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Color name
HEX #F3A11A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3A11A it is the complementary color #0C5EE5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3A11A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3A11A shade: #F8A115, #FFB328, #FFC53B, #FFD74E and #FFE961

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3A11A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3A11A shade: #F3A11A, #E28F07, #D17D00, #C06B00 and #AF5900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3A11A shade: #F3A11B, #F3671B, #F32D1B and #F31B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3A11A shade: #F3A11B, #F3DB1B, #D0F31B, #95F31B and #5BF31B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3A11A shade matches the following richer shades: #F3A11B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3A11A shade: #F3A11B, #DF9C2E, #CC9842, #B89355 and #A58E68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3A11A shade: #F32D1B, #F3661B, #F3A01B, #F3D91B and #D2F31B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3A11A shade: #B27209, #D98B0B, #F3A11B, #F5B142 and #F7C169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3A11A shade: #F3A11A, #42F31B and #4A1BF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3A11A shade: #F3A11A, #1BF3A0 and #A01BF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3A11A shade: #F3A11A, #42F31B, #1B6DF3 and #CB1BF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3A11A shade: #F3A11A, #1BF334, #1B6DF3 and #F31BD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 89 / 5

HEX #F3A11A

RGB 243 161 26

HSL 37.33, 0.9%, 0.53%

LAB 72.64, 21.27, 72.86

 

Complementary color

CMYK 95 / 59 / 0 / 10

HEX #0C5EE5

RGB 12 94 229

HSL 217.33, 0.9%, 0.47%

LAB 43.86, 30.69, -74.06

 

CMYK 0 / 35 / 92 / 3

HEX #F8A115

RGB 248 161 21

HSL 37, 0.94%, 0.53%

LAB 73.22, 23.3, 74.58

 

CMYK 0 / 30 / 84 / 0

HEX #FFB328

RGB 255 179 40

HSL 38.79, 1%, 0.58%

LAB 78.26, 17.18, 74.37

 

CMYK 0 / 23 / 77 / 0

HEX #FFC53B

RGB 255 197 59

HSL 42.24, 1%, 0.62%

LAB 82.65, 8.4, 72.26

 

CMYK 0 / 16 / 69 / 0

HEX #FFD74E

RGB 255 215 78

HSL 46.44, 1%, 0.65%

LAB 87.2, -0.02, 69.66

 

CMYK 0 / 9 / 62 / 0

HEX #FFE961

RGB 255 233 97

HSL 51.65, 1%, 0.69%

LAB 91.86, -8.01, 66.85

 

CMYK 0 / 34 / 89 / 5

HEX #F3A11A

RGB 243 161 26

HSL 37.33, 0.9%, 0.53%

LAB 72.64, 21.27, 72.86

 

CMYK 0 / 37 / 97 / 11

HEX #E28F07

RGB 226 143 7

HSL 37.26, 0.94%, 0.46%

LAB 66.39, 23.36, 70.7

 

CMYK 0 / 40 / 100 / 18

HEX #D17D00

RGB 209 125 0

HSL 35.89, 1%, 0.41%

LAB 60.09, 25.67, 66.55

 

CMYK 0 / 44 / 100 / 25

HEX #C06B00

RGB 192 107 0

HSL 33.44, 1%, 0.38%

LAB 53.73, 28.1, 61.4

 

CMYK 0 / 49 / 100 / 31

HEX #AF5900

RGB 175 89 0

HSL 30.51, 1%, 0.34%

LAB 47.31, 30.58, 56.23

 

CMYK 0 / 34 / 89 / 5

HEX #F3A11B

RGB 243 161 27

HSL 37.22, 0.9%, 0.53%

LAB 72.64, 21.29, 72.64

 

CMYK 0 / 58 / 89 / 5

HEX #F3671B

RGB 243 103 27

HSL 21.11, 0.9%, 0.53%

LAB 60.64, 50.55, 63.56

 

CMYK 0 / 81 / 89 / 5

HEX #F32D1B

RGB 243 45 27

HSL 5, 0.9%, 0.53%

LAB 52.96, 71.41, 57.93

 

CMYK 0 / 89 / 89 / 5

HEX #F31B1B

RGB 243 27 27

HSL 0, 0.9%, 0.53%

LAB 51.74, 74.89, 57.06

 

CMYK 0 / 34 / 89 / 5

HEX #F3A11B

RGB 243 161 27

HSL 37.22, 0.9%, 0.53%

LAB 72.64, 21.29, 72.64

 

CMYK 0 / 10 / 89 / 5

HEX #F3DB1B

RGB 243 219 27

HSL 53.33, 0.9%, 0.53%

LAB 86.9, -8.75, 83.66

 

CMYK 14 / 0 / 89 / 5

HEX #D0F31B

RGB 208 243 27

HSL 69.72, 0.9%, 0.53%

LAB 90.59, -34.72, 85.44

 

CMYK 39 / 0 / 89 / 5

HEX #95F31B

RGB 149 243 27

HSL 86.11, 0.9%, 0.53%

LAB 87.28, -56.49, 81.37

 

CMYK 63 / 0 / 89 / 5

HEX #5BF31B

RGB 91 243 27

HSL 102.22, 0.9%, 0.53%

LAB 85.2, -72.58, 78.79

 

CMYK 0 / 34 / 89 / 5

HEX #F3A11B

RGB 243 161 27

HSL 37.22, 0.9%, 0.53%

LAB 72.64, 21.29, 72.64

 

CMYK 0 / 34 / 89 / 5

HEX #F3A11B

RGB 243 161 27

HSL 37.22, 0.9%, 0.53%

LAB 72.64, 21.29, 72.64

 

CMYK 0 / 30 / 79 / 13

HEX #DF9C2E

RGB 223 156 46

HSL 37.29, 0.73%, 0.53%

LAB 69.23, 15.92, 63.23

 

CMYK 0 / 25 / 68 / 20

HEX #CC9842

RGB 204 152 66

HSL 37.39, 0.58%, 0.53%

LAB 66.28, 10.8, 51.37

 

CMYK 0 / 20 / 54 / 28

HEX #B89355

RGB 184 147 85

HSL 37.58, 0.41%, 0.53%

LAB 63.11, 6.28, 37.81

 

CMYK 0 / 14 / 37 / 35

HEX #A58E68

RGB 165 142 104

HSL 37.38, 0.25%, 0.53%

LAB 60.2, 3.01, 23.45

 

CMYK 0 / 81 / 89 / 5

HEX #F32D1B

RGB 243 45 27

HSL 5, 0.9%, 0.53%

LAB 52.96, 71.41, 57.93

 

CMYK 0 / 58 / 89 / 5

HEX #F3661B

RGB 243 102 27

HSL 20.83, 0.9%, 0.53%

LAB 60.46, 51, 63.43

 

CMYK 0 / 34 / 89 / 5

HEX #F3A01B

RGB 243 160 27

HSL 36.94, 0.9%, 0.53%

LAB 72.41, 21.81, 72.46

 

CMYK 0 / 11 / 89 / 5

HEX #F3D91B

RGB 243 217 27

HSL 52.78, 0.9%, 0.53%

LAB 86.38, -7.75, 83.26

 

CMYK 14 / 0 / 89 / 5

HEX #D2F31B

RGB 210 243 27

HSL 69.17, 0.9%, 0.53%

LAB 90.73, -33.92, 85.61

 

CMYK 0 / 36 / 95 / 30

HEX #B27209

RGB 178 114 9

HSL 37.28, 0.9%, 0.37%

LAB 53.51, 18.27, 58.62

 

CMYK 0 / 36 / 95 / 15

HEX #D98B0B

RGB 217 139 11

HSL 37.28, 0.9%, 0.45%

LAB 64.36, 21.69, 68.21

 

CMYK 0 / 34 / 89 / 5

HEX #F3A11B

RGB 243 161 27

HSL 37.22, 0.9%, 0.53%

LAB 72.64, 21.29, 72.64

 

CMYK 0 / 28 / 73 / 4

HEX #F5B142

RGB 245 177 66

HSL 37.21, 0.9%, 0.61%

LAB 76.83, 14.91, 63.68

 

CMYK 0 / 22 / 57 / 3

HEX #F7C169

RGB 247 193 105

HSL 37.18, 0.9%, 0.69%

LAB 81.26, 9.66, 51.08

 

CMYK 0 / 34 / 89 / 5

HEX #F3A11A

RGB 243 161 26

HSL 37.33, 0.9%, 0.53%

LAB 72.64, 21.27, 72.86

 

CMYK 73 / 0 / 89 / 5

HEX #42F31B

RGB 66 243 27

HSL 109.17, 0.9%, 0.53%

LAB 84.66, -77.22, 78.11

 

CMYK 70 / 89 / 0 / 5

HEX #4A1BF3

RGB 74 27 243

HSL 253.06, 0.9%, 0.53%

LAB 35.42, 72.71, -95.82

 

CMYK 0 / 34 / 89 / 5

HEX #F3A11A

RGB 243 161 26

HSL 37.33, 0.9%, 0.53%

LAB 72.64, 21.27, 72.86

 

CMYK 89 / 0 / 34 / 5

HEX #1BF3A0

RGB 27 243 160

HSL 156.94, 0.9%, 0.53%

LAB 85.44, -66.18, 26.9

 

CMYK 34 / 89 / 0 / 5

HEX #A01BF3

RGB 160 27 243

HSL 276.94, 0.9%, 0.53%

LAB 45.26, 80.37, -79.25

 

CMYK 0 / 34 / 89 / 5

HEX #F3A11A

RGB 243 161 26

HSL 37.33, 0.9%, 0.53%

LAB 72.64, 21.27, 72.86

 

CMYK 73 / 0 / 89 / 5

HEX #42F31B

RGB 66 243 27

HSL 109.17, 0.9%, 0.53%

LAB 84.66, -77.22, 78.11

 

CMYK 89 / 55 / 0 / 5

HEX #1B6DF3

RGB 27 109 243

HSL 217.22, 0.9%, 0.53%

LAB 49.06, 27.03, -73.44

 

CMYK 16 / 89 / 0 / 5

HEX #CB1BF3

RGB 203 27 243

HSL 288.89, 0.9%, 0.53%

LAB 51.78, 86.23, -68.35

 

CMYK 0 / 34 / 89 / 5

HEX #F3A11A

RGB 243 161 26

HSL 37.33, 0.9%, 0.53%

LAB 72.64, 21.27, 72.86

 

CMYK 89 / 0 / 79 / 5

HEX #1BF334

RGB 27 243 52

HSL 126.94, 0.9%, 0.53%

LAB 84.27, -80.33, 72.01

 

CMYK 89 / 55 / 0 / 5

HEX #1B6DF3

RGB 27 109 243

HSL 217.22, 0.9%, 0.53%

LAB 49.06, 27.03, -73.44

 

CMYK 0 / 89 / 11 / 5

HEX #F31BD9

RGB 243 27 217

HSL 307.22, 0.9%, 0.53%

LAB 56.93, 88.96, -45.06

 

Description

Color code: HEX #F3A11A | qconv.com Color code: HEX #F3A11A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 161 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 161 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 89 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 89% 5% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - Imboden itdev design...
Link: http://www.itdev.ch

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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