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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFE5A0 it is the complementary color #101A5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFE5A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFE5A0 shade: #F4E59B, #FFF7AE, #FFFFC1, #FFFFD4 and #FFFFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFE5A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFE5A0 shade: #EFE5A0, #DED38D, #CDC17A, #BCAF67 and #AB9D54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFE5A0 shade: #EEE49F, #EECF9F, #EEB99F, #EEA49F and #EE9F9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFE5A0 shade: #EEE49F, #E3EE9F, #CDEE9F, #B8EE9F and #A2EE9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFE5A0 shade matches the following richer shades: #EEE49F and #F7EB95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFE5A0 shade: #EEE49F, #E5DDA8, #DCD7B1, #D3D0BA and #CAC9C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFE5A0 shade: #EEB99F, #EECE9F, #EEE49F, #E4EE9F and #CEEE9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFE5A0 shade: #E2D158, #E8DA7B, #EEE49F, #F4EEC2 and #FAF8E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFE5A0 shade: #EFE5A0, #9FEEA4 and #C49FEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFE5A0 shade: #EFE5A0, #9FEEE4 and #E49FEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFE5A0 shade: #EFE5A0, #9FEEA4, #9FA9EE and #EE9FE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFE5A0 shade: #EFE5A0, #9FEEBC, #9FA9EE and #EE9FD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 33 / 6

HEX #EFE5A0

RGB 239 229 160

HSL 52.41, 0.71%, 0.78%

LAB 90.29, -6.69, 34.92

 

Complementary color

CMYK 83 / 73 / 0 / 63

HEX #101A5F

RGB 16 26 95

HSL 232.41, 0.71%, 0.22%

LAB 13.68, 23.65, -42

 

CMYK 0 / 6 / 36 / 4

HEX #F4E59B

RGB 244 229 155

HSL 49.89, 0.8%, 0.78%

LAB 90.61, -5.35, 37.95

 

CMYK 0 / 3 / 32 / 0

HEX #FFF7AE

RGB 255 247 174

HSL 54.07, 1%, 0.84%

LAB 96.34, -7.98, 36.12

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE7

RGB 255 255 231

HSL 60, 1%, 0.95%

LAB 99.44, -4.01, 11.47

 

CMYK 0 / 4 / 33 / 6

HEX #EFE5A0

RGB 239 229 160

HSL 52.41, 0.71%, 0.78%

LAB 90.29, -6.69, 34.92

 

CMYK 0 / 5 / 36 / 13

HEX #DED38D

RGB 222 211 141

HSL 51.85, 0.55%, 0.71%

LAB 83.99, -6.33, 36.05

 

CMYK 0 / 6 / 40 / 20

HEX #CDC17A

RGB 205 193 122

HSL 51.33, 0.45%, 0.64%

LAB 77.59, -5.91, 37.23

 

CMYK 0 / 7 / 45 / 26

HEX #BCAF67

RGB 188 175 103

HSL 50.82, 0.39%, 0.57%

LAB 71.1, -5.42, 38.46

 

CMYK 0 / 8 / 51 / 33

HEX #AB9D54

RGB 171 157 84

HSL 50.34, 0.34%, 0.5%

LAB 64.49, -4.82, 39.72

 

CMYK 0 / 4 / 33 / 7

HEX #EEE49F

RGB 238 228 159

HSL 52.41, 0.7%, 0.78%

LAB 89.94, -6.69, 34.95

 

CMYK 0 / 13 / 33 / 7

HEX #EECF9F

RGB 238 207 159

HSL 36.46, 0.7%, 0.78%

LAB 84.64, 4.06, 27.88

 

CMYK 0 / 22 / 33 / 7

HEX #EEB99F

RGB 238 185 159

HSL 19.75, 0.7%, 0.78%

LAB 79.26, 15.6, 20.54

 

CMYK 0 / 31 / 33 / 7

HEX #EEA49F

RGB 238 164 159

HSL 3.8, 0.7%, 0.78%

LAB 74.34, 26.75, 13.68

 

CMYK 0 / 33 / 33 / 7

HEX #EE9F9F

RGB 238 159 159

HSL 0, 0.7%, 0.78%

LAB 73.2, 29.4, 12.09

 

CMYK 0 / 4 / 33 / 7

HEX #EEE49F

RGB 238 228 159

HSL 52.41, 0.7%, 0.78%

LAB 89.94, -6.69, 34.95

 

CMYK 5 / 0 / 33 / 7

HEX #E3EE9F

RGB 227 238 159

HSL 68.35, 0.7%, 0.78%

LAB 91.68, -15.82, 37.09

 

CMYK 14 / 0 / 33 / 7

HEX #CDEE9F

RGB 205 238 159

HSL 85.06, 0.7%, 0.78%

LAB 90.15, -23.9, 34.79

 

CMYK 23 / 0 / 33 / 7

HEX #B8EE9F

RGB 184 238 159

HSL 101.01, 0.7%, 0.78%

LAB 88.85, -31.27, 32.83

 

CMYK 32 / 0 / 33 / 7

HEX #A2EE9F

RGB 162 238 159

HSL 117.72, 0.7%, 0.78%

LAB 87.65, -38.52, 31.01

 

CMYK 0 / 4 / 33 / 7

HEX #EEE49F

RGB 238 228 159

HSL 52.41, 0.7%, 0.78%

LAB 89.94, -6.69, 34.95

 

CMYK 0 / 5 / 40 / 3

HEX #F7EB95

RGB 247 235 149

HSL 52.65, 0.86%, 0.78%

LAB 92.29, -7.86, 43.16

 

CMYK 0 / 4 / 33 / 7

HEX #EEE49F

RGB 238 228 159

HSL 52.41, 0.7%, 0.78%

LAB 89.94, -6.69, 34.95

 

CMYK 0 / 3 / 27 / 10

HEX #E5DDA8

RGB 229 221 168

HSL 52.13, 0.54%, 0.78%

LAB 87.58, -5.42, 27.06

 

CMYK 0 / 2 / 20 / 14

HEX #DCD7B1

RGB 220 215 177

HSL 53.02, 0.38%, 0.78%

LAB 85.5, -4.45, 19.4

 

CMYK 0 / 1 / 12 / 17

HEX #D3D0BA

RGB 211 208 186

HSL 52.8, 0.22%, 0.78%

LAB 83.18, -2.72, 11.29

 

CMYK 0 / 0 / 3 / 21

HEX #CAC9C3

RGB 202 201 195

HSL 51.43, 0.06%, 0.78%

LAB 80.89, -0.73, 3.11

 

CMYK 0 / 22 / 33 / 7

HEX #EEB99F

RGB 238 185 159

HSL 19.75, 0.7%, 0.78%

LAB 79.26, 15.6, 20.54

 

CMYK 0 / 13 / 33 / 7

HEX #EECE9F

RGB 238 206 159

HSL 35.7, 0.7%, 0.78%

LAB 84.39, 4.58, 27.55

 

CMYK 0 / 4 / 33 / 7

HEX #EEE49F

RGB 238 228 159

HSL 52.41, 0.7%, 0.78%

LAB 89.94, -6.69, 34.95

 

CMYK 4 / 0 / 33 / 7

HEX #E4EE9F

RGB 228 238 159

HSL 67.59, 0.7%, 0.78%

LAB 91.75, -15.44, 37.2

 

CMYK 13 / 0 / 33 / 7

HEX #CEEE9F

RGB 206 238 159

HSL 84.3, 0.7%, 0.78%

LAB 90.22, -23.54, 34.89

 

CMYK 0 / 8 / 61 / 11

HEX #E2D158

RGB 226 209 88

HSL 52.61, 0.7%, 0.62%

LAB 83.16, -8.45, 60.51

 

CMYK 0 / 6 / 47 / 9

HEX #E8DA7B

RGB 232 218 123

HSL 52.29, 0.7%, 0.7%

LAB 86.37, -7.79, 48.2

 

CMYK 0 / 4 / 33 / 7

HEX #EEE49F

RGB 238 228 159

HSL 52.41, 0.7%, 0.78%

LAB 89.94, -6.69, 34.95

 

CMYK 0 / 2 / 20 / 4

HEX #F4EEC2

RGB 244 238 194

HSL 52.8, 0.69%, 0.86%

LAB 93.57, -4.93, 22.07

 

CMYK 0 / 1 / 8 / 2

HEX #FAF8E5

RGB 250 248 229

HSL 54.29, 0.68%, 0.94%

LAB 97.27, -2.53, 9.35

 

CMYK 0 / 4 / 33 / 6

HEX #EFE5A0

RGB 239 229 160

HSL 52.41, 0.71%, 0.78%

LAB 90.29, -6.69, 34.92

 

CMYK 33 / 0 / 31 / 7

HEX #9FEEA4

RGB 159 238 164

HSL 123.8, 0.7%, 0.78%

LAB 87.58, -38.66, 28.36

 

CMYK 18 / 33 / 0 / 7

HEX #C49FEE

RGB 196 159 238

HSL 268.1, 0.7%, 0.78%

LAB 71.35, 28.7, -34.6

 

CMYK 0 / 4 / 33 / 6

HEX #EFE5A0

RGB 239 229 160

HSL 52.41, 0.71%, 0.78%

LAB 90.29, -6.69, 34.92

 

CMYK 33 / 0 / 4 / 7

HEX #9FEEE4

RGB 159 238 228

HSL 172.41, 0.7%, 0.78%

LAB 88.98, -26.28, -2.87

 

CMYK 4 / 33 / 0 / 7

HEX #E49FEE

RGB 228 159 238

HSL 292.41, 0.7%, 0.78%

LAB 74.49, 38.48, -29.51

 

CMYK 0 / 4 / 33 / 6

HEX #EFE5A0

RGB 239 229 160

HSL 52.41, 0.71%, 0.78%

LAB 90.29, -6.69, 34.92

 

CMYK 33 / 0 / 31 / 7

HEX #9FEEA4

RGB 159 238 164

HSL 123.8, 0.7%, 0.78%

LAB 87.58, -38.66, 28.36

 

CMYK 33 / 29 / 0 / 7

HEX #9FA9EE

RGB 159 169 238

HSL 232.41, 0.7%, 0.78%

LAB 70.82, 12.35, -35.67

 

CMYK 0 / 33 / 2 / 7

HEX #EE9FE9

RGB 238 159 233

HSL 303.8, 0.7%, 0.78%

LAB 75.36, 40.68, -25.35

 

CMYK 0 / 4 / 33 / 6

HEX #EFE5A0

RGB 239 229 160

HSL 52.41, 0.71%, 0.78%

LAB 90.29, -6.69, 34.92

 

CMYK 33 / 0 / 21 / 7

HEX #9FEEBC

RGB 159 238 188

HSL 142.03, 0.7%, 0.78%

LAB 88.04, -34.47, 16.64

 

CMYK 33 / 29 / 0 / 7

HEX #9FA9EE

RGB 159 169 238

HSL 232.41, 0.7%, 0.78%

LAB 70.82, 12.35, -35.67

 

CMYK 0 / 33 / 12 / 7

HEX #EE9FD1

RGB 238 159 209

HSL 322.03, 0.7%, 0.78%

LAB 74.56, 36.59, -13.46

 

Description

Color code: HEX #EFE5A0 | qconv.com Color code: HEX #EFE5A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 229 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 229 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 33 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 33% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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