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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3DDB5 it is the complementary color #0C224A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3DDB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3DDB5 shade: #F8DDB0, #FFEFC3, #FFFFD6, #FFFFE9 and #FFFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3DDB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3DDB5 shade: #F3DDB5, #E2CBA2, #D1B98F, #C0A77C and #AF9569

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3DDB5 shade: #F2DCB4, #F2CBB4, #F2BBB4 and #F2B4B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3DDB5 shade: #F2DCB4, #F2EDB4, #E7F2B4, #D6F2B4 and #C5F2B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3DDB5 shade matches the following richer shades: #F2DCB4 and #F9DEAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3DDB5 shade: #F2DCB4, #EBDABB, #E4D8C2, #DDD6C9 and #D6D4D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3DDB5 shade: #F2BAB4, #F2CBB4, #F2DBB4, #F2ECB4 and #E8F2B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3DDB5 shade: #E7BC6D, #EDCC90, #F2DCB4, #F8EDD7 and #FEFDFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3DDB5 shade: #F3DDB5, #BEF2B4 and #C3B4F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3DDB5 shade: #F3DDB5, #B4F2DB and #DBB4F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3DDB5 shade: #F3DDB5, #BEF2B4, #B4CBF2 and #E8B4F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3DDB5 shade: #F3DDB5, #B4F2BC, #B4CBF2 and #F2B4EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 26 / 5

HEX #F3DDB5

RGB 243 221 181

HSL 38.71, 0.72%, 0.83%

LAB 88.97, 1.55, 22.41

 

Complementary color

CMYK 84 / 54 / 0 / 71

HEX #0C224A

RGB 12 34 74

HSL 218.71, 0.72%, 0.17%

LAB 13.92, 8.12, -27.39

 

CMYK 0 / 11 / 29 / 3

HEX #F8DDB0

RGB 248 221 176

HSL 37.5, 0.84%, 0.83%

LAB 89.3, 2.76, 25.53

 

CMYK 0 / 6 / 24 / 0

HEX #FFEFC3

RGB 255 239 195

HSL 44, 1%, 0.88%

LAB 94.71, -1.29, 23.27

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

HEX #FFFFFC

CMYK 0 / 9 / 26 / 5

HEX #F3DDB5

RGB 243 221 181

HSL 38.71, 0.72%, 0.83%

LAB 88.97, 1.55, 22.41

 

CMYK 0 / 10 / 28 / 11

HEX #E2CBA2

RGB 226 203 162

HSL 38.44, 0.52%, 0.76%

LAB 82.64, 1.93, 23.42

 

CMYK 0 / 11 / 32 / 18

HEX #D1B98F

RGB 209 185 143

HSL 38.18, 0.42%, 0.69%

LAB 76.21, 2.35, 24.48

 

CMYK 0 / 13 / 35 / 25

HEX #C0A77C

RGB 192 167 124

HSL 37.94, 0.35%, 0.62%

LAB 69.68, 2.84, 25.62

 

CMYK 0 / 15 / 40 / 31

HEX #AF9569

RGB 175 149 105

HSL 37.71, 0.3%, 0.55%

LAB 63.03, 3.42, 26.83

 

CMYK 0 / 9 / 26 / 5

HEX #F2DCB4

RGB 242 220 180

HSL 38.71, 0.7%, 0.83%

LAB 88.62, 1.56, 22.43

 

CMYK 0 / 16 / 26 / 5

HEX #F2CBB4

RGB 242 203 180

HSL 22.26, 0.7%, 0.83%

LAB 84.42, 10.37, 16.6

 

CMYK 0 / 23 / 26 / 5

HEX #F2BBB4

RGB 242 187 180

HSL 6.77, 0.7%, 0.83%

LAB 80.58, 18.8, 11.17

 

CMYK 0 / 26 / 26 / 5

HEX #F2B4B4

RGB 242 180 180

HSL 0, 0.7%, 0.83%

LAB 78.93, 22.5, 8.83

 

CMYK 0 / 9 / 26 / 5

HEX #F2DCB4

RGB 242 220 180

HSL 38.71, 0.7%, 0.83%

LAB 88.62, 1.56, 22.43

 

CMYK 0 / 2 / 26 / 5

HEX #F2EDB4

RGB 242 237 180

HSL 55.16, 0.7%, 0.83%

LAB 92.9, -7.07, 28.3

 

CMYK 5 / 0 / 26 / 5

HEX #E7F2B4

RGB 231 242 180

HSL 70.65, 0.7%, 0.83%

LAB 93.36, -13.59, 28.78

 

CMYK 12 / 0 / 26 / 5

HEX #D6F2B4

RGB 214 242 180

HSL 87.1, 0.7%, 0.83%

LAB 92.17, -19.69, 26.97

 

CMYK 19 / 0 / 26 / 5

HEX #C5F2B4

RGB 197 242 180

HSL 103.55, 0.7%, 0.83%

LAB 91.08, -25.58, 25.31

 

CMYK 0 / 9 / 26 / 5

HEX #F2DCB4

RGB 242 220 180

HSL 38.71, 0.7%, 0.83%

LAB 88.62, 1.56, 22.43

 

CMYK 0 / 11 / 31 / 2

HEX #F9DEAD

RGB 249 222 173

HSL 38.68, 0.86%, 0.83%

LAB 89.58, 2.25, 27.47

 

CMYK 0 / 9 / 26 / 5

HEX #F2DCB4

RGB 242 220 180

HSL 38.71, 0.7%, 0.83%

LAB 88.62, 1.56, 22.43

 

CMYK 0 / 7 / 20 / 8

HEX #EBDABB

RGB 235 218 187

HSL 38.75, 0.55%, 0.83%

LAB 87.68, 0.98, 17.38

 

CMYK 0 / 5 / 15 / 11

HEX #E4D8C2

RGB 228 216 194

HSL 38.82, 0.39%, 0.83%

LAB 86.75, 0.51, 12.32

 

CMYK 0 / 3 / 9 / 13

HEX #DDD6C9

RGB 221 214 201

HSL 39, 0.23%, 0.83%

LAB 85.85, 0.18, 7.26

 

CMYK 0 / 1 / 3 / 16

HEX #D6D4D0

RGB 214 212 208

HSL 40, 0.07%, 0.83%

LAB 84.96, -0.03, 2.21

 

CMYK 0 / 23 / 26 / 5

HEX #F2BAB4

RGB 242 186 180

HSL 5.81, 0.7%, 0.83%

LAB 80.34, 19.33, 10.84

 

CMYK 0 / 16 / 26 / 5

HEX #F2CBB4

RGB 242 203 180

HSL 22.26, 0.7%, 0.83%

LAB 84.42, 10.37, 16.6

 

CMYK 0 / 10 / 26 / 5

HEX #F2DBB4

RGB 242 219 180

HSL 37.74, 0.7%, 0.83%

LAB 88.37, 2.07, 22.09

 

CMYK 0 / 2 / 26 / 5

HEX #F2ECB4

RGB 242 236 180

HSL 54.19, 0.7%, 0.83%

LAB 92.65, -6.57, 27.95

 

CMYK 4 / 0 / 26 / 5

HEX #E8F2B4

RGB 232 242 180

HSL 69.68, 0.7%, 0.83%

LAB 93.43, -13.23, 28.89

 

CMYK 0 / 19 / 53 / 9

HEX #E7BC6D

RGB 231 188 109

HSL 38.85, 0.72%, 0.67%

LAB 78.5, 6.03, 45.44

 

CMYK 0 / 14 / 39 / 7

HEX #EDCC90

RGB 237 204 144

HSL 38.71, 0.72%, 0.75%

LAB 83.55, 3.49, 34.19

 

CMYK 0 / 9 / 26 / 5

HEX #F2DCB4

RGB 242 220 180

HSL 38.71, 0.7%, 0.83%

LAB 88.62, 1.56, 22.43

 

CMYK 0 / 4 / 13 / 3

HEX #F8EDD7

RGB 248 237 215

HSL 40, 0.7%, 0.91%

LAB 94.07, 0.12, 11.98

 

CMYK 0 / 0 / 1 / 0

HEX #FEFDFB

RGB 254 253 251

HSL 40, 0.6%, 0.99%

LAB 99.33, -0.01, 1.06

 

CMYK 0 / 9 / 26 / 5

HEX #F3DDB5

RGB 243 221 181

HSL 38.71, 0.72%, 0.83%

LAB 88.97, 1.55, 22.41

 

CMYK 21 / 0 / 26 / 5

HEX #BEF2B4

RGB 190 242 180

HSL 110.32, 0.7%, 0.83%

LAB 90.66, -27.94, 24.66

 

CMYK 19 / 26 / 0 / 5

HEX #C3B4F2

RGB 195 180 242

HSL 254.52, 0.7%, 0.83%

LAB 76.47, 17.71, -28.88

 

CMYK 0 / 9 / 26 / 5

HEX #F3DDB5

RGB 243 221 181

HSL 38.71, 0.72%, 0.83%

LAB 88.97, 1.55, 22.41

 

CMYK 26 / 0 / 10 / 5

HEX #B4F2DB

RGB 180 242 219

HSL 157.74, 0.7%, 0.83%

LAB 90.93, -24.11, 4.8

 

CMYK 10 / 26 / 0 / 5

HEX #DBB4F2

RGB 219 180 242

HSL 277.74, 0.7%, 0.83%

LAB 78.53, 25.16, -25.55

 

CMYK 0 / 9 / 26 / 5

HEX #F3DDB5

RGB 243 221 181

HSL 38.71, 0.72%, 0.83%

LAB 88.97, 1.55, 22.41

 

CMYK 21 / 0 / 26 / 5

HEX #BEF2B4

RGB 190 242 180

HSL 110.32, 0.7%, 0.83%

LAB 90.66, -27.94, 24.66

 

CMYK 26 / 16 / 0 / 5

HEX #B4CBF2

RGB 180 203 242

HSL 217.74, 0.7%, 0.83%

LAB 81.2, 0.73, -21.77

 

CMYK 4 / 26 / 0 / 5

HEX #E8B4F2

RGB 232 180 242

HSL 290.32, 0.7%, 0.83%

LAB 79.73, 29.29, -23.61

 

CMYK 0 / 9 / 26 / 5

HEX #F3DDB5

RGB 243 221 181

HSL 38.71, 0.72%, 0.83%

LAB 88.97, 1.55, 22.41

 

CMYK 26 / 0 / 22 / 5

HEX #B4F2BC

RGB 180 242 188

HSL 127.74, 0.7%, 0.83%

LAB 90.25, -29.88, 19.89

 

CMYK 26 / 16 / 0 / 5

HEX #B4CBF2

RGB 180 203 242

HSL 217.74, 0.7%, 0.83%

LAB 81.2, 0.73, -21.77

 

CMYK 0 / 26 / 3 / 5

HEX #F2B4EA

RGB 242 180 234

HSL 307.74, 0.7%, 0.83%

LAB 80.44, 31.05, -18.14

 

Description

Color code: HEX #F3DDB5 | qconv.com Color code: HEX #F3DDB5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 221 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 221 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 26 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 26% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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