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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3BA9B it is the complementary color #0C4564. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3BA9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3BA9B shade: #F8BA96, #FFCCA9, #FFDEBC, #FFF0CF and #FFFFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3BA9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3BA9B shade: #F3BA9B, #E2A888, #D19675, #C08462 and #AF724F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3BA9B shade: #F3B99A, #F3A19A and #F39A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3BA9B shade: #F3B99A, #F3D19A, #F3E99A, #E4F39A and #CDF39A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3BA9B shade matches the following richer shades: #F3B99A and #FCB791

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3BA9B shade: #F3B99A, #EABCA3, #E1BFAC, #D7C1B5 and #CEC4BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3BA9B shade: #F39AAA, #F3A19A, #F3B99A, #F3D19A and #F3E89A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3BA9B shade: #EA8650, #EEA075, #F3B99A, #F7D3BF and #FBECE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3BA9B shade: #F3BA9B, #C2F39A and #9A9FF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3BA9B shade: #F3BA9B, #9AF3B9 and #B99AF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3BA9B shade: #F3BA9B, #C2F39A, #9AD4F3 and #CB9AF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3BA9B shade: #F3BA9B, #A7F39A, #9AD4F3 and #E59AF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 36 / 5

HEX #F3BA9B

RGB 243 186 155

HSL 21.14, 0.79%, 0.78%

LAB 79.92, 16.51, 23.66

 

Complementary color

CMYK 88 / 31 / 0 / 61

HEX #0C4564

RGB 12 69 100

HSL 201.14, 0.79%, 0.22%

LAB 27.45, -5.33, -23.14

 

CMYK 0 / 25 / 40 / 3

HEX #F8BA96

RGB 248 186 150

HSL 22.04, 0.88%, 0.78%

LAB 80.33, 17.87, 26.97

 

CMYK 0 / 20 / 34 / 0

HEX #FFCCA9

RGB 255 204 169

HSL 24.42, 1%, 0.83%

LAB 85.66, 13.33, 24.3

 

CMYK 0 / 13 / 26 / 0

HEX #FFDEBC

RGB 255 222 188

HSL 30.45, 1%, 0.87%

LAB 90.38, 6.43, 20.89

 

CMYK 0 / 6 / 19 / 0

HEX #FFF0CF

RGB 255 240 207

HSL 41.25, 1%, 0.91%

LAB 95.2, -0.11, 17.78

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 0 / 23 / 36 / 5

HEX #F3BA9B

RGB 243 186 155

HSL 21.14, 0.79%, 0.78%

LAB 79.92, 16.51, 23.66

 

CMYK 0 / 26 / 40 / 11

HEX #E2A888

RGB 226 168 136

HSL 21.33, 0.61%, 0.71%

LAB 73.51, 17.28, 24.87

 

CMYK 0 / 28 / 44 / 18

HEX #D19675

RGB 209 150 117

HSL 21.52, 0.5%, 0.64%

LAB 67.02, 18.15, 26.17

 

CMYK 0 / 31 / 49 / 25

HEX #C08462

RGB 192 132 98

HSL 21.7, 0.43%, 0.57%

LAB 60.42, 19.15, 27.6

 

CMYK 0 / 35 / 55 / 31

HEX #AF724F

RGB 175 114 79

HSL 21.88, 0.38%, 0.5%

LAB 53.72, 20.3, 29.18

 

CMYK 0 / 24 / 37 / 5

HEX #F3B99A

RGB 243 185 154

HSL 20.9, 0.79%, 0.78%

LAB 79.66, 16.92, 23.84

 

CMYK 0 / 34 / 37 / 5

HEX #F3A19A

RGB 243 161 154

HSL 4.72, 0.79%, 0.78%

LAB 74.11, 29.6, 16.19

 

CMYK 0 / 37 / 37 / 5

HEX #F39A9A

RGB 243 154 154

HSL 0, 0.79%, 0.78%

LAB 72.56, 33.28, 14.02

 

CMYK 0 / 24 / 37 / 5

HEX #F3B99A

RGB 243 185 154

HSL 20.9, 0.79%, 0.78%

LAB 79.66, 16.92, 23.84

 

CMYK 0 / 14 / 37 / 5

HEX #F3D19A

RGB 243 209 154

HSL 37.08, 0.79%, 0.78%

LAB 85.5, 4.36, 31.7

 

CMYK 0 / 4 / 37 / 5

HEX #F3E99A

RGB 243 233 154

HSL 53.26, 0.79%, 0.78%

LAB 91.53, -7.86, 39.63

 

CMYK 6 / 0 / 37 / 5

HEX #E4F39A

RGB 228 243 154

HSL 70.11, 0.79%, 0.78%

LAB 92.98, -18.48, 41.29

 

CMYK 16 / 0 / 37 / 5

HEX #CDF39A

RGB 205 243 154

HSL 85.62, 0.79%, 0.78%

LAB 91.42, -26.93, 38.96

 

CMYK 0 / 24 / 37 / 5

HEX #F3B99A

RGB 243 185 154

HSL 20.9, 0.79%, 0.78%

LAB 79.66, 16.92, 23.84

 

CMYK 0 / 27 / 42 / 1

HEX #FCB791

RGB 252 183 145

HSL 21.31, 0.95%, 0.78%

LAB 79.96, 20.46, 29.18

 

CMYK 0 / 24 / 37 / 5

HEX #F3B99A

RGB 243 185 154

HSL 20.9, 0.79%, 0.78%

LAB 79.66, 16.92, 23.84

 

CMYK 0 / 20 / 30 / 8

HEX #EABCA3

RGB 234 188 163

HSL 21.13, 0.63%, 0.78%

LAB 79.67, 12.99, 18.91

 

CMYK 0 / 15 / 24 / 12

HEX #E1BFAC

RGB 225 191 172

HSL 21.51, 0.47%, 0.78%

LAB 79.75, 9.23, 14.08

 

CMYK 0 / 10 / 16 / 16

HEX #D7C1B5

RGB 215 193 181

HSL 21.18, 0.3%, 0.78%

LAB 79.57, 5.81, 8.86

 

CMYK 0 / 5 / 8 / 19

HEX #CEC4BE

RGB 206 196 190

HSL 22.5, 0.14%, 0.78%

LAB 79.8, 2.45, 4.25

 

CMYK 0 / 37 / 30 / 5

HEX #F39AAA

RGB 243 154 170

HSL 349.21, 0.79%, 0.78%

LAB 72.94, 35.25, 5.71

 

CMYK 0 / 34 / 37 / 5

HEX #F3A19A

RGB 243 161 154

HSL 4.72, 0.79%, 0.78%

LAB 74.11, 29.6, 16.19

 

CMYK 0 / 24 / 37 / 5

HEX #F3B99A

RGB 243 185 154

HSL 20.9, 0.79%, 0.78%

LAB 79.66, 16.92, 23.84

 

CMYK 0 / 14 / 37 / 5

HEX #F3D19A

RGB 243 209 154

HSL 37.08, 0.79%, 0.78%

LAB 85.5, 4.36, 31.7

 

CMYK 0 / 5 / 37 / 5

HEX #F3E89A

RGB 243 232 154

HSL 52.58, 0.79%, 0.78%

LAB 91.28, -7.36, 39.3

 

CMYK 0 / 43 / 66 / 8

HEX #EA8650

RGB 234 134 80

HSL 21.04, 0.79%, 0.62%

LAB 65.84, 33.74, 45.07

 

CMYK 0 / 33 / 51 / 7

HEX #EEA075

RGB 238 160 117

HSL 21.32, 0.78%, 0.7%

LAB 72.63, 24.39, 34.13

 

CMYK 0 / 24 / 37 / 5

HEX #F3B99A

RGB 243 185 154

HSL 20.9, 0.79%, 0.78%

LAB 79.66, 16.92, 23.84

 

CMYK 0 / 15 / 23 / 3

HEX #F7D3BF

RGB 247 211 191

HSL 21.43, 0.78%, 0.86%

LAB 87.06, 9.58, 14.56

 

CMYK 0 / 6 / 9 / 2

HEX #FBECE4

RGB 251 236 228

HSL 20.87, 0.74%, 0.94%

LAB 94.36, 3.74, 5.68

 

CMYK 0 / 23 / 36 / 5

HEX #F3BA9B

RGB 243 186 155

HSL 21.14, 0.79%, 0.78%

LAB 79.92, 16.51, 23.66

 

CMYK 20 / 0 / 37 / 5

HEX #C2F39A

RGB 194 243 154

HSL 93.03, 0.79%, 0.78%

LAB 90.74, -30.84, 37.93

 

CMYK 37 / 35 / 0 / 5

HEX #9A9FF3

RGB 154 159 243

HSL 236.63, 0.79%, 0.78%

LAB 68.12, 17.95, -42.62

 

CMYK 0 / 23 / 36 / 5

HEX #F3BA9B

RGB 243 186 155

HSL 21.14, 0.79%, 0.78%

LAB 79.92, 16.51, 23.66

 

CMYK 37 / 0 / 24 / 5

HEX #9AF3B9

RGB 154 243 185

HSL 140.9, 0.79%, 0.78%

LAB 89.15, -38.76, 19.7

 

CMYK 24 / 37 / 0 / 5

HEX #B99AF3

RGB 185 154 243

HSL 260.9, 0.79%, 0.78%

LAB 69.4, 29.37, -40.45

 

CMYK 0 / 23 / 36 / 5

HEX #F3BA9B

RGB 243 186 155

HSL 21.14, 0.79%, 0.78%

LAB 79.92, 16.51, 23.66

 

CMYK 20 / 0 / 37 / 5

HEX #C2F39A

RGB 194 243 154

HSL 93.03, 0.79%, 0.78%

LAB 90.74, -30.84, 37.93

 

CMYK 37 / 13 / 0 / 5

HEX #9AD4F3

RGB 154 212 243

HSL 200.9, 0.79%, 0.78%

LAB 82.07, -11.05, -21.12

 

CMYK 16 / 37 / 0 / 5

HEX #CB9AF3

RGB 203 154 243

HSL 273.03, 0.79%, 0.78%

LAB 71.06, 34.61, -37.72

 

CMYK 0 / 23 / 36 / 5

HEX #F3BA9B

RGB 243 186 155

HSL 21.14, 0.79%, 0.78%

LAB 79.92, 16.51, 23.66

 

CMYK 31 / 0 / 37 / 5

HEX #A7F39A

RGB 167 243 154

HSL 111.24, 0.79%, 0.78%

LAB 89.23, -39.92, 35.67

 

CMYK 37 / 13 / 0 / 5

HEX #9AD4F3

RGB 154 212 243

HSL 200.9, 0.79%, 0.78%

LAB 82.07, -11.05, -21.12

 

CMYK 6 / 37 / 0 / 5

HEX #E59AF3

RGB 229 154 243

HSL 290.56, 0.79%, 0.78%

LAB 73.7, 42.39, -33.42

 

Description

Color code: HEX #F3BA9B | qconv.com Color code: HEX #F3BA9B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 186 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 186 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 36 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 36% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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