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Color name
HEX #F3BCB3

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3BCB3 it is the complementary color #0C434C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3BCB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3BCB3 shade: #F8BCAE, #FFCEC1, #FFE0D4, #FFF2E7 and #FFFFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3BCB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3BCB3 shade: #F3BCB3, #E2AAA0, #D1988D, #C0867A and #AF7467

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3BCB3 shade: #F3BCB4 and #F3B4B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3BCB3 shade: #F3BCB4, #F3CDB4, #F3DFB4, #F3F0B4 and #E5F3B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3BCB3 shade matches the following richer shades: #F3BCB4 and #FAB7AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3BCB3 shade: #F3BCB4, #ECC1BB, #E5C6C2, #DECCC9 and #D7D1D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3BCB3 shade: #F3B4CD, #F3B4BC, #F3BCB4, #F3CDB4 and #F3DEB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3BCB3 shade: #E87E6C, #ED9D90, #F3BCB4, #F8DCD7 and #FEFBFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3BCB3 shade: #F3BCB3, #DEF3B4 and #B4C4F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3BCB3 shade: #F3BCB3, #B4F3BC and #BCB4F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3BCB3 shade: #F3BCB3, #DEF3B4, #B4EAF3 and #C9B4F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3BCB3 shade: #F3BCB3, #CBF3B4, #B4EAF3 and #DCB4F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 26 / 5

HEX #F3BCB3

RGB 243 188 179

HSL 8.44, 0.73%, 0.83%

LAB 80.89, 18.5, 12.17

 

Complementary color

CMYK 84 / 12 / 0 / 70

HEX #0C434C

RGB 12 67 76

HSL 188.44, 0.73%, 0.17%

LAB 25.61, -13.57, -10.42

 

CMYK 0 / 24 / 30 / 3

HEX #F8BCAE

RGB 248 188 174

HSL 11.35, 0.84%, 0.83%

LAB 81.28, 19.7, 15.47

 

CMYK 0 / 19 / 24 / 0

HEX #FFCEC1

RGB 255 206 193

HSL 12.58, 1%, 0.88%

LAB 86.63, 15.4, 13

 

CMYK 0 / 12 / 17 / 0

HEX #FFE0D4

RGB 255 224 212

HSL 16.74, 1%, 0.92%

LAB 91.38, 8.8, 9.78

 

CMYK 0 / 5 / 9 / 0

HEX #FFF2E7

RGB 255 242 231

HSL 27.5, 1%, 0.95%

LAB 96.22, 2.55, 6.85

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFA

RGB 255 255 250

HSL 60, 1%, 0.99%

LAB 99.88, -0.86, 2.37

 

CMYK 0 / 23 / 26 / 5

HEX #F3BCB3

RGB 243 188 179

HSL 8.44, 0.73%, 0.83%

LAB 80.89, 18.5, 12.17

 

CMYK 0 / 25 / 29 / 11

HEX #E2AAA0

RGB 226 170 160

HSL 9.09, 0.53%, 0.76%

LAB 74.48, 19.16, 13.15

 

CMYK 0 / 27 / 33 / 18

HEX #D1988D

RGB 209 152 141

HSL 9.71, 0.43%, 0.69%

LAB 67.97, 19.88, 14.22

 

CMYK 0 / 30 / 36 / 25

HEX #C0867A

RGB 192 134 122

HSL 10.29, 0.36%, 0.62%

LAB 61.36, 20.7, 15.39

 

CMYK 0 / 34 / 41 / 31

HEX #AF7467

RGB 175 116 103

HSL 10.83, 0.31%, 0.55%

LAB 54.64, 21.63, 16.69

 

CMYK 0 / 23 / 26 / 5

HEX #F3BCB4

RGB 243 188 180

HSL 7.62, 0.72%, 0.83%

LAB 80.91, 18.64, 11.66

 

CMYK 0 / 26 / 26 / 5

HEX #F3B4B4

RGB 243 180 180

HSL 0, 0.72%, 0.83%

LAB 79.04, 22.87, 8.99

 

CMYK 0 / 23 / 26 / 5

HEX #F3BCB4

RGB 243 188 180

HSL 7.62, 0.72%, 0.83%

LAB 80.91, 18.64, 11.66

 

CMYK 0 / 16 / 26 / 5

HEX #F3CDB4

RGB 243 205 180

HSL 23.81, 0.72%, 0.83%

LAB 85, 9.7, 17.42

 

CMYK 0 / 8 / 26 / 5

HEX #F3DFB4

RGB 243 223 180

HSL 40.95, 0.72%, 0.83%

LAB 89.45, 0.39, 23.59

 

CMYK 0 / 1 / 26 / 5

HEX #F3F0B4

RGB 243 240 180

HSL 57.14, 0.72%, 0.83%

LAB 93.74, -8.21, 29.45

 

CMYK 6 / 0 / 26 / 5

HEX #E5F3B4

RGB 229 243 180

HSL 73.33, 0.72%, 0.83%

LAB 93.47, -14.81, 28.91

 

CMYK 0 / 23 / 26 / 5

HEX #F3BCB4

RGB 243 188 180

HSL 7.62, 0.72%, 0.83%

LAB 80.91, 18.64, 11.66

 

CMYK 0 / 27 / 31 / 2

HEX #FAB7AC

RGB 250 183 172

HSL 8.46, 0.89%, 0.83%

LAB 80.27, 22.82, 15.16

 

CMYK 0 / 23 / 26 / 5

HEX #F3BCB4

RGB 243 188 180

HSL 7.62, 0.72%, 0.83%

LAB 80.91, 18.64, 11.66

 

CMYK 0 / 18 / 21 / 7

HEX #ECC1BB

RGB 236 193 187

HSL 7.35, 0.56%, 0.83%

LAB 81.6, 14.41, 8.79

 

CMYK 0 / 14 / 15 / 10

HEX #E5C6C2

RGB 229 198 194

HSL 6.86, 0.4%, 0.83%

LAB 82.35, 10.29, 6.03

 

CMYK 0 / 8 / 9 / 13

HEX #DECCC9

RGB 222 204 201

HSL 8.57, 0.24%, 0.83%

LAB 83.41, 5.76, 3.75

 

CMYK 0 / 3 / 3 / 16

HEX #D7D1D0

RGB 215 209 208

HSL 8.57, 0.08%, 0.83%

LAB 84.28, 1.89, 1.22

 

CMYK 0 / 26 / 16 / 5

HEX #F3B4CD

RGB 243 180 205

HSL 336.19, 0.72%, 0.83%

LAB 79.67, 26.55, -3.62

 

CMYK 0 / 26 / 23 / 5

HEX #F3B4BC

RGB 243 180 188

HSL 352.38, 0.72%, 0.83%

LAB 79.23, 24, 4.94

 

CMYK 0 / 23 / 26 / 5

HEX #F3BCB4

RGB 243 188 180

HSL 7.62, 0.72%, 0.83%

LAB 80.91, 18.64, 11.66

 

CMYK 0 / 16 / 26 / 5

HEX #F3CDB4

RGB 243 205 180

HSL 23.81, 0.72%, 0.83%

LAB 85, 9.7, 17.42

 

CMYK 0 / 9 / 26 / 5

HEX #F3DEB4

RGB 243 222 180

HSL 40, 0.72%, 0.83%

LAB 89.2, 0.9, 23.25

 

CMYK 0 / 46 / 53 / 9

HEX #E87E6C

RGB 232 126 108

HSL 8.71, 0.73%, 0.67%

LAB 64.29, 39.08, 28.06

 

CMYK 0 / 34 / 39 / 7

HEX #ED9D90

RGB 237 157 144

HSL 8.39, 0.72%, 0.75%

LAB 72.32, 28.31, 19.07

 

CMYK 0 / 23 / 26 / 5

HEX #F3BCB4

RGB 243 188 180

HSL 7.62, 0.72%, 0.83%

LAB 80.91, 18.64, 11.66

 

CMYK 0 / 11 / 13 / 3

HEX #F8DCD7

RGB 248 220 215

HSL 9.09, 0.7%, 0.91%

LAB 89.88, 8.85, 5.98

 

CMYK 0 / 1 / 1 / 0

HEX #FEFBFB

RGB 254 251 251

HSL 0, 0.6%, 0.99%

LAB 98.84, 1, 0.34

 

CMYK 0 / 23 / 26 / 5

HEX #F3BCB3

RGB 243 188 179

HSL 8.44, 0.73%, 0.83%

LAB 80.89, 18.5, 12.17

 

CMYK 9 / 0 / 26 / 5

HEX #DEF3B4

RGB 222 243 180

HSL 80, 0.72%, 0.83%

LAB 92.98, -17.33, 28.16

 

CMYK 26 / 19 / 0 / 5

HEX #B4C4F3

RGB 180 196 243

HSL 224.76, 0.72%, 0.83%

LAB 79.42, 4.72, -25.01

 

CMYK 0 / 23 / 26 / 5

HEX #F3BCB3

RGB 243 188 179

HSL 8.44, 0.73%, 0.83%

LAB 80.89, 18.5, 12.17

 

CMYK 26 / 0 / 23 / 5

HEX #B4F3BC

RGB 180 243 188

HSL 127.62, 0.72%, 0.83%

LAB 90.52, -30.35, 20.27

 

CMYK 23 / 26 / 0 / 5

HEX #BCB4F3

RGB 188 180 243

HSL 247.62, 0.72%, 0.83%

LAB 75.95, 15.83, -30.27

 

CMYK 0 / 23 / 26 / 5

HEX #F3BCB3

RGB 243 188 179

HSL 8.44, 0.73%, 0.83%

LAB 80.89, 18.5, 12.17

 

CMYK 9 / 0 / 26 / 5

HEX #DEF3B4

RGB 222 243 180

HSL 80, 0.72%, 0.83%

LAB 92.98, -17.33, 28.16

 

CMYK 26 / 4 / 0 / 5

HEX #B4EAF3

RGB 180 234 243

HSL 188.57, 0.72%, 0.83%

LAB 89.4, -15.11, -9.97

 

CMYK 17 / 26 / 0 / 5

HEX #C9B4F3

RGB 201 180 243

HSL 260, 0.72%, 0.83%

LAB 77, 19.76, -28.57

 

CMYK 0 / 23 / 26 / 5

HEX #F3BCB3

RGB 243 188 179

HSL 8.44, 0.73%, 0.83%

LAB 80.89, 18.5, 12.17

 

CMYK 16 / 0 / 26 / 5

HEX #CBF3B4

RGB 203 243 180

HSL 98.1, 0.72%, 0.83%

LAB 91.73, -24.01, 26.24

 

CMYK 26 / 4 / 0 / 5

HEX #B4EAF3

RGB 180 234 243

HSL 188.57, 0.72%, 0.83%

LAB 89.4, -15.11, -9.97

 

CMYK 9 / 26 / 0 / 5

HEX #DCB4F3

RGB 220 180 243

HSL 278.1, 0.72%, 0.83%

LAB 78.65, 25.68, -25.89

 

Description

Color code: HEX #F3BCB3 | qconv.com Color code: HEX #F3BCB3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 188 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 188 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 26 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 26% 5% C M Y K

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Provide designers and agencies with accurate color values.

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