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Color name
HEX #F3DF2C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3DF2C it is the complementary color #0C20D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3DF2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3DF2C shade: #F8DF27, #FFF13A, #FFFF4D, #FFFF60 and #FFFF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3DF2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3DF2C shade: #F3DF2C, #E2CD19, #D1BB06, #C0A900 and #AF9700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3DF2C shade: #F2DE2A, #F2A82A, #F2722A, #F23D2A and #F22A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3DF2C shade: #F2DE2A, #D0F22A, #9BF22A, #65F22A and #2FF22A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3DF2C shade matches the following richer shades: #F2DE2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3DF2C shade: #F2DE2A, #E0D03D, #CEC14F, #BCB361 and #AAA473

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3DF2C shade: #F2702A, #F2A62A, #F2DB2A, #D4F22A and #9FF22A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3DF2C shade: #BFAD0B, #E6D10D, #F2DE2A, #F4E451 and #F7EA78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3DF2C shade: #F3DF2C, #2AF23B and #8B2AF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3DF2C shade: #F3DF2C, #2AF2DB and #DB2AF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3DF2C shade: #F3DF2C, #2AF23B, #2A42F2 and #F22AE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3DF2C shade: #F3DF2C, #2AF277, #2A42F2 and #F22AA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 82 / 5

HEX #F3DF2C

RGB 243 223 44

HSL 53.97, 0.89%, 0.56%

LAB 87.97, -10.37, 80.99

 

Complementary color

CMYK 94 / 85 / 0 / 17

HEX #0C20D3

RGB 12 32 211

HSL 233.97, 0.89%, 0.44%

LAB 28.94, 60.06, -88.37

 

CMYK 0 / 10 / 84 / 3

HEX #F8DF27

RGB 248 223 39

HSL 52.82, 0.94%, 0.56%

LAB 88.39, -8.39, 82.69

 

CMYK 0 / 5 / 77 / 0

HEX #FFF13A

RGB 255 241 58

HSL 55.74, 1%, 0.61%

LAB 93.66, -13.81, 82.57

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4D

RGB 255 255 77

HSL 60, 1%, 0.65%

LAB 97.36, -19.81, 80.06

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF60

RGB 255 255 96

HSL 60, 1%, 0.69%

LAB 97.48, -18.81, 73.24

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF73

RGB 255 255 115

HSL 60, 1%, 0.73%

LAB 97.64, -17.55, 65.58

 

CMYK 0 / 8 / 82 / 5

HEX #F3DF2C

RGB 243 223 44

HSL 53.97, 0.89%, 0.56%

LAB 87.97, -10.37, 80.99

 

CMYK 0 / 9 / 89 / 11

HEX #E2CD19

RGB 226 205 25

HSL 53.73, 0.8%, 0.49%

LAB 81.78, -8.98, 79.37

 

CMYK 0 / 11 / 97 / 18

HEX #D1BB06

RGB 209 187 6

HSL 53.5, 0.94%, 0.42%

LAB 75.52, -7.4, 76.44

 

CMYK 0 / 12 / 100 / 25

HEX #C0A900

RGB 192 169 0

HSL 52.81, 1%, 0.38%

LAB 69.17, -5.6, 71.83

 

CMYK 0 / 14 / 100 / 31

HEX #AF9700

RGB 175 151 0

HSL 51.77, 1%, 0.34%

LAB 62.72, -3.67, 66.49

 

CMYK 0 / 8 / 83 / 5

HEX #F2DE2A

RGB 242 222 42

HSL 54, 0.88%, 0.56%

LAB 87.62, -10.34, 81.15

 

CMYK 0 / 31 / 83 / 5

HEX #F2A82A

RGB 242 168 42

HSL 37.8, 0.88%, 0.56%

LAB 74.22, 17.52, 69.8

 

CMYK 0 / 53 / 83 / 5

HEX #F2722A

RGB 242 114 42

HSL 21.6, 0.88%, 0.56%

LAB 62.57, 45.31, 59.7

 

CMYK 0 / 75 / 83 / 5

HEX #F23D2A

RGB 242 61 42

HSL 5.7, 0.88%, 0.56%

LAB 54.43, 67.03, 52.43

 

CMYK 0 / 83 / 83 / 5

HEX #F22A2A

RGB 242 42 42

HSL 0, 0.88%, 0.56%

LAB 52.62, 72.13, 50.79

 

CMYK 0 / 8 / 83 / 5

HEX #F2DE2A

RGB 242 222 42

HSL 54, 0.88%, 0.56%

LAB 87.62, -10.34, 81.15

 

CMYK 14 / 0 / 83 / 5

HEX #D0F22A

RGB 208 242 42

HSL 70.2, 0.88%, 0.56%

LAB 90.36, -33.9, 82.43

 

CMYK 36 / 0 / 83 / 5

HEX #9BF22A

RGB 155 242 42

HSL 86.1, 0.88%, 0.56%

LAB 87.31, -53.63, 78.6

 

CMYK 58 / 0 / 83 / 5

HEX #65F22A

RGB 101 242 42

HSL 102.3, 0.88%, 0.56%

LAB 85.22, -69.45, 75.94

 

CMYK 81 / 0 / 83 / 5

HEX #2FF22A

RGB 47 242 42

HSL 118.5, 0.88%, 0.56%

LAB 84.11, -78.87, 74.53

 

CMYK 0 / 8 / 83 / 5

HEX #F2DE2A

RGB 242 222 42

HSL 54, 0.88%, 0.56%

LAB 87.62, -10.34, 81.15

 

CMYK 0 / 8 / 83 / 5

HEX #F2DE2A

RGB 242 222 42

HSL 54, 0.88%, 0.56%

LAB 87.62, -10.34, 81.15

 

CMYK 0 / 7 / 73 / 12

HEX #E0D03D

RGB 224 208 61

HSL 54.11, 0.72%, 0.56%

LAB 82.54, -10.26, 70.43

 

CMYK 0 / 6 / 62 / 19

HEX #CEC14F

RGB 206 193 79

HSL 53.86, 0.56%, 0.56%

LAB 77.18, -9.25, 57.4

 

CMYK 0 / 5 / 48 / 26

HEX #BCB361

RGB 188 179 97

HSL 54.07, 0.4%, 0.56%

LAB 72.09, -8.1, 42.72

 

CMYK 0 / 4 / 32 / 33

HEX #AAA473

RGB 170 164 115

HSL 53.45, 0.24%, 0.56%

LAB 66.77, -5.55, 26.26

 

CMYK 0 / 54 / 83 / 5

HEX #F2702A

RGB 242 112 42

HSL 21, 0.88%, 0.56%

LAB 62.2, 46.28, 59.37

 

CMYK 0 / 31 / 83 / 5

HEX #F2A62A

RGB 242 166 42

HSL 37.2, 0.88%, 0.56%

LAB 73.75, 18.57, 69.4

 

CMYK 0 / 10 / 83 / 5

HEX #F2DB2A

RGB 242 219 42

HSL 53.1, 0.88%, 0.56%

LAB 86.85, -8.85, 80.5

 

CMYK 12 / 0 / 83 / 5

HEX #D4F22A

RGB 212 242 42

HSL 69, 0.88%, 0.56%

LAB 90.63, -32.31, 82.76

 

CMYK 34 / 0 / 83 / 5

HEX #9FF22A

RGB 159 242 42

HSL 84.9, 0.88%, 0.56%

LAB 87.51, -52.25, 78.84

 

CMYK 0 / 9 / 94 / 25

HEX #BFAD0B

RGB 191 173 11

HSL 54, 0.89%, 0.4%

LAB 70.17, -8.01, 71.19

 

CMYK 0 / 9 / 94 / 10

HEX #E6D10D

RGB 230 209 13

HSL 54.19, 0.89%, 0.48%

LAB 83.15, -9.46, 82.22

 

CMYK 0 / 8 / 83 / 5

HEX #F2DE2A

RGB 242 222 42

HSL 54, 0.88%, 0.56%

LAB 87.62, -10.34, 81.15

 

CMYK 0 / 7 / 67 / 4

HEX #F4E451

RGB 244 228 81

HSL 54.11, 0.88%, 0.64%

LAB 89.54, -10.95, 70.57

 

CMYK 0 / 5 / 51 / 3

HEX #F7EA78

RGB 247 234 120

HSL 53.86, 0.89%, 0.72%

LAB 91.67, -10.08, 56.3

 

CMYK 0 / 8 / 82 / 5

HEX #F3DF2C

RGB 243 223 44

HSL 53.97, 0.89%, 0.56%

LAB 87.97, -10.37, 80.99

 

CMYK 83 / 0 / 76 / 5

HEX #2AF23B

RGB 42 242 59

HSL 125.1, 0.88%, 0.56%

LAB 84.13, -78.41, 69.84

 

CMYK 43 / 83 / 0 / 5

HEX #8B2AF2

RGB 139 42 242

HSL 269.1, 0.88%, 0.56%

LAB 43.59, 73.86, -81.54

 

CMYK 0 / 8 / 82 / 5

HEX #F3DF2C

RGB 243 223 44

HSL 53.97, 0.89%, 0.56%

LAB 87.97, -10.37, 80.99

 

CMYK 83 / 0 / 10 / 5

HEX #2AF2DB

RGB 42 242 219

HSL 173.1, 0.88%, 0.56%

LAB 86.56, -50.95, -2.1

 

CMYK 10 / 83 / 0 / 5

HEX #DB2AF2

RGB 219 42 242

HSL 293.1, 0.88%, 0.56%

LAB 55.2, 85.85, -62.14

 

CMYK 0 / 8 / 82 / 5

HEX #F3DF2C

RGB 243 223 44

HSL 53.97, 0.89%, 0.56%

LAB 87.97, -10.37, 80.99

 

CMYK 83 / 0 / 76 / 5

HEX #2AF23B

RGB 42 242 59

HSL 125.1, 0.88%, 0.56%

LAB 84.13, -78.41, 69.84

 

CMYK 83 / 73 / 0 / 5

HEX #2A42F2

RGB 42 66 242

HSL 232.8, 0.88%, 0.56%

LAB 39.24, 53.89, -88.98

 

CMYK 0 / 83 / 7 / 5

HEX #F22AE2

RGB 242 42 226

HSL 304.8, 0.88%, 0.56%

LAB 58.06, 87.54, -48.37

 

CMYK 0 / 8 / 82 / 5

HEX #F3DF2C

RGB 243 223 44

HSL 53.97, 0.89%, 0.56%

LAB 87.97, -10.37, 80.99

 

CMYK 83 / 0 / 51 / 5

HEX #2AF277

RGB 42 242 119

HSL 143.1, 0.88%, 0.56%

LAB 84.65, -71.96, 46.11

 

CMYK 83 / 73 / 0 / 5

HEX #2A42F2

RGB 42 66 242

HSL 232.8, 0.88%, 0.56%

LAB 39.24, 53.89, -88.98

 

CMYK 0 / 83 / 31 / 5

HEX #F22AA6

RGB 242 42 166

HSL 322.8, 0.88%, 0.56%

LAB 55.37, 80.14, -18.06

 

Description

Color code: HEX #F3DF2C | qconv.com Color code: HEX #F3DF2C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 223 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 223 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 82 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 82% 5% C M Y K

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Provide designers and agencies with accurate color values.

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