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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3B8EF it is the complementary color #0C4710. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3B8EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3B8EF shade: #F8B8EA, #FFCAFD, #FFDCFF and #FFEEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3B8EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3B8EF shade: #F3B8EF, #E2A6DC, #D194C9, #C082B6 and #AF70A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3B8EF shade: #F3B9EF, #F3B9DF, #F3B9CF, #F3B9C0 and #F3B9B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3B8EF shade: #F3B9EF, #E7B9F3, #D7B9F3, #C8B9F3 and #B9B9F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3B8EF shade matches the following richer shades: #F3B9EF and #F9B2F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3B8EF shade: #F3B9EF, #ECBFE9, #E5C6E3, #DFCDDE and #D8D3D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3B8EF shade: #D8B9F3, #E7B9F3, #F3B9EF, #F3B9DF and #F3B9D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3B8EF shade: #E772DF, #ED95E7, #F3B9EF and #F9DCF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3B8EF shade: #F3B8EF, #F3C8B9 and #B9F3DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3B8EF shade: #F3B8EF, #EFF3B9 and #B9EFF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3B8EF shade: #F3B8EF, #F3C8B9, #B9F3BD and #B9E3F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3B8EF shade: #F3B8EF, #F3DAB9, #B9F3BD and #B9D2F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 2 / 5

HEX #F3B8EF

RGB 243 184 239

HSL 304.07, 0.71%, 0.84%

LAB 81.6, 30.15, -19.06

 

Complementary color

CMYK 83 / 0 / 77 / 72

HEX #0C4710

RGB 12 71 16

HSL 124.07, 0.71%, 0.16%

LAB 25.63, -30.77, 26.65

 

CMYK 0 / 26 / 6 / 3

HEX #F8B8EA

RGB 248 184 234

HSL 313.13, 0.82%, 0.85%

LAB 81.93, 30.91, -15.83

 

CMYK 0 / 21 / 1 / 0

HEX #FFCAFD

RGB 255 202 253

HSL 302.26, 1%, 0.9%

LAB 87.29, 27.06, -17.83

 

CMYK 0 / 14 / 0 / 0

HEX #FFDCFF

RGB 255 220 255

HSL 300, 1%, 0.93%

LAB 91.53, 17.99, -12.51

 

CMYK 0 / 7 / 0 / 0

HEX #FFEEFF

RGB 255 238 255

HSL 300, 1%, 0.97%

LAB 95.84, 8.66, -6.11

 

CMYK 0 / 24 / 2 / 5

HEX #F3B8EF

RGB 243 184 239

HSL 304.07, 0.71%, 0.84%

LAB 81.6, 30.15, -19.06

 

CMYK 0 / 27 / 3 / 11

HEX #E2A6DC

RGB 226 166 220

HSL 306, 0.51%, 0.77%

LAB 75.21, 30.77, -18.62

 

CMYK 0 / 29 / 4 / 18

HEX #D194C9

RGB 209 148 201

HSL 307.87, 0.4%, 0.7%

LAB 68.72, 31.42, -18.16

 

CMYK 0 / 32 / 5 / 25

HEX #C082B6

RGB 192 130 182

HSL 309.68, 0.33%, 0.63%

LAB 62.13, 32.13, -17.67

 

CMYK 0 / 36 / 7 / 31

HEX #AF70A3

RGB 175 112 163

HSL 311.43, 0.28%, 0.56%

LAB 55.43, 32.87, -17.13

 

CMYK 0 / 24 / 2 / 5

HEX #F3B9EF

RGB 243 185 239

HSL 304.14, 0.71%, 0.84%

LAB 81.83, 29.62, -18.72

 

CMYK 0 / 24 / 8 / 5

HEX #F3B9DF

RGB 243 185 223

HSL 320.69, 0.71%, 0.84%

LAB 81.34, 26.83, -10.87

 

CMYK 0 / 24 / 15 / 5

HEX #F3B9CF

RGB 243 185 207

HSL 337.24, 0.71%, 0.84%

LAB 80.88, 24.21, -2.92

 

CMYK 0 / 24 / 21 / 5

HEX #F3B9C0

RGB 243 185 192

HSL 352.76, 0.71%, 0.84%

LAB 80.49, 21.93, 4.6

 

CMYK 0 / 24 / 24 / 5

HEX #F3B9B9

RGB 243 185 185

HSL 0, 0.71%, 0.84%

LAB 80.32, 20.92, 8.13

 

CMYK 0 / 24 / 2 / 5

HEX #F3B9EF

RGB 243 185 239

HSL 304.14, 0.71%, 0.84%

LAB 81.83, 29.62, -18.72

 

CMYK 5 / 24 / 0 / 5

HEX #E7B9F3

RGB 231 185 243

HSL 287.59, 0.71%, 0.84%

LAB 80.83, 26.48, -22.49

 

CMYK 12 / 24 / 0 / 5

HEX #D7B9F3

RGB 215 185 243

HSL 271.03, 0.71%, 0.84%

LAB 79.39, 21.4, -24.8

 

CMYK 18 / 24 / 0 / 5

HEX #C8B9F3

RGB 200 185 243

HSL 255.52, 0.71%, 0.84%

LAB 78.14, 16.73, -26.83

 

CMYK 24 / 24 / 0 / 5

HEX #B9B9F3

RGB 185 185 243

HSL 240, 0.71%, 0.84%

LAB 76.97, 12.19, -28.72

 

CMYK 0 / 24 / 2 / 5

HEX #F3B9EF

RGB 243 185 239

HSL 304.14, 0.71%, 0.84%

LAB 81.83, 29.62, -18.72

 

CMYK 0 / 29 / 2 / 2

HEX #F9B2F4

RGB 249 178 244

HSL 304.23, 0.86%, 0.84%

LAB 81.02, 36.15, -22.56

 

CMYK 0 / 24 / 2 / 5

HEX #F3B9EF

RGB 243 185 239

HSL 304.14, 0.71%, 0.84%

LAB 81.83, 29.62, -18.72

 

CMYK 0 / 19 / 1 / 7

HEX #ECBFE9

RGB 236 191 233

HSL 304, 0.54%, 0.84%

LAB 82.37, 23.05, -14.76

 

CMYK 0 / 14 / 1 / 10

HEX #E5C6E3

RGB 229 198 227

HSL 303.87, 0.37%, 0.84%

LAB 83.23, 15.89, -10.33

 

CMYK 0 / 8 / 0 / 13

HEX #DFCDDE

RGB 223 205 222

HSL 303.33, 0.22%, 0.84%

LAB 84.29, 9.24, -6.14

 

CMYK 0 / 2 / 0 / 15

HEX #D8D3D8

RGB 216 211 216

HSL 300, 0.06%, 0.84%

LAB 85.07, 2.61, -1.87

 

CMYK 11 / 24 / 0 / 5

HEX #D8B9F3

RGB 216 185 243

HSL 272.07, 0.71%, 0.84%

LAB 79.48, 21.71, -24.66

 

CMYK 5 / 24 / 0 / 5

HEX #E7B9F3

RGB 231 185 243

HSL 287.59, 0.71%, 0.84%

LAB 80.83, 26.48, -22.49

 

CMYK 0 / 24 / 2 / 5

HEX #F3B9EF

RGB 243 185 239

HSL 304.14, 0.71%, 0.84%

LAB 81.83, 29.62, -18.72

 

CMYK 0 / 24 / 8 / 5

HEX #F3B9DF

RGB 243 185 223

HSL 320.69, 0.71%, 0.84%

LAB 81.34, 26.83, -10.87

 

CMYK 0 / 24 / 14 / 5

HEX #F3B9D0

RGB 243 185 208

HSL 336.21, 0.71%, 0.84%

LAB 80.91, 24.37, -3.42

 

CMYK 0 / 51 / 3 / 9

HEX #E772DF

RGB 231 114 223

HSL 304.1, 0.71%, 0.68%

LAB 65.24, 59.53, -35.52

 

CMYK 0 / 37 / 3 / 7

HEX #ED95E7

RGB 237 149 231

HSL 304.09, 0.71%, 0.76%

LAB 73.07, 45.23, -27.78

 

CMYK 0 / 24 / 2 / 5

HEX #F3B9EF

RGB 243 185 239

HSL 304.14, 0.71%, 0.84%

LAB 81.83, 29.62, -18.72

 

CMYK 0 / 12 / 1 / 2

HEX #F9DCF7

RGB 249 220 247

HSL 304.14, 0.71%, 0.92%

LAB 90.8, 14.58, -9.47

 

CMYK 0 / 24 / 2 / 5

HEX #F3B8EF

RGB 243 184 239

HSL 304.07, 0.71%, 0.84%

LAB 81.6, 30.15, -19.06

 

CMYK 0 / 18 / 24 / 5

HEX #F3C8B9

RGB 243 200 185

HSL 15.52, 0.71%, 0.84%

LAB 83.9, 13.01, 13.22

 

CMYK 24 / 0 / 8 / 5

HEX #B9F3DF

RGB 185 243 223

HSL 159.31, 0.71%, 0.84%

LAB 91.57, -22.29, 3.68

 

CMYK 0 / 24 / 2 / 5

HEX #F3B8EF

RGB 243 184 239

HSL 304.07, 0.71%, 0.84%

LAB 81.6, 30.15, -19.06

 

CMYK 2 / 0 / 24 / 5

HEX #EFF3B9

RGB 239 243 185

HSL 64.14, 0.71%, 0.84%

LAB 94.29, -10.5, 27.6

 

CMYK 24 / 2 / 0 / 5

HEX #B9EFF3

RGB 185 239 243

HSL 184.14, 0.71%, 0.84%

LAB 91.02, -16.17, -7.54

 

CMYK 0 / 24 / 2 / 5

HEX #F3B8EF

RGB 243 184 239

HSL 304.07, 0.71%, 0.84%

LAB 81.6, 30.15, -19.06

 

CMYK 0 / 18 / 24 / 5

HEX #F3C8B9

RGB 243 200 185

HSL 15.52, 0.71%, 0.84%

LAB 83.9, 13.01, 13.22

 

CMYK 24 / 0 / 22 / 5

HEX #B9F3BD

RGB 185 243 189

HSL 124.14, 0.71%, 0.84%

LAB 90.82, -28.57, 20.22

 

CMYK 24 / 7 / 0 / 5

HEX #B9E3F3

RGB 185 227 243

HSL 196.55, 0.71%, 0.84%

LAB 87.84, -10.11, -12.27

 

CMYK 0 / 24 / 2 / 5

HEX #F3B8EF

RGB 243 184 239

HSL 304.07, 0.71%, 0.84%

LAB 81.6, 30.15, -19.06

 

CMYK 0 / 10 / 24 / 5

HEX #F3DAB9

RGB 243 218 185

HSL 34.14, 0.71%, 0.84%

LAB 88.3, 3.64, 19.4

 

CMYK 24 / 0 / 22 / 5

HEX #B9F3BD

RGB 185 243 189

HSL 124.14, 0.71%, 0.84%

LAB 90.82, -28.57, 20.22

 

CMYK 24 / 14 / 0 / 5

HEX #B9D2F3

RGB 185 210 243

HSL 214.14, 0.71%, 0.84%

LAB 83.38, -1.28, -18.97

 

Description

Color code: HEX #F3B8EF | qconv.com Color code: HEX #F3B8EF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 184 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 184 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 2 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 2% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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