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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFC142 it is the complementary color #103EBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFC142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFC142 shade: #F4C13D, #FFD350, #FFE563, #FFF776 and #FFFF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFC142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFC142 shade: #EFC142, #DEAF2F, #CD9D1C, #BC8B09 and #AB7900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFC142 shade: #EEC143, #EE9243, #EE6443 and #EE4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFC142 shade: #EEC143, #EEEE43, #BFEE43, #91EE43 and #63EE43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFC142 shade matches the following richer shades: #EEC143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFC142 shade: #EEC143, #DEB953, #CDB164, #BDA974 and #ACA285

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFC142 shade: #EE6543, #EE9343, #EEC043, #EEEE43 and #C0EE43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFC142 shade: #CD9B11, #EBB41D, #EEC143, #F1CD69 and #F5DA8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFC142 shade: #EFC142, #4EEE43 and #7C43EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFC142 shade: #EFC142, #43EEC0 and #C043EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFC142 shade: #EFC142, #4EEE43, #4371EE and #E343EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFC142 shade: #EFC142, #43EE6B, #4371EE and #EE43C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 72 / 6

HEX #EFC142

RGB 239 193 66

HSL 44.05, 0.84%, 0.6%

LAB 80.11, 4.01, 66.73

 

Complementary color

CMYK 92 / 67 / 0 / 26

HEX #103EBD

RGB 16 62 189

HSL 224.05, 0.84%, 0.4%

LAB 32.32, 36.26, -69.9

 

CMYK 0 / 21 / 75 / 4

HEX #F4C13D

RGB 244 193 61

HSL 43.28, 0.89%, 0.6%

LAB 80.58, 5.91, 69.21

 

CMYK 0 / 17 / 69 / 0

HEX #FFD350

RGB 255 211 80

HSL 44.91, 1%, 0.66%

LAB 86.22, 2.12, 67.88

 

CMYK 0 / 10 / 61 / 0

HEX #FFE563

RGB 255 229 99

HSL 50, 1%, 0.69%

LAB 90.87, -5.89, 64.93

 

CMYK 0 / 3 / 54 / 0

HEX #FFF776

RGB 255 247 118

HSL 56.5, 1%, 0.73%

LAB 95.62, -13.45, 61.96

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF89

RGB 255 255 137

HSL 60, 1%, 0.77%

LAB 97.87, -15.76, 55.97

 

CMYK 0 / 19 / 72 / 6

HEX #EFC142

RGB 239 193 66

HSL 44.05, 0.84%, 0.6%

LAB 80.11, 4.01, 66.73

 

CMYK 0 / 21 / 79 / 13

HEX #DEAF2F

RGB 222 175 47

HSL 43.89, 0.73%, 0.53%

LAB 73.8, 5.4, 67

 

CMYK 0 / 23 / 86 / 20

HEX #CD9D1C

RGB 205 157 28

HSL 43.73, 0.76%, 0.46%

LAB 67.41, 7.01, 66.45

 

CMYK 0 / 26 / 95 / 26

HEX #BC8B09

RGB 188 139 9

HSL 43.58, 0.91%, 0.39%

LAB 60.94, 8.89, 64.5

 

CMYK 0 / 29 / 100 / 33

HEX #AB7900

RGB 171 121 0

HSL 42.46, 1%, 0.34%

LAB 54.38, 11.05, 60.5

 

CMYK 0 / 19 / 72 / 7

HEX #EEC143

RGB 238 193 67

HSL 44.21, 0.83%, 0.6%

LAB 80.02, 3.63, 66.22

 

CMYK 0 / 39 / 72 / 7

HEX #EE9243

RGB 238 146 67

HSL 27.72, 0.83%, 0.6%

LAB 68.85, 28.38, 54.84

 

CMYK 0 / 58 / 72 / 7

HEX #EE6443

RGB 238 100 67

HSL 11.58, 0.83%, 0.6%

LAB 59.61, 51.35, 44.88

 

CMYK 0 / 72 / 72 / 7

HEX #EE4343

RGB 238 67 67

HSL 0, 0.83%, 0.6%

LAB 54.65, 64.7, 39.28

 

CMYK 0 / 19 / 72 / 7

HEX #EEC143

RGB 238 193 67

HSL 44.21, 0.83%, 0.6%

LAB 80.02, 3.63, 66.22

 

CMYK 0 / 0 / 72 / 7

HEX #EEEE43

RGB 238 238 67

HSL 60, 0.83%, 0.6%

LAB 91.56, -18.99, 77.39

 

CMYK 20 / 0 / 72 / 7

HEX #BFEE43

RGB 191 238 67

HSL 76.49, 0.83%, 0.6%

LAB 88.27, -37.71, 73.08

 

CMYK 39 / 0 / 72 / 7

HEX #91EE43

RGB 145 238 67

HSL 92.63, 0.83%, 0.6%

LAB 85.79, -54.14, 69.81

 

CMYK 58 / 0 / 72 / 7

HEX #63EE43

RGB 99 238 67

HSL 108.77, 0.83%, 0.6%

LAB 84.07, -67.15, 67.51

 

CMYK 0 / 19 / 72 / 7

HEX #EEC143

RGB 238 193 67

HSL 44.21, 0.83%, 0.6%

LAB 80.02, 3.63, 66.22

 

CMYK 0 / 19 / 72 / 7

HEX #EEC143

RGB 238 193 67

HSL 44.21, 0.83%, 0.6%

LAB 80.02, 3.63, 66.22

 

CMYK 0 / 17 / 63 / 13

HEX #DEB953

RGB 222 185 83

HSL 44.03, 0.68%, 0.6%

LAB 76.59, 1.92, 55.4

 

CMYK 0 / 14 / 51 / 20

HEX #CDB164

RGB 205 177 100

HSL 44, 0.51%, 0.6%

LAB 73.12, 0.3, 42.81

 

CMYK 0 / 11 / 39 / 26

HEX #BDA974

RGB 189 169 116

HSL 43.56, 0.36%, 0.6%

LAB 69.79, -0.4, 30.01

 

CMYK 0 / 6 / 23 / 33

HEX #ACA285

RGB 172 162 133

HSL 44.62, 0.19%, 0.6%

LAB 66.75, -1.17, 16.41

 

CMYK 0 / 58 / 72 / 7

HEX #EE6543

RGB 238 101 67

HSL 11.93, 0.83%, 0.6%

LAB 59.79, 50.89, 45.07

 

CMYK 0 / 38 / 72 / 7

HEX #EE9343

RGB 238 147 67

HSL 28.07, 0.83%, 0.6%

LAB 69.08, 27.86, 55.08

 

CMYK 0 / 19 / 72 / 7

HEX #EEC043

RGB 238 192 67

HSL 43.86, 0.83%, 0.6%

LAB 79.77, 4.15, 65.97

 

CMYK 0 / 0 / 72 / 7

HEX #EEEE43

RGB 238 238 67

HSL 60, 0.83%, 0.6%

LAB 91.56, -18.99, 77.39

 

CMYK 19 / 0 / 72 / 7

HEX #C0EE43

RGB 192 238 67

HSL 76.14, 0.83%, 0.6%

LAB 88.33, -37.33, 73.16

 

CMYK 0 / 24 / 92 / 20

HEX #CD9B11

RGB 205 155 17

HSL 44.04, 0.85%, 0.44%

LAB 66.87, 7.88, 68.42

 

CMYK 0 / 23 / 88 / 8

HEX #EBB41D

RGB 235 180 29

HSL 43.98, 0.84%, 0.52%

LAB 76.31, 7.89, 74.66

 

CMYK 0 / 19 / 72 / 7

HEX #EEC143

RGB 238 193 67

HSL 44.21, 0.83%, 0.6%

LAB 80.02, 3.63, 66.22

 

CMYK 0 / 15 / 56 / 5

HEX #F1CD69

RGB 241 205 105

HSL 44.12, 0.83%, 0.68%

LAB 83.64, 0.98, 53.73

 

CMYK 0 / 11 / 42 / 4

HEX #F5DA8F

RGB 245 218 143

HSL 44.12, 0.84%, 0.76%

LAB 87.75, -0.68, 40.29

 

CMYK 0 / 19 / 72 / 6

HEX #EFC142

RGB 239 193 66

HSL 44.05, 0.84%, 0.6%

LAB 80.11, 4.01, 66.73

 

CMYK 67 / 0 / 72 / 7

HEX #4EEE43

RGB 78 238 67

HSL 116.14, 0.83%, 0.6%

LAB 83.53, -71.57, 66.79

 

CMYK 48 / 72 / 0 / 7

HEX #7C43EE

RGB 124 67 238

HSL 260, 0.83%, 0.6%

LAB 44.9, 61.03, -77.2

 

CMYK 0 / 19 / 72 / 6

HEX #EFC142

RGB 239 193 66

HSL 44.05, 0.84%, 0.6%

LAB 80.11, 4.01, 66.73

 

CMYK 72 / 0 / 19 / 7

HEX #43EEC0

RGB 67 238 192

HSL 163.86, 0.83%, 0.6%

LAB 85.07, -53.6, 9.93

 

CMYK 19 / 72 / 0 / 7

HEX #C043EE

RGB 192 67 238

HSL 283.86, 0.83%, 0.6%

LAB 53.38, 73.07, -63.05

 

CMYK 0 / 19 / 72 / 6

HEX #EFC142

RGB 239 193 66

HSL 44.05, 0.84%, 0.6%

LAB 80.11, 4.01, 66.73

 

CMYK 67 / 0 / 72 / 7

HEX #4EEE43

RGB 78 238 67

HSL 116.14, 0.83%, 0.6%

LAB 83.53, -71.57, 66.79

 

CMYK 72 / 53 / 0 / 7

HEX #4371EE

RGB 67 113 238

HSL 223.86, 0.83%, 0.6%

LAB 50.89, 26.16, -67.62

 

CMYK 5 / 72 / 0 / 7

HEX #E343EE

RGB 227 67 238

HSL 296.14, 0.83%, 0.6%

LAB 58.53, 80.01, -54.51

 

CMYK 0 / 19 / 72 / 6

HEX #EFC142

RGB 239 193 66

HSL 44.05, 0.84%, 0.6%

LAB 80.11, 4.01, 66.73

 

CMYK 72 / 0 / 55 / 7

HEX #43EE6B

RGB 67 238 107

HSL 134.04, 0.83%, 0.6%

LAB 83.65, -69.32, 50.55

 

CMYK 72 / 53 / 0 / 7

HEX #4371EE

RGB 67 113 238

HSL 223.86, 0.83%, 0.6%

LAB 50.89, 26.16, -67.62

 

CMYK 0 / 72 / 17 / 7

HEX #EE43C6

RGB 238 67 198

HSL 314.04, 0.83%, 0.6%

LAB 58.29, 76.45, -32.15

 

Description

Color code: HEX #EFC142 | qconv.com Color code: HEX #EFC142 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 193 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 193 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 72 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 72% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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