 0 / 58 / 5

HEX #58F367

RGB 88 243 103

HSL 125.81, 0.87%, 0.65%

LAB 85.58, -67.83, 54.73

 

CMYK 64 / 58 / 0 / 5

HEX #5867F3

RGB 88 103 243

HSL 234.19, 0.87%, 0.65%

LAB 49.79, 36.99, -72.15

 

CMYK 0 / 64 / 7 / 5

HEX #F358E3

RGB 243 88 227

HSL 306.19, 0.87%, 0.65%

LAB 62.99, 74.43, -41.14

 

CMYK 0 / 5 / 63 / 5

HEX #F3E659

RGB 243 230 89

HSL 54.94, 0.87%, 0.65%

LAB 90.03, -11.9, 67.89

 

CMYK 64 / 0 / 38 / 5

HEX #58F396

RGB 88 243 150

HSL 144, 0.87%, 0.65%

LAB 86.2, -60.93, 33.12

 

CMYK 64 / 58 / 0 / 5

HEX #5867F3

RGB 88 103 243

HSL 234.19, 0.87%, 0.65%

LAB 49.79, 36.99, -72.15

 

CMYK 0 / 64 / 26 / 5

HEX #F358B5

RGB 243 88 181

HSL 324, 0.87%, 0.65%

LAB 61.11, 67.99, -18.01

 

Description

Color code: HEX #F3E659 | qconv.com Color code: HEX #F3E659 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 230 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 230 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 63 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 63% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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