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Color name
HEX #F3AC39

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3AC39 it is the complementary color #0C53C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3AC39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3AC39 shade: #F8AC34, #FFBE47, #FFD05A, #FFE26D and #FFF480

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3AC39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3AC39 shade: #F3AC39, #E29A26, #D18813, #C07600 and #AF6400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3AC39 shade: #F3AC39, #F37A39, #F34839 and #F33939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3AC39 shade: #F3AC39, #F3DE39, #D6F339, #A3F339 and #71F339

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3AC39 shade matches the following richer shades: #F3AC39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3AC39 shade: #F3AC39, #E2A84A, #D1A45B, #C0A06C and #AF9C7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3AC39 shade: #F34839, #F37A39, #F3AC39, #F3DD39 and #D7F339

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3AC39 shade: #CE840C, #F19C12, #F3AC39, #F5BC60 and #F8CD87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3AC39 shade: #F3AC39, #5BF339 and #6139F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3AC39 shade: #F3AC39, #39F3AC and #AC39F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3AC39 shade: #F3AC39, #5BF339, #3980F3 and #D139F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3AC39 shade: #F3AC39, #39F34F, #3980F3 and #F339DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 77 / 5

HEX #F3AC39

RGB 243 172 57

HSL 37.1, 0.89%, 0.59%

LAB 75.36, 16.33, 65.7

 

Complementary color

CMYK 94 / 58 / 0 / 22

HEX #0C53C6

RGB 12 83 198

HSL 217.1, 0.89%, 0.41%

LAB 38.45, 25.78, -65.13

 

CMYK 0 / 31 / 79 / 3

HEX #F8AC34

RGB 248 172 52

HSL 36.73, 0.93%, 0.59%

LAB 75.89, 18.25, 68.22

 

CMYK 0 / 25 / 72 / 0

HEX #FFBE47

RGB 255 190 71

HSL 38.8, 1%, 0.64%

LAB 81.04, 12.52, 66.23

 

CMYK 0 / 18 / 65 / 0

HEX #FFD05A

RGB 255 208 90

HSL 42.91, 1%, 0.68%

LAB 85.56, 4.2, 63.01

 

CMYK 0 / 11 / 57 / 0

HEX #FFE26D

RGB 255 226 109

HSL 48.08, 1%, 0.71%

LAB 90.21, -3.71, 59.79

 

CMYK 0 / 4 / 50 / 0

HEX #FFF480

RGB 255 244 128

HSL 54.8, 1%, 0.75%

LAB 94.96, -11.18, 56.65

 

CMYK 0 / 29 / 77 / 5

HEX #F3AC39

RGB 243 172 57

HSL 37.1, 0.89%, 0.59%

LAB 75.36, 16.33, 65.7

 

CMYK 0 / 32 / 83 / 11

HEX #E29A26

RGB 226 154 38

HSL 37.02, 0.76%, 0.52%

LAB 69.05, 18.02, 65.91

 

CMYK 0 / 35 / 91 / 18

HEX #D18813

RGB 209 136 19

HSL 36.95, 0.83%, 0.45%

LAB 62.69, 19.96, 65.09

 

CMYK 0 / 39 / 100 / 25

HEX #C07600

RGB 192 118 0

HSL 36.88, 1%, 0.38%

LAB 56.25, 22.12, 63

 

CMYK 0 / 43 / 100 / 31

HEX #AF6400

RGB 175 100 0

HSL 34.29, 1%, 0.34%

LAB 49.77, 24.59, 57.74

 

CMYK 0 / 29 / 77 / 5

HEX #F3AC39

RGB 243 172 57

HSL 37.1, 0.89%, 0.59%

LAB 75.36, 16.33, 65.7

 

CMYK 0 / 50 / 77 / 5

HEX #F37A39

RGB 243 122 57

HSL 20.97, 0.89%, 0.59%

LAB 64.38, 42.26, 55.03

 

CMYK 0 / 70 / 77 / 5

HEX #F34839

RGB 243 72 57

HSL 4.84, 0.89%, 0.59%

LAB 56.07, 64.09, 46.54

 

CMYK 0 / 77 / 77 / 5

HEX #F33939

RGB 243 57 57

HSL 0, 0.89%, 0.59%

LAB 54.32, 68.97, 44.68

 

CMYK 0 / 29 / 77 / 5

HEX #F3AC39

RGB 243 172 57

HSL 37.1, 0.89%, 0.59%

LAB 75.36, 16.33, 65.7

 

CMYK 0 / 9 / 77 / 5

HEX #F3DE39

RGB 243 222 57

HSL 53.23, 0.89%, 0.59%

LAB 87.77, -9.46, 77.19

 

CMYK 12 / 0 / 77 / 5

HEX #D6F339

RGB 214 243 57

HSL 69.35, 0.89%, 0.59%

LAB 91.1, -31.46, 79.39

 

CMYK 33 / 0 / 77 / 5

HEX #A3F339

RGB 163 243 57

HSL 85.81, 0.89%, 0.59%

LAB 88.06, -50.64, 75.48

 

CMYK 53 / 0 / 77 / 5

HEX #71F339

RGB 113 243 57

HSL 101.94, 0.89%, 0.59%

LAB 85.96, -66.04, 72.75

 

CMYK 0 / 29 / 77 / 5

HEX #F3AC39

RGB 243 172 57

HSL 37.1, 0.89%, 0.59%

LAB 75.36, 16.33, 65.7

 

CMYK 0 / 29 / 77 / 5

HEX #F3AC39

RGB 243 172 57

HSL 37.1, 0.89%, 0.59%

LAB 75.36, 16.33, 65.7

 

CMYK 0 / 26 / 67 / 11

HEX #E2A84A

RGB 226 168 74

HSL 37.11, 0.72%, 0.59%

LAB 72.67, 12.06, 55.31

 

CMYK 0 / 22 / 56 / 18

HEX #D1A45B

RGB 209 164 91

HSL 37.12, 0.56%, 0.59%

LAB 70.08, 8.16, 43.76

 

CMYK 0 / 17 / 44 / 25

HEX #C0A06C

RGB 192 160 108

HSL 37.14, 0.4%, 0.59%

LAB 67.6, 4.79, 31.48

 

CMYK 0 / 11 / 29 / 31

HEX #AF9C7D

RGB 175 156 125

HSL 37.2, 0.24%, 0.59%

LAB 65.26, 2.13, 18.81

 

CMYK 0 / 70 / 77 / 5

HEX #F34839

RGB 243 72 57

HSL 4.84, 0.89%, 0.59%

LAB 56.07, 64.09, 46.54

 

CMYK 0 / 50 / 77 / 5

HEX #F37A39

RGB 243 122 57

HSL 20.97, 0.89%, 0.59%

LAB 64.38, 42.26, 55.03

 

CMYK 0 / 29 / 77 / 5

HEX #F3AC39

RGB 243 172 57

HSL 37.1, 0.89%, 0.59%

LAB 75.36, 16.33, 65.7

 

CMYK 0 / 9 / 77 / 5

HEX #F3DD39

RGB 243 221 57

HSL 52.9, 0.89%, 0.59%

LAB 87.52, -8.96, 76.96

 

CMYK 12 / 0 / 77 / 5

HEX #D7F339

RGB 215 243 57

HSL 69.03, 0.89%, 0.59%

LAB 91.16, -31.06, 79.48

 

CMYK 0 / 36 / 94 / 19

HEX #CE840C

RGB 206 132 12

HSL 37.11, 0.89%, 0.43%

LAB 61.35, 20.73, 65.3

 

CMYK 0 / 35 / 93 / 5

HEX #F19C12

RGB 241 156 18

HSL 37.13, 0.89%, 0.51%

LAB 71.23, 22.94, 73.3

 

CMYK 0 / 29 / 77 / 5

HEX #F3AC39

RGB 243 172 57

HSL 37.1, 0.89%, 0.59%

LAB 75.36, 16.33, 65.7

 

CMYK 0 / 23 / 61 / 4

HEX #F5BC60

RGB 245 188 96

HSL 37.05, 0.88%, 0.67%

LAB 79.74, 10.81, 53.55

 

CMYK 0 / 17 / 46 / 3

HEX #F8CD87

RGB 248 205 135

HSL 37.17, 0.89%, 0.75%

LAB 84.67, 6.39, 40.44

 

CMYK 0 / 29 / 77 / 5

HEX #F3AC39

RGB 243 172 57

HSL 37.1, 0.89%, 0.59%

LAB 75.36, 16.33, 65.7

 

CMYK 63 / 0 / 77 / 5

HEX #5BF339

RGB 91 243 57

HSL 109.03, 0.89%, 0.59%

LAB 85.31, -71.27, 71.9

 

CMYK 60 / 77 / 0 / 5

HEX #6139F3

RGB 97 57 243

HSL 252.9, 0.89%, 0.59%

LAB 41.12, 63.43, -86.33

 

CMYK 0 / 29 / 77 / 5

HEX #F3AC39

RGB 243 172 57

HSL 37.1, 0.89%, 0.59%

LAB 75.36, 16.33, 65.7

 

CMYK 77 / 0 / 29 / 5

HEX #39F3AC

RGB 57 243 172

HSL 157.1, 0.89%, 0.59%

LAB 85.98, -61.22, 21.56

 

CMYK 29 / 77 / 0 / 5

HEX #AC39F3

RGB 172 57 243

HSL 277.1, 0.89%, 0.59%

LAB 49.7, 74.01, -71.94

 

CMYK 0 / 29 / 77 / 5

HEX #F3AC39

RGB 243 172 57

HSL 37.1, 0.89%, 0.59%

LAB 75.36, 16.33, 65.7

 

CMYK 63 / 0 / 77 / 5

HEX #5BF339

RGB 91 243 57

HSL 109.03, 0.89%, 0.59%

LAB 85.31, -71.27, 71.9

 

CMYK 77 / 47 / 0 / 5

HEX #3980F3

RGB 57 128 243

HSL 217.1, 0.89%, 0.59%

LAB 54.84, 17.47, -64.04

 

CMYK 14 / 77 / 0 / 5

HEX #D139F3

RGB 209 57 243

HSL 289.03, 0.89%, 0.59%

LAB 55.02, 80.46, -63.07

 

CMYK 0 / 29 / 77 / 5

HEX #F3AC39

RGB 243 172 57

HSL 37.1, 0.89%, 0.59%

LAB 75.36, 16.33, 65.7

 

CMYK 77 / 0 / 67 / 5

HEX #39F34F

RGB 57 243 79

HSL 127.1, 0.89%, 0.59%

LAB 84.76, -75.41, 63.56

 

CMYK 77 / 47 / 0 / 5

HEX #3980F3

RGB 57 128 243

HSL 217.1, 0.89%, 0.59%

LAB 54.84, 17.47, -64.04

 

CMYK 0 / 77 / 9 / 5

HEX #F339DD

RGB 243 57 221

HSL 307.1, 0.89%, 0.59%

LAB 59.16, 83.59, -43.8

 

Description

Color code: HEX #F3AC39 | qconv.com Color code: HEX #F3AC39 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 172 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 172 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 77 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 77% 5% C M Y K

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