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Color name
HEX #F3D3A4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3D3A4 it is the complementary color #0C2C5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3D3A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3D3A4 shade: #F8D39F, #FFE5B2, #FFF7C5, #FFFFD8 and #FFFFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3D3A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3D3A4 shade: #F3D3A4, #E2C191, #D1AF7E, #C09D6B and #AF8B58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3D3A4 shade: #F3D3A4, #F3BEA4, #F3A9A4 and #F3A4A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3D3A4 shade: #F3D3A4, #F3E8A4, #E8F3A4, #D3F3A4 and #BEF3A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3D3A4 shade matches the following richer shades: #F3D3A4 and #FBD59C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3D3A4 shade: #F3D3A4, #EBD1AC, #E2D0B5, #DACEBD and #D2CDC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3D3A4 shade: #F3A8A4, #F3BDA4, #F3D2A4, #F3E7A4 and #EAF3A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3D3A4 shade: #E9B05B, #EEC180, #F3D3A4, #F8E5C9 and #FCF6ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3D3A4 shade: #F3D3A4, #B5F3A4 and #B3A4F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3D3A4 shade: #F3D3A4, #A4F3D2 and #D2A4F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3D3A4 shade: #F3D3A4, #B5F3A4, #A4C5F3 and #E2A4F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3D3A4 shade: #F3D3A4, #A4F3AB, #A4C5F3 and #F3A4EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 33 / 5

HEX #F3D3A4

RGB 243 211 164

HSL 35.7, 0.77%, 0.8%

LAB 86.17, 4.51, 27.42

 

Complementary color

CMYK 87 / 52 / 0 / 64

HEX #0C2C5B

RGB 12 44 91

HSL 215.7, 0.77%, 0.2%

LAB 18.52, 8.18, -31.47

 

CMYK 0 / 15 / 36 / 3

HEX #F8D39F

RGB 248 211 159

HSL 35.06, 0.86%, 0.8%

LAB 86.53, 5.84, 30.57

 

CMYK 0 / 10 / 30 / 0

HEX #FFE5B2

RGB 255 229 178

HSL 39.74, 1%, 0.85%

LAB 91.91, 1.55, 28.16

 

CMYK 0 / 3 / 23 / 0

HEX #FFF7C5

RGB 255 247 197

HSL 51.72, 1%, 0.89%

LAB 96.74, -5.04, 25.05

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 0 / 13 / 33 / 5

HEX #F3D3A4

RGB 243 211 164

HSL 35.7, 0.77%, 0.8%

LAB 86.17, 4.51, 27.42

 

CMYK 0 / 15 / 36 / 11

HEX #E2C191

RGB 226 193 145

HSL 35.56, 0.58%, 0.73%

LAB 79.81, 5.04, 28.54

 

CMYK 0 / 16 / 40 / 18

HEX #D1AF7E

RGB 209 175 126

HSL 35.42, 0.47%, 0.66%

LAB 73.36, 5.63, 29.72

 

CMYK 0 / 18 / 44 / 25

HEX #C09D6B

RGB 192 157 107

HSL 35.29, 0.4%, 0.59%

LAB 66.81, 6.32, 30.99

 

CMYK 0 / 21 / 50 / 31

HEX #AF8B58

RGB 175 139 88

HSL 35.17, 0.35%, 0.52%

LAB 60.14, 7.13, 32.35

 

CMYK 0 / 13 / 33 / 5

HEX #F3D3A4

RGB 243 211 164

HSL 35.7, 0.77%, 0.8%

LAB 86.17, 4.51, 27.42

 

CMYK 0 / 22 / 33 / 5

HEX #F3BEA4

RGB 243 190 164

HSL 19.75, 0.77%, 0.8%

LAB 81.05, 15.49, 20.42

 

CMYK 0 / 30 / 33 / 5

HEX #F3A9A4

RGB 243 169 164

HSL 3.8, 0.77%, 0.8%

LAB 76.14, 26.59, 13.56

 

CMYK 0 / 33 / 33 / 5

HEX #F3A4A4

RGB 243 164 164

HSL 0, 0.77%, 0.8%

LAB 75, 29.23, 11.97

 

CMYK 0 / 13 / 33 / 5

HEX #F3D3A4

RGB 243 211 164

HSL 35.7, 0.77%, 0.8%

LAB 86.17, 4.51, 27.42

 

CMYK 0 / 5 / 33 / 5

HEX #F3E8A4

RGB 243 232 164

HSL 51.65, 0.77%, 0.8%

LAB 91.44, -6.2, 34.48

 

CMYK 5 / 0 / 33 / 5

HEX #E8F3A4

RGB 232 243 164

HSL 68.35, 0.77%, 0.8%

LAB 93.42, -15.8, 36.95

 

CMYK 13 / 0 / 33 / 5

HEX #D3F3A4

RGB 211 243 164

HSL 84.3, 0.77%, 0.8%

LAB 91.97, -23.47, 34.76

 

CMYK 22 / 0 / 33 / 5

HEX #BEF3A4

RGB 190 243 164

HSL 100.25, 0.77%, 0.8%

LAB 90.66, -30.84, 32.78

 

CMYK 0 / 13 / 33 / 5

HEX #F3D3A4

RGB 243 211 164

HSL 35.7, 0.77%, 0.8%

LAB 86.17, 4.51, 27.42

 

CMYK 0 / 15 / 38 / 2

HEX #FBD59C

RGB 251 213 156

HSL 36, 0.92%, 0.8%

LAB 87.24, 5.62, 33.12

 

CMYK 0 / 13 / 33 / 5

HEX #F3D3A4

RGB 243 211 164

HSL 35.7, 0.77%, 0.8%

LAB 86.17, 4.51, 27.42

 

CMYK 0 / 11 / 27 / 8

HEX #EBD1AC

RGB 235 209 172

HSL 35.24, 0.61%, 0.8%

LAB 85.12, 3.54, 21.69

 

CMYK 0 / 8 / 20 / 11

HEX #E2D0B5

RGB 226 208 181

HSL 36, 0.44%, 0.8%

LAB 84.29, 1.97, 15.67

 

CMYK 0 / 6 / 13 / 15

HEX #DACEBD

RGB 218 206 189

HSL 35.17, 0.28%, 0.8%

LAB 83.3, 1.32, 9.94

 

CMYK 0 / 2 / 6 / 18

HEX #D2CDC5

RGB 210 205 197

HSL 36.92, 0.13%, 0.8%

LAB 82.59, 0.32, 4.58

 

CMYK 0 / 31 / 33 / 5

HEX #F3A8A4

RGB 243 168 164

HSL 3.04, 0.77%, 0.8%

LAB 75.91, 27.12, 13.24

 

CMYK 0 / 22 / 33 / 5

HEX #F3BDA4

RGB 243 189 164

HSL 18.99, 0.77%, 0.8%

LAB 80.81, 16.02, 20.09

 

CMYK 0 / 14 / 33 / 5

HEX #F3D2A4

RGB 243 210 164

HSL 34.94, 0.77%, 0.8%

LAB 85.92, 5.03, 27.08

 

CMYK 0 / 5 / 33 / 5

HEX #F3E7A4

RGB 243 231 164

HSL 50.89, 0.77%, 0.8%

LAB 91.18, -5.7, 34.14

 

CMYK 4 / 0 / 33 / 5

HEX #EAF3A4

RGB 234 243 164

HSL 66.84, 0.77%, 0.8%

LAB 93.57, -15.05, 37.17

 

CMYK 0 / 24 / 61 / 9

HEX #E9B05B

RGB 233 176 91

HSL 35.92, 0.76%, 0.64%

LAB 75.53, 11.81, 50.77

 

CMYK 0 / 19 / 46 / 7

HEX #EEC180

RGB 238 193 128

HSL 35.45, 0.76%, 0.72%

LAB 80.67, 7.97, 38.7

 

CMYK 0 / 13 / 33 / 5

HEX #F3D3A4

RGB 243 211 164

HSL 35.7, 0.77%, 0.8%

LAB 86.17, 4.51, 27.42

 

CMYK 0 / 8 / 19 / 3

HEX #F8E5C9

RGB 248 229 201

HSL 35.74, 0.77%, 0.88%

LAB 91.78, 2.09, 16

 

CMYK 0 / 2 / 6 / 1

HEX #FCF6ED

RGB 252 246 237

HSL 36, 0.71%, 0.96%

LAB 97.11, 0.47, 5.02

 

CMYK 0 / 13 / 33 / 5

HEX #F3D3A4

RGB 243 211 164

HSL 35.7, 0.77%, 0.8%

LAB 86.17, 4.51, 27.42

 

CMYK 26 / 0 / 33 / 5

HEX #B5F3A4

RGB 181 243 164

HSL 107.09, 0.77%, 0.8%

LAB 90.14, -33.87, 32

 

CMYK 26 / 33 / 0 / 5

HEX #B3A4F3

RGB 179 164 243

HSL 251.39, 0.77%, 0.8%

LAB 71.29, 22.06, -37.54

 

CMYK 0 / 13 / 33 / 5

HEX #F3D3A4

RGB 243 211 164

HSL 35.7, 0.77%, 0.8%

LAB 86.17, 4.51, 27.42

 

CMYK 33 / 0 / 14 / 5

HEX #A4F3D2

RGB 164 243 210

HSL 154.94, 0.77%, 0.8%

LAB 90.16, -31.08, 8.26

 

CMYK 14 / 33 / 0 / 5

HEX #D2A4F3

RGB 210 164 243

HSL 274.94, 0.77%, 0.8%

LAB 74.01, 31.26, -33.1

 

CMYK 0 / 13 / 33 / 5

HEX #F3D3A4

RGB 243 211 164

HSL 35.7, 0.77%, 0.8%

LAB 86.17, 4.51, 27.42

 

CMYK 26 / 0 / 33 / 5

HEX #B5F3A4

RGB 181 243 164

HSL 107.09, 0.77%, 0.8%

LAB 90.14, -33.87, 32

 

CMYK 33 / 19 / 0 / 5

HEX #A4C5F3

RGB 164 197 243

HSL 214.94, 0.77%, 0.8%

LAB 78.63, -0.4, -26.3

 

CMYK 7 / 33 / 0 / 5

HEX #E2A4F3

RGB 226 164 243

HSL 287.09, 0.77%, 0.8%

LAB 75.57, 36.16, -30.57

 

CMYK 0 / 13 / 33 / 5

HEX #F3D3A4

RGB 243 211 164

HSL 35.7, 0.77%, 0.8%

LAB 86.17, 4.51, 27.42

 

CMYK 33 / 0 / 30 / 5

HEX #A4F3AB

RGB 164 243 171

HSL 125.32, 0.77%, 0.8%

LAB 89.36, -38.22, 27.25

 

CMYK 33 / 19 / 0 / 5

HEX #A4C5F3

RGB 164 197 243

HSL 214.94, 0.77%, 0.8%

LAB 78.63, -0.4, -26.3

 

CMYK 0 / 33 / 3 / 5

HEX #F3A4EC

RGB 243 164 236

HSL 305.32, 0.77%, 0.8%

LAB 77.08, 40.17, -24.31

 

Description

Color code: HEX #F3D3A4 | qconv.com Color code: HEX #F3D3A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 211 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 211 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 33 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 33% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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