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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFE580 it is the complementary color #101A7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFE580. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFE580 shade: #F4E57B, #FFF78E, #FFFFA1, #FFFFB4 and #FFFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFE580. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFE580 shade: #EFE580, #DED36D, #CDC15A, #BCAF47 and #AB9D34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFE580 shade: #EFE57F, #EFC77F, #EFA97F, #EF8B7F and #EF7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFE580 shade: #EFE57F, #DBEF7F, #BDEF7F, #9FEF7F and #81EF7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFE580 shade matches the following richer shades: #EFE57F and #FAEE74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFE580 shade: #EFE57F, #E3DB8B, #D8D297, #CCC8A2 and #C1BFAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFE580 shade: #EFA87F, #EFC67F, #EFE47F, #DCEF7F and #BFEF7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFE580 shade: #E6D636, #EADD5B, #EFE57F, #F3ECA4 and #F8F4C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFE580 shade: #EFE580, #7FEF8B and #B77FEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFE580 shade: #EFE580, #7FEFE4 and #E47FEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFE580 shade: #EFE580, #7FEF8B, #7F8BEF and #EF7FE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFE580 shade: #EFE580, #7FEFAC, #7F8BEF and #EF7FC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 46 / 6

HEX #EFE580

RGB 239 229 128

HSL 54.59, 0.78%, 0.72%

LAB 89.84, -10.07, 50.17

 

Complementary color

CMYK 87 / 80 / 0 / 50

HEX #101A7F

RGB 16 26 127

HSL 234.59, 0.78%, 0.28%

LAB 17.37, 35.87, -56.73

 

CMYK 0 / 6 / 50 / 4

HEX #F4E57B

RGB 244 229 123

HSL 52.56, 0.85%, 0.72%

LAB 90.18, -8.53, 53.06

 

CMYK 0 / 3 / 44 / 0

HEX #FFF78E

RGB 255 247 142

HSL 55.75, 1%, 0.78%

LAB 95.89, -11.4, 51.2

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 4 / 46 / 6

HEX #EFE580

RGB 239 229 128

HSL 54.59, 0.78%, 0.72%

LAB 89.84, -10.07, 50.17

 

CMYK 0 / 5 / 51 / 13

HEX #DED36D

RGB 222 211 109

HSL 54.16, 0.63%, 0.65%

LAB 83.56, -9.52, 51.33

 

CMYK 0 / 6 / 56 / 20

HEX #CDC15A

RGB 205 193 90

HSL 53.74, 0.53%, 0.58%

LAB 77.2, -8.88, 52.46

 

CMYK 0 / 7 / 62 / 26

HEX #BCAF47

RGB 188 175 71

HSL 53.33, 0.47%, 0.51%

LAB 70.74, -8.11, 53.47

 

CMYK 0 / 8 / 70 / 33

HEX #AB9D34

RGB 171 157 52

HSL 52.94, 0.53%, 0.44%

LAB 64.18, -7.17, 54.23

 

CMYK 0 / 4 / 47 / 6

HEX #EFE57F

RGB 239 229 127

HSL 54.64, 0.78%, 0.72%

LAB 89.82, -10.16, 50.63

 

CMYK 0 / 17 / 47 / 6

HEX #EFC77F

RGB 239 199 127

HSL 38.57, 0.78%, 0.72%

LAB 82.23, 5.14, 41.21

 

CMYK 0 / 29 / 47 / 6

HEX #EFA97F

RGB 239 169 127

HSL 22.5, 0.78%, 0.72%

LAB 74.99, 20.94, 31.9

 

CMYK 0 / 42 / 47 / 6

HEX #EF8B7F

RGB 239 139 127

HSL 6.43, 0.78%, 0.72%

LAB 68.28, 36.73, 22.97

 

CMYK 0 / 47 / 47 / 6

HEX #EF7F7F

RGB 239 127 127

HSL 0, 0.78%, 0.72%

LAB 65.8, 42.86, 19.6

 

CMYK 0 / 4 / 47 / 6

HEX #EFE57F

RGB 239 229 127

HSL 54.64, 0.78%, 0.72%

LAB 89.82, -10.16, 50.63

 

CMYK 8 / 0 / 47 / 6

HEX #DBEF7F

RGB 219 239 127

HSL 70.71, 0.78%, 0.72%

LAB 90.93, -22.86, 51.62

 

CMYK 21 / 0 / 47 / 6

HEX #BDEF7F

RGB 189 239 127

HSL 86.79, 0.78%, 0.72%

LAB 88.96, -34.05, 48.77

 

CMYK 33 / 0 / 47 / 6

HEX #9FEF7F

RGB 159 239 127

HSL 102.86, 0.78%, 0.72%

LAB 87.31, -44.39, 46.36

 

CMYK 46 / 0 / 47 / 6

HEX #81EF7F

RGB 129 239 127

HSL 118.93, 0.78%, 0.72%

LAB 85.97, -53.48, 44.41

 

CMYK 0 / 4 / 47 / 6

HEX #EFE57F

RGB 239 229 127

HSL 54.64, 0.78%, 0.72%

LAB 89.82, -10.16, 50.63

 

CMYK 0 / 5 / 54 / 2

HEX #FAEE74

RGB 250 238 116

HSL 54.63, 0.93%, 0.72%

LAB 92.9, -11.18, 59.61

 

CMYK 0 / 4 / 47 / 6

HEX #EFE57F

RGB 239 229 127

HSL 54.64, 0.78%, 0.72%

LAB 89.82, -10.16, 50.63

 

CMYK 0 / 4 / 39 / 11

HEX #E3DB8B

RGB 227 219 139

HSL 54.55, 0.61%, 0.72%

LAB 86.43, -8.66, 40.31

 

CMYK 0 / 3 / 30 / 15

HEX #D8D297

RGB 216 210 151

HSL 54.46, 0.45%, 0.72%

LAB 83.4, -6.94, 30.05

 

CMYK 0 / 2 / 21 / 20

HEX #CCC8A2

RGB 204 200 162

HSL 54.29, 0.29%, 0.72%

LAB 80.04, -4.83, 19.55

 

CMYK 0 / 1 / 10 / 24

HEX #C1BFAE

RGB 193 191 174

HSL 53.68, 0.13%, 0.72%

LAB 77.07, -2.28, 8.82

 

CMYK 0 / 30 / 47 / 6

HEX #EFA87F

RGB 239 168 127

HSL 21.96, 0.78%, 0.72%

LAB 74.75, 21.47, 31.59

 

CMYK 0 / 17 / 47 / 6

HEX #EFC67F

RGB 239 198 127

HSL 38.04, 0.78%, 0.72%

LAB 81.99, 5.66, 40.9

 

CMYK 0 / 5 / 47 / 6

HEX #EFE47F

RGB 239 228 127

HSL 54.11, 0.78%, 0.72%

LAB 89.57, -9.66, 50.32

 

CMYK 8 / 0 / 47 / 6

HEX #DCEF7F

RGB 220 239 127

HSL 70.18, 0.78%, 0.72%

LAB 91, -22.47, 51.73

 

CMYK 20 / 0 / 47 / 6

HEX #BFEF7F

RGB 191 239 127

HSL 85.71, 0.78%, 0.72%

LAB 89.08, -33.32, 48.95

 

CMYK 0 / 7 / 77 / 10

HEX #E6D636

RGB 230 214 54

HSL 54.55, 0.78%, 0.56%

LAB 84.58, -11.03, 74.8

 

CMYK 0 / 6 / 61 / 8

HEX #EADD5B

RGB 234 221 91

HSL 54.55, 0.77%, 0.64%

LAB 86.98, -10.99, 63.57

 

CMYK 0 / 4 / 47 / 6

HEX #EFE57F

RGB 239 229 127

HSL 54.64, 0.78%, 0.72%

LAB 89.82, -10.16, 50.63

 

CMYK 0 / 3 / 33 / 5

HEX #F3ECA4

RGB 243 236 164

HSL 54.68, 0.77%, 0.8%

LAB 92.45, -8.21, 35.82

 

CMYK 0 / 2 / 19 / 3

HEX #F8F4C9

RGB 248 244 201

HSL 54.89, 0.77%, 0.88%

LAB 95.53, -5.5, 21.24

 

CMYK 0 / 4 / 46 / 6

HEX #EFE580

RGB 239 229 128

HSL 54.59, 0.78%, 0.72%

LAB 89.84, -10.07, 50.17

 

CMYK 47 / 0 / 42 / 6

HEX #7FEF8B

RGB 127 239 139

HSL 126.43, 0.78%, 0.72%

LAB 86.06, -52.31, 38.65

 

CMYK 23 / 47 / 0 / 6

HEX #B77FEF

RGB 183 127 239

HSL 270, 0.78%, 0.72%

LAB 62.91, 42.81, -48.46

 

CMYK 0 / 4 / 46 / 6

HEX #EFE580

RGB 239 229 128

HSL 54.59, 0.78%, 0.72%

LAB 89.84, -10.07, 50.17

 

CMYK 47 / 0 / 5 / 6

HEX #7FEFE4

RGB 127 239 228

HSL 174.11, 0.78%, 0.72%

LAB 87.89, -34.67, -4.62

 

CMYK 5 / 47 / 0 / 6

HEX #E47FEF

RGB 228 127 239

HSL 294.11, 0.78%, 0.72%

LAB 67.95, 55.22, -40.18

 

CMYK 0 / 4 / 46 / 6

HEX #EFE580

RGB 239 229 128

HSL 54.59, 0.78%, 0.72%

LAB 89.84, -10.07, 50.17

 

CMYK 47 / 0 / 42 / 6

HEX #7FEF8B

RGB 127 239 139

HSL 126.43, 0.78%, 0.72%

LAB 86.06, -52.31, 38.65

 

CMYK 47 / 42 / 0 / 6

HEX #7F8BEF

RGB 127 139 239

HSL 233.57, 0.78%, 0.72%

LAB 60.97, 21.67, -51.84

 

CMYK 0 / 47 / 5 / 6

HEX #EF7FE4

RGB 239 127 228

HSL 305.89, 0.78%, 0.72%

LAB 68.85, 56.4, -32.62

 

CMYK 0 / 4 / 46 / 6

HEX #EFE580

RGB 239 229 128

HSL 54.59, 0.78%, 0.72%

LAB 89.84, -10.07, 50.17

 

CMYK 47 / 0 / 28 / 6

HEX #7FEFAC

RGB 127 239 172

HSL 144.11, 0.78%, 0.72%

LAB 86.61, -46.73, 22.71

 

CMYK 47 / 42 / 0 / 6

HEX #7F8BEF

RGB 127 139 239

HSL 233.57, 0.78%, 0.72%

LAB 60.97, 21.67, -51.84

 

CMYK 0 / 47 / 19 / 6

HEX #EF7FC2

RGB 239 127 194

HSL 324.11, 0.78%, 0.72%

LAB 67.59, 51.03, -15.61

 

Description

Color code: HEX #EFE580 | qconv.com Color code: HEX #EFE580 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 229 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 229 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 46 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 46% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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