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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFB43D it is the complementary color #104BC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFB43D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFB43D shade: #F4B438, #FFC64B, #FFD85E, #FFEA71 and #FFFC84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFB43D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFB43D shade: #EFB43D, #DEA22A, #CD9017, #BC7E04 and #AB6C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFB43D shade: #EFB43D, #EF843D, #EF543D and #EF3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFB43D shade: #EFB43D, #EFE43D, #CAEF3D, #9AEF3D and #6AEF3D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFB43D shade matches the following richer shades: #EFB43D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFB43D shade: #EFB43D, #DEAE4E, #CDA85F, #BCA370 and #AB9D81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFB43D shade: #EF553D, #EF843D, #EFB43D, #EFE33D and #CBEF3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFB43D shade: #CA8C10, #ECA517, #EFB43D, #F2C363 and #F5D189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFB43D shade: #EFB43D, #55EF3D and #6C3DEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFB43D shade: #EFB43D, #3DEFB4 and #B43DEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFB43D shade: #EFB43D, #55EF3D, #3D78EF and #D73DEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFB43D shade: #EFB43D, #3DEF5B, #3D78EF and #EF3DD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 74 / 6

HEX #EFB43D

RGB 239 180 61

HSL 40.11, 0.85%, 0.59%

LAB 76.88, 10.58, 65.48

 

Complementary color

CMYK 92 / 61 / 0 / 24

HEX #104BC2

RGB 16 75 194

HSL 220.11, 0.85%, 0.41%

LAB 36.06, 29.67, -66.71

 

CMYK 0 / 26 / 77 / 4

HEX #F4B438

RGB 244 180 56

HSL 39.57, 0.9%, 0.59%

LAB 77.38, 12.5, 68

 

CMYK 0 / 22 / 71 / 0

HEX #FFC64B

RGB 255 198 75

HSL 41, 1%, 0.65%

LAB 83, 8.56, 66.59

 

CMYK 0 / 15 / 63 / 0

HEX #FFD85E

RGB 255 216 94

HSL 45.47, 1%, 0.68%

LAB 87.57, 0.36, 63.47

 

CMYK 0 / 8 / 56 / 0

HEX #FFEA71

RGB 255 234 113

HSL 51.13, 1%, 0.72%

LAB 92.26, -7.42, 60.34

 

CMYK 0 / 1 / 48 / 0

HEX #FFFC84

RGB 255 252 132

HSL 58.54, 1%, 0.76%

LAB 97.04, -14.75, 57.29

 

CMYK 0 / 25 / 74 / 6

HEX #EFB43D

RGB 239 180 61

HSL 40.11, 0.85%, 0.59%

LAB 76.88, 10.58, 65.48

 

CMYK 0 / 27 / 81 / 13

HEX #DEA22A

RGB 222 162 42

HSL 40, 0.73%, 0.52%

LAB 70.55, 12.14, 65.75

 

CMYK 0 / 30 / 89 / 20

HEX #CD9017

RGB 205 144 23

HSL 39.89, 0.8%, 0.45%

LAB 64.15, 13.94, 65.09

 

CMYK 0 / 33 / 98 / 26

HEX #BC7E04

RGB 188 126 4

HSL 39.78, 0.96%, 0.38%

LAB 57.68, 16, 63

 

CMYK 0 / 37 / 100 / 33

HEX #AB6C00

RGB 171 108 0

HSL 37.89, 1%, 0.34%

LAB 51.13, 18.36, 58.35

 

CMYK 0 / 25 / 74 / 6

HEX #EFB43D

RGB 239 180 61

HSL 40.11, 0.85%, 0.59%

LAB 76.88, 10.58, 65.48

 

CMYK 0 / 45 / 74 / 6

HEX #EF843D

RGB 239 132 61

HSL 23.93, 0.85%, 0.59%

LAB 65.9, 35.8, 54.56

 

CMYK 0 / 65 / 74 / 6

HEX #EF543D

RGB 239 84 61

HSL 7.75, 0.85%, 0.59%

LAB 57.1, 58.37, 45.32

 

CMYK 0 / 74 / 74 / 6

HEX #EF3D3D

RGB 239 61 61

HSL 0, 0.85%, 0.59%

LAB 54.05, 66.73, 41.99

 

CMYK 0 / 25 / 74 / 6

HEX #EFB43D

RGB 239 180 61

HSL 40.11, 0.85%, 0.59%

LAB 76.88, 10.58, 65.48

 

CMYK 0 / 5 / 74 / 6

HEX #EFE43D

RGB 239 228 61

HSL 56.29, 0.85%, 0.59%

LAB 89, -13.95, 76.95

 

CMYK 15 / 0 / 74 / 6

HEX #CAEF3D

RGB 202 239 61

HSL 72.47, 0.85%, 0.59%

LAB 89.22, -34.19, 76.17

 

CMYK 36 / 0 / 74 / 6

HEX #9AEF3D

RGB 154 239 61

HSL 88.65, 0.85%, 0.59%

LAB 86.47, -51.9, 72.59

 

CMYK 56 / 0 / 74 / 6

HEX #6AEF3D

RGB 106 239 61

HSL 104.83, 0.85%, 0.59%

LAB 84.55, -66.2, 70.07

 

CMYK 0 / 25 / 74 / 6

HEX #EFB43D

RGB 239 180 61

HSL 40.11, 0.85%, 0.59%

LAB 76.88, 10.58, 65.48

 

CMYK 0 / 25 / 74 / 6

HEX #EFB43D

RGB 239 180 61

HSL 40.11, 0.85%, 0.59%

LAB 76.88, 10.58, 65.48

 

CMYK 0 / 22 / 65 / 13

HEX #DEAE4E

RGB 222 174 78

HSL 40, 0.69%, 0.59%

LAB 73.77, 7.41, 54.57

 

CMYK 0 / 18 / 54 / 20

HEX #CDA85F

RGB 205 168 95

HSL 39.82, 0.52%, 0.59%

LAB 70.74, 4.66, 42.45

 

CMYK 0 / 13 / 40 / 26

HEX #BCA370

RGB 188 163 112

HSL 40.26, 0.36%, 0.59%

LAB 68.06, 1.96, 29.86

 

CMYK 0 / 8 / 25 / 33

HEX #AB9D81

RGB 171 157 129

HSL 40, 0.2%, 0.59%

LAB 65.24, 0.57, 16.52

 

CMYK 0 / 64 / 74 / 6

HEX #EF553D

RGB 239 85 61

HSL 8.09, 0.85%, 0.59%

LAB 57.25, 57.96, 45.48

 

CMYK 0 / 45 / 74 / 6

HEX #EF843D

RGB 239 132 61

HSL 23.93, 0.85%, 0.59%

LAB 65.9, 35.8, 54.56

 

CMYK 0 / 25 / 74 / 6

HEX #EFB43D

RGB 239 180 61

HSL 40.11, 0.85%, 0.59%

LAB 76.88, 10.58, 65.48

 

CMYK 0 / 5 / 74 / 6

HEX #EFE33D

RGB 239 227 61

HSL 55.96, 0.85%, 0.59%

LAB 88.75, -13.45, 76.71

 

CMYK 15 / 0 / 74 / 6

HEX #CBEF3D

RGB 203 239 61

HSL 72.13, 0.85%, 0.59%

LAB 89.28, -33.8, 76.25

 

CMYK 0 / 31 / 92 / 21

HEX #CA8C10

RGB 202 140 16

HSL 40, 0.85%, 0.43%

LAB 62.8, 14.67, 65.42

 

CMYK 0 / 30 / 90 / 7

HEX #ECA517

RGB 236 165 23

HSL 40, 0.85%, 0.51%

LAB 72.76, 16.13, 73.23

 

CMYK 0 / 25 / 74 / 6

HEX #EFB43D

RGB 239 180 61

HSL 40.11, 0.85%, 0.59%

LAB 76.88, 10.58, 65.48

 

CMYK 0 / 19 / 59 / 5

HEX #F2C363

RGB 242 195 99

HSL 40.28, 0.85%, 0.67%

LAB 81.19, 6.13, 53.72

 

CMYK 0 / 15 / 44 / 4

HEX #F5D189

RGB 245 209 137

HSL 40, 0.84%, 0.75%

LAB 85.41, 3.33, 40.32

 

CMYK 0 / 25 / 74 / 6

HEX #EFB43D

RGB 239 180 61

HSL 40.11, 0.85%, 0.59%

LAB 76.88, 10.58, 65.48

 

CMYK 64 / 0 / 74 / 6

HEX #55EF3D

RGB 85 239 61

HSL 111.91, 0.85%, 0.59%

LAB 83.97, -70.96, 69.29

 

CMYK 55 / 74 / 0 / 6

HEX #6C3DEF

RGB 108 61 239

HSL 255.84, 0.85%, 0.59%

LAB 42.4, 61.82, -81.93

 

CMYK 0 / 25 / 74 / 6

HEX #EFB43D

RGB 239 180 61

HSL 40.11, 0.85%, 0.59%

LAB 76.88, 10.58, 65.48

 

CMYK 74 / 0 / 25 / 6

HEX #3DEFB4

RGB 61 239 180

HSL 160.11, 0.85%, 0.59%

LAB 85.01, -57.49, 16.07

 

CMYK 25 / 74 / 0 / 6

HEX #B43DEF

RGB 180 61 239

HSL 280.11, 0.85%, 0.59%

LAB 51, 73.19, -67.53

 

CMYK 0 / 25 / 74 / 6

HEX #EFB43D

RGB 239 180 61

HSL 40.11, 0.85%, 0.59%

LAB 76.88, 10.58, 65.48

 

CMYK 64 / 0 / 74 / 6

HEX #55EF3D

RGB 85 239 61

HSL 111.91, 0.85%, 0.59%

LAB 83.97, -70.96, 69.29

 

CMYK 74 / 50 / 0 / 6

HEX #3D78EF

RGB 61 120 239

HSL 220.11, 0.85%, 0.59%

LAB 52.57, 21.43, -65.47

 

CMYK 10 / 74 / 0 / 6

HEX #D73DEF

RGB 215 61 239

HSL 291.91, 0.85%, 0.59%

LAB 56.1, 79.69, -59.05

 

CMYK 0 / 25 / 74 / 6

HEX #EFB43D

RGB 239 180 61

HSL 40.11, 0.85%, 0.59%

LAB 76.88, 10.58, 65.48

 

CMYK 74 / 0 / 62 / 6

HEX #3DEF5B

RGB 61 239 91

HSL 130.11, 0.85%, 0.59%

LAB 83.69, -72.43, 57.59

 

CMYK 74 / 50 / 0 / 6

HEX #3D78EF

RGB 61 120 239

HSL 220.11, 0.85%, 0.59%

LAB 52.57, 21.43, -65.47

 

CMYK 0 / 74 / 13 / 6

HEX #EF3DD1

RGB 239 61 209

HSL 310.11, 0.85%, 0.59%

LAB 58.31, 79.99, -38.38

 

Description

Color code: HEX #EFB43D | qconv.com Color code: HEX #EFB43D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 180 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 180 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 74 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 74% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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