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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFD91F it is the complementary color #1026E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFD91F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFD91F shade: #F4D91A, #FFEB2D, #FFFD40, #FFFF53 and #FFFF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFD91F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFD91F shade: #EFD91F, #DEC70C, #CDB500, #BCA300 and #AB9100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFD91F shade: #EFD91E, #EFA11E, #EF681E, #EF301E and #EF1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFD91F shade: #EFD91E, #CDEF1E, #95EF1E, #5CEF1E and #24EF1E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFD91F shade matches the following richer shades: #EFD91E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFD91F shade: #EFD91E, #DCCA32, #C8BA45, #B5AB59 and #A19C6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFD91F shade: #EF671E, #EF9F1E, #EFD71E, #D0EF1E and #98EF1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFD91F shade: #AF9E0C, #D6C10E, #EFD91E, #F2DF45 and #F4E66C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFD91F shade: #EFD91F, #1EEF30 and #831EEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFD91F shade: #EFD91F, #1EEFD7 and #D71EEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFD91F shade: #EFD91F, #1EEF30, #1E37EF and #EF1EDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFD91F shade: #EFD91F, #1EEF6E, #1E37EF and #EF1E9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 87 / 6

HEX #EFD91F

RGB 239 217 31

HSL 53.65, 0.87%, 0.53%

LAB 86.04, -9.37, 82.12

 

Complementary color

CMYK 93 / 83 / 0 / 12

HEX #1026E0

RGB 16 38 224

HSL 233.65, 0.87%, 0.47%

LAB 31.53, 61.45, -91.56

 

CMYK 0 / 11 / 89 / 4

HEX #F4D91A

RGB 244 217 26

HSL 52.57, 0.91%, 0.53%

LAB 86.47, -7.34, 83.53

 

CMYK 0 / 8 / 82 / 0

HEX #FFEB2D

RGB 255 235 45

HSL 54.29, 1%, 0.59%

LAB 92.07, -11.26, 84.61

 

CMYK 0 / 1 / 75 / 0

HEX #FFFD40

RGB 255 253 64

HSL 59.37, 1%, 0.63%

LAB 96.77, -19.39, 83.64

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF53

RGB 255 255 83

HSL 60, 1%, 0.66%

LAB 97.39, -19.52, 78.02

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF66

RGB 255 255 102

HSL 60, 1%, 0.7%

LAB 97.53, -18.44, 70.9

 

CMYK 0 / 9 / 87 / 6

HEX #EFD91F

RGB 239 217 31

HSL 53.65, 0.87%, 0.53%

LAB 86.04, -9.37, 82.12

 

CMYK 0 / 10 / 95 / 13

HEX #DEC70C

RGB 222 199 12

HSL 53.43, 0.9%, 0.46%

LAB 79.84, -7.84, 79.54

 

CMYK 0 / 12 / 100 / 20

HEX #CDB500

RGB 205 181 0

HSL 52.98, 1%, 0.4%

LAB 73.56, -6.12, 75.51

 

CMYK 0 / 13 / 100 / 26

HEX #BCA300

RGB 188 163 0

HSL 52.02, 1%, 0.37%

LAB 67.19, -4.22, 70.24

 

CMYK 0 / 15 / 100 / 33

HEX #AB9100

RGB 171 145 0

HSL 50.88, 1%, 0.34%

LAB 60.7, -2.25, 64.88

 

CMYK 0 / 9 / 87 / 6

HEX #EFD91E

RGB 239 217 30

HSL 53.68, 0.87%, 0.53%

LAB 86.04, -9.39, 82.31

 

CMYK 0 / 33 / 87 / 6

HEX #EFA11E

RGB 239 161 30

HSL 37.61, 0.87%, 0.53%

LAB 72.18, 19.65, 71.36

 

CMYK 0 / 56 / 87 / 6

HEX #EF681E

RGB 239 104 30

HSL 21.24, 0.87%, 0.53%

LAB 60.2, 48.67, 61.97

 

CMYK 0 / 80 / 87 / 6

HEX #EF301E

RGB 239 48 30

HSL 5.17, 0.87%, 0.53%

LAB 52.46, 69.62, 55.98

 

CMYK 0 / 87 / 87 / 6

HEX #EF1E1E

RGB 239 30 30

HSL 0, 0.87%, 0.53%

LAB 51.12, 73.44, 54.95

 

CMYK 0 / 9 / 87 / 6

HEX #EFD91E

RGB 239 217 30

HSL 53.68, 0.87%, 0.53%

LAB 86.04, -9.39, 82.31

 

CMYK 14 / 0 / 87 / 6

HEX #CDEF1E

RGB 205 239 30

HSL 69.76, 0.87%, 0.53%

LAB 89.3, -34.03, 83.83

 

CMYK 38 / 0 / 87 / 6

HEX #95EF1E

RGB 149 239 30

HSL 85.84, 0.87%, 0.53%

LAB 86.11, -54.84, 79.9

 

CMYK 62 / 0 / 87 / 6

HEX #5CEF1E

RGB 92 239 30

HSL 102.2, 0.87%, 0.53%

LAB 84.02, -70.99, 77.28

 

CMYK 85 / 0 / 87 / 6

HEX #24EF1E

RGB 36 239 30

HSL 118.28, 0.87%, 0.53%

LAB 83.02, -79.6, 76.03

 

CMYK 0 / 9 / 87 / 6

HEX #EFD91E

RGB 239 217 30

HSL 53.68, 0.87%, 0.53%

LAB 86.04, -9.39, 82.31

 

CMYK 0 / 9 / 87 / 6

HEX #EFD91E

RGB 239 217 30

HSL 53.68, 0.87%, 0.53%

LAB 86.04, -9.39, 82.31

 

CMYK 0 / 8 / 77 / 14

HEX #DCCA32

RGB 220 202 50

HSL 53.65, 0.71%, 0.53%

LAB 80.56, -9.36, 72.08

 

CMYK 0 / 7 / 66 / 22

HEX #C8BA45

RGB 200 186 69

HSL 53.59, 0.54%, 0.53%

LAB 74.72, -8.81, 58.88

 

CMYK 0 / 6 / 51 / 29

HEX #B5AB59

RGB 181 171 89

HSL 53.48, 0.38%, 0.53%

LAB 69.23, -7.57, 43.11

 

CMYK 0 / 3 / 33 / 37

HEX #A19C6C

RGB 161 156 108

HSL 54.34, 0.22%, 0.53%

LAB 63.7, -5.81, 25.84

 

CMYK 0 / 57 / 87 / 6

HEX #EF671E

RGB 239 103 30

HSL 20.96, 0.87%, 0.53%

LAB 60.02, 49.14, 61.83

 

CMYK 0 / 33 / 87 / 6

HEX #EF9F1E

RGB 239 159 30

HSL 37.03, 0.87%, 0.53%

LAB 71.72, 20.71, 70.99

 

CMYK 0 / 10 / 87 / 6

HEX #EFD71E

RGB 239 215 30

HSL 53.11, 0.87%, 0.53%

LAB 85.53, -8.38, 81.9

 

CMYK 13 / 0 / 87 / 6

HEX #D0EF1E

RGB 208 239 30

HSL 68.9, 0.87%, 0.53%

LAB 89.5, -32.83, 84.08

 

CMYK 36 / 0 / 87 / 6

HEX #98EF1E

RGB 152 239 30

HSL 84.98, 0.87%, 0.53%

LAB 86.26, -53.83, 80.07

 

CMYK 0 / 10 / 93 / 31

HEX #AF9E0C

RGB 175 158 12

HSL 53.74, 0.87%, 0.37%

LAB 64.64, -7.25, 66.23

 

CMYK 0 / 10 / 93 / 16

HEX #D6C10E

RGB 214 193 14

HSL 53.7, 0.88%, 0.45%

LAB 77.56, -8.22, 77.29

 

CMYK 0 / 9 / 87 / 6

HEX #EFD91E

RGB 239 217 30

HSL 53.68, 0.87%, 0.53%

LAB 86.04, -9.39, 82.31

 

CMYK 0 / 8 / 71 / 5

HEX #F2DF45

RGB 242 223 69

HSL 53.41, 0.87%, 0.61%

LAB 88.01, -9.88, 73.42

 

CMYK 0 / 6 / 56 / 4

HEX #F4E66C

RGB 244 230 108

HSL 53.82, 0.86%, 0.69%

LAB 90.28, -10.23, 60.07

 

CMYK 0 / 9 / 87 / 6

HEX #EFD91F

RGB 239 217 31

HSL 53.65, 0.87%, 0.53%

LAB 86.04, -9.37, 82.12

 

CMYK 87 / 0 / 80 / 6

HEX #1EEF30

RGB 30 239 48

HSL 125.17, 0.87%, 0.53%

LAB 83.03, -79.26, 71.95

 

CMYK 45 / 87 / 0 / 6

HEX #831EEF

RGB 131 30 239

HSL 269, 0.87%, 0.53%

LAB 41.19, 75.55, -83.82

 

CMYK 0 / 9 / 87 / 6

HEX #EFD91F

RGB 239 217 31

HSL 53.65, 0.87%, 0.53%

LAB 86.04, -9.37, 82.12

 

CMYK 87 / 0 / 10 / 6

HEX #1EEFD7

RGB 30 239 215

HSL 173.11, 0.87%, 0.53%

LAB 85.46, -51.52, -1.62

 

CMYK 10 / 87 / 0 / 6

HEX #D71EEF

RGB 215 30 239

HSL 293.11, 0.87%, 0.53%

LAB 53.61, 86.96, -63.06

 

CMYK 0 / 9 / 87 / 6

HEX #EFD91F

RGB 239 217 31

HSL 53.65, 0.87%, 0.53%

LAB 86.04, -9.37, 82.12

 

CMYK 87 / 0 / 80 / 6

HEX #1EEF30

RGB 30 239 48

HSL 125.17, 0.87%, 0.53%

LAB 83.03, -79.26, 71.95

 

CMYK 87 / 77 / 0 / 6

HEX #1E37EF

RGB 30 55 239

HSL 232.82, 0.87%, 0.53%

LAB 36.44, 58.3, -91.93

 

CMYK 0 / 87 / 7 / 6

HEX #EF1EDE

RGB 239 30 222

HSL 304.88, 0.87%, 0.53%

LAB 56.64, 88.49, -48.4

 

CMYK 0 / 9 / 87 / 6

HEX #EFD91F

RGB 239 217 31

HSL 53.65, 0.87%, 0.53%

LAB 86.04, -9.37, 82.12

 

CMYK 87 / 0 / 54 / 6

HEX #1EEF6E

RGB 30 239 110

HSL 142.97, 0.87%, 0.53%

LAB 83.51, -73.25, 48.89

 

CMYK 87 / 77 / 0 / 6

HEX #1E37EF

RGB 30 55 239

HSL 232.82, 0.87%, 0.53%

LAB 36.44, 58.3, -91.93

 

CMYK 0 / 87 / 33 / 6

HEX #EF1E9F

RGB 239 30 159

HSL 322.97, 0.87%, 0.53%

LAB 53.8, 80.96, -16.37

 

Description

Color code: HEX #EFD91F | qconv.com Color code: HEX #EFD91F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 217 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 217 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 87 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 87% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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