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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFFE70 it is the complementary color #10018F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFFE70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFFE70 shade: #F4FE6B, #FFFF7E, #FFFF91, #FFFFA4 and #FFFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFFE70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFFE70 shade: #EFFE70, #DEEC5D, #CDDA4A, #BCC837 and #ABB624

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFFE70 shade: #EFFE70, #FEE770, #FEC070, #FE9A70 and #FE7470

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFFE70 shade: #EFFE70, #C9FE70, #A3FE70, #7CFE70 and #70FE8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFFE70 shade matches the following richer shades: #EFFE70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFFE70 shade: #EFFE70, #E6F27C, #DDE788, #D4DB93 and #CAD09F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFFE70 shade: #FEC170, #FEE670, #F0FE70, #CAFE70 and #A4FE70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFFE70 shade: #E6FD1E, #EAFE47, #EFFE70, #F3FE99 and #F8FEC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFFE70 shade: #EFFE70, #70FE9B and #D370FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFFE70 shade: #EFFE70, #70F0FE and #FE70F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFFE70 shade: #EFFE70, #70FE9B, #7F70FE and #FE70D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFFE70 shade: #EFFE70, #70FEC5, #7F70FE and #FE70A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 56 / 0

HEX #EFFE70

RGB 239 254 112

HSL 66.34, 0.99%, 0.72%

LAB 96.16, -23.57, 64.88

 

Complementary color

CMYK 89 / 99 / 0 / 44

HEX #10018F

RGB 16 1 143

HSL 246.34, 0.99%, 0.28%

LAB 16.08, 51.32, -68.96

 

CMYK 4 / 0 / 58 / 0

HEX #F4FE6B

RGB 244 254 107

HSL 64.08, 0.99%, 0.71%

LAB 96.48, -21.98, 67.46

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 6 / 0 / 56 / 0

HEX #EFFE70

RGB 239 254 112

HSL 66.34, 0.99%, 0.72%

LAB 96.16, -23.57, 64.88

 

CMYK 6 / 0 / 61 / 7

HEX #DEEC5D

RGB 222 236 93

HSL 65.87, 0.79%, 0.65%

LAB 90, -23.06, 65.74

 

CMYK 6 / 0 / 66 / 15

HEX #CDDA4A

RGB 205 218 74

HSL 65.42, 0.66%, 0.57%

LAB 83.77, -22.44, 66.37

 

CMYK 6 / 0 / 73 / 22

HEX #BCC837

RGB 188 200 55

HSL 64.97, 0.57%, 0.5%

LAB 77.45, -21.69, 66.61

 

CMYK 6 / 0 / 80 / 29

HEX #ABB624

RGB 171 182 36

HSL 64.52, 0.67%, 0.43%

LAB 71.04, -20.78, 66.16

 

CMYK 6 / 0 / 56 / 0

HEX #EFFE70

RGB 239 254 112

HSL 66.34, 0.99%, 0.72%

LAB 96.16, -23.57, 64.88

 

CMYK 0 / 9 / 56 / 0

HEX #FEE770

RGB 254 231 112

HSL 50.28, 0.99%, 0.72%

LAB 91.41, -6.4, 59.79

 

CMYK 0 / 24 / 56 / 0

HEX #FEC070

RGB 254 192 112

HSL 33.8, 0.99%, 0.72%

LAB 81.81, 13.56, 48.5

 

CMYK 0 / 39 / 56 / 0

HEX #FE9A70

RGB 254 154 112

HSL 17.75, 0.99%, 0.72%

LAB 73.12, 33.4, 37.8

 

CMYK 0 / 54 / 56 / 0

HEX #FE7470

RGB 254 116 112

HSL 1.69, 0.99%, 0.72%

LAB 65.54, 52.28, 28.05

 

CMYK 6 / 0 / 56 / 0

HEX #EFFE70

RGB 239 254 112

HSL 66.34, 0.99%, 0.72%

LAB 96.16, -23.57, 64.88

 

CMYK 21 / 0 / 56 / 0

HEX #C9FE70

RGB 201 254 112

HSL 82.39, 0.99%, 0.72%

LAB 93.65, -37.96, 61.36

 

CMYK 36 / 0 / 56 / 0

HEX #A3FE70

RGB 163 254 112

HSL 98.45, 0.99%, 0.72%

LAB 91.61, -51.09, 58.48

 

CMYK 51 / 0 / 56 / 0

HEX #7CFE70

RGB 124 254 112

HSL 114.93, 0.99%, 0.72%

LAB 90.02, -62.48, 56.21

 

CMYK 56 / 0 / 46 / 0

HEX #70FE8A

RGB 112 254 138

HSL 130.99, 0.99%, 0.72%

LAB 89.94, -62.04, 43.99

 

CMYK 6 / 0 / 56 / 0

HEX #EFFE70

RGB 239 254 112

HSL 66.34, 0.99%, 0.72%

LAB 96.16, -23.57, 64.88

 

CMYK 6 / 0 / 56 / 0

HEX #EFFE70

RGB 239 254 112

HSL 66.34, 0.99%, 0.72%

LAB 96.16, -23.57, 64.88

 

CMYK 5 / 0 / 49 / 5

HEX #E6F27C

RGB 230 242 124

HSL 66.1, 0.82%, 0.72%

LAB 92.48, -20.34, 55.08

 

CMYK 4 / 0 / 41 / 9

HEX #DDE788

RGB 221 231 136

HSL 66.32, 0.66%, 0.72%

LAB 89.06, -17.29, 45.03

 

CMYK 3 / 0 / 33 / 14

HEX #D4DB93

RGB 212 219 147

HSL 65.83, 0.5%, 0.72%

LAB 85.39, -13.52, 34.68

 

CMYK 3 / 0 / 24 / 18

HEX #CAD09F

RGB 202 208 159

HSL 67.35, 0.34%, 0.72%

LAB 81.93, -10.13, 23.71

 

CMYK 0 / 24 / 56 / 0

HEX #FEC170

RGB 254 193 112

HSL 34.23, 0.99%, 0.72%

LAB 82.04, 13.04, 48.79

 

CMYK 0 / 9 / 56 / 0

HEX #FEE670

RGB 254 230 112

HSL 49.86, 0.99%, 0.72%

LAB 91.16, -5.9, 59.5

 

CMYK 6 / 0 / 56 / 0

HEX #F0FE70

RGB 240 254 112

HSL 65.92, 0.99%, 0.72%

LAB 96.24, -23.18, 64.98

 

CMYK 20 / 0 / 56 / 0

HEX #CAFE70

RGB 202 254 112

HSL 81.97, 0.99%, 0.72%

LAB 93.71, -37.6, 61.45

 

CMYK 35 / 0 / 56 / 0

HEX #A4FE70

RGB 164 254 112

HSL 98.03, 0.99%, 0.72%

LAB 91.66, -50.77, 58.54

 

CMYK 9 / 0 / 88 / 1

HEX #E6FD1E

RGB 230 253 30

HSL 66.19, 0.98%, 0.55%

LAB 94.81, -30.45, 88.99

 

CMYK 8 / 0 / 72 / 0

HEX #EAFE47

RGB 234 254 71

HSL 66.56, 0.99%, 0.64%

LAB 95.51, -28.02, 79.73

 

CMYK 6 / 0 / 56 / 0

HEX #EFFE70

RGB 239 254 112

HSL 66.34, 0.99%, 0.72%

LAB 96.16, -23.57, 64.88

 

CMYK 4 / 0 / 40 / 0

HEX #F3FE99

RGB 243 254 153

HSL 66.53, 0.98%, 0.8%

LAB 96.92, -18.29, 47.02

 

CMYK 2 / 0 / 23 / 0

HEX #F8FEC3

RGB 248 254 195

HSL 66.1, 0.97%, 0.88%

LAB 97.95, -11.31, 27.63

 

CMYK 6 / 0 / 56 / 0

HEX #EFFE70

RGB 239 254 112

HSL 66.34, 0.99%, 0.72%

LAB 96.16, -23.57, 64.88

 

CMYK 56 / 0 / 39 / 0

HEX #70FE9B

RGB 112 254 155

HSL 138.17, 0.99%, 0.72%

LAB 90.18, -59.39, 36.02

 

CMYK 17 / 56 / 0 / 0

HEX #D370FE

RGB 211 112 254

HSL 281.83, 0.99%, 0.72%

LAB 63.83, 61, -55.06

 

CMYK 6 / 0 / 56 / 0

HEX #EFFE70

RGB 239 254 112

HSL 66.34, 0.99%, 0.72%

LAB 96.16, -23.57, 64.88

 

CMYK 56 / 6 / 0 / 0

HEX #70F0FE

RGB 112 240 254

HSL 185.92, 0.99%, 0.72%

LAB 88.41, -31.55, -17.52

 

CMYK 0 / 56 / 6 / 0

HEX #FE70F0

RGB 254 112 240

HSL 305.92, 0.99%, 0.72%

LAB 68.72, 69.4, -39.29

 

CMYK 6 / 0 / 56 / 0

HEX #EFFE70

RGB 239 254 112

HSL 66.34, 0.99%, 0.72%

LAB 96.16, -23.57, 64.88

 

CMYK 56 / 0 / 39 / 0

HEX #70FE9B

RGB 112 254 155

HSL 138.17, 0.99%, 0.72%

LAB 90.18, -59.39, 36.02

 

CMYK 50 / 56 / 0 / 0

HEX #7F70FE

RGB 127 112 254

HSL 246.34, 0.99%, 0.72%

LAB 55.34, 41.93, -69.15

 

CMYK 0 / 56 / 17 / 0

HEX #FE70D3

RGB 254 112 211

HSL 318.17, 0.99%, 0.72%

LAB 67.55, 65.01, -25.01

 

CMYK 6 / 0 / 56 / 0

HEX #EFFE70

RGB 239 254 112

HSL 66.34, 0.99%, 0.72%

LAB 96.16, -23.57, 64.88

 

CMYK 56 / 0 / 22 / 0

HEX #70FEC5

RGB 112 254 197

HSL 155.92, 0.99%, 0.72%

LAB 90.94, -51.5, 15.81

 

CMYK 50 / 56 / 0 / 0

HEX #7F70FE

RGB 127 112 254

HSL 246.34, 0.99%, 0.72%

LAB 55.34, 41.93, -69.15

 

CMYK 0 / 56 / 33 / 0

HEX #FE70A9

RGB 254 112 169

HSL 335.92, 0.99%, 0.72%

LAB 66.15, 59.56, -3.43

 

Description

Color code: HEX #EFFE70 | qconv.com Color code: HEX #EFFE70 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 254 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 254 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 56 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 56% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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